section).
Optional Equaliser
8
The
HF EQ control provides high frequency (above 8.5kHz) boost and cut of
+/-10dB. The MF EQ control provides medium frequency boost and cut of +/-10dB
at 3kHz. The LF EQ control provides low frequency (below 180Hz) boost and cut
of +/-10dB.
9
When
the
EQ switch is depressed, the EQ section, described above, is switched
into the signal path. A yellow LED glows to indicate this. When the switch is
released the signal path bypasses the EQ section.
10
When the 80Hz switch is depressed an 80Hz high-pass filter is switched into
the signal path. A yellow LED glows to indicate this. This control is useful for
filtering-out low frequency hum.
Level Control
11
The
PAN control determines the position of the signal within the stereo image.
Rotation fully anticlockwise feeds the signal solely to the PROGRAM MIX L bus,
whilst rotation clockwise sweeps the image to the PROGRAM MIX R bus.
12
The
GAIN control pr/- 15dB gain.
13
The
PEAK LED glows to give a warning of possible overload.
Cueing
14
When the COMM circuit is active the Caller will hear a reduced programme
plus the signal on the T/B OUTPUT bus. This bus will carry the signal from the
inbuilt mic plus the signal from any of the Mono Input modules if their respective
Talkback Switches are closed. In addition the Caller’s input will be put on the PFL
MIX L & R buses and a PFL condition is signalled on the PFL Enable bus. The
Presenter will therefore hear the caller as a PFL. The LEDs in the COMM and PFL
switches will glow. The COMM circuit will be deactivated when the Fader is
moved away from the down position, or when the COMM switch is pushed a second
time.
15
When
the
PFL circuit is active the Caller’s input will be put onto the PFL
MIX L & R buses. The Presenter will therefore hear the caller as a PFL. The LED
in the PFL switch will glow. The PFL circuit will be deactivated when the Fader
is moved away from the down position.
Output To The Programme
16
The
smooth-action,
100mm
FADER gives a gain of unity (0dB) when it is in
the fully up position. The scale alongside the Fader indicates the attenuation, in dB,
for any position. There is a microswitch attached to the Fader which detects when
the Fader is in the fully down position. This microswitch helps to control many of
the features which are described in this section.
The input to the channel will be on-air whenever the Fader is up (unless the Divert
Telco Channel
29
Summary of Contents for MBI 10 Series
Page 1: ...USER GUIDE SERIES 10...
Page 10: ...6 Introduction to the MBI Series 10...
Page 15: ...10 Block Diagrams...
Page 28: ...Meterbridge Distribution Board SC3357 22 Applications...
Page 29: ...Mono Input Channel Description Operation Specification Mono Input Channel 23...
Page 33: ...Telco Channel Description Operation Specification Telco Channel 27...
Page 36: ...switch is depressed and is properly connected to the Hybrid 30 Telco Channel...
Page 37: ...Stereo Input Channel Description Operation Specification Stereo Input Channel 31...
Page 41: ...Master Section Description Operation Specification Master Section 35...
Page 45: ...Monitor Section Description Operation Monitor Section 39...
Page 51: ...Appendices Glossary Dimensions Warranty Appendices 45...