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ART48 - STEREO IN 

PAN (1.)

Each mono input channel has a PAN knob. Although somewhat 

unusual for a stereo input, it makes this particular unit more versatile. 

The Stereo In effectively consists of two independent mono input 

channels, each with their own controls - with the exception of the 

LOW/HI Filter that affects both inputs simultaneously. 

The two PAN pots therefore play an important role: When set hard left 

and right respectively, the Stereo In unit gives you a stereo input - as 

its name suggests. When the PAN pots are set to the centre, you get 

a stereo input “switched to mono”. Setting one PAN pot slightly to the 

left and the other to the right lets you chamfer the stereo image. 

When plugging two independent sources into the Stereo In – such as 

a guitar and a mono effect – you can then use the PAN pots to route 

each source left and right as required.

INPUT SECTION

As a stereo channel strip, the unit has two input connectors (2.): Left 

and Right. These are fully balanced, but use space-saving stereo 

phone plugs. The tip connects as usual to the hot signal, the ring to 

the cold and the sleeve to the ground. Another advantage of these 

phone plugs is that you can connect an unbalanced music signal, for 

example from a keyboard, via a simple guitar jack.

Although this stereo input unit is intended to accommodate nominal 

line level signals, the input amp’s sensitivity can be adjusted from 

-15 dBu to +24 dBu using the GAIN knobs(4.). Left and right input 

channels can be separately adjusted. Furthermore, by depressing the 

UNITY button(5.), the gain will be set to 1, allowing the signal to flow 

- without amplification or attenuation - independently from the Gain 

knob setting. This could be particularly useful in a recording situation 

for example, where several “line level” devices might be connected to 

multiple stereo line input units. Here, all inputs can be evenly set to 

an accurate nominal level by depressing the UNITY buttons. 

DIRECT OUT(2.)

The Direct Out connections work as a sleeve out or “dry line out post 

input amp”. You can connect a simple mono phone jack or a stereo 

phone jack to the plugs. The unbalanced line signal will be transmitted 

through the “tip” of the phone jacks.

LOW and HIGH Filters(6.)

Line signals do not usually need strong shaping. However, a little 

correction of the higher and lower frequencies can be useful. The 

stereo LOW and HI filter knobs affect both the left and right inputs 

simultaneously. 

2.

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4.

5.

6.

Summary of Contents for Arthur ART48 STEREO IN

Page 1: ...ACOUSTIC FIDELITY arthur ART48 STEREO IN USER MANUAL Assembling instruction on ART48 L Rmast manual Version 2017 V2 ...

Page 2: ...ould result in feedback Larsen effect and ultimate damage to your device Only use the original connection cables if supplied with the device Otherwise this could prove both costly and inconvenient To completely disconnect this device from the AC mains remove the power cable plug from the mains socket When cleaning do not use solvents e g acetone or alcohol These could damage the external finish an...

Page 3: ... safety purpose of the polarized or grounding type plug A polarized plug has two bla des with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being wal...

Page 4: ...s such as keyboards and Midi devices 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 1 2 9 9 9 9 9 9 9 9 9 9 9 9 R L 0 direct outs UNITY UNITY gain gain PFL L post pre Stereo Jack R L pre hi low BUS PFL AUX 3 AUX 2 AUX 1 all pots and sw itches in blu color all plugs and bus in red color Fader L ON post AUX 2 AUX 3 AUX 1 R L 48V Fader R ON PFL R AUX 2 AUX 3 AUX 1 gain 15dB t...

Page 5: ...er advantage of these phone plugs is that you can connect an unbalanced music signal for example from a keyboard via a simple guitar jack Although this stereo input unit is intended to accommodate nominal line level signals the input amp s sensitivity can be adjusted from 15 dBu to 24 dBu using the GAIN knobs 4 Left and right input channels can be separately adjusted Furthermore by depressing the ...

Page 6: ... of the Pre Post buttons 9 located near the respective AUX level controls If a button is not depressed orange light it means that the signal will arrive post fade When in this position the relevant auxiliary level will obviously be controlled by its level knob but the final outcome will also be influenced by the channel fader s position This is very useful when driving a reverb unit for example wh...

Page 7: ...ed in this case the signal from the voice channel Note The PFL section still runs if the CHANNEL ON button is deactivated white light L R FADER SECTION 11 The channel fader and its associated functionality is probably the most important part of the output process In most cases the signal going through here will be mixed in the L R Master and will appear on the main L R outputs that drive the recor...

Page 8: ... THE SCHERTLER NAME LOGO ARE REGISTERED TRADE NAMES TRADEMARKS OF SCHERTLER SA SWITZERLAND All SCHERTLER PRODUCTS ARE OF PROPRIETARY TECHNOLOGY AND COVERED BY ONE OF MORE WORLDWIDE PATENTS TECHNICAL SPECS Input impedance Maximum input level Maximum output level through L R Sensitivity accordingly to Gain Total Gain through L R Frequency response 3dB Low EQ High EQ Equivalent input noise EIN Distor...

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