Roland Sound Canvas SC-8820 Owner'S Manual Download | Manualshive

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Appendices

MIDI uses sixteen channels, numbered 1–16. Music data is received when the trans-
mit channel of the transmitting device matches the receive channel of the receiving
device. If you make the MIDI channel settings shown in Fig.1, only sound module B
will sound when you play the keyboard, and sound module A will not sound. This
is because sound module B matches the transmit channel of the keyboard, but sound
module A’s channel does not match.
Conversely, if you set the transmit channel of the keyboard to match sound module
A, sound module A will sound (Fig.2).

fig.11-3e

Since this unit has MIDI IN connector, it can receive a total of 16 channels simulta-
neously. By using 16 channels you can play ensembles that use 16 Parts. Sound mod-
ule such as this unit, which are able to simultaneously play many parts, are called
“multitimbral” sound modules. Timbre is a word meaning sound.
This unit has two types of Parts: Normal Parts and Drum Parts (p.28). Normal Parts
are used to play melody or bass lines. On General MIDI/GS sound modules, the
Drum Part uses channel 10.

■

What is General MIDI 2?

The General MIDI 2 is a set of recommended specifications that provide detailed def-
initions for functionality such as sound editing and effects that had not been defined
in the GM (General MIDI) (*), and extend the sound map to allow a higher degree of
performance expression and compatibility.

* The GM (General MIDI) was defined in 1991 as a recommended practice of the MIDI specification, to

provide a standard for the MIDI functionality of sound modules that would allow certain types of com-
patibility between manufacturers. It defines basic sound module specifications such as the number of
parts, polyphony, and the sound map.

Principle differences between General MIDI 2 and the GS Format (SC-8820)

• Initialization message for sound source parameters
[GS]

GS Reset

F0 41 10 42 12 40 00 7F 00 41 F7

[General MIDI 2] GM2 System On

F0 7E 7F 09 03 F7

• Sound selection
[GS]

Use bank select MSB and program change.
Bank select LSB is used to change the sound map.

00H: specify INST MAP
01H: SC-55 Map
02H: SC-88 Map
03H: SC-88Pro Map
04H: SC-8820 Map

To set a part other than part 10 as the drum part, use a system ex-
clusive message. (p.38)

MIDI OUT

MIDI IN

MIDI THRU

MIDI IN

MIDI OUT

MIDI IN

MIDI THRU

MIDI IN

Receive

Channel: 2

Receive

Channel: 1

Receive

Channel: 1

Receive

Channel: 2

Sound

Module A

Sound

Module B

Sound

Module A

Sound

Module B

Transmit Channel: 1

Transmit Channel: 2

MIDI Keyboard

MIDI Keyboard

Fig. 1

Fig. 2

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Summary of Contents for Sound Canvas SC-8820

Page 1: ...operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Owner s manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference Copyright 1999 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of R...

Page 2: ......

Page 3: ... This unit either alone or in combination with an amplifier and headphones or speakers may be capable of producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist 011 ...

Page 4: ... using the unit in a foreign country consult with your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page 023 DO NOT play a CD ROM disc on a conventional audio CD player The resulting sound may be of a level that could cause permanent hearing loss Damage to speakers or other system components may result 101b The unit and the AC adaptor ...

Page 5: ...th impregnated with a mild non abrasive detergent Afterwards be sure to wipe the unit thoroughly with a soft dry cloth 402 Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Additional Precautions 553 Use a reasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Ro...

Page 6: ... 2 1 The performance may differ slightly depending on the data 2 Although the arrangement of sounds in the SC 8850 map and the SC 8820 map are identical differences in the waveform data that is used the number of voices used by each sound and the maximum polyphony of each device may mean that the reproduction may not be perfect A complete selection of effects The effects provided by the SC 8820 in...

Page 7: ...neral MIDI 1 as a way of distinguishing it from General MIDI 2 GS format fig 0 2 The GS Format is Roland s set of specifications for standardizing the perfor mance of sound generating devices In addition to including support for everything defined by the General MIDI the highly compatible GS Format additionally offers an expanded number of sounds provides for the editing of sounds and spells out m...

Page 8: ...essages to Select Drum Sets from Other Devices or Sequencing Software 25 Selecting the Same Sounds As the SC 88Pro SC 88 SC 55 25 Legato enabled Sounds 26 How the Number of Simultaneous Notes and Voices Are Related 26 Parameters 27 Part Parameters for Performance 27 What Each Parameter Does 27 Part Parameters for Sound Editing 33 The Function of Each Parameter 33 Parameters Common to All Parts 36 ...

Page 9: ... IN connector MIDI OUT connector POWER switch INPUT jack OUTPUT jack A dedicated Computer cable or USB cable sold separately can be connected here The type of cable required will depend on your computer When the Computer switch is set to MIDI the Computer connector or the USB cable cannot be used SERIAL connector USB connctor Computer switch Set this switch depending on the type of computer connec...

Page 10: ...transferred faster than previous serial ports Also peripheral devices can be connected or disconnected while the power is still turned on and the computer will detect this automatically For some peripherals settings or other operations may be required The SC 8820 is supplied with power from its connected AC adaptor but it also sup ports bus power supply Power can be supplied simply by connecting a...

Page 11: ...8820 The USB driver passes data from the application program to the SC 8820 and passes MIDI messages from the SC 8820 to the application program fig 1 3e For details on installing the USB driver refer to the booklet for the included Soft ware Library for SC 8820 Turn off the power before changing the setting of the COMPUTER switch The setting of this switch takes effect when the power is turned on...

Page 12: ...evices it is very important to turn down the volume and turn off the power in order to prevent malfunctions or speaker damage MIDI keyboard PC 180 PC 160 etc OUT PC Apple Macintosh Series Serial connector Computer cable sold separately Modem Port or Printer Port Apple Macintosh PC The setting is PC Mac If you are using the serial connector to make connec tions you must also connect the AC adaptor ...

Page 13: ...ors you will need to obtain a computer interface board adaptor that has MIDI connectors such as the Roland Super MPU II etc fig 1 7e Set the COMPUTER switch located on the back of the SC 8820 to MIDI If you use MIDI cables the SC 8820 will be limited to a maximum of 16 parts If you wish to perform using more than 17 parts use either a USB cable or a computer cable MIDI Application Serial MIDI Driv...

Page 14: ...ON MIDI IN USB MIDI OUT SC 8820 Part group A GM GS Sound generator Part A1 A16 Part group B GM GS Sound generator Part B1 B16 The number of sound generator Parts that can be controlled using the USB connector or the Serial connector will depend on the software you are using This means that if you are using the USB connector or the Serial connector you will not necessarily be able to play 32 Parts ...

Page 15: ...e computer and be played by the sound generator section Do You Hear Sound If the SC 8820 is connected to your computer but you do not hear any sound this may be due to a variety of reasons A flow chart has been provided to help you de termine the problem In the Appendices please refer to No sound p 90 SC 8820 THRU function ON Macintosh IIci MIDI IN SERIAL MIDI OUT Part group A GM GS Sound generato...

Page 16: ...s You can connect the output jacks of other MIDI sound sources to these jacks The au dio signal that is input here will be mixed with this unit s sound and output from the audio output jacks fig 1 13e Stereo Headphones Even with headphones connected the output from the audio output jacks will not be muted SC 8820 OUT PUT INPUT Audio Sound Card CD player etc To adjust the level of the audio input m...

Page 17: ...to speakers or other devices always turn down the volume and turn off the power on all devices before making any connections The new setting of the COMPUTER switch will take effect when the power is turned on Turn off the power before changing the setting of the COMPUTER switch SC 8820 MIDI OUT LINE IN INPUT MIDI keyboard PC 160 PC 180 etc Powered Speaker etc Stereo set etc Left Right The setting ...

Page 18: ...oard produces no sound you can use this function to see whether the amp volume and speaker connections are correct If this unit part level indicator does not light MIDI messages are not being received from your MIDI keyboard Check your MIDI keyboard settings and MIDI cable con nections Turning the Power Off 1 Before you turn the power off turn down the volume of SC 8820 and audio playback devices ...

Page 19: ...MIDI OUT on your sequencer software the performance will be transmitted from MIDI OUT without being played by the SC 8820 allowing you to play a performance together with a different sound module It is not possible for the data of the same track to simulta neously be output to both the SC 8820 and MIDI USB MIDI OUT MIDI IN MIDI Sound Module SC 8820 SERIAL Part group A GM GS Sound generator Part A1...

Page 20: ...h group There are two types of Parts Normal Parts and Drum Parts We refer to this differ ence as the Part Mode Normal Parts are used for playing melody or bass lines Drum Parts are used for playing percussion instruments With the initial settings when the power is turned on each part is set to the follow ing part mode Normal Part A01 A09 A11 A16 B01 B09 B11 B16 Drum Part A10 B10 Which MIDI IN Will...

Page 21: ...ce PC Instrument number Program Number SC 8820 Map sounds of SC 8820 SC 88Pro Map sounds of SC 88Pro SC 88 Map sounds of SC 88 map SC 55 Map sounds of SC 55 map no sound in the Variation number Voices number of voices used by the Instrument Remark legato enabled sounds Remark Pro same sounds as SC 88Pro map Remark 88 same sounds as SC 88 map Remark 55 same sounds as SC 55 map Remark percussive sou...

Page 22: ...ing will be suspended until a Program Change message is received For example if you wish to select the Instrument Piano3w with Variation number 8 Instrument number 3 you would transmit the following data to the SC 8820 Ex pressed in decimal notation 1 The value of Control Change 0 008 Bank number upper 8 Variation number 8 2 The value of Control Change 32 0 3 Program Change value 002 Program numbe...

Page 23: ...e sound of a part using MIDI messages Example Setting the sound of Part 2 to the SC 88 map 017 Organ 1 Variation 000 MIDI CH 02 CC 00 000 Selects Variation number 000 CC 32 002 Selects the SC 88 map PC 017 Selects Instrument number 017 How to change the variation sound of a part using MIDI messages Example Setting the sound of Part 1 to the SC 8820 map 006 Detuned EP3 Variation 009 MIDI CH 01 CC 0...

Page 24: ...f each sound Example fig 4 10e PC Drum Set number Program number Keys Note Number Same as the percussion sound of STANDARD 1 Set PC1 No sound Pro Same as the percussion sound of SC 88Pro 88 Same as the percussion sound of SC 88 55 Same as the percussion sound of SC 55 EXC Percussion sound of the same number will not be heard at the same time Tones that are created using two voices PC1 PC2 PC3 PC9 ...

Page 25: ...OOM L R MIDI CH 10 CC 00 000 Selects Variation number 000 CC 32 004 Selects the SC 8820 map PC 013 Selects Instrument number 013 SelectingtheSameSoundsAstheSC 88Pro SC 88 SC 55 The SC 8820 has four maps an SC 8820 map which contains original sounds an SC 88Pro map which contains the same sounds as the SC 88Pro an SC 88 map which contains the same sounds as the SC 88 and an SC 55 map which contains...

Page 26: ...f voices the smallest unit of sound gen eration There is a limit to how many of these Voices can sound at once and in the case of the SC 8820 up to 64 simultaneous voices can be used Some sounds Instru ments use 1 voice and others use more Instrument List p 107 The main reason for using more than 2 voices is to allow different timbres to be produced by different ve locity values or to produce rich...

Page 27: ...zer will not be applied to the sounds of Parts At the factory settings equalizer gain is set at 0 This means that the equalizer will have no effect even if the Part EQ is on PART EFX ASSIGN Insertion Effects Off On Set the Insertion Effects ON Off EDIT PART LEVEL 0 100 127 Adjusts the volume of an individual Part Raising the value will increase the volume The basic volume of the entire SC 8820 is ...

Page 28: ...one note at a time It is effective to select Mono Mode for Parts that are playing a naturally monophonic in strument such as a trumpet or sax Select Poly Poly Mode for Parts that are playing chords PITCH KEY SHIFT 24 0 24 Key Shift adjusts the pitch of the sound in semitone steps For example if you were playing back song data from a sequencing program you could use the Key Shift pa rameter to chan...

Page 29: ...small difference in the loudness of the sound Fig 2 If Velo Offset is set higher than 64 even softly played notes i e notes with a low ve locity will be sounded loudly Fig 5 If Velo Offset is set lower than 64 even strong ly played notes i e notes with a high velocity will be sounded softly Fig 4 fig 5 3e For some settings there may be no sound If so increase Velo Depth or Velo Offset Velo Depth 6...

Page 30: ...other to C4 G9 Then you could assign different sounds to each Part and play two different sounds on either side of C4 Or you could set the keyboard ranges of two Parts to overlap and layer the two sounds fig 5 7e CC1 CONTROLLER NUMBER CC1 Controller Number 0 16 95 Set the Controller number that will control the CC1 parameters p 32 via MIDI For example if you set CC1 Controller Number to 16 the val...

Page 31: ...ic of C Arabian style Scale A variety of ethnic tunings can be achieved by using the Scale Tuning function Here are settings for a tuning representative of Arabian style scales Example settings values are in units of cents Note Equal Just intonation Arabian style Scale name temperament tonic of C C 0 0 6 C 0 8 45 D 0 4 2 D 0 16 12 E 0 14 51 F 0 2 8 F 0 10 43 G 0 2 4 G 0 14 47 A 0 16 0 A 0 14 10 B ...

Page 32: ...ere will be no pitch change TVF CUTOFF CONTROL Cutoff frequency 64 63 These parameters specify how the cutoff frequency will change when the corre sponding message is received Higher values will cause the cutoff frequency to rise Positive settings allow the sound to be made brighter and negative settings allow the sound to be made more mellow AMPLITUDE CONTROL Amplitude 64 63 These parameters spec...

Page 33: ... 0 In this way parameters belonging to Parts are called Part parameters Vibrato Vibrato is an effect created by modulating the pitch Applying vibrato makes the sound more expressive Vib Rate Vibrato Rate 64 0 63 This parameter adjusts the speed frequency of the pitch modulation Positive settings make the pitch modulation faster and negative settings make it slower Vib Depth Vibrato Depth 64 0 63 T...

Page 34: ...gs will lower the cutoff frequency As you set this value higher in the positive direction more overtones will be allowed to pass and the sound will become harder brighter The further this value is set in the negative direction the fewer overtones will be al lowed to pass and the sound will become softer darker fig 6 4e Resonance 64 0 63 When the Resonance value is increased the overtones in the ar...

Page 35: ... way in which the cutoff frequency changes If the cutoff frequency had been lowered it will rise as the envelope rises and will fall as the envelope falls fig 6 6e Attack Time 64 0 63 This parameter adjusts the sharpness of the beginning of the sound Decay Time 64 0 63 This parameter adjusts the time over which the sound will fall from the highest point of the attack down to the sustain level Fig ...

Page 36: ...he sound in semitone steps For example if you were playing back song data from a sequencing program you could use the Key Shift pa rameter to change the key of the song without changing the settings for the sequenc ing program Or if you are singing along with sequence data you can adjust Key Shift to move the song to the key most comfortable for your voice As the displayed value rises falls one st...

Page 37: ... messages transmit the following Sys tem Exclusive Message fig 8 2ce Address 40 4x 20 EQ ON OFF x Part Number Data 00 01 00 OFF 01 ON Checksum Refer to How to calculate the checksum p 184 Example Setting the equalizer of Part 3 to be off Transmit the following System Exclusive Message fig 8 2de If you want to set the equalizer to be on change the value of the Data to 01 F0 41 10 42 12 40 11 1C 00 ...

Page 38: ...um2 Checksum Refer to How to calculate the checksum p 184 Example Setting the Part Mode of Part 11 to Drum2 Transmit the following System Exclusive Message fig 5 2be To select a drum set after setting the part mode transmit a program change to part 11 F0 41 10 42 12 40 1x 15 F7 address data checksum Also refer to MIDI Imple mentation p 177 F0 41 10 42 12 40 1A 15 02 0F F7 address data checksum Par...

Page 39: ... the sound of the Part will pass through the equalizer or not i e make an on off setting to modify the sound Insertion Effects EFX Insertion effects are effects that modify the sound itself and are able to give it a com pletely different character SC 8820 provides 64 types of effects As shown in the diagram below you can select one Insertion effect and specify for each Part whether or not the soun...

Page 40: ...ined spacious reverberation Hall1 Hall2 These reverbs simulate the reverberation of a concert hall They provide a deeper reverberation than the Room reverbs Plate This simulates a plate reverb a studio device using a metal plate Delay This is a conventional delay that produces echo effects Panning Delay This is a special delay in which the delayed sounds move left and right It is ef fective when y...

Page 41: ...anning Delay Checksum Refer to How to calculate the checksum p 184 Example Setting the reverb type to Room 3 Transmit the following System Exclusive Message fig 8 1he About Reverb Macro When you change the Reverb Macro the six reverb parameters including Reverb Charac ter will be automatically adjusted to the optimal values Rather than individually adjusting each reverb parameter it is easier to f...

Page 42: ...ut fed back into the chorus By using feedback a denser chorus sound can be created Higher values re sult in a greater feedback level CHORUS DELAY Chorus Delay Time 0 80 127 This parameter sets the delay time of the chorus effect CHORUS RATE Chorus Rate 0 3 127 This parameter sets the speed frequency at which the chorus sound is modulated Higher values result in faster modulation CHORUS DEPTH Choru...

Page 43: ...justing each chorus parameter it is easier to first set the Chorus Macro listed in the MIDI implementation as p 175 and then modify only those parameters that you wish to modify In particular when using MIDI Ex clusive messages this method of making settings will minimize the amount of data Chorus1 Chorus2 Chorus3 Chorus4 FbChorus Flanger SDelay SDelayFb Cho Level 64 64 64 64 64 64 64 64 Cho Pre L...

Page 44: ...effect of the SC 8820 allow you to set three delay times center left and right when listening in stereo Delay Time Center sets the delay time of the delay located at the center DELAY TIME RATIO LEFT Delay Time Ratio Left 4 500 This parameter sets the delay time of the delay located at the left as a percentage of the Delay Time Center up to a max of 1 0 s DELAY TIME RATIO RIGHT Delay Time Ratio Rig...

Page 45: ...ues Rather than individually adjusting each delay param eter it is easier to first set the Delay Macro listed in the MIDI implementation as p 175 and then modify only those parameters that you wish to modify In particular when using MIDI Exclusive messages this method of making settings will minimize the amount of data Delay PanDelay Dly To Pan 1 2 3 4 1 2 3 4 Rev Repeat Dly Level 64 64 64 64 64 6...

Page 46: ...ut To change the Equalizer Low Gain using MIDI messages transmit the following Sys tem Exclusive Message fig 8 2ae Address EQ LOW GAIN Data 34H 40H 4CH 12 0 12dB Checksum Refer to How to calculate the checksum p 184 Example Setting the Equalizer Low Gain to 6 Transmit the following System Exclusive Message fig 8 2be The settings of the Equalizer Gain are common to all Parts They cannot be set inde...

Page 47: ...nsertion effect is turned on the settings for Part Pan p 27 and Master Pan p 36 will be ignored Example of Monaural Insertion effects 02 Spectrum 35 OD Chorus etc In the case of stereo Insertion effects however the settings for Part Pan p 27 and Master Pan p 36 will be effective when the Insertion effect is on Example of Stereo Insertion effects 01 Stereo EQ 16 Hexa Chorus etc The diagram for each...

Page 48: ... of the Effect Parameter line Use these values when you use MIDI messages to set param eters For details on using Exclusive messages refer to page 86 173 Example 01 Stereo EQ 01H 00H This means that the value for Address corresponding to EFX 40H 03H 00H is MSB 01H LSB 00H Low Freq 200 400 1 40 03 03 1 describes that it s the first parameter 40 03 03 describes that it s the parameter s address for ...

Page 49: ...er that will be affected by the Gain setting Higher values of Q will result in a narrower area being affected M2 Gain Mid 2 Gain 12 12 10 40 03 0C Adjusts the gain for the area specified by the M2 Freq parameter and M2 Q parameter settings Level Output Level 0 127 20 40 03 16 Adjusts the output level 02 Spectrum 01H 01H Spectrum is a type of filter which modifies the timbre by boosting or cutting ...

Page 50: ...far left 0 is center and R63 is far right Level Output Level 0 127 20 40 03 16 Adjusts the output volume Effects that distort the sound distortion type 05 Overdrive 01H 10H This effect creates a soft distortion similar to that produced by tube amplifiers fig 9 5 Drive 0 127 1 40 03 03 Adjusts the degree of distortion Amp Type Amp Simulator Type Small BltIn 2 Stk 3 Stk 2 40 03 04 Select the type of...

Page 51: ...e in timbre fig 9 8 Fil Type Filter Type LPF BPF 1 40 03 03 Selects the type of filter LPF The wah effect will be applied over a wide frequency range BPF The wah effect will be applied over a narrow frequency range Sens Sensitivity 0 127 2 40 03 04 Adjusts the sensitivity with which the filter is controlled If this value is increased the filter frequency will change more readily in response to the...

Page 52: ...pecified speed the Low Slow parameter Hi Slow parameter values Fast Speeds up the rotation to the specified speed the Low Fast parameter Hi Fast parameter values Low Gain 12 12 17 40 03 13 Adjusts the gain of the low frequency range for EQ Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range for EQ Level Output Level 0 127 20 40 03 16 Adjusts the output level 10 Stereo ...

Page 53: ...he gain of the low frequency range Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 12 Tremolo 01H 25H Tremolo cyclically modulates the volume to add tremolo effect to the sound fig 9 12 Mod Wave Modulation Wave Tri Sqr Sin Saw1 Saw2 1 40 03 03 Selects the type of modulation Tri The sound will be modulate...

Page 54: ...ue is modified the level will also change Post Gain 0 6 12 18 3 40 03 05 Adjusts the output gain Low Gain 12 12 17 40 03 13 Adjusts the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Adjusts the high frequency gain Pan Output Pan L63 0 R63 19 40 03 15 Adjusts the stereo location of the output sound L63 is far left 0 is center and R63 is far right Level Output Level 0 127 20 40 03 16 Adjust...

Page 55: ... direct and the processed sound D and E stand for direct sound and effect sound respectively Low Gain 12 12 17 40 03 13 Adjusts the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Adjusts the high frequency gain Level Output Level 0 127 20 40 03 16 Adjusts the output level 17 Tremolo Chorus 01H 41H Tremolo Chorus is a chorus effect with added Tremolo cyclic modulation of volume fig 9 18 Pre...

Page 56: ...e chorus that applies two phase modulation in stereo It gives no impression of modulation but produces a transparent chorus effect fig 9 20 Pre Dly Pre Delay Time 0 100ms 1 40 03 03 Adjusts the time delay from when the direct sound begins until the processed sound is heard Rate 0 05 10 0 2 40 03 04 Adjusts the rate of modulation Depth 0 127 3 40 03 05 Adjusts the depth of modulation Phase 0 180 4 ...

Page 57: ...sed sound is fed back into the effect Norm The left delay sound will be fed back into the left delay and the right delay sound into the right delay Cross The left delay sound will be fed back into the right delay and the right delay sound into the left delay Phase L Phase Left Norm Invert 5 40 03 07 Selects the phase of the left delay sound Norm Phase will not be changed Invert Phase will be inver...

Page 58: ...n of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 23 3 Tap Delay Triple Tap Delay 01H 52H The Triple Tap Delay produces three delay sounds center left and right fig 9 26 Dly Tm C Delay Time Center 200 990ms 1sec 1 40 03 03 Adjusts the time delay from the direct sound until when the center delay sound is heard Dly Tm L Delay Time Left 200 990ms 1sec 2 40 03...

Page 59: ...Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 25 Tm Ctrl Delay Time Control Delay 01H 54H This effect allows you to use a specified controller the controller selected in EFX C Src p 176 to control the delay time and pitch in real time Lengthening the delay time will lower the pitch and shortening it will raise the ...

Page 60: ...effect sound respectively Low Gain 12 12 17 40 03 13 Adjusts the gain of the low frequency range Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level 27 Gate Reverb 01H 56H Gate Reverb is a special type of reverb in which the rever berant sound is cut off before its natural length fig 9 30 Type Gate Reverb Ty...

Page 61: ...he pitch pitch shift type 29 2 Pitch Shifter 2 Voice Pitch Shifter 01H 60H A Pitch Shifter shifts the pitch of the original sound This 2 voice pitch shifter has two pitch shifters and can add two pitch shifted sounds to the original sound fig 9 32 Coarse 1 Coarse Pitch 1 24 0 12 1 40 03 03 Adjusts the pitch of Pitch Shift 1 in semitone steps 2 1 octaves Fine 1 Fine Pitch 1 100 0 100 2 40 03 04 Mak...

Page 62: ... between the direct and the processed sound D and E stand for direct sound and effect sound respectively Low Gain 12 12 17 40 03 13 Adjusts the gain of the low frequency range Hi Gain High Gain 12 12 18 40 03 14 Adjusts the gain of the high frequency range Level Output Level 0 127 20 40 03 16 Adjusts the output level Others 31 3D Auto 01H 70H The 3D Auto effect rotates the location of the sound fi...

Page 63: ...ally degrades the sound quality and allows a variety of noise to be added If the R Detune Radio Detune W P Level White Pink Noise Level Disc Nz Lev Disc Noise Level or Hum Level settings are raised there will be noise even when the input sound is silent fig 9 37 Lo Fi Type 1 6 1 40 03 03 Degrades the sound quality The sound quality will become poorer as this value is increased Fil Type Filter Type...

Page 64: ...gether with the degree of distortion OD Pan Overdrive Drive Output Pan L63 0 R63 2 40 03 04 Adjusts the stereo location of the overdrive sound L63 is far left 0 is center and R63 is far right OD Amp Overdrive Amp Simulator Type Small BltIn 2 Stk 3 Stk 3 40 03 05 Selects the type of guitar amp Small small amp BltIn single unit type amp 2 Stk large double stack amp 3 Stk large triple stack amp OD Am...

Page 65: ...n Level Output Level 0 127 20 40 03 16 Adjusts the output level 37 OD Delay Overdrive Delay 02H 02H This effect connects an overdrive and a delay in series fig 9 40 OD Drive Overdrive Drive 0 127 1 40 03 03 Adjusts the degree of overdrive distortion The volume will change together with the degree of distortion OD Pan Overdrive Output Pan L63 0 R63 2 40 03 04 Adjusts the stereo location of the over...

Page 66: ...istortion Flanger 02H 04H This effect connects a distortion and a flanger in series fig 9 42 DS Drive Distortion Drive 0 127 1 40 03 03 Adjusts the degree of distortion The volume will change together with the degree of distortion DS Pan Distortion Output Pan L63 0 R63 2 40 03 04 Adjusts the stereo location of the distortion sound L63 is far left 0 is center and R63 is far right DS Amp Distortion ...

Page 67: ...ting of D0 E the distortion sound that passes through the delay will be output D and E stand for direct sound and effect sound respectively Low Gain 12 12 17 40 03 13 Adjusts the low frequency gain Hi Gain High Gain 12 12 18 40 03 14 Adjusts the high frequency gain Level Output Level 0 127 20 40 03 16 Adjusts the output level 41 EH Chorus Enhancer Chorus 02H 06H This effect connects an enhancer an...

Page 68: ...evel 0 127 20 40 03 16 Adjusts the output level 43 EH Delay Enhancer Delay 02H 08H This effect connects an enhancer and a delay in series fig 9 46 EH Sens Enhancer Sensitivity 0 127 1 40 03 03 Adjusts the sensitivity of the enhancer EH Mix Enhancer Mix Level 0 127 2 40 03 04 Adjusts the proportion by which the overtones generated by the enhancer are combined with the direct sound Dly Time Delay Ti...

Page 69: ...FL Delay Flanger Delay 02H 0AH This effect connects a flanger and a delay in series fig 9 48 FL Dly Flanger Pre Delay 0 100ms 1 40 03 03 Adjusts the time delay from when the direct sound begins until the flanger sound is heard FL Rate Flanger Rate 0 05 10 0 2 40 03 04 Adjusts the modulation speed of the flanger effect FL Depth Flanger Depth 0 127 3 40 03 05 Adjusts the modulation depth of the flan...

Page 70: ... Hi Gain High Gain 12 12 18 40 03 14 Adjusts the high frequency gain Level Output Level 0 127 20 40 03 16 Adjusts the output level Effects that connect three or more types of effect in series series 3 series 4 series 5 47 Rotary Multi 03H 00H This connects Overdrive OD 3 band equalizer EQ and Rotary RT effects in series fig 9 50 OD Overdrive OD Drive 0 127 1 40 03 03 Adjusts the degree of distorti...

Page 71: ...ime When the value is modified the level will also change Cmp Level Compressor Level 0 127 3 40 03 05 Adjusts the volume of the compressor sound Cmp Sw Compressor Switch Off On 4 40 03 06 Turns the compressor on off OD Overdrive Distortion OD Sel OD Select Odrv Dist 5 40 03 07 Selects either Overdrive or Distortion OD Drive 0 127 6 40 03 08 Adjusts the depth of distortion The volume will change to...

Page 72: ...witch Off On 8 40 03 0A Turns OD Amp on off OD Sw OD Switch Off On 9 40 03 0B Turns Overdrive or Distortion on off EQ Equalizer EQ L Gain EQ Low Gain 12 12 10 40 03 0C Adjusts the low range gain of the equalizer EQ M Fq EQ Mid Frequency 200 6 3k 11 40 03 0D Sets the center frequency for the equalizer mid range EQ M Q EQ Mid Q 0 5 1 0 2 0 4 0 9 0 12 40 03 0E Adjusts the width of the area centered a...

Page 73: ...ll small amp BltIn single unit type amp 2 Stk large double stack amp 3 Stk large triple stack amp OD Amp Sw OD Amp Switch Off On 8 40 03 0A Turns OD Amp on off OD L Gain OD Low Gain 12 12 9 40 03 0B Adjusts the low range gain for the overdrive or distortion sound OD H Gain OD High Gain 12 12 10 40 03 0C Adjusts the high range gain for the overdrive or distortion sound OD Sw OD Switch Off On 11 40 ...

Page 74: ...put Negative values will invert the phase In the case of Chorus this will have no effect CF Mix CF Mix 0 127 14 40 03 10 Adjusts the volume of the chorus or flanger sound Dly Delay Dly Time Delay Time 0 635ms 15 40 03 11 Adjusts the time from the original sound until when the delay sound is heard Dly Fb Delay Feedback Level 0 127 16 40 03 12 Adjusts the amount of the delay sound that is returned t...

Page 75: ...is heard Dly Fb Delay Feedback Level 0 127 18 40 03 14 Adjusts the amount of the delay sound that is returned to the input Dly Mix Delay Mix 0 127 19 40 03 15 Adjusts the volume of the delay sound Level Output Level 0 127 20 40 03 16 Adjusts the output level 53 Bass Multi 04H 05H Bass Multi provides Compressor Cmp Overdrive or Distortion OD Equalizer EQ and Chorus or Flanger CF effects connected i...

Page 76: ...the overtones generated by the enhancer will be mixed with the direct sound PH Phaser PH Man Phaser Manual 100 8 0k 3 40 03 05 Adjusts the center frequency at which the sound will be modulated PH Rate Phaser Rate 0 05 6 40 4 40 03 06 Adjusts the modulation speed PH Depth Phaser Depth 0 127 5 40 03 07 Adjusts the modulation depth PH Reso Phaser Resonance 0 127 6 40 03 08 Adjusts the emphasis for th...

Page 77: ... Gain EQ High Gain 12 12 7 40 03 09 Adjusts the high range gain of the equalizer PS Pitch Shifter PS Coarse PS Coarse Pitch 24 0 12 8 40 03 0A Adjusts the amount of pitch shift in semitone steps 2 to 1 octaves PS Fine PS Fine Pitch 100 0 100 9 40 03 0B Makes fine adjustments to the pitch shift in 2 cent steps 100 to 100 cents PS Mode PS Shifter Mode 1 5 10 40 03 0C As this value is increased the r...

Page 78: ...ume balance between the direct and the chorus sound D and E stand for direct sound and effect sound respectively Cho Pan Chorus Output Pan L63 0 R63 16 40 03 12 Adjusts the stereo position of the chorus sound L63 is far left 0 is center and R63 is far right Cho Level Chorus Level 0 127 17 40 03 13 Adjusts the volume of the chorus sound Dly Time Delay Time 0 500ms 6 40 03 08 Adjusts the time delay ...

Page 79: ...is center and R63 is far right Dly Level Delay Level 0 127 19 40 03 15 Adjusts the volume of the delay sound Level Output Level 0 127 20 40 03 16 Adjusts the output level 58 Cho Flanger Chorus Flanger 11H 02H This effect connects a chorus and a flanger in parallel fig 9 63 Cho Dly Chorus Pre Delay 0 100ms 1 40 03 03 Adjusts the time delay from when the direct sound begins until the chorus sound is...

Page 80: ...ft 0 is center and R63 is far right OD2 Level 0 127 19 40 03 15 Adjusts the overdrive or distortion volume for set 2 Level Output Level 0 127 20 40 03 16 Adjusts the output level 60 OD Rotary Overdrive Distortion Rotary 11H 04H This connects Overdrive or Distortion in parallel with Rotary fig 9 65 OD Overdrive Distortion OD Sel OD Select Odrv Dist 1 40 03 03 Selects either Overdrive or Distortion ...

Page 81: ...tion in parallel with a phaser fig 9 66 OD Overdrive Distortion OD Sel OD Select Odrv Dist 1 40 03 03 Selects either Overdrive or Distortion OD Drive OD Drive 0 127 2 40 03 04 Adjusts the degree of distortion The volume will change together with the degree of distortion OD Amp Overdrive Amp Simulator Type Smal BltIn 2 Stk 3 Stk 3 40 03 05 Selects the type of guitar amp Small small amp BltIn single...

Page 82: ...narrow frequency range AW Sens Auto wah Sensitivity 0 127 7 40 03 09 Adjusts the sensitivity with which the auto wah filter will be controlled AW Man Auto wah Manual 0 127 8 40 03 0A Sets the center frequency at which the auto wah effect will be produced AW Peak Auto wah Peak 0 127 9 40 03 0B Adjusts the way in which the wah effect will be applied to the region of the center frequency Lower settin...

Page 83: ...gh Frequency Slow Rate 0 05 10 0 10 40 03 0C Adjusts the speed of the high range rotor for the slow speed setting RT H Fast RT High Frequency Fast Rate 0 05 10 0 11 40 03 0D Adjusts the speed of the high range rotor for the fast speed setting RT Hi Accl RT High Frequency Acceleration 0 15 12 40 03 0E Adjusts the time over which the rotation speed of the high range rotor will change from slow speed...

Page 84: ...ation speed of the auto wah AW Depth Auto wah Depth 0 127 11 40 03 0D Adjusts the modulation depth of the auto wah AW Pol Auto wah Polarity Down Up 12 40 03 0E Sets the direction in which the frequency will change when the auto wah filter is modulated With a setting of Up the filter will change toward a higher frequency With a setting of Down it will change toward a lower frequency AW Pan Auto wah...

Page 85: ...Distortion to Part 1 Transmit the following System Exclusive Messages in turn Firstly set the effect type to 06 Distortion by transmitting EFX TYPE fig 9 72ee Secondly sets the effect parameter Drive to 127 by transmitting EFX PARAMETER 1 fig 9 72fe Finally turn on the effect for Part 1 by transmitting PART EFX ASSIGN fig 9 72de 1 F0 41 10 42 12 40 03 00 F7 2 F0 41 10 42 12 40 03 03 F7 40 03 20 3 ...

Page 86: ...42 12 40 03 00 01 11 2B F7 3 Set Drive address 40H 03H 03H to 0 00H F0 41 10 42 12 40 03 03 00 3A F7 4 Set Effect Control Source 1 address 40H 03H 1BH to CC16 10H F0 41 10 42 12 40 03 1B 10 12 F7 5 Set Effect Control Depth 1 address 40H 03H 1CH to 100 7FH F0 41 10 42 12 40 03 1C 7F 22 F7 Modifying the value CC 16 0 Drive 0 1 Drive 1 126 Drive 126 127 Drive 127 Using Control Change 16 to modify the...

Page 87: ...ample 1 When Effect Control Depth is set to 100 Settings 1 Turn EFX on for Part 1 F0 41 10 42 12 40 41 22 01 5C F7 2 Set the effect type to 10 Stereo Flanger value 01H 23H F0 41 10 42 12 40 03 00 01 23 19 F7 3 Set Feedback address 40H 03H 08H to 98 00H F0 41 10 42 12 40 03 08 00 35 F7 4 Set Effect Control Source 2 address 40H 03H 1DH to CC17 11H F0 41 10 42 12 40 03 1D 11 0F F7 5 Set Effect Contro...

Page 88: ...4 Set Effect Control Source 2 address 40H 03H 1DH to CC17 11H F0 41 10 42 12 40 03 1D 11 0F F7 5 Set Effect Control Depth 2 address 40H 03H 1EH to 100 00H F0 41 10 42 12 40 03 1E 00 1F F7 Modifying the value The Feedback parameter changes in 2 steps with 40H as the center Since Effect Con trol Depth is set to 100 increasing control change values will cause the value of the Feedback parameter to de...

Page 89: ...aptor connected The volume level of the instrument connected to Audio output input jacks is too low Could you be using a connection cable that contains a resistor Use a connection cable that does not contain a resistor A specific Part does not sound Is the volume level of the Part turned down p 177 Does the MIDI Receive channel of the Part match the MIDI Transmit channel of the connected MIDI devi...

Page 90: ...s turned on Turn off the power before changing the setting of the Computer switch Is the Thru function of your computer software turned on p 15 Is the volume knob turned all the way down Has the Expression pedal etc on a connected MIDI device turned the volume down You hear sound You hear sound You hear sound It is also possible that the parameter settings of the SC 8820 have become incorrect To r...

Page 91: ...the appropriate driver settings Connect the headphones to the headphone jack of the SC 8820 Can you hear sound through headphones Check the following points Are the output jacks of the SC 8820 correctly connected to the input jacks of your audio device Check the following points If you can hear sound through headphones the problem may be that the audio cable transmitting the sound to the other dev...

Page 92: ...ttings choose the Control panel In Control panel double click the System icon 2 Click the Device manager tab and with View devices by type selected make sure that there is no Other devices If there is double click it and if there are any Un known devices below it click to select them and then click the Remove button to delete them 3 Disconnect the USB cable from the SC 8820 and then re connect the...

Page 93: ... Exclusive messages are not received Does the Device ID number of the transmitted Exclusive message match the Device ID number 17 of the SC 8820 The SC 8820 does not transmit MIDI data If you wish to transmit this unit data via the USB connector or the Serial con nector set the Computer switch to USB PC or Mac depending on your com puter p 10 p 12 When the Computer switch of the SC 8820 is set to ...

Page 94: ... GS reset condition when the power is turned on If an exclusive message that transmits a GS Reset is included at the beginning of a song the SC 8820 will automatically be reset when a song starts Can play only 16 parts when connected via a computer cable The Windows MIDI Mapper generally supports only 16 parts If you wish to use 17 or more parts you will need application software that has MIDI dev...

Page 95: ...es are transmitted and received using two types of connector on the SC 8820 Connect MIDI cables to these connectors as appropriate for your setup fig 11 1e MIDI IN This connector receives messages from another MIDI device MIDI OUT This connector transmits messages from this unit MIDI Channels and Multitimbral Sound Modules MIDI transmits a wide variety of performance data over a single MIDI cable ...

Page 96: ...tions that provide detailed def initions for functionality such as sound editing and effects that had not been defined in the GM General MIDI and extend the sound map to allow a higher degree of performance expression and compatibility The GM General MIDI was defined in 1991 as a recommended practice of the MIDI specification to provide a standard for the MIDI functionality of sound modules that w...

Page 97: ...umber of sounds 256 sounds 9 drum sets General MIDI is 128 sounds 1 drum set Messages that must be received indicates those added by General MIDI 2 Note ON OFF Program Change Control Change Bank Select Controllers 0 32 Modulation Depth Controller 1 Portamento Time Controller 5 Channel Volume Controller 7 Pan Controller 10 Expression Controller 11 Hold 1 Controller 64 Portamento ON OFF Controller 6...

Page 98: ...ive Sensing MIDI Messages That Can Be Received by the SC 8820 MIDI uses many different types of message to transmit musical performance data and there are many types of MIDI message For example information indicating which key was played how strongly is transmitted as a Note message The way that a device responds when it receives each type of MIDI message such as how it produces sound will depend ...

Page 99: ... When this message is received the vol ume of a Part will change Expression control change number 11 This message conveys volume changes It can be used to add expression during a song Using Volume and Expression It is convenient to use Volume and Expression in distinct ways as follows Volume Adjust the volume balance between Parts Expression Create volume changes during a song crescendo decrescend...

Page 100: ... sustaining until a Sostenuto Off message is received Soft control change number 67 The soft pedal on a piano softens the tone during the time the pedal is pressed The Soft message conveys the movement of this pedal When Soft On is received the cut off frequency will be lowered causing a softer sound When Soft Off is received the previous sound will return Reverb Send Level control change number 9...

Page 101: ...ch Channel Pressure only Aftertouch is a message which conveys the pressure applied to the keyboard after playing a note so that this information can be used to control various aspects of the sound There are two types of aftertouch message Polyphonic Key Pressure which is trans mitted separately for each note and Channel Key Pressure which is transmitted as one value that affects all notes on the ...

Page 102: ...itoring will stop System Exclusive messages Exclusive messages are used to control functions which are unique to specific devic es Although Universal System Exclusive messages can be used even between devic es of different manufacturers most Exclusive messages cannot be used between devices of different types or different manufacturers In order to recognize the device for which the data is intende...

Page 103: ...ple if you use a synthesizer as a master device to control a digital piano the pitch bender the lever or wheel that modifies the pitch of the synthesizer will have no effect on the sound of the piano The important thing to keep in mind when using MIDI is that the slave device must be able to understand what the master is saying In other words the MIDI messages must be common to both master and sla...

Page 104: ... 9 0 64 127 Vibrato Depth 1 p 33 1 10 0 64 127 Vibrato Delay 1 p 33 1 32 0 64 127 TVF Cutoff Frequency 1 p 34 1 33 0 64 127 TVF Resonance 1 p 34 1 99 0 64 127 TVF TVA Envelope Attack Time 1 p 35 1 100 0 64 127 TVF TVA Envelope Decay Time 1 p 35 1 102 0 64 127 TVF TVA Envelope Release Time 1 p 35 24 rr 0 64 127 Drum Instrument Pitch Coarse 1 Alters the pitch of individual percussion instruments in ...

Page 105: ...lso the range of change will vary You may need to consult the manual that came with your equipment or software for details on how to properly input and transmit Control Change messages Note though that some devices may only allow you to work with a limited range of controller numbers Make sure that you always follow the order shown above when transmitting RPN NRPN and Data Entry data Be careful si...

Page 106: ...D 5 RXD 6 TXD 7 GPi 8 RXD HSKo 1 HSKi 2 TXD 3 GND 4 RXD 5 TXD 6 GPi 7 RXD 8 6 7 8 3 4 5 1 2 mini DIN 8 pin male D sub 9 pin female mini DIN 8 pin male D sub 9 pin female HSKo 1 HSKi 2 TXD 3 GND 4 RXD 5 7 RTS 8 CTS 3 TXD 5 GND 2 RXD 5 1 9 6 13 1 25 14 For Apple Macintosh Sold separately RSC 15APL For PC 9 pin Sold separately RSC 15AT For PC 25 pin mini DIN 8 pin male D sub 25 pin female HSKo 1 HSKi...

Page 107: ...0 SilentRhodes 2 Pro SilentRhodes 2 016 FM SA EP 2 Pro FM SA EP 2 88 FM SA EP 2 E Piano 1v 2 017 Dist E Piano 2 Pro Dist E Piano 2 024 Wurly 2 Pro Wurly 2 60 sE Piano 1 60s E Piano 1 025 Hard Rhodes 2 Pro Hard Rhodes 2 88 Hard Rhodes 2 026 MellowRhodes 2 Pro MellowRhodes 2 88 MellwRhodes 2 000 006 E Piano 2 2 Pro E Piano 2 2 88 E Piano 2 2 E Piano 2 1 001 E Piano 3 2 008 Detuned EP 2 2 Pro Detuned...

Page 108: ...ne 1 Vibraphone 1 Vibraphone 1 001 Pop Vibe 2 Pro Pop Vibe 2 Hard Vibe 2 008 Vibraphone w 1 Pro Vibraphone w 1 Vib w 1 55 Vib w 1 009 Vibraphones 2 Pro Vibraphones 2 000 013 Marimba 1 Pro Marimba 1 88 Marimba 1 Marimba 1 008 Marimba w 1 Pro Marimba w 1 88 Marimba w 1 Marimba w 1 016 Barafon 1 Pro Barafon 1 88 Barafon 1 017 Barafon 2 1 Pro Barafon 2 1 88 Barafon 2 1 024 Log drum 1 Pro Log drum 1 88...

Page 109: ...6 2 008 Chorus Or 2 2 Pro Chorus Or 2 2 DetunedOr 2 2 Detuned Or2 2 009 Octave Organ 2 Pro Octave Organ 2 032 Perc Organ 2 Pro Perc Organ 2 Organ 5 2 Organ 5 2 033 Perc Organ 2 2 034 Perc Organ 3 2 035 Perc Organ 4 2 000 019 Organ 3 2 Pro Organ 3 2 88 Organ 3 2 55 Organ 3 2 008 Rotary Org 1 Pro Rotary Org 1 88 Rotary Org 1 016 Rotary Org S 1 Pro Rotary Org S 1 88 RotaryOrg S 1 017 Rock Organ 1 2 P...

Page 110: ...us Gt 2 009 JC Chorus Gt 2 Pro JC Chorus Gt 2 016 TC FrontPick 1 Pro TC FrontPick 1 017 TC Rear Pick 1 Pro TC Rear Pick 1 018 TC Clean ff 2 Pro TC Clean ff 2 019 TC Clean 2 2 Pro TC Clean 2 2 020 LP Rear Pick 1 021 LP Rear 2 2 022 LP RearAtack 2 023 Mid Tone GTR 1 024 Chung Ruan 1 025 Chung Ruan 2 2 000 029 Muted Gt 1 Pro Muted Gt 1 Muted Gt 1 Muted Gt 1 001 Muted Dis Gt 1 Pro Muted Dis Gt 1 88 Mu...

Page 111: ...Mr Smooth 2 88 Mr Smooth 2 008 Wood FlessBs 2 Pro Wood FlessBs 2 000 037 Slap Bass 1 1 Pro Slap Bass 1 1 88 Slap Bass 1 1 Slap Bass 1 1 001 Slap Pop 1 Pro Slap Pop 1 008 Reso Slap 1 Pro Reso Slap 1 88 Reso Slap 1 009 Unison Slap 2 Pro Unison Slap 2 000 038 Slap Bass 2 2 Pro Slap Bass 2 2 88 Slap Bass 2 2 Slap Bass 2 1 001 Slap Bass 3 2 008 FM Slap 2 Pro FM Slap 2 000 039 Synth Bass 1 2 Pro Synth B...

Page 112: ...ass 2 Pro House Bass 2 023 KG Bass 2 Pro KG Bass 2 024 Sync Bass 2 Pro Sync Bass 2 025 MG 5th Bass 2 Pro MG 5th Bass 2 026 RND Bass 2 Pro RND Bass 2 027 WowMG Bass 2 Pro WowMG Bass 2 028 Bubble Bass 2 Pro Bubble Bass 2 029 Attack Pulse 1 030 Sync Bass 2 2 031 Pulse Mix Bs 2 032 MG Dist Bass 2 033 Seq Bass 2 2 034 3rd Bass 2 035 MG Oct Bass 2 036 SlowEnvBass 2 037 Mild Bass 2 038 DistEnvBass 2 039 ...

Page 113: ...Slow Str 2 Pro St Slow Str 2 St SlowStr 2 011 St Slow Str2 2 012 S Str Choir 2 013 S Str Choir2 2 000 051 Syn Strings1 2 Pro Syn Strings1 2 SynStrings1 2 SynStrings1 1 001 OB Strings 2 Pro OB Strings 2 OB Strings 2 002 StackStrings 2 Pro StackStrings 2 003 JP Strings 2 Pro JP Strings 2 004 Chorus Str 2 008 Syn Strings3 2 Pro Syn Strings3 2 88 SynStrings3 2 55 SynStrings3 2 009 Syn Strings4 2 Pro S...

Page 114: ...rusWahMal 2 034 VoiceWoh Mal 1 035 ChorusWohMal 2 036 VoiceAah Mal 1 037 VoiceOoh Mal 1 040 Humming 2 000 055 SynVox 1 Pro SynVox 1 88 SynVox 1 55 SynVox 1 001 SynVox 2 2 002 SynVox 3 2 008 Syn Voice 2 Pro Syn Voice 2 88 Syn Voice 2 009 Silent Night 2 Pro Silent Night 2 010 Syn Voice 2 2 016 VP330 Choir 1 Pro VP330 Choir 1 017 Vinyl Choir 2 Pro Vinyl Choir 2 018 JX8P Vox 2 019 Analog Voice 1 000 0...

Page 115: ... 002 Horn Orche 2 Pro Horn Orche 2 003 Wide FreHrns 2 Pro Wide FreHrns 2 008 F Hrn Slow 1 Pro F Hrn Slow 1 Fr HornSolo 1 009 Dual Horns 2 Pro Dual Horns 2 016 Synth Horn 2 Pro Synth Horn 2 Horn Orch 2 024 F Horn Rip 1 Pro F Horn Rip 1 000 062 Brass 1 2 Pro Brass 1 2 Brass 1 1 55 Brass 1 1 001 Brass ff 1 Pro Brass ff 1 002 Bones Sect 1 Pro Bones Sect 1 003 St Brass ff 2 004 Quad Brass1 2 005 Quad B...

Page 116: ...log Brs2 2 017 Transbrass 2 Pro Transbrass 2 VeloBrass 2 2 Reed CC00 PC SC 8820 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map Voices 000 065 Soprano Sax 1 Pro Soprano Sax 1 Soprano Sax 1 Soprano Sax 1 008 Soprano Exp 1 Pro Soprano Exp 1 000 066 Alto Sax 1 Pro Alto Sax 1 Alto Sax 1 Alto Sax 1 008 AltoSax Exp 1 Pro AltoSax Exp 1 Hyper Alto 1 009 Grow Sax 1 Pro Grow Sax 1 016 AltoSax Tp 2...

Page 117: ...88 Whistle 1 55 Whistle 1 001 Whistle 2 2 Pro Whistle 2 2 000 080 Ocarina 1 Pro Ocarina 1 88 Ocarina 1 55 Ocarina 1 Synth lead CC00 PC SC 8820 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map Voices 000 081 Square Wave 2 Pro Square Wave 2 Square Wave 2 55 Square Wave 2 001 MG Square 1 Pro MG Square 1 Square 1 55 Square 1 002 Hollow Mini 1 Pro Hollow Mini 1 88 Hollow Mini 1 003 Mellow FM 2...

Page 118: ...o CS Saw 1 031 MG Saw Lead 1 Pro MG Saw Lead 1 032 OB Saw Lead 1 Pro OB Saw Lead 1 033 P5 Saw Lead 2 Pro P5 Saw Lead 2 034 MG unison 2 Pro MG unison 2 035 Oct Saw Lead 2 Pro Oct Saw Lead 2 036 Natural Lead 2 040 SequenceSaw1 2 SequenceSaw1 2 041 SequenceSaw2 1 Pro SequenceSaw2 1 042 Reso Saw 1 Pro Reso Saw 1 043 Cheese Saw 1 1 Pro Cheese Saw 1 1 044 Cheese Saw 2 1 Pro Cheese Saw 2 1 045 Rhythmic S...

Page 119: ...5 Fantasia 4 2 006 After D 2 007 260HarmPad 2 000 090 Warm Pad 1 Pro Warm Pad 1 88 Warm Pad 1 55 Warm Pad 1 001 Thick Matrix 2 Pro Thick Matrix 2 Thick Pad 2 002 Horn Pad 2 Pro Horn Pad 2 88 Horn Pad 2 003 Rotary Strng 2 Pro Rotary Strng 2 88 RotaryStrng 2 004 OB Soft Pad 2 Pro OB Soft Pad 2 Soft Pad 2 005 Sine Pad 2 006 OB Soft Pad2 2 008 Octave Pad 2 Pro Octave Pad 2 009 Stack Pad 2 Pro Stack Pa...

Page 120: ...ep 2 015 Stray Pad 2 Synth SFX CC00 PC SC 8820 Map Voices SC 88Pro Map Voices SC 88 Map Voices SC 55 Map Voices 000 097 Ice Rain 2 Pro Ice Rain 2 88 Ice Rain 2 55 Ice Rain 2 001 Harmo Rain 2 Pro Harmo Rain 2 88 Harmo Rain 2 002 African wood 2 Pro African wood 2 88 AfricanWood 2 003 Anklung Pad 2 Pro Anklung Pad 2 004 Rattle Pad 2 Pro Rattle Pad 2 005 Saw Impulse 2 006 Strange Str 2 007 FastFWD Pad...

Page 121: ... 010 LFO RAVE 2 Pro LFO RAVE 2 011 LFO Horror 2 Pro LFO Horror 2 012 LFO Techno 2 Pro LFO Techno 2 013 Alternative 2 Pro Alternative 2 014 UFO FX 2 Pro UFO FX 2 015 Gargle Man 1 Pro Gargle Man 1 016 Sweep FX 1 Pro Sweep FX 1 017 LM Has Come 2 018 FallinInsect 2 019 LFO Oct Rave 2 020 Just Before 2 021 RND Fl Chord 2 022 RandomEnding 2 023 Random Sine 2 024 EatingFilter 2 025 Noise SawHit 2 026 Pou...

Page 122: ...Zheng 2 008 Taisho Koto 1 Pro Taisho Koto 1 88 Taisho Koto 1 Taisho Koto 2 016 Kanoon 2 Pro Kanoon 2 88 Kanoon 2 019 Kanoon Choir 2 Pro Kanoon Choir 2 024 Oct Harp 1 Pro Oct Harp 1 000 109 Kalimba 1 Pro Kalimba 1 Kalimba 1 Kalimba 1 008 Sanza 2 Pro Sanza 2 009 Bodhran 1 010 Bodhran Mute 1 000 110 Bagpipe 1 Pro Bagpipe 1 88 Bagpipe 1 Bagpipe 1 008 Didgeridoo 1 Pro Didgeridoo 1 009 Uillean Pipe 1 01...

Page 123: ... 2 Pro Real Tom 2 88 Real Tom 2 002 Real Tom 2 2 003 Jazz Tom 2 004 Brush Tom 2 008 Melo Tom 2 1 Pro Melo Tom 2 1 88 Melo Tom 2 1 55 Melo Tom 2 1 009 Rock Tom 2 Pro Rock Tom 2 88 Rock Tom 2 016 Rash SD 1 Pro Rash SD 1 017 House SD 1 Pro House SD 1 018 Jungle SD 1 Pro Jungle SD 1 019 909 SD 1 Pro 909 SD 1 024 Jngl SD Roll 1 040 SD Menu 1 1 041 SD Menu 2 1 042 SD Menu 3 1 043 SD Menu 4 1 044 SD Menu...

Page 124: ... Gt SlideMenu 1 022 A Bs Mute Nz 1 023 A Bs TouchNz 1 024 A Bs AtackNz 1 025 TC Up Nz 1 026 TC DownMt Nz 1 027 TC UpMt Nz 1 028 TC Down Nz 1 029 DstGT Up Nz 1 030 DstGT DwnNz1 1 031 DstGT DwnNz2 1 032 DstGT MuteNz 1 034 Gt StrokeNz5 1 035 StlGt SldNz1 1 036 StlGt SldNz2 1 037 StlGt SldNz3 1 038 StlGt SldNz4 1 039 Gt StrokeNz1 1 040 Gt StrokeNz2 1 041 Gt StrokeNz3 1 042 Gt StrokeNz4 1 000 122 Breat...

Page 125: ...rst Noise 2 55 Burst Noise 2 010 Calculating 2 Pro Calculating 2 011 Perc Bang 2 Pro Perc Bang 2 012 Burner 2 013 Glass Glam 1 014 Ice Ring 1 015 Over Blow 2 016 Crack Bottle 1 017 Pour Bottle 1 018 Soda 1 019 Open CD Tray 1 020 Audio Switch 1 021 Key Typing 1 022 SL 1 1 023 SL 2 1 024 Car Engine 2 1 025 Car Horn 1 026 Boeeeen 1 027 R Crossing 1 028 Compresser 1 029 Sword Boom 1 030 Sword Cross 1 ...

Page 126: ...ordion 2 017 127 Harpsi 1 1 018 127 Harpsi 2 2 019 127 Harpsi 3 1 020 127 Clavi 1 1 021 127 Clavi 2 1 022 127 Clavi 3 1 023 127 Celesta 1 1 024 127 Celesta 2 1 025 127 Syn Brass 1 2 026 127 Syn Brass 2 2 027 127 Syn Brass 3 2 028 127 Syn Brass 4 2 029 127 Syn Bass 1 1 030 127 Syn Bass 2 2 031 127 Syn Bass 3 2 032 127 Syn Bass 4 1 033 127 Fantasy 2 034 127 Harmo Pan 2 035 127 Chorale 1 036 127 Glas...

Page 127: ...to obtain the desired effect depending on the circumstances PC SC 8820 map SC 88Pro map SC 88 map SC 55 map 001 STANDARD 1 STANDARD 1 STANDARD 1 STANDARD 002 STANDARD 2 Pro STANDARD 2 88 STANDARD 2 003 STANDARD L R STANDARD 3 009 ROOM ROOM 88 ROOM ROOM 010 HIP HOP HIP HOP 011 JUNGLE JUNGLE 012 TECHNO TECHNO 013 ROOM L R 014 HOUSE 017 POWER Pro POWER POWER POWER 025 ELECTRONIC Pro ELECTRONIC 88 ELE...

Page 128: ... Mid Tom 2 Room Mid Tom 2 Jazz Mid Tom 2 Open Hi Hat 1 EXC1 Open Hi Hat EXC1 RND Open Hi Hat EXC1 Room Open Hi Hat 3 EXC1 Room Open Hi Hat EXC1 Mid Tom 1 Room Mid Tom 1 Jazz Mid Tom 1 High Tom 2 Room High Tom 2 Jazz High Tom 2 Crash Cymbal 1 RND Crash Cymbal Room Crash Cymbal TR 909 Crash Cymbal High Tom 1 Room High Tom 1 Jazz High Tom 1 Ride Cymbal 1 RND Ride Cymbal 1 Room Ride Cymbal Chinese Cym...

Page 129: ...9 Crash Cymbal TR 909 High Tom 1 TR 606 High Tom 1 Room High Tom 1 TR 909 High Tom 1 Power High Tom 1 Ride Cymbal 1 Ride Cymbal 1 RND Room Ride Cymbal TR 909 Ride Cymbal Reverse Cymbal Reverse Cymbal Reverse Cymbal Ride Bell Ride Bell RND Room Ride Bell Ride Bell Shake Tambourine Shake Tambourine Shake Tambourine Splash Cymbal TR 808 Cowbell TR 808 Cowbell TR 808 Cowbell TR 909 Crash Cymbal TR 909...

Page 130: ... Hi Hat EXC1 TR 606 Open Hi Hat EXC1 Electric Mid Tom 1 TR 808 Mid Tom 1 Electric Mid Tom 1 CR 78 Mid Tom 1 TR 606 Mid Tom 1 Electric High Tom 2 TR 808 High Tom 2 Electric High Tom 2 CR 78 High Tom 2 TR 606 High Tom 2 TR 808 Crash Cymbal TR 808 Crash Cymbal TR 808 Crash Cymbal TR 808 Crash Cymbal Electric High Tom 1 TR 808 High Tom 1 Electric High Tom 1 CR 78 High Tom 1 TR 606 High Tom 1 TR 606 Ri...

Page 131: ... Tom 2 TR 707 Open Hi Hat EXC1 TR 909 Open Hi Hat EXC1 Open Hi Hat 2 EXC1 RND Jazz Open Hi Hat EXC1 Brush Open Hi Hat EXC1 TR 707 Mid Tom 1 TR 909 Mid Tom 1 Jazz Mid Tom 1 Brush Mid Tom 1 TR 707 High Tom 2 TR 909 High Tom 2 Jazz High Tom 2 Brush High Tom 2 TR 909 Crash Cymbal TR 909 Crash Cymbal Jazz Crash Cymbal RND Jazz Crash Cymbal Brush Crash Cymbal TR 707 High Tom 1 TR 909 High Tom 1 Jazz Hig...

Page 132: ... Crash Cymbal RND Brush Crash Cymbal Timpani c Rama Cymbal 55 Concert BD 1 Brush High Tom 1 Timpani d Gamelan Gong 88 Room Kick 1 Brush Ride Cymbal RND Brush Ride Cymbal Timpani d Udo Short EXC1 88 Room Kick 2 Timpani e Udo Long EXC1 88 Power Kick1 Brush Ride Bell RND Brush Ride Bell Timpani f Udo Slap 88 Power Kick2 Bendir 88 Electric Kick 2 Req Dum 88 Electric Kick 1 Req Tik 55 Electric Kick Con...

Page 133: ...EXC1 Jublag Jublag TR 909 Kick 1 Yyoo Dude TR 808 Open Hi Hat EXC1 Jublag Jublag Standard 1 Snare 1 Buk CR 78 Open Hi Hat EXC1 Penyacah Penyacah Standard 1 Snare 2 Buk Rim Crash Cymbal 1 EXC3 Penyacah Penyacah 88 Standard 2 Snare 1 Gengari p EXC1 Crash Cymbal 2 EXC4 Penyacah Penyacah 88 Standard 2 Snare 2 Gengari Mute Low EXC1 Crash Cymbal 3 Penyacah Penyacah 55 Tight Snare Gengari f EXC2 Brush Cr...

Page 134: ...se Closed Hi Hat Reverse TR 909 Kick 2 Screaming Reverse Ride Cymbal Reverse TR 606 Closed Hi Hat Reverse TR 909 Kick 1 Punch Reverse CR 78 Open Hi Hat Reverse TR 707 Closed Hi Hat Reverse Fat Kick Heart Beat Reverse Closed Hi Hat Reverse TR 808 Closed Hi Hat Reverse Dance Kick Footsteps 1 Reverse Gong Reverse Jungle Hi Hat Reverse Standard Snare 1 Footsteps 2 Reverse Bell Tree Reverse Tambourine ...

Page 135: ... Breath 2 Standard 1 Crash Cymbal Ice Ring Voice One Room Crash Cymbal Crack Bottle Voice Two Jazz Crash Cymbal Pour Bottle Voice Three Brush Crash Cymbal Soda Voice Tah Hard Crash Cymbal Car Engine 2 Voice ComeOn TR 909 Crash Cymbal Car Horn Voice Kikit Jungle Crash Cymbal Railroad Crossing Voice Aou TR 808 Crash Cymbal SL 1 Voice Oou Standard 1 Mute Crash Cymbal SL 2 Punch Room Mute Crash Cymbal...

Page 136: ...88 Standard 2 Snare 1 L Standard Ride Cymbal Pro Impact Hit 88 Standard 2 Snare 2 L Standard Snare 2 Pro Lo Fi Rave 55 Snare Drum 2 L Standard Low Tom Pro Bam Hit Pro Standard 1 Snare 1 L Standard Closed Hi Hat EXC8 Pro Bim Hit Pro Standard 1 Snare 2 L Standard Mid Tom Pro Tape Rewind Pro Standard 1 Snare 3 L Standard Ride Bell Pro Phonograph Noise 88 Jazz Snare 1 L Standard High Tom 88 Power Snar...

Page 137: ...om Mid Tom Pro Tape Rewind Tape Rewind Pro Phonograph Noise Pro Phonograph Noise L Room Ride Bell Pro Phonograph Noise Phonograph Noise 88 Power Snare 1 88 Power Snare 1 L Room High Tom 88 Power Snare 1 88 Power Snare 1 88 Dance Snare 1 88 Dance Snare 1 L Room Open Hi Hat EXC8 88 Dance Snare 1 88 Dance Snare 1 88 Dance Snare 2 88 Dance Snare 2 R Room Kick 2 88 Dance Snare 2 88 Dance Snare 2 88 Dis...

Page 138: ...88 Brush Swirl 1 88 Dance Snare 1 88 Dance Snare 1 88 Brush Swirl 2 L Jazz Open Hi Hat EXC8 88 Brush Swirl 2 88 Dance Snare 2 88 Dance Snare 2 88 Brush Long Swirl R Jazz Kick 2 88 Brush Long Swirl 88 Disco Snare 88 Disco Snare 88 Jazz Snare 1 R Jazz Kick 1 88 Jazz Snare 1 88 Electric Snare 2 88 Electric Snare 2 88 Jazz Snare 2 R Jazz Crash Cymbal 88 Jazz Snare 2 55 Electric Snare 55 Electric Snare...

Page 139: ...TR 606 Snare 2 88 Brush Swirl 2 L Brush Open Hi Hat EXC8 55 Timpani A Pro TR 707 Snare 1 88 Brush Long Swirl R Brush Kick 2 55 Timpani B Pro TR 707 Snare 2 88 Jazz Snare 1 R Brush Kick 1 55 Timpani c Pro Standard 3 Snare 2 88 Jazz Snare 2 R Brush Crash Cymbal 55 Timpani c Pro TR 808 Snare 2 88 Standard 1 Snare1 R Brush Tap 2 55 Timpani d Pro TR 909 Snare 1 88 Standard 1 Snare2 R Brush Ride Cymbal ...

Page 140: ...0 Beep 1 Reverse Clean Guitar Cut Noise Down Big Shot Reverse Clap Hit Percussion Bang Reverse Boeeeen Reverse Bounce Reverse CD Tray Reverse Drill Reverse Glass Stir Reverse Ice Ring Reverse Industry Hit Reverse Scratch 4 Reverse Scratch 5 Reverse Scratch 6 Reverse Scratch 7 Reverse Seal Reverse Stab 1 Reverse Stab 2 Reverse Sword Boom Reverse Sword Cross Reverse Thrill Hit Reverse Audio Switch R...

Page 141: ...9 Mid Tom 2 Open Hi Hat EXC1 Open Hi Hat EXC1 RND Open Hi Hat EXC1 Open Hi Hat 3 EXC1 Room Open Hi Hat EXC1 Mid Tom 1 Room Mid Tom 1 TR 909 Mid Tom 1 High Tom 2 Room High Tom 2 TR 909 High Tom 2 Crash Cymbal1 RND Crash Cymbal TR 909 Crash Cymbal High Tom 1 Room High Tom 1 TR 909 High Tom 1 Ride Cymbal 1 RND Ride Cymbal 1 Chinese Cymbal Reverse Cymbal Ride Bell RND Ride Bell 1 Tambourine Shake Tamb...

Page 142: ...1 Pedal Hi Hat EXC1 TR 808 Closed Hi Hat EXC1 TR 909 Mid Tom 2 TR 808 Mid Tom 2 Power Mid Tom 2 Electric Mid Tom 2 TR 808 Mid Tom 2 TR 606 Open Hi Hat EXC1 TR 909 Open Hi Hat EXC1 Open Hi Hat 2 EXC1 TR 808 Open Hi Hat EXC1 TR 909 Mid Tom 1 TR 808 Mid Tom 1 Power Mid Tom 1 Electric Mid Tom 1 TR 808 Mid Tom 1 TR 909 High Tom 2 TR 808 High Tom 2 Power High Tom 2 Electric High Tom 2 TR 808 High Tom 2 ...

Page 143: ...igh Tom 2 CR 78 High Tom 2 TR 606 High Tom 2 TR 707 High Tom 2 TR 808 Crash Cymbal TR 808 Crash Cymbal TR 808 Crash Cymbal TR 909 Crash Cymbal Electric High Tom 1 CR 78 High Tom 1 TR 606 High Tom 1 TR 707 High Tom 1 TR 606 Ride Cymbal TR 606 Ride Cymbal TR 606 Ride Cymbal TR 909 Ride Cymbal Reverse Cymbal Shake Tambourine CR 78 Tambourine CR 78 Tambourine Tambourine 2 TR 808 Cowbell CR 78 Cowbell ...

Page 144: ...ani F TR 707 Closed Hi Hat EXC1 Closed Hi Hat 2 EXC1 Brush Closed Hi Hat EXC1 Timpani F TR 909 Low Tom 1 Brush Low Tom 1 Timpani G TR 707 Closed Hi Hat EXC1 Pedal Hi Hat EXC1 Pedal Hi Hat EXC1 Timpani G TR 909 Mid Tom 2 Brush Mid Tom 2 Timpani A TR 909 Open Hi Hat EXC1 Open Hi Hat 2 EXC1 Brush Open Hi Hat EXC1 Timpani A TR 909 Mid Tom 1 Brush Mid Tom 1 Timpani B TR 909 High Tom 2 Brush High Tom 2 ...

Page 145: ...h Cymbal 1 EXC3 Talking Drum 88 Standard 2 Snare 1 Gengari p EXC1 Crash Cymbal 2 EXC4 Bend Talking Drum 88 Standard 2 Snare 2 Gengari Mute Low EXC1 Crash Cymbal 3 Caxixi 55 Tight Snare Gengari f EXC2 Brush Crash Cymbal Djembe 55 Concert Snare Gengari Mute High EXC2 Hard Crash Cymbal Djembe Rim 88 Jazz Snare 1 Gengari Samll TR 909 Crash Cymbal Timbales Low 88 Jazz Snare 2 Jang Gu Che TR 808 Crash C...

Page 146: ...everse Open Hi Hat Reverse Closed Hi Hat Screaming Reverse Ride Cymbal Reverse TR 606 Closed Hi Hat Punch Reverse CR 78 Open Hi Hat Reverse TR 707 Closed Hi Hat Heart Beat Reverse Closed Hi Hat Reverse TR 808 Closed Hi Hat Footsteps 1 Reverse Gong Reverse Jungle Hi Hat Footsteps 2 Reverse Bell Tree Reverse Tambourine 2 Applause Reverse Guiro Reverse Shake Tambourine Door Creaking Reverse Bendir Re...

Page 147: ...e 88 Brush Slap 3 55 Timpani G TR 606 Snare 1 88 Jazz Snare 1 88 Power Snare 1 88 Brush Swirl 1 55 Timpani A TR 606 Snare 2 88 Jazz Snare 2 88 Dance Snare 1 88 Brush Swirl 2 55 Timpani A TR 707 Snare 1 88 Room Snare 1 88 Dance Snare 2 88 Brush Long Swirl 55 Timpani B TR 707 Snare 2 88 Room Snare 2 88 Disco Snare 88 Jazz Snare 1 55 Timpani c Standard 3 Snare 2 88 Power Snare 1 88 Electric Snare 2 8...

Page 148: ...t2 EXC1 Closed Hi hat3 EXC1 Closed Hi hat3 EXC1 Closed Hi hat2 EXC1 Low Tom1 Room Low Tom1 Power Low Tom1 Electric Low Tom1 Pedal Hi hat EXC1 Mid Tom2 Room Mid Tom2 Power Mid Tom2 Electric Mid Tom2 Open Hi hat1 EXC1 Open Hi hat2 EXC1 Open Hi hat3 EXC1 Open Hi hat3 EXC1 Open Hi hat2 EXC1 Mid Tom1 Room Mid Tom1 Power Mid Tom1 Electric Mid Tom1 High Tom2 Room Hi Tom2 Power Hi Tom2 Electric Hi Tom2 Cr...

Page 149: ...Low Tom1 Timpani G 808 CHH EXC1 808 CHH EXC1 Timpani G 808 Mid Tom2 Electric Mid Tom2 Brush Mid Tom2 Timpani A 808 OHH EXC1 CR 78 OHH EXC1 Open Hi hat2 EXC1 Brush Open Hi hat EXC1 Timpani A 808 Mid Tom1 Electric Mid Tom1 Brush Mid Tom1 Timpani B 808 Hi Tom2 Electric High Tom2 Brush Hi Tom2 Timpani c 808 Cymbal Brush Crash Cymbal Timpani c 808 Hi Tom1 Electric High Tom1 Brush Hi Tom1 Timpani d Brus...

Page 150: ...Kick Footsteps1 Reverse Gong Tabla Te 808 Bass Drum Footsteps2 Reverse Bell Tree Tabla Na 909 Bass Drum Applause Reverse Guiro Tabla Tun Dance Kick Door Creaking Reverse Bendir Tabla Ge Standard 1 Snare 1 Door Reverse Gun Shot Tabla Ge Hi Standard 1 Snare 2 Scratch Reverse Scratch Talking Drum Standard 2 Snare 1 Wind Chimes Reverse Laser Bend Talking Drum Standard 2 Snare 2 Car Engine Key Click Ca...

Page 151: ...Room Mid Tom1 Room Mid Tom1 Elec Mid Tom1 808 Mid Tom1 Timpani B High Tom2 Room Hi Tom2 Room Hi Tom2 Elec Hi Tom2 808 Hi Tom2 Timpani c Crash Cymbal1 808 Cymbal Timpani c High Tom1 Room Hi Tom1 Room Hi Tom1 Elec Hi Tom1 808 Hi Tom1 Timpani d Ride Cymbal1 Timpani d Chinese Cymbal Reverse Cymbal Timpani e Ride Bell Timpani f Tambourine Splash Cymbal Cowbell 808 Cowbell Crash Cymbal2 Concert Cymbal2 ...

Page 152: ... Fl Key Click CM Ride Cymbal Laughing Scream Punch CM Tambourine Heart Beat Footsteps1 CM Cowbell Footsteps2 Applause Door Creaking Door CM High Bongo Scratch CM Low Bongo Wind Chimes CM Mute High Conga Car Engine CM High Conga Car Stop CM Low Conga Car Pass CM High Timbale Car Crash CM Low Timbale Siren CM High Agogo Train CM Low Agogo Jetplane CM Cabasa Helicopter CM Maracas Starship CM Short Wh...

Page 153: ...an 3 2 20 0 Church Org 1 1 1 Church Org 2 2 2 Church Org 3 2 21 0 Reed Organ 1 1 Puff Organ 2 22 0 Accordion Fr 1 1 Accordion It 1 23 0 Harmonica 1 24 0 Bandoneon 2 PC CC32 Tone Name V oices Guitar 25 0 Nylon str Gt 2 1 Ukulele 1 2 Nylon Gt o 2 3 Nylon Gt 2 1 26 0 Steel str Gt 1 1 12 str Gt 2 2 Mandolin 2 3 Steel Body 2 27 0 Jazz Gt 1 1 Pedal Steel 1 28 0 Clean Gt 1 1 Chorus Gt 2 2 Mid Tone GTR 1 ...

Page 154: ...79 0 Whistle 1 80 0 Ocarina 1 Synth Lead 81 0 Square Wave 2 1 MG Square 1 2 2600 Sine 1 82 0 Saw Wave 2 1 OB2 Saw 1 2 Doctor Solo 2 3 Natural Lead 2 4 SequencedSaw 2 83 0 Syn Calliope 2 84 0 Chiffer Lead 2 85 0 Charang 2 1 Wire Lead 2 86 0 Solo Vox 2 87 0 5th Saw Wave 2 88 0 Bass Lead 2 1 Delayed Lead 2 PC CC32 Tone Name V oices Synth Pad 89 0 Fantasia 2 90 0 Warm Pad 1 1 Sine Pad 2 91 0 Polysynth...

Page 155: ... 2 126 0 Helicopter 1 1 Car Engine 1 2 Car Stop 1 3 Car Pass 1 4 Car Crash 2 5 Siren 1 6 Train 1 7 Jetplane 2 8 Starship 2 9 Burst Noise 2 127 0 Applause 2 1 Laughing 1 2 Screaming 1 3 Punch 1 4 Heart Beat 1 5 Footsteps 1 128 0 Gun Shot 1 1 Machine Gun 1 2 Lasergun 1 3 Explosion 2 GM 2 Drum Set List The GM 2 Drum Set corresponds to that of the SC 8820 s as follows PC GM2 Name SC 8820 Name 1 STANDA...

Page 156: ...ctrum 01 01 Band 1 12 4 12 34 4C 03 Band 2 12 1 12 34 4C 04 Band 3 12 3 12 34 4C 05 Band 4 12 6 12 34 4C 06 Band 5 12 2 12 34 4C 07 Band 6 12 1 12 34 4C 08 Band 7 12 4 12 34 4C 09 Band 8 12 5 12 34 4C 0A Width 0 5 1 0 2 0 4 0 9 0 00 01 02 03 04 0B Pan L63 0 R63 00 7F 15 Level 0 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 03 Enhancer 01 02 Sens 0 64 127 00 7F 03 Mix 0 127 00 7F 04 Low ...

Page 157: ...05 Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Pan L63 0 R63 00 7F 15 Level 0 104 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 15 Limiter 01 31 Threshold 0 85 127 00 7F 03 Ratio 1 1 5 1 2 1 4 1 100 00 01 02 03 04 Release 0 16 127 00 7F 05 Post Gain 0 6 12 18 00 01 02 03 06 Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Pan L63 0 R63 00 7F 15 Level 0 127 00 7F 16 Effects that...

Page 158: ...03 Accel 0 10 15 14 04 Feedback 98 32 98 0F 71 05 HF Damp 315 8k Bypass 8 06 EFX Pan L63 0 R63 00 7F 07 Balance D 0E D 74E D 0 E 00 7F 12 Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Level 0 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 26 Reverb 01 55 Type Room1 2 Stage1 2 Hall1 200 01 02 03 04 05 03 Pre Dly 0 74ms 100ms 1 04 Time 0 120 127 00 7F 05 HF Damp 315 6 3k 8k Bypass 8 0...

Page 159: ...alue Hex MSB LSB H 36 OD Flanger 02 01 OD Drive 0 48 127 00 7F 03 OD Pan L63 0 R63 00 7F 04 OD Amp Small BltIn 2 Stk 3 Stk 00 01 02 03 05 OD Amp Sw Off On 00 01 06 FL Dly 0 1 6ms 100ms 1 08 FL Rate 0 05 0 60 10 0 6 09 FL Depth 0 40 127 00 7F 0A FL Fb 98 80 98 0F 71 0B FL Bal D 0E D 49E D 0 E 00 7F 0C Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Level 0 80 127 00 7F 16 37 OD Delay 02 02 OD Dr...

Page 160: ...F 0C Low Gain 12 0 12 34 4C 13 Hi Gain 12 0 12 34 4C 14 Level 0 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 46 Cho Flanger 02 0B Cho Dly 0 1 0ms 100ms 1 03 Cho Rate 0 05 0 45 10 0 6 04 Cho Depth 0 120 127 00 7F 05 Cho Bal D 0E D E D 0 E 00 7F 07 FL Dly 0 1 6ms 100ms 1 08 FL Rate 0 05 0 60 10 0 6 09 FL Depth 0 24 127 00 7F 0A FL Fb 98 80 98 0F 71 0B FL Bal D 0E D E D 0 E 00 7F 0C Low G...

Page 161: ...27 00 7F 12 Dly HF 315 8k Bypass 8 13 Dly Mix 0 30 127 00 7F 14 Level 0 95 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 52 Clean Gt Multi2 04 04 AW Filter LPF BPF 00 01 03 AW Man 0 55 127 00 7F 04 AW Peak 0 40 127 00 7F 05 AW Rate 0 05 1 50 6 40 7 06 AW Depth 0 80 127 00 7F 07 AW Sw Off On 00 01 08 EQ L Gain 12 12 34 4C 09 EQ M Fq 200 1 6k 6 3k 10 0A EQ M Q 0 5 1 0 2 0 4 0 9 0 00 01 02...

Page 162: ... 98 0F 71 0B FL Bal D 0E D E D 0 E 00 7F 0C FL Pan L63 0 R63 00 7F 14 FL Level 0 127 00 7F 15 Level 0 88 127 00 7F 16 Parameter Setting Value Value Hex MSB LSB H 59 OD1 OD2 11 03 OD1 Sel Odrv Dist 00 01 03 OD1 Drive 0 48 127 00 7F 04 OD1 Amp Small BltIn 2 Stk 3 Stk 00 01 02 03 05 OD1 Amp Sw Off On 00 01 06 OD1 Pan L63 0 R63 00 7F 12 OD1 Level 0 96 127 00 7F 13 OD2 Sel Odrv Dist 00 01 08 OD2 Drive ...

Page 163: ...RT Hi Accl 0 11 15 14 0E RT Hi Lev 0 64 127 00 7F 0F RT Sept 0 96 127 00 7F 10 RT Speed Slow Fast 00 7F 11 RT Pan L63 0 R63 00 7F 14 RT Level 0 127 00 7F 15 Level 0 127 00 7F 16 64 PH AutoWah 11 08 PH Man 100 620 8k 12 03 PH Rate 0 05 0 85 10 0 6 04 PH Depth 0 64 127 00 7F 05 PH Reso 0 16 127 00 7F 06 PH Mix 0 127 00 7F 07 PH Pan L63 0 R63 00 7F 12 PH Level 0 127 00 7F 13 AW Filter LPF BPF 00 01 0...

Page 164: ...trl Delay 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Pre Delay Delay Delay Delay Delay HF Cutoff EQ Value Value Time Time 1 Time 2 Time 3 Time 4 Rate1 Rate2 Damp Freq Freq LPF Manual Azimuth Accl Hex Dec ms ms ms ms ms Hz Hz Hz Hz Hz Hz Hz deg 00 0 0 0 200 200 0 0 0 0 05 0 05 315 250 200 250 100 L180 R180 0 01 1 0 1 205 205 0 1 5 0 10 0 10 110 02 2 0 2 210 210 0 2 10 0 15 0 15 120 03 3 0 3 215 215 0 3 15 0 ...

Page 165: ...38 440 4 45 4 45 4000 3150 2500 3150 4300 11 59 89 39 740 690 39 445 4 50 4 50 4400 5A 90 40 750 700 40 450 4 55 4 55 4500 R84 5B 91 41 760 710 50 455 4 60 4 60 4600 5C 92 42 770 720 60 460 4 65 4 65 4700 5D 93 43 780 730 70 465 4 70 4 70 4800 5E 94 44 790 740 80 470 4 75 4 75 4900 R96 5F 95 45 800 750 90 475 4 80 4 80 5000 60 96 46 810 760 100 480 4 85 4 85 5000 4000 3150 4000 5100 12 61 97 47 82...

Page 166: ... the value of the Bank Select MSB Controller number 0 expressed in decimal The SC 8820 recognizes the Bank Select LSB Controller number 32 as a flag for switching between the SC 55MAP the SC 88MAP the SC 88ProMAP and the SC 8820MAP With a Bank Select LSB of 00H the map selected by the front panel INST MAP button will be selected With an LSB of 01H the SC 55MAP and with an LSB of 02H the SC 88MAP a...

Page 167: ...te BnH 4DH vvH n MIDI channel number 0H FH Ch 1 16 vv Vibrato Depth Value relative change 00H 7FH 64 0 63 Initial Value 40H no change Vibrato Delay Controller number 78 8820 Status 2nd byte 3rd byte BnH 4EH vvH n MIDI channel number 0H FH Ch 1 16 vv Vibrato Delay value relative change 00H 7FH 64 0 63 Initial value 40H no change Portamento control Controller number 84 Status 2nd byte 3rd byte BnH 5...

Page 168: ...ferent GS devices relative change parameters may sometimes differ in the way the sound changes or in the range of change Parameters marked absolute change will be set to the absolute value of the parameter regardless of the preset value It is not possible to simultaneously use both Chorus Send Level and Delay Send Level on a single Drum Instrument Data entry LSB llH is ignored RPN MSB LSB Controll...

Page 169: ...ved OMNI ON Controller number 125 Status 2nd byte 3rd byte BnH 7DH 00H n MIDI channel number 0H FH Ch 1 16 The same processing will be carried out as when All Notes Off is received OMNI ON will not be turned on MONO Controller number 126 Status 2nd byte 3rd byte BnH 7EH mmH n MIDI channel number 0H FH Ch 1 16 mm mono number 00H 10H 0 16 The same processing will be carried out as when All Sounds Of...

Page 170: ...te Explanation F0H Exclusive status 7EH ID number Universal Non realtime Message 7FH Device ID Broadcast 09H Sub ID 1 General MIDI Message 02H Sub ID 2 General MIDI Off F7H EOX End Of Exclusive When this message is received the SC 8820 will reset to the GS default state GS reset GS Reset is a command message that resets the internal settings of a device to the GS initial state This message appears...

Page 171: ...ive pp 0 Chorus Type vv 0 Chorus1 vv 1 Chorus2 vv 2 Chorus3 vv 3 Chorus4 vv 4 FB Chorus vv 5 Flanger pp 1 Mod Rate vv 00H 7FH 0 127 pp 2 Mod Depth vv 00H 7FH 0 127 pp 3 Feedback vv 00H 7FH 0 127 pp 4 Send To Reverb vv 00H 7FH 0 127 Channel Pressure 8820 Status Data byte Status F0H 7FH 7FH 09H 01H 0nH ppH rrH F7H Byte Explanation F0H Exclusive status 7FH ID number universal realtime message 7FH Dev...

Page 172: ...ch requests a large amount of data at once In either case the Data Request 1 RQ1 message format is used and the Address and Size included in the message determine the type and amount of data that is desired For Individual Parameter Request refer to 3 Individual Parameter Transmission page 173 For Bulk Dump Request refer to 4 Bulk Dump page 181 When a Data Request message is received if the device ...

Page 173: ... the data to be sent ccH Address LSB lower byte of the starting address of the data to be sent ddH Data the actual data to be sent Multiple bytes of data are transmitted in order starting from the address eeH Data sum Checksum F7H EOX End Of Exclusive The amount of data that can be transmitted at one time depends on the type of data and data will be transmitted from the specified starting address ...

Page 174: ...arameters Patch common parameters The parameters common to all Parts in each module are called Patch Common parameters Address H Size H Data H Parameter Description Default Value H Description 40 00 00 00 00 04 0018 07E8 MASTER TUNE 100 0 100 0 cents 00 04 00 00 0 cents 40 00 01 Use nibblized data 40 00 02 40 00 03 Refer to section 5 Supplementary material About the Tuning page 184 40 00 04 00 00 ...

Page 175: ...3 DELAY TIME CENTER 0 1 ms 1 sec 61 340 40 01 53 00 00 01 01 78 DELAY TIME RATIO LEFT 4 500 01 4 40 01 54 00 00 01 01 78 DELAY TIME RATIO RIGHT 4 500 01 4 40 01 55 00 00 01 00 7F DELAY LEVEL CENTER 0 127 7F 127 40 01 56 00 00 01 00 7F DELAY LEVEL LEFT 0 127 00 0 40 01 57 00 00 01 00 7F DELAY LEVEL RIGHT 0 127 00 0 40 01 58 00 00 01 00 7F DELAY LEVEL 0 127 40 64 40 01 59 00 00 01 00 7F DELAY FEEDBA...

Page 176: ...n Effect type each effect parameter will be set to the most suitable value Patch Part parameters The SC 8820 has 16 Parts in Group A Group B respectively Parameters that can be set individually for each Part are called Patch Part parameters If you specify a part in Group A specify the address 40 using the block number to the corresponding part from PORT A normally MIDI IN If you specify a part in ...

Page 177: ...1 and other Parts are set to normal instrumental Parts OFF 0 Address H Size H Data H Parameter Description Default Value H Description 40 1x 16 00 00 01 28 58 PITCH KEY SHIFT 24 24 semitones 40 0 semitones 40 1x 17 00 00 02 08 F8 PITCH OFFSET FINE 12 0 12 0 Hz 08 00 0 Hz 40 1x 18 Use nibblized data PITCH OFFSET FINE allows you to alter by a specified frequency amount the pitch at which notes will ...

Page 178: ...58 BEND PITCH CONTROL 0 24 semitones 42 2 semitones 40 2x 11 00 00 01 00 7F BEND TVF CUTOFF CONTROL 9600 9600 cents 40 0 cents 40 2x 12 00 00 01 00 7F BEND AMPLITUDE CONTROL 100 0 100 0 40 0 40 2x 13 00 00 01 00 7F BEND LFO1 RATE CONTROL 10 0 10 0 Hz 40 0 Hz 40 2x 14 00 00 01 00 7F BEND LFO1 PITCH DEPTH 0 600 cents 00 0 cents 40 2x 15 00 00 01 00 7F BEND LFO1 TVF DEPTH 0 2400 cents 00 0 cents 40 2...

Page 179: ... 0 You may not always be able to obtain the desired effect by modifying the LFO 1 and LFO 2 parameters 40 4x 00 00 00 01 00 04 TONE MAP NUMBER MAP 0 4 00 CC 32 Bank number LSB 00 SELECTED 01 SC 55 MAP 02 SC 88 MAP 03 SC 88Pro MAP 04 SC 8820 MAP When GS Reset is received this will be 00 SELECTED 40 4x 01 00 00 01 01 04 TONE MAP 0 NUMBER 01 SC 55 MAP 04 02 SC 88 MAP 03 SC 88Pro MAP 04 SC 8820 MAP Th...

Page 180: ...00 01 00 7F USER INST MODIFY5 2 64 63 40 0 TVF TVA Env attack 20 b8 pp 00 00 01 00 7F USER INST MODIFY6 2 64 63 40 0 TVF TVA Env decay 20 b9 pp 00 00 01 00 7F USER INST MODIFY7 2 64 63 40 0 TVF TVA Env release 20 bA pp 00 00 01 00 7F USER INST MODIFY8 2 64 63 40 0 Vibrato Delay On the SC 8820 these settings will be lost when the power is turned off User Drum Set You can modify drum instrument para...

Page 181: ... 00 USER DRUM SET ALL request a dump of all USER DRUM SET data 00 02 40 USER DRUM SET 65 request a dump of USER DRUM SET 65 data 00 02 41 USER DRUM SET 66 request a dump of USER DRUM SET 66 data Example Dump request for all parameters F0 41 dev 42 11 0C 00 00 00 00 00 74 F7 Normally using ALL 00 00 00 provides the greatest predictability but the amount of data is very large and transmission may ta...

Page 182: ...ber 01 SC 55 MAP 02 SC 88 MAP 03 SC 88Pro MAP 04 SC 8820 MAP PC Program number Drum instrument list dump Drum instrument list dump request receive only This command requests a bulk dump transmission of the Instrument list of an internal Preset Drum Sets and uses Data Request 1 RQ1 format The Size specifies the desired data contents Address 0C 00 03 Size 00 00 00 ALL 00 00 01 SC 55 MAP 00 00 02 SC ...

Page 183: ...ges have the same status MIDI has a provision called running status which allows the status byte of the second and following messages to be omitted Thus the above messages have the following meaning B3 64 00 MIDI ch 4 lower byte of RPN parameter number 00H B3 65 00 MIDI ch 4 upper byte of RPN parameter number 00H B3 06 0C MIDI ch 4 upper byte of parameter value 0CH B3 26 00 MIDI ch 4 lower byte of...

Page 184: ...em Exclusive MASTER TUNE address 40 00 00H RPN 1 allows tuning to be specified in steps of approximately 0 012 cents to be precise 100 8192 cent and System Exclusive MASTER TUNE allows tuning in steps of 0 1 cent One cent is 1 100th of a semitone The values of RPN 1 Master Fine Tuning and System Exclusive MASTER TUNE are added together to determine the actual pitch sounded by each Part Frequently ...

Page 185: ... X X X X X X X X X X X X X X X O O O O O O O O O O O O O O O X O X O X X X X X X X X X O X 1 16 1 16 Mode 3 Mode 3 4 M 1 O X 0 127 0 127 O 1 O 1 O 1 O 1 0 127 O 1 X X X X X O 120 126 127 O X O 123 125 O X Bank select Modulation Portamento time Data entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Portamento control Effects 1 Reverb Send Level Effects 3 Chorus Send Level Effects 4 De...

Page 186: ...64 types Display Power indicator USB indicator Part level indicator PART A PART B Connectors MIDI connectors IN OUT Audio Input jack L R Audio Output jack L R Headphones jack Serial connector USB connector Power Supply DC 9V AC Adaptor Current Draw 400 mA Dimensions 203 W x 159 D x 37 H mm 8 W x 6 1 4 D x 1 3 8 H inches Weight 0 4 kg 14 oz Accessories Owner s manual CD ROM In the interest of produ...

Page 187: ...Gt Multi2 74 Compressor 54 Computer 10 Computer Cable 106 COMPUTER switch 9 11 13 17 19 Connect 10 12 13 16 17 19 Control Change 99 Cutoff Freq 34 Cutoff Frequency 32 34 D Data Entry 101 Decay Time 35 Decimal 183 Delay 40 Delay Feedback 44 Delay Level 44 Delay Level Center 44 Delay Level Left 44 Delay Level Right 44 Delay Macro 44 45 Delay parameters 44 Delay Pre LPF 44 Delay Send Level 27 100 Del...

Page 188: ...nstrument 20 Instrument List 21 107 INSTRUMENT MAP button 9 interface 10 interface board 10 J Just Intonation Tonic of C 31 K Keyboard Multi 77 Keyboard Range High 30 Keyboard Range Low 30 L Legato enabled Sounds 26 LFO1 PITCH DEPTH 32 LFO RATE CONTROL 32 LFO TVA DEPTH 32 LFO TVF DEPTH 32 Limiter 54 Lo Fi 1 63 Lo Fi 2 63 LSB 22 23 M Master Key Shift 36 Master Pan 36 Master Tune 36 Master Volume 36...

Page 189: ...ay Feedback 41 Reverb Level 40 Reverb Macro 40 41 Reverb parameters 40 Reverb Pre Delay Time 41 Reverb Pre LPF 40 Reverb Send Level 27 100 Reverb Time 41 Rhodes Multi 76 Roland Super MPU II 10 Room1 40 Room2 40 Room3 40 Rotary 52 Rotary Multi 70 RPN 101 168 RPN LSB MSB 101 Rx CHANNEL 28 S SC 55 map 25 SC 88 map 25 SC 8820 map 25 SC 88Pro map 25 SCALE TUNING 31 SCALE TUNING C B 31 Serial Connector ...

Page 190: ...rt 38 Changing the chorus type 43 Changing the delay type 45 Changing the drum set of a part 25 Changing the Equalizer Low Gain 46 Changing the level of a part 37 Changing the map and variation sound of a part 23 Changing the pan of a part 37 Changing the pan of a part to Random 37 Changing the pitch of a drum instrument 105 Changing the reverb type 41 Changing the sound of a part 23 Changing the ...

Page 191: ...is connected Consult the dealer or an experienced radio TV technician for help Unauthorized changes or modification to this system can void the users authority to operate this equipment This equipment requires shielded interface cables in order to meet FCC class B Limit IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE BROWN As the colours of the wires ...

Page 192: ...oad Al Sherooq Bldg No 14 Grand Floor DUBAI U A E TEL 04 3360715 EGYPT Al Fanny Trading Office P O Box 2904 El Horrieh Heliopolos Cairo EGYPT TEL 02 4185531 REUNION Maison FO YAM Marcel 25 Rue Jules Merman ZL Chaudron BP79 97491 Ste Clotilde REUNION TEL 28 29 16 SOUTH AFRICA That Other Music Shop PTY Ltd 11 Melle Street Cnr Melle and Juta Street Braamfontein 2001 Republic of SOUTH AFRICA TEL 011 4...

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