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8

04

3 Dimension 1 (3Dim1)

Parameters

No.

Name

Range

Comments

–

FxA(B) On/Off

On, Off

Turns the effect on or off.

1

Pan 1

L180 ~ R180

Rotates the sound from Ch 1 up to 180° left or right (“0” is front and center).

2

Pan 2

L180 ~ R180

Rotates the sound from Ch 2 up to 180° left or right (“0” is front and center).

3

Pan 3

L180 ~ R180

Rotates the sound from Ch 3 up to 180° left or right (“0” is front and center).

4

Pan 4

L180 ~ R180

Rotates the sound from Ch 4 up to 180° left or right (“0” is front and center).

This effect lets you adjust the position
of the original sound (of each of the 4
channels) within the sound stage. It
lets you adjust left to right and front to
back positioning simultaneously using
only 2 (front) speakers.

Note

The relationship between your listening
position and the speakers should be as
close as possible to that shown below. The
output from Ch 3 and Ch 4 is the exact
same signal as Ch 1 and Ch 2.

CH1

3-D Panning

CH2

3-D Panning

Virtual

Dimension

CH3

3-D Panning

CH4

CH1

CH2

CH3

CH4

3-D Panning

Front

Front

4 Channel Effects

Listening Position

CH1

60¡

60¡

30¡

30¡

CH2

«
...
6
7
8
9
10
...
»

Summary of Contents for DPS-V55

Page 1: ...1 3 000 000 11 1 1995 by Sony Corporation Multi Effect Processor Effect Parameter Guide Guide des Paramètres d Effet Effektparameter Übersicht EN DPS V55 DPS V55M ...

Page 2: ...tereo Panner 26 23 2ch TAP HsPAN Haas Panner 27 24 2ch Drivr Driver 28 25 2ch EQ 3 Band Equalizer 29 26 2ch Amp Amp Simulator 30 27 2ch Limit Limiter 31 28 2ch Comp Compressor 32 29 2ch Excit Exciter 33 30 2ch Gate Gate 34 31 2ch TAP Treml Tremolo 35 32 2ch TAP Vibrt Vibrato 35 33 2ch Wah Auto Wah 36 34 2ch TAP PtROL Pitch Roller 37 35 2ch VoCNL Vocal Canceler 38 36 2ch TAP Freez Freeze 39 37 M P ...

Page 3: ... and the FxA number starts blinking Ill A 2 Turn the rotary encoder to select the effect 01 45 for Fx A 3 Press EDIT PARAMETER twice to move the cursor to FxB Note this is not possible if you select a 4ch effect 01 09 in the previous step 4 Turn the rotary encoder to select an effect 10 45 for Fx B 5 Press EXIT to return to play mode Changing effect parameters 1 Press EDIT PARAMETER or repeatedly ...

Page 4: ... PARAMETER to move the cursor to the program name The first character of the current program name starts blinking 4 Use the rotary encoder and EDIT PARAMETER to enter up to 12 characters 5 Press SAVE again or ENTER TAP to execute the save operation Writing appears momentarily the program is saved and the unit switches back to the play mode S a v e 1 2 8 S u p e r D e l a y Basic Operations Démarch...

Page 5: ...lity of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the direct sound 7 Effect Level 0 100 Determines the level ...

Page 6: ...verb time and sound quality of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the direct sound 7 Effect Level 0 10...

Page 7: ...cter reverb time and sound quality of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the direct sound 7 Effect Lev...

Page 8: ... 4 up to 180 left or right 0 is front and center This effect lets you adjust the position of the original sound of each of the 4 channels within the sound stage It lets you adjust left to right and front to back positioning simultaneously using only 2 front speakers Note The relationship between your listening position and the speakers should be as close as possible to that shown below The output ...

Page 9: ...ator LFO The sense of modulation becomes stronger as you increase this value There is no chorus effect at 0 3 PreDelay 0 1200 ms Determines how long it will to activate the chorus effect 4 Direct Level 0 100 Determines the level of the direct sound 5 Effect Level 0 100 Determines the level of the effect sound This effect incorporates 5 chorus units for each channel to allow massive expansion even ...

Page 10: ...rmines the level of the direct sound 6 Effect Level 0 100 Determines the level of the effect sound Ensemble lets you produce a more profound effect than chorus Think of it as a massive conglomeration of chorus units The Mode parameter determines the type of effect Mode 1 Expands monaural or stereo sources Maintains a sense of localization when used with stereo sources Mode 2 Expands monaural or st...

Page 11: ...orn high band Larger values shift the balance toward the horn 8 Effect BAL 0 100 Determines the balance between the dry direct sound and the effect sound Larger values increase the sound of the effect This is a simulation of a rotary speaker invaluable for organ sound It includes faithful simulations of the delicate differences in coloration produced by the direction of the speaker s horn By using...

Page 12: ...Voice Mix 0 100 Determines how much of the voice etc input to the Lch ch1 will be mixed into the output 6 Vocoder Mix 0 100 Sets the output level of the vocoder This is an 8 band vocoder By inputting a voice through a mic etc to the Lch ch1 and inputting an instrument to the Rch ch2 you can output the voice with the instrument s coloration The pitch is dictated by the pitch of the instrument z To ...

Page 13: ...Direction R LnR RnL Determines the direction in which the sound source input to the right R channel will travel 7 Ambience 0 100 Adds ambience Larger values create a wider space 8 Trigger Signal Tap Determines whether the Doppler effect is triggered by the input signal or by the ENTER TAP key Imagine an ambulance sirens ablaze headed your direction The change in the way you hear the sirens during ...

Page 14: ...and sound quality of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the direct sound 7 Effect Level 0 100 Determin...

Page 15: ...thout changing the character reverb time and sound quality of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the d...

Page 16: ...ing the character reverb time and sound quality of the effect 4 Spread 0 6 1 4 Adjusts the expansiveness of the reverberation Normally set to the same value as Size 5 Hi Damp 0 100 Sets the ratio of high frequency reverb time in relation to the overall reverberation Smaller values increase the rate of attenuation in the high frequencies 6 Direct Level 0 100 Determines the level of the direct sound...

Page 17: ...fect lets you adjust the position of the original sound of each of the 4 channels within the sound stage It lets you adjust left to right and front to back positioning simultaneously using only 2 front speakers Note The relationship between your listening position and the speakers should be as close as possible to that shown below The output from Ch 3 and Ch 4 is the exact same signal as Ch 1 and ...

Page 18: ...c level of the reflected waves increases over time 3 PreDelay 0 150 ms Determines the length of time between the input of the original sound and the output of the reflected wave 4 Diffusion L 0 100 Determines the density time interval of the reflected waves 5 Diffusion R 0 100 Determines the density time interval of the reflected waves 6 Direct Level 0 100 Determines the level of the direct sound ...

Page 19: ...e echo to create longer reverberations This parameter sets feedback level for the left L channel 4 Feedback R 99 99 This parameter sets feedback level for the right R channel 5 LPF L 100 Hz Thru LPF low pass filter lets you blur the sound of the echo by blocking all frequencies higher than the one chosen in this parameter LPF is inactive when set to Thru This parameter sets LPF for the left L chan...

Page 20: ...is parameter sets feedback level for the left L channel 4 Feedback R 99 99 This parameter sets feedback level for the right R channel 5 LPF 100 Hz Thru LPF low pass filter lets you blur the sound of the echo by blocking all frequencies higher than the one chosen in this parameter LPF is inactive when set to Thru 6 Mode Cross Normal Determines which channel the echo will be output from Cross output...

Page 21: ...ose Fast to speed up the effect or Soft when you want to soften the effect 7 Direct Level 0 100 Determines the level of the direct sound 8 Effect Level 0 100 Determines the level of the effect sound The pitch shifter changes the pitch of the input sound The pitch of the input sound is moved parallel and output according to the value set in Pitch By increasing the Pitch FB L Pitch FB R Pitch Feedba...

Page 22: ...th 20 650 Determines the length of the sound to be spun in reverse 3 Feedback 99 99 Sets the pitch shifter feedback level 4 Direct Level 0 100 Determines the level of the direct sound 5 Effect Level 0 100 Determines the level of the effect sound This stereo pitch shifter creates the effect of playing in reverse Psychedelic 2 Channel Effects Direct Direct Effect Effect CH1 CH3 CH2 CH4 CH1 CH3 CH2 C...

Page 23: ... Thru LPF blocks all frequencies higher than the one set in this parameter Useful for softening the chorus LPF is inactive when set to Thru 6 Spread 0 20 Determines the amount of expansion between the two channels There is no effect when set to 0 7 Direct Level 0 100 Determines the level of the direct sound 8 Effect Level 0 100 Determines the level of the effect sound This is a standard chorus eff...

Page 24: ...asing this value too much will result in distortion 4 PreDelay 0 500 ms Determines how long it will to activate the flanging effect 5 LPF 100 Hz Thru LPF blocks all frequencies higher than the one set in this parameter Useful for softening the flanger LPF is inactive when set to Thru 6 Spread 0 20 Determines the amount of expansion between the two channels There is no effect when set to 0 7 Direct...

Page 25: ...99 Sets the amount of resonance Increasing this value produces more distinct phasing in the mid and high bands 5 Cross Mix 0 100 Sets the mix level of the cross phasers 6 Spread 0 20 Determines the amount of expansion between the two channels There is no effect when set to 0 7 Direct Level 0 100 Determines the level of the direct sound 8 Effect Level 0 100 Determines the level of the effect sound ...

Page 26: ...ts the panning wave form 4 Ch Phase 0 20 Adjusts the panning phase between the channels 0 moves the left and right in opposition 20 moves the left and right together 5 Attack 0 100 Determines how long it will take to start or stop panning when ENTER TAP is pressed 6 Init Mode On Off Determines wether panning will start or stop when you press ENTER TAP This effect changes the location of the source...

Page 27: ...he panning between each channel The effect pans deeper into each channel as you increase this value There is no effect at 0 3 LFO Form Sin Tri Selects the panning wave form 4 Ch Phase 0 20 Adjusts the panning phase between the channels 0 moves the left and right in opposition 20 moves the left and right together 5 Attack 0 100 Determines how long it will take to start or stop panning when ENTER TA...

Page 28: ...verdrive 1 Overdrive from an old distorting tube amp 2 Mid and Low band overdrive 3 Mid band overdrive 4 Grungy feeling overdrive 5 Distortion from an fully cranked tube amp 6 Overpowering heavy metal distortion 4 Tone 10 10 High band tone control Larger values create a tighter sound 5 Blend 0 100 Determines the percent of undistorted source sound to mix with the distortion Normally set to 0 but y...

Page 29: ... which frequency band the low frequency equalization will be applied to 3 Mid Gain 24 0 dB 12 0 dB Determines how much to increase or decrease the level of the frequency set in the Mid Freq parameter 4 Mid Freq 100 Hz 20 0 kHz Determines which frequency band the mid frequency equalization will be applied to 5 Q 0 25 4 0 Determines the width of the Mid Freq equalization band Larger values produce a...

Page 30: ... the type of amp the effect will simulate Amp F a 2 speaker built in tube amp Amp B a 1 speaker built in tube amp Amp M a large stack type amp Amp J a bright 2 speaker built in amp 2 Mic Front Slant Upper On Simulates various mic positions used to catch the sound of the amp Front Directly in front of the speaker Slant Slanted sideways in front of the speaker Upper Slanted slightly upward in front ...

Page 31: ...rger values retain create a slower release 4 Level 0 100 The limiter changes the sound level of the input signals This parameter lets you set the output level from the limiter 5 Bass 24 0 dB 12 0 dB Low band equalizer that allows you to determine which signals are sent to the limiter Most effective when used during mixdown 6 Treble 24 0 dB 12 0 dB High band equalizer that allows you to determine w...

Page 32: ...for the effect to completely disappear Larger values retain create a slower release 4 Level 0 100 The compressor changes the sound level of the input signals This parameter lets you set the compressor s output level 5 Bass 24 0 dB 12 0 dB Low band equalizer that allows you to determine which signals are sent to the compressor Most effective when used during mixdown 6 Treble 24 0 dB 12 0 dB High ba...

Page 33: ... try lowering the input level using the INPUT LEVEL knobs or lowering the Level parameter 2 Frequency 1 32 Sets the center frequency for the exciter effect Larger values allow the exciter to effect higher frequencies Note this is only possible when the Type parameter is set to 1 3 Type 1 2 Sets the exciter type 4 Level 0 100 Sets the total output level When the Exciter Gain is set to a high value ...

Page 34: ...ines how long it will take for the gate to open completely once the input signal surpasses the Threshold 4 Release 0 100 Determines how long it will take for the gate to close completely once the input signal goes below the Threshold 5 PreDelay 0 500 ms Determines how long it will take for the signal to enter the gate circuitry 6 MaskTime 0 100 0 1 0 s Determines how long the gate will remain clos...

Page 35: ...TER TAP is pressed 6 Init Mode On Off Determines wether the tremolo will start or stop when you press ENTER TAP 32 Vibrato Vibrt Vibrato allows you to adjusts the pitch cyclically Parameters No Name Range Comments FxA B On Off On Off Turns the effect on or off 1 Rate 0 100 Sets the vibrato cycles 2 Depth 0 100 Sets the vibrato depth There is no effect at 0 3 LFO Form Sin Tri Selects the wave form ...

Page 36: ...open to ooo closed as the level of the input signal increases Positive values shift the sound from ooo to wah as the level of the input signal increases 2 Attack 0 50 Determines how long it will take to activate the effect when a signal is input Larger values take longer for the effect to activate 3 Release 0 50 Sets the time required for the effect to completely disappear when the input signal de...

Page 37: ...ch value 100 raises the pitch 1 octave 100 lowers the pitch until it completely disappears 2 Mode Fast Slow Determines the feel of the sound Choose Fast to speed up the effect or Soft when you want to soften the effect 3 Attack 0 100 Determines how long it will take for the pitch to be raised or lowered once the trigger is activated 4 MaskTime 0 100 0 1 0 s Determines how long the trigger will be ...

Page 38: ... may not be completely erased Parameters No Name Range Comments FxA B On Off On Off Turns the effect on or off 1 Position Lch 99 1 99 1 Rch Determines the position of the sound you want to cancel 2 Spread 0 100 Lets you create a stereo like effect by offsetting the phase of the signal once the vocal has been cancelled 2 Channel Effects ...

Page 39: ...save the effect Parameters No Name Range Comments FxA B On Off On Off Turns the effect on or off 1 Start Point 100 0 1200 Determines where playback will start 2 Stop Point 100 0 1200 Determines where playback will stop 3 Loop Point 100 0 1200 Determines the position of the playback loop Setting different values for the Loop Point and Stop Point allows you to play back the area in between repeatedl...

Page 40: ... the source direct sound to the reverb effect sound Increasing the parameter value increases the sound of the reverb 5 DelayTime 0 500 ms Sets the time that will elapse before the sound of the echo is output 6 Delay FB 99 99 This parameter sets delay s feedback level 7 LPF L 100 Hz 20 kHz Thru LPF low pass filter lets you blur the sound of the echo by blocking all frequencies higher than the one c...

Page 41: ...ct sound Increasing the parameter value increases the sound of the reverb 5 Rate 0 100 Sets the rate frequency or modulation speed of the chorus low frequency oscillator LFO The modulation cycles become faster as you increase this value 6 Depth 0 100 Sets the depth of the chorus low frequency oscillator LFO The sense of modulation becomes stronger as you increase this value There is no chorus effe...

Page 42: ...e source direct sound to the chorus effect sound Increasing the parameter value increases the sound of the chorus 5 DelayTime 0 500 ms Sets the time that will elapse before the sound of the echo is output 6 Delay FB 99 99 This parameter sets delay s feedback level 7 LPF L 100 Hz 20 kHz Thru LPF low pass filter lets you blur the sound of the echo by blocking all frequencies higher than the one chos...

Page 43: ...s effect sound Increasing the parameter value increases the sound of the chorus Lch 5 Rate R 0 100 Sets the rate frequency or modulation speed of the chorus low frequency oscillator LFO The modulation cycles become faster as you increase this value Rch 6 Depth R 0 100 Sets the depth of the chorus low frequency oscillator LFO The sense of modulation becomes stronger as you increase this value There...

Page 44: ... balance between the source direct sound to the chorus effect sound Increasing the parameter value increases the sound of the chorus 5 Pitch 2400 2400 Sets the range of the pitch shift 100 cent represents a semitone shift 1200 cent represents a 1 octave shift 6 Pitch Dly 0 500 ms Determines how long it will take to activate the pitch shift effect 7 Pitch FB 99 99 Sets the pitch shifter feedback le...

Page 45: ...ng the parameter value increases the sound of the pitch shifter 5 Pitch R 2400 2400 Sets the range of the Rch pitch shift 100 cent represents a semitone shift 1200 cent represents a 1 octave shift 6 Pitch Dly R 0 500 ms Determines how long it will take to activate the Rch pitch shift effect 7 Pitch FB R 99 99 Sets the Rch pitch shifter feedback level 8 Pitch BAL R Direct 99 1 1 99 Effect Determine...

Page 46: ...sound of the pitch shifter 5 DelayTime 0 500 ms Sets the time that will elapse before the sound of the echo is output 6 Delay FB 99 99 This parameter sets delay s feedback level 7 LPF L 100 Hz 20 kHz Thru LPF low pass filter lets you blur the sound of the echo by blocking all frequencies higher than the one chosen in this parameter LPF is inactive when set to Thru This parameter sets delay s LPF 8...

Page 47: ...dB Determines how much to increase or decrease the level of the high frequencies in the Lch 5 LwGain R 24 0 dB 12 0 dB Determines how much to increase or decrease the level of the low frequencies in the Rch 6 MdGain R 24 0 dB 12 0 dB Determines how much to increase or decrease the level of the frequency set in the MdFreq L parameter 7 MdFreq R 100 Hz 20 0 kHz Determines which frequency band the Rc...

Page 48: ...arameter lets you set the Lch compressor s output level 5 Sens R 0 100 Sets the Rch compressor s sensitivity to the input signal Larger parameter values allow the compressor to respond to smaller signal levels 6 Attack R 0 100 Specifies the time required for the Rch effect to fully activate once a sound is input 7 Release R 0 100 Sets the time required for the Rch effect to completely disappear La...

Page 49: ...49 ...

Page 50: ...50 ...

Page 51: ...51 ...

Page 52: ...nce pour les valeurs de paramètre telles que Level et Sens Umwandlungstabelle von Prozent in Dezibel dB Verwenden Sie die folgende Tabelle als Referenz für die Parameterwerte Level Sens usw dB 100 0 89 1 79 2 71 3 63 4 56 5 50 6 45 7 40 8 35 9 32 10 28 11 25 12 22 13 20 14 18 15 16 16 14 17 dB 13 18 11 19 10 20 9 21 8 22 7 23 6 24 5 26 4 28 3 30 2 34 1 40 0 8 42 0 6 44 0 5 46 0 4 48 0 INF Sony Cor...

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