1. MIC-IN
1.1.
1.4.
1.3.
1.2.
1.5.
1.7.
1.6.
1.8.
1.1. MIC-IN
This microphone input is electronically balanced for XLR type connections. It has been optimized for
connecting microphones or other
transducers having low impedance and low level. The input is perfect for dynamic or condenser vocal
microphones.
1.2. PHASE
In case of feedback, or unwished effects between different channels use the phase reverse switch!
1.3. 48V
Phantom power supplies the XLR connector with 48V for powering condenser microphones.
1.4. GAIN
This variable gain preamplifier adjusts the sensitivity level to ensure the best possible processing of
the signal through the channel.
It is important that this input level be set and optimised in the best way to achieve the cleanest sound
possible.
1.5. DRY OUT
signal can be sent to external systems, for example to another mixer. If you wish to record your music,
connect your recorder to the same output and start recording
1.6. HIGH, MID, LOW
These controls are devoted to high, mid and low frequency regulation. Offering cut and boost of +/-
15dB, they allow a wide range of tonal variations to be explored. When the controls are positioned
dentrally there is no cut or boost of the selected frequency band.
1.7. RESON
The Resonance (notch) filter cuts the frequency of 150Hz, to reduce low-frequency feedback.
- Left: no attenuation (flat)
- Right: maximum
1.8. VOLUME
This rotary control regulates the channel volume.
