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Introduction

Thank you for buying a 

SPIRIT FOLIO

 mixer, brought to you with pride by the 

SPIRIT

 team of Peter, Graham, Malcolm,

Martin, Peter, George, Colin, Tony, Dave, Mukesh, Andy, Candy and Simon.  We hope you have as much fun as we

did!

Owning a 

SPIRIT

 console brings you the expertise and support of one of the industry’s leading manufacturers and the

results of over 20 years experience supporting some of the biggest names in the business.  

Built to the highest standards using quality components, 

FOLIO

 is designed to be as easy to use as possible, but some

time spent NOW, looking through this manual and getting to know your new mixer will give you lots of helpful tips and

confidence, away from the pressures of a live session.  Don’t be afraid to experiment to find out how each control affects

the sound  -  this will only extend your creativity and help you to get the best from your mixer.

SAFETY PRECAUTIONS

For your own safety and to avoid invalidation of the warranty please read this section carefully.

The 

FOLIO

 desk must only be connected through the Power Supply Unit supplied.

The wires in the mains lead are coloured in accordance with the following code:

Green and Yellow:

Earth

Blue:

Neutral

Brown:

Live

As the colours of the wires in the mains lead may not correspond with the coloured markings identifying the terminals

in your plug, proceed as follows:

••

The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with

the letter E or by the earth symbol.

••

The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N

or coloured Black.

••

The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L

or coloured Red.

Ensure that these colour codings are followed carefully in the event of the plug being changed.

To avoid the risk of fire replace the fuse only with the correct value fuse, as indicated on the power supply.

The power supply contains no user-serviceable parts.  Refer all servicing to a qualified service engineer,

through the appropriate Soundcraft dealer.

INITIAL SETTING UP

You will probably use your 

SPIRIT FOLIO

 with a wide range of different types of sound source, and these will be at varying

signal levels.  It is important to set the GAIN of the inputs correctly to give the best performance.

Set up the individual mono input channels as follows:

••

Plug in the chosen source (usually the MIC input for mics and the LINE input for anything else).  Plug in phantom

powered mics before switching the phantom power on.  

••

Set the Master Faders fully down.

••

Provide the chosen source with a typical signal level and press and hold the PFL button by the fader.  The level of

signal will be shown on the right-hand Bargraph Meter (the Left meter will be switched off by depressing the PFL

button).  

SPIRIT FOLIO

9

All manuals and user guides at all-guides.com

Summary of Contents for SPIRIT FOLIO

Page 1: ...Safety Precautions Initial Setting Up The Controls in More Detail Using Folio Typical Applications Stereo Public Address Stereo Recording Location Recording Glossary Technical Specifications System B...

Page 2: ...an up or enhance the sound The AUX SENDS let you set up a separate mix for artists FOLDBACK or to add EFFECTS PROCESSORS PAN swings the signal to the LEFT or RIGHT of the stereo MIX output 1 You can l...

Page 3: ...the signal from the MONITOR OUTPUTS via a suitable power amplifier The MASTER FADERS set the level of the combined signal from all of the input channels going to the amps and speakers The CHANNEL FADE...

Page 4: ...s 3 pole A gauge TRS jacks Use this input for sources other than mics such as keyboards drum machines synths tape machines or guitars The input is BALANCED for low noise and immunity from interference...

Page 5: ...n be enhanced or reduced Set the lower knob to the centre detented position for a neutral EQ response Turn to the right to boost high treble frequencies adding crispness to cymbals vocals and electron...

Page 6: ...age 13 This is similar to the Aux Send 1 control but is always POST FADE Turn to the right to boost low bass frequencies adding extra punch to synths guitars and drums Turn to the left to reduce hum b...

Page 7: ...o image When the control is turned fully right or left you feed only that side of the signal to the mix See page 13 The linear FADER gives you smooth control of the overall signal level in the channel...

Page 8: ...swaps back to the previous source This works just the same as AUX 1 AFL See page 14 See page 14 The three colour peak reading BARGRAPH METERS normally show the level of the MIX RIGHT and MIX LEFT outp...

Page 9: ...pe machine without using up any of the LINE inputs This pot sets the level of playback signal fed either to the MIX when MIX is pressed or MONITOR when TAPE RETN is pressed Press this switch to route...

Page 10: ...llows The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol The wire which is coloured Blue must be connect...

Page 11: ...to mix down input signals but also to provide a monitor mix for artists to hear previously recorded tracks when overdubbing new parts A typical set up is as follows Connect input sources and set gain...

Page 12: ...as shown below although you should then keep cable lengths as short as possible to minimise interference pick up on the cable Unplug anything in the MIC input if you want to use this socket Set the i...

Page 13: ...Turn to the left to cut low frequencies by up to 15dB for reducing hum stage rumble or to improve a mushy sound Set the knob to the centre detented position when not required AUX SEND 1 This is used t...

Page 14: ...re detented position when not required The control has a shelving response giving 15dB of boost or cut at a fixed frequency AUX SEND 1 This is used to set up a separate mono mix for FOLDBACK EFFECTS o...

Page 15: ...same level You should therefore aim for an average reading of 6 9 if the mix contains a high proportion of high level transients and a lower reading of around 0 for steadier signals with the Master F...

Page 16: ...ll Tape Return signal MONITOR PHONES LEVEL This control sets the output level to the MONITOR LEFT RIGHT outputs If HEADPHONES are plugged into the PHNS jack the Monitor outputs are cut off and the kno...

Page 17: ...ufficient level for a direct connection and will require a Direct Injection DI box connected via the microphone input The output is taken from Mix L R and connected to the speakers via a suitable powe...

Page 18: ...reverb or other effects unit is fed from Aux 1 set as post fade and brought back to the mixer on a Stereo input Location Mixing In this example the mixer is used as a simple very portable microphone m...

Page 19: ...ing occurs High Pass filter a filter that rejects low frequencies Line level signals at a nominal level of 10 to 6dBu usually coming from a low impedance source Oscillator a built in tone generator fo...

Page 20: ...onse 20Hz 30kHz relative to 1kHz 1dB Input Output Impedances Mic Inputs 2k Line Inputs 10k Outputs 75 Input Output Levels Mic Input 11dBu maximum Line Input 30dBu maximum Any Output 22dBu maximum Head...

Page 21: ...All manuals and user guides at all guides com a l l g u i d e s c o m...

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