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14

Setting Up and Using Your
Stage 55 Series/Stage 5 Series System

11.  Conversely, if you hear a weak, noisy signal at the desired volume level (and with the
Volume control of the receiver turned fully clockwise), again make sure that the SR55 or
SR5 rear panel Audio Output Level switch is set correctly and that the gain structure of
your audio system is correctly set.  If it is and the signal coming from the SR55 or SR5 is
still weak and/or noisy, do the following:

• If you are using a HT5 transmitter or an ST5 transmitter with connected lavaliere

microphone or headset, its Gain control has been factory preset to provide optimum
level for the particular microphone model being used and so no adjustment should be
necessary.  Any weakness of signal should therefore simply be a matter of the
microphone being too far from the mouth; try moving it closer.  If this does not solve
the problem, use the supplied plastic screwdriver to turn the Gain control (trimpot) on
the HT5 or ST5 slowly clockwise until the signal reaches an acceptable level.

• If you are using a ST5 transmitter with an instrument such as electric guitar or bass,

raise the output level of the instrument until a good signal is achieved.  Alternatively,
you can use the supplied plastic screwdriver to turn the Gain control (trimpot) on the
ST5 slowly clockwise until the signal reaches an acceptable level.

12.  Temporarily turn down the level of your mixer/amplifier system and turn off the power
to your transmitter, leaving the SR55 or SR5 on. Then restore the previously set level of
your mixer/amplifier.  With the transmitter off, the receiver output should be totally silent—if
it is, skip ahead to the next step. If it isn’t (that is, if you hear some noise), you may need to
adjust the receiver’s front panel Squelch control.  When the Squelch control is at its mini-
mum setting, the Stage 55 Series / Stage 5 Series system always provides maximum
range without dropout; however, depending upon the particular environment your system is
used in, you may need to reduce that range somewhat in order to eliminate band noise or
interference when the transmitter is turned off.  To do so, use the provided screwdriver to
rotate the Squelch control completely counterclockwise (to the “Min” position), then slowly
turn it clockwise until the noise disappears.  If no noise is present at any position, leave it at
its fully counterclockwise “Min” position (so as to have the greatest overall range available).

13.  When first setting up the Stage 55 Series or Stage 5 Series System in a new environ-
ment, it’s always a good idea to do a walkaround in order to make sure that coverage is
provided for your entire performance area.  Accordingly, turn down the level of your audio
system and turn on both the transmitter and receiver.  Then, with the transmitter unmuted,
restore the level of your audio system and while speaking, singing, or playing your instru-
ment, walk through the entire area that will need to be covered.  As you do so, the “TX”
LED on the front panel of the SR55 or SR5 should always remain lit.  If you are using a
Stage 55 Series system, one of the yellow “A” and “B” LEDs on the SR55 receiver should
always be lit, though occasionally switching to show you which antenna is receiving the
stronger signal.  Always try to minimize the distance between transmitter and receiver as
much as possible so that the strongest possible signal is received from all planned trans-
mission points.  In fixed installations such as A/V or corporate conference rooms or for
extended range applications (where the transmitter and receiver are more than 150 feet
apart), it may be desirable to angle the receiver antenna or antennas differently from their
vertical position or to install the receiver in the same room as the transmitters (and, if nec-
essary,  to extend the wiring to remote audio equipment).

If you have followed all the steps above and are experiencing difficulties, contact your
local distributor or, if purchased in the United States, call Samson Technical Support
(1-800-372-6766) between 9 AM and 5 PM EST.

Summary of Contents for Stage 5

Page 1: ...W I R E L E S S AND W I R E L E S S S Y S T E M T R U E D I V E R S I T Y W I R E L E S S S Y S T E M ...

Page 2: ...Fax 516 364 3888 Table of Contents Introduction 3 Guided Tour SR55 Receiver Front Panel 5 Guided Tour SR55 Receiver Rear Panel 6 Guided Tour SR5 Receiver Front Panel 7 Guided Tour SR5 Receiver Rear Panel 8 Guided Tour ST5 Transmitter 9 Guided Tour HT5 Transmitter 11 Setting Up and Using Your Stage 55 Series Stage 5 Series System 12 Appendix B Carrying Case 15 Specifications 16 ...

Page 3: ...hone GC5 Heavy duty Guitar Instrument cable The HT5 hand held microphone transmitter is equipped with the Samson Q7 neodymium dynamic microphone element Your receiver and transmitter have been factory preset to utilize the same channel The SR5 receiver provided with the STAGE 5 Series wireless system utilizes non diversity technology incorporating a single antenna for ease of use and minimal cost ...

Page 4: ...her Samson products in the future If your Stage 55 Series or Stage 5 Series system was purchased outside of the United States contact your local distributor for warranty details SPECIAL NOTE for U S purchasers Should your Stage 55 Series or Stage 5 Series sys tem ever require servicing a Return Authorization number RA is necessary Without this number the unit will not be accepted Please call Samso...

Page 5: ...nu al for more information 4 Squelch control This control determines the maximum range of the SR55 before audio signal dropout Although it can be adjusted using the supplied plastic screwdriver it should normally be left at its factory setting See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 12 in this manual for more information 5 ANT A B LEDs When signal is...

Page 6: ...w cold 3 Audio Output Level switch Sets the audio output level attenuation of the balanced output see 4 below to 20 dBm line level or 40 dBm mic level See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 12 in this manu al for more information 4 Unbalanced output Use this unbalanced high impedance 5K Ohm 1 4 jack when connecting the SR55 to consumer 10 audio equi...

Page 7: ...lit little or no signal is being received See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 12 in this manu al for more information 4 Squelch control This control determines the maximum range of the SR5 before audio signal dropout Although it can be adjusted using the supplied plastic screwdriver it should normally be left at its factory setting See the Settin...

Page 8: ... cold 3 Audio Output Level switch Sets the audio output level attenuation of the balanced output see 4 below to 20 dBm line level or 40 dBm mic level See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 10 in this man ual for more information 4 Unbalanced output Use this unbalanced high impedance 5K Ohm 1 4 jack when connecting the SR5 to consumer 10 audio equipm...

Page 9: ...or lights RF performance is degraded and the battery needs to be replaced 3 Audio on off switch When set to the on position audio signal is transmitted When set to the off position the audio signal is muted Because the carrier signal remains during muting no pop or thud will be heard Note that turning this off does not turn off the transmitter power it is simply a way to temporarily mute the trans...

Page 10: ...ur signal is too high or too low If necessary however you can use the supplied plastic screwdriver see 9 below to raise or lower the ST5 Gain control See the Setting Up and Using Your Stage 55 Series Stage 5 Series System section on page 12 in this manual for more information 8 Battery holder Insert a standard 9 volt alkaline battery here being sure to observe the plus and minus polarity markings ...

Page 11: ...wer be sure to leave it off when not in use 4 Gain control trimpot This input sensitivity control has been factory preset to provide optimum level for the particular microphone capsule provid ed with your Stage 55 Series or Stage 5 Series system and so we recommend that this not be adjusted manually If necessary however you can use the supplied plastic screw driver to raise or lower the input leve...

Page 12: ...off 5 Place a fresh 9 volt alkaline battery in the transmitter battery holder taking care to observe the polarity markings If you are using a ST5 belt pack transmitter gently replace the battery door by swinging it up and pressing until it clicks If you are using a HT5 hand held transmitter replace the bottom section of the microphone by sliding it on and then screwing it back on Whichever transmi...

Page 13: ...ck up sig nal from all directions are more prone to feedback problems than unidirectional cardioid or supercar dioid ones in general you can avoid feedback by taking care not to use any microphone directly in front of a PA speaker if this is unavoidable try using an equalizer to attenuate those high or mid range fre quencies which are causing the feedback squeal ing 10 If you hear distortion at th...

Page 14: ... dropout however depending upon the particular environment your system is used in you may need to reduce that range somewhat in order to eliminate band noise or interference when the transmitter is turned off To do so use the provided screwdriver to rotate the Squelch control completely counterclockwise to the Min position then slowly turn it clockwise until the noise disappears If no noise is pre...

Page 15: ...or conve nience when on the road your Stage 55 Series Stage 5 Series system includes an impact resistant polypropylene plastic carrying case with foam rubber padding As shown in the illustration below custom cutouts in the interior padding provide secure placement for all components in your system 15 ...

Page 16: ...in Weight ST5 100 grams 3 55 oz HT5 200 grams 7 1 oz Receiver SR55 and SR5 Receiving System SR55 Single conversion Superheterodyne Diversity SR5 Single conversion Superheterodyne Non Diversity Frequency Range 173 80 MHz to 213 20 MHz 25 frequencies Band A European UK models 160 10 to 177 90 MHz Band B European UK models 189 10 to 210 10 MHz Receiving Mode 80KF3E Sensitivity 3 µV for 20 dB SINAD 10...

Page 17: ...nd licensability depends on the user s classification application and frequency selected This device complies with RSS 210 of Industry Science Canada Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation ...

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