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中文

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D

APPLICA

TIONS

35

34

SUBWOOFER ARRAYS 

The wavelength of the frequencies reproduced by any subwoofer, are usually much larger than its physical 

dimensions. Due to this, most of them have no control over directivity, and their radiation pattern in the 

pass-band is omnidirectional. In order to improve this behaviour and to introduce some directivity in the 

intended direction, gradient subwoofer setups are used. In addition, some of their main benefits are:

1.  Reduced low frequency SPL behind the subwoofers and thus, reduced overall SPL on the stage. This  

 

helps to reduce low frequency bleed in the microphones and may improve the comfort, monitoring  

 

and performing for the musicians.

2.  Reduced reflections indoors for a more homogeneous sound field, as sound is more directed towards  

 

the audience.

3.  Reduced energy spill outside of the venue area, reducing noise towards the households and living    

 

areas around.

From their design, the B-Line subwoofers include different features to optimise this phenomenon, getting 

the best possible performance out of it. This is also reflected in the physical deployment of the setups, 

reducing time and resources during their placement and wiring. 

Two of the main types of gradient subwoofer setups are the "Cardioid" and the "End-Fire", detailed below.

END-FIRE SETUP

In end-fire setups, two or more subwoofers are placed behind each other to introduce between them a 

delay, which changes the interaction of the sound in the front and the rear sides, and reduces the level 

in the desired direction. The cancellation of the rear sound occurs mainly around the centre or "tuning" 

frequency of the setup.

Usually, end-fire setups provide around 15 dB to 25 dB level reduction in the rear and are easy to set up. 

Their main drawback however is the space requirement, which may be a problem in some applications. 

That is why in most of the cases, the subwoofers are placed ¼ wavelength apart and the additional delay 

of ¼ wavelength is introduced electronically.

Figure 35 illustrates an end-fire setup with 

B 15

 or 

B 15A

 subwoofers 1.25 m distant. For this distance, an 

additional delay of approximately 3.64 ms should be added to the front subwoofer to create the highest 

reduction in the rear around 69 Hz, over their main operating band. 

In 

B 15A

 self-powered subwoofers, the Directivity function of the DSP allows to configure this setup easily:

1.  For the subwoofer placed in front of the line, enable "

End-Fire

" mode in the Directivity menu by 

 

selecting the desired centre frequency of attenuation. Below in the screen, observe the distance    

 

calculated for that frequency. This distance must match the real separation of the subwoofers from  

 

grille to grille.

2.  For the subwoofer placed rear, select the "

Normal

" preset in the Directivity menu.

The distance between subwoofers is calculated at reference room temperature 20 °C, 

and taking the speed of sound 

c

 = 343 m/s.

All the additional processing like level, polarity, delay and EQ, should be done identically to 

all subwoofers within the end-fire setup, in order to maintain proper phase relations for 

directivity control.

FRONT

(Audience)

1.25 m

REAR

(stage)

Figure 35.

 End-fire setup with two 

B 15A 

subwoofers centred at 69 Hz.

Summary of Contents for B 15

Page 1: ...www se audiotechnik de EN D MANUAL B LINE LOW FREQUENCIES CONTROL...

Page 2: ...you to get the most out of your product under safe operating conditions and suggest some care instructions leading to long term endurance Keep this manual in a safe place for further reference If you...

Page 3: ...5A Self powered Subwoofer 13 B Line Accessories 16 Wiring 17 LCD PLATE AMPLIFIER 18 Overview Screen 18 Menu 20 DSP Settings 21 System Settings 28 Factory Presets 31 APPLICATIONS 32 Stacking System 32...

Page 4: ...O RESPECT THE TIMES OF EXPOSURE TO HIGH SPL Noise level dBA 85 94 97 112 127 Max recommended exposure time per 24 hours 8 hrs 1 hr 30 min 56 sec 1 sec Noise exposure recommendations according to US Na...

Page 5: ...ety pins attachments accessories and adapters specified and or provided by the manufacturer 15 Refer all servicing to qualified service personnel This is required when the product has been damaged in...

Page 6: ...subwoofer with 18 driver B 21 Passive compact subwoofer with 21 driver INTENDED USE These general purpose subwoofers were conceived to extend the range of sound systems to the lowest frequencies Thei...

Page 7: ...ion in the low frequencies Finally its efficient design and compact size guarantees safe and versatile placement even in outdoor environments where an additional rain protection cover can be used to p...

Page 8: ...ended for two operating voltage ranges 100 120 and 200 240 VAC The electrical conversion is done automatically 6 Power Out PowerCON type B mains power output to link power between several units in the...

Page 9: ...TD B 21 TD SPS20 B 15 TC B 18 TC B 21 TC P801DL RC B 15 FC B 18 FC B 21 FC B 15 B 18 SFi M Frame for ground stacking M Line line array units on B 15 or B 18 subwoofers B 15 B 18 SFi L 35 Frame for gro...

Page 10: ...subsections Conversely figures 13 and 27 show respectively the functions included in the DSP Settings and System Settings OVERVIEW SCREEN The Overview screen is the one shown by default on the amplifi...

Page 11: ...submenus can be accessed from this point DSP Settings signal processing settings such as presets filters EQ delay are configured here System Settings power amplifier operation settings are configured...

Page 12: ...ack Load Preset Save Preset USER PRESET By clicking on Save Preset a dialogue to define the preset name is displayed By default the first characters of the name are the same of the current loaded pres...

Page 13: ...must be between the front grilles of the subwoofers to get the effect Finally when this mode is implemented the Active Preset Info screen shows the letters EF DIRECTIVITY Back Type End Fire Att Freq...

Page 14: ...two delay sections Samples for 48 kHz sampling rate Time Delay in milliseconds ms referred to the 48 kHz sampling rate Distance Delay in meters m referred to c 343 m s When changing a parameter in an...

Page 15: ...ubmenu configures the LCD screen s backlight settings There are two general choices Auto Off Which will turn off the backlight after 6 seconds by default To set a different value 1 Set the cursor on t...

Page 16: ...f the Overview screen To unlock the amplifier press the controller for 3 seconds until the message Screen Unlocked is shortly displayed on the screen This message details the active preset as well SYS...

Page 17: ...ment STACKING SYSTEM B 15A B 15 and B 18 subwoofers can be safely and easily piled thanks to their two point stacking system It includes the following elements Top holes and bottom rubber feet include...

Page 18: ...the level in the desired direction The cancellation of the rear sound occurs mainly around the centre or tuning frequency of the setup Usually end fire setups provide around 15 dB to 25 dB level redu...

Page 19: ...cables simplifying the deployment of the whole setup Keep in mind that all the connections between subwoofers are done over pins 1 1 of the speakON link cables FRONT Audience FRONT Audience 1 7 m REAR...

Page 20: ...lat spectrum a parametric EQ around 85 Hz with a Q3 and gain of at least 3 dB should be used equally on all the subwoofers of the array As explained before the Directivity function in B 15A self power...

Page 21: ...d horizontally with three B 18 subwoofers Notice that all the connections are made only from the rear side Input Link 1 Input Link 2 Output Ch 2 Input Link 1 Input Link 2 Output Ch 2 Input Link 1 Inpu...

Page 22: ...18 B 21 SUBWOOFERS TECHNICAL SPECIFICATIONS PARAMETER B 15 B 18 B21 ACOUSTICAL Frequency range 3 dB 1 39 Hz 130 Hz 37 Hz 130 Hz 33 Hz 130 Hz Frequency range 10 dB 1 33 Hz 160 Hz 29 Hz 160 Hz 25 Hz 160...

Page 23: ...45 44 MECHANICAL DRAWINGS Figure 41 B 15 views and dimensions Annotations given in millimetres Figure 42 B 18 views and dimensions Annotations given in millimetres 654 00 495 00 465 00 521 00 793 00...

Page 24: ...P 48 kHz 24 bit with extended dynamics Processing latency 1 1 ms Processing Factory and user presets EQ delay directivity control phase inversion input sensitivity User controls Power ON OFF switch DS...

Page 25: ...plicitly limited to the lesser of the price it has been paid for the product or the cost of repair or replacement of any hardware components that malfunction in conditions of normal use SE AUDIOTECHNI...

Page 26: ...ik com www se audiotechnik de all rights reserved The technical data and the functional product characteristics can be subject to modifications The photocopying translation and all other forms of copy...

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