Roland D-05 Parameter Manual Download Page 36

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MIDI Implementation

System Realtime Message

Active Sensing

Status
FEH

* When Active Sensing is received, the unit will begin monitoring the intervals of all further mes-

sages. While monitoring, if the interval between messages exceeds 300 ms, the same processing

will be carried out as when All Notes Off are received, and message interval monitoring will be

halted.

System Exclusive Message

Status
F0H

: System Exclusive

F7H

: EOX (End of Exclusive)

* Exclusive message can change either each parameter individually or all parameters, of a patch or

tone.

* Refer to Section 3 to see details.

3. Exclusive Communication

3.1 Message Format

Roland’s exclusive format (type IV) messages all have the following structure.

Byte

Explanation

F0H

Exclusive status

41H

Roland ID

DEV

Device-ID

MDL

Model-ID

CMD

Command-ID

[BODY]

Data

F7H

EOX (End Of Exclusive)

MIDI status (F0H), (F7H)

Exclusive messages are enclosed between two status bytes; a “maker ID” is required after the F0H

status byte. <This is prescribed by MIDI Specification version 1.0.>

Maker ID (41H)

This is Roland’s ID. The “maker ID” specifies the manufacturer whose exclusive message this is.

Device ID “DEV”

This distinguishes between multiple devices. Normally, this will be a value that is one less than the

“basic channel” (00H-0FH), but in the case of a device that has multiple basic channels, it may also

be specified as (00H-1FH).

Model ID “MDL”

This has a fixed value for each model. However, if the same data is used by differing models, the

same value is used. For expansion, (00H) is used; the number of (00H) is also used to differentiate

various things.
For example,

(01H),

(02H),

(03H),

(00H, 01H),

(00H, 02H),

(00H, 00H, 01H)

each indicate different models.

Command ID “CMD”

This indicates the role of the message.
For expansion, (OOH) is used; the number of (OOH) is also used to differentiate various things.
For example,

(01H),

(02H),

(03H),

(00H, 01H),

(00H, 02H),

(00H, 00H, 01H)

each indicate different roles.

Data body [BODY]

This is the actual body of data that is transmitted or received. The size and content differ depending

on the “model ID” and “command ID.”

3.2 Data Transfer Using Address Mapping

Address mapping is the method in which data is transferred according to the format described

in section 3.1. With this method, waveform data, sound data, switch information, and parameters

are assigned to the address space specified for each model, so that various types of data can be

transferred by specifying its address.
This means that the data transfer method does not differ depending on the model or the type of

data. There are two methods of transferring the data: one-way and handshake.
Depending on the model and on the type of data, one or another of the two methods is used, or in

some cases only one method is possible.

One-way method (see 3.3)

This method is suitable for transferring relatively small amounts of data; it transfers data by

unilaterally transmitting an exclusive message.

Connection diagram

Device A

MIDI OUT

MIDI IN

MIDI IN
MIDI OUT

Device B

If “data request” (see 3) is used, connection 2 is required.

Handshake method (see 3.4)

This method transfers data using bi-directional verification (handshaking) between the transmitting

and receiving devices. When transferring large amounts of data, this method provides high

reliability and faster transfer.

Connection diagram

Device A

MIDI OUT

MIDI IN

MIDI IN
MIDI OUT

Device B

Both connections 1 and 2 are required.

Regarding the above two methods

* The “command ID” is fixed according to the transfer method.

* Data transfer cannot occur unless both device [A] and device [B] use the same method, are both

in a state that allows them to transfer data, and are both set to matching “device ID” and “model

ID.”

3.3 Transferring Data Using the One-Way

Method

When transferring relatively small amount of data, this method transmits the data unilaterally

without checking each message. However, when consecutively sending large amount of data,

an appropriate interval of time (at least 20 msec) is inserted between transmissions. This method

requires that the receiving device be able to correctly receive the data within that time.

Types of message

Byte

Explanation

Request data 1

RQ1

(11H)

Data set

DT1

(12H)

Summary of Contents for D-05

Page 1: ...10 Partial Parameters Part 1 Part 2 11 PITCH WG Pitch 11 Form WG Form 12 TVF Time Variant Filter 13 TVA Time Variant Amplifier 15 Key Mode Alteration 18 Mono Mode Poly Mode 18 SEQUENCER ARPEGGIATOR 19 Transferring Patches To and From the D 50 550 21 Transferring Patches from the D 50 to the D 05 22 Transferring Patches from the D 50 550 to the D 05 22 Sound List 23 Preset Patches 23 Waveform 29 Pa...

Page 2: ...function These buttons switch the function of the joystick The function changes each time you press a selection button Indicator Button Explanation UPPER The up down direction changes the part balance and the left right direction changes the partial balance of the selected part LOWER VALUE Enters values such as during editing LOCAL Enables local editing a function that lets you use the joystick to...

Page 3: ... DECREMENT buttons to edit the parameter If you hold down the SHIFT button and use the INCREMENT DECREMENT buttons to edit the parameter the value changes in steps of one octave 12 semitones Value 36 0 36 CHASE Chase Button Switches the Chase function p 4 on and off Value OFF ON PORTAMENTO Portamento Button Switches the Portamento function on and off Portamento is a slide from one pitch to another...

Page 4: ...wer takes on stereo reverb and the direct sound is sent out separately for Upper and Lower 03 Only the Upper Tone takes on reverb Upper and lower Tones are sent out separately 04 Only the Lower Tone takes on reverb Upper and Lower Tones are sent out separately Rev ReverbType Selects one of the 32 reverb types Value 1 32 A reverb type any one of types 17 32 from another bank can be copied to a reve...

Page 5: ...50 50 approx 2 cents UTun FineTuning of the UpperTone Allows you to Tune the pitch of the Upper Tone Value 50 50 approx 2 cents MIDI MIDI Functions You can change the setting of the MIDI Functions included Patch Factor as follows MIDI Edit TxCH B TxPC OFF TxCH Transmit Channel The transmit channel of each Patch can be set to a deferent number from the basic channel Function Menu 0 MIDI 0 CH parame...

Page 6: ...from the Patch Bank P1 as Reverb Type 30 in the Patch Bank U1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Common Reverb Type NOT rewritable 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 P1 Reverb Type NOT rewritable 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 U1 Reverb Type rewritable User Bank Preset Bank Reverb Types 17 32 are transferred simultaneously with patch data when patch data is transf...

Page 7: ...1 2 Use the INCREMENT DECREMENT buttons and the PATCH BANK 1 8 and NUMBER 1 8 buttons to select the save destination 3 Press the button A confirmation message appears Patch Write EXIT N ENT Y 4 Press the ENTER button Completed When saving is finished the destination indicates Completed ...

Page 8: ...ber Partial 1 Partial 2 Combination of two Partials 01 S S Mixture of Partial 1 and partial 2 02 S S Mixture of Partial 1 and ring modulation 03 P S Mixture of Partial 1 and partial 2 04 P S Mixture of Partial 1 and ring modulation 05 S P Mixture of Partial 1 and ring modulation 06 P P Mixture of Partial 1 and partial 2 Number Partial 1 Partial 2 Combination of two Partials 07 P P Mixture of Parti...

Page 9: ...alue 0 100 Levr Pitch Lever Modulation Sets the sensitivity of the vibrato depth controlled by the bender lever Higher values deepen the effect Value 0 100 Aftr Pitch Aftertouch Modulation This sets the sensitivity of the vibrato depth controlled by aftertouch Higher values deepen the vibrato effect Value 0 100 LFO Low Frequency Oscillator The parameters of LFO 2 and LFO 3 can be set like LFO 1 ex...

Page 10: ... width of the frequency band where the gain is boosted or cut With a higher value the frequency band is narrower and vice versa Value 0 3 0 5 0 7 1 0 1 4 2 0 3 0 4 2 6 0 Frequency HiFreq Level 0 HQ is Height HQ is low Hg High Gain Sets the gain of the Hf frequency settings raise the gain and settings lower it Value 12 12 dB Frequency HiFreq Level 0 HiGain Chorus Edit Chorus U Chorus Edit Type 02 R...

Page 11: ...ue 50 50 0 s2 s1 1 1 4 1 2 1 8 1 4 3 8 1 2 5 8 3 4 7 8 1 5 4 3 2 2 1 0 1 2 3 Pitch Octave Middle C C4 KF Keyfollow pitch Usually the keyboard to a synthesizer assigns a semi tone to each key This parameter can change the pitch ratio as show below The value represents how many octaves are changed over 12 keys Value 1 1 2 1 4 0 1 8 1 4 3 8 1 2 5 8 3 4 7 8 1 5 4 3 2 2 s1 s2 s1 or s2 may be selected f...

Page 12: ...at the TVF that is all the waveform are square at WG even when a sawtooth is selected PCM PCMWave Number This selects one of the 100 different sampled waves of the PCM sound generator Waveform p 29 Value 1 100 WG PW PulseWidth S3 WG PW PW 00 Velo 00 PW PulseWidth A square waveform has exactly the same width up and down but a Pulse waveform has different widths The ratio of upper width to lower is ...

Page 13: ...value specific harmonics are emphasized and the sound will become more unusual more electronic in nature Value 0 30 Cutoff Point Frequency Level 0 30 Value Cutoff Point Frequency Level Cutoff Point Frequency Level Cutoff Point Frequency Level KF Keyfollow Cutoff Point Keyfollow can change the cutoff point depending on the key played Just like the Keyfollow of WG pitch the value represents how many...

Page 14: ...key played Higher values change the depth more drastically Value 0 4 TKF Keyfollow Time This can change the time of the TVF ENV depending on the key played Higher values change the time more drastically Value 0 4 TVF ENVTime TVF EnvelopeTime An envelope curve is determined by times and levels T1 T2 T3 T4 T5 SusL L3 L2 L1 Point 1 Point 3 Point 4 Point 5 EndL Point 2 Key On Key Off S3 TVF ENV T1 00 ...

Page 15: ...alue 7 7 TVA TimeVariant Amplifier TVA S3 TVA Levl 80 Velo 10 Levl Level Sets the volume of a Partial Higher values may cause sound distortion If so lower the value Even when the Level is set to zero here the sound may not be completely muted if the TVA ENV curve is high Value 0 100 Velo Velocity Range Sets the sensitivity of the velocity that controls the volume of the sound values lower the leve...

Page 16: ...Value 0 100 L3 Level 3 Sets the level of point 3 Value 0 100 SusL Sustain level Sets the level of point 4 Value 0 100 EndL End Level To lower the level after releasing the key set this to 0 and to raise the level set it to 100 Value 0 100 The End Level remains until the key is released and played again That is at a value of 100 the sound remains However the PMC Sound Generator s One shot sounds do...

Page 17: ...Positive Phase Negative Phase Indication LFO phase 1 LFO 1 1 LFO 1 2 LFO 2 2 LFO 2 3 LFO 3 3 LFO 3 LFOD LFO Depth Sets the depth of the tremolo effect Higher values deepen the effect Value 0 100 Aftr Aftertouch Range Sets the sensitivity of the aftertouch that controls the volume values lower the volume by stronger aftertouch And values increase the volume by stronger aftertouch Value 7 7 ...

Page 18: ...ly one MIDI massage on one channel The D 05 is 8 voices polyphonic using 8 MIDI channels The Mono mode is ideal for a MIDI Guitar System GR 55 etc hat has Mono mode and transmits the messages of each string separately on a different channel In the other words Mono mode makes it possible to reproduce guitar sounds without spoiling the natural characteristics of the instrument Select Poly or Mono mo...

Page 19: ...plet Shfl Shuffle Specifies the amount of rhythm bounce shuffle Value 90 0 90 Gate Gate Specifies the note duration for one step Value 1 100 Off Off Step Mode Specifies whether muted steps will be treated as rests or skipped Off Step Mode This setting is not saved in the pattern Value REST SKIP Indication Explanation REST Rest SKIP Skip Ord Step Order Specifies the playback order of the steps This...

Page 20: ...creen Rest F1 button Inputs a rest Tie F2 button Inputs a tie the note value is added to the preceding step Use the buttons to change the range of steps that are shown When you press a key a note is input at the current step The screen shows step information STEP INFO Step 1 Gate 80 C4 D 4 G4 Press a 1 16 button to enable step input The screen shows step information STEP INFO Step 1 Gate 80 C4 D 4...

Page 21: ...ns on the D 05 From U1 U8 select the group that you want to transfer P1 P6 cannot be transferred 4 1 Press the FUNCTION button Function Menu Func MIDI 4 2 Press the button to access the B Dump B Load screen Function Menu B Dump B Load 4 3 Press the F2 button Bulk Load Sure EXIT N ENT Y 4 4 Press the ENTER button Read this material together with the D 50 550 Owner s Manual 5 Put the transmitting un...

Page 22: ...he D 50 to the D 05 Patches 64 patches bulk loaded from the D 50 to the D 05 are temporarily transferred to the patch bank that includes the current patch Currently Patch Sample 0 Destination Patch Bank Sample U1 11 Fantasia 0 User1 11 User1 88 U6 88 Big Wave 0 User6 11 User6 88 5 5 The patches 64 patches originally residing in the bulk load destination will appear to have been overwritten 5 5 Pat...

Page 23: ... Organ D 6 Staccato Heaven D Oriental Bells D E Bass and E Piano S Legato Strings D JX Horns Strings D Shakuhachi D Choir D Picked Guitar Duo D 7 Nightmare D Syn Marimba D Slap Bass n Brass S String Ensemble D Velo Brass W Digital Cello D O K Chorale D Pianissimo D 8 Intruder FX D Steel Pick D Synth Bass D Afterthought D Bones D Bottle Blower D Future Pad D PCM E Piano D Reverb type 01 Small Hall ...

Page 24: ... Fairy D TrashTalk Ld D Chop Flutes D Atmostrings D Ripper Bars D Synthectric Bass D AutoWork S 7 FastMosphere Pad D Twinkle Bugs D Fifty Lead D D Choir D Waving Strings D Open Da Gate D Bass Compression D DeathBrassBand D 8 Zenigma Pad D ChristmasTime D Narky Light D 50 Flutes D Elliptic Orbit D Wide DooWah D ControllahBs D Touchdown D Reverb type 01 Small Hall 02 Medium Hall 03 Large Hall 04 Cha...

Page 25: ...g Solo D Synth Lead 3 W Gotham Low W Taj Mahal D 7 Ham and Organ D Slow Rotor 2 D Slow to Fast Rotor D Good and Old Days W Percussive E Organ D SlapBass and Organ S Pipe Organ W Weird Organ D 8 Star Peace Chorus D SpacyVoice D Thinful D V Harmonium D Android D Nuns D Pressure Pad D Digital Sound D Reverb type 01 Small Hall 02 Medium Hall 03 Large Hall 04 Chapel 05 Box 06 Small Metal Room 07 Small ...

Page 26: ...t D Picked Bass D Fretless Bass D Acoustic Bass D Synth Bass 2 D SlapBass SynBrass S 7 Stringz n Bellz D BrightWave D Gotham Chords D Wonderwave D GamelanBells 2 D Ethnic Fifth W Japanese Duo 1 S Japanese Duo 2 S 8 AQUA D JetWars S Orchestra Hit D Clock Factory D Gunfire Ricochet D Fast Forward W Air Raid Siren D Sweep Loop on C D Reverb type 01 Small Hall 02 Medium Hall 03 Large Hall 04 Chapel 05...

Page 27: ... Pulse Lead W Squeeze Lead D Energetical Lead D Monotone Lead D Harmonics Lead D Metallic Lead D 7 Jazz Organ D Huge Pipes D Velocity Rotor D Choral Organ D Click Organ D Solid Beat D Wavy Motion D Pressure Generator D 8 WhispyVoice D Alpha Omega Ensemble D Voice n Sawz D 4th SynthVoice D HuskyVoices D Stereo Panorama D Voyageur D GlassVoice 2 D Reverb type 01 Small Hall 02 Medium Hall 03 Large Ha...

Page 28: ... Bass D Electric Pick Bass D Octave Synth Bass D Natural Bass D Glide Bass D Funky Reso Bass D Steelblue Bass D Funky Cutting S 7 Soundtrack n Hold D Reso Release D BalletVoices U L D PressPan SamplHold D Twilight Zone D AfterBend Panning D All Diminish Chord D CosmoVoices D 8 Marshy Zone D Dense Forest D F 1 Grand Prix D Passing Sky D Devildom S Haunted Bells D Vietnam FX S BigWaves D Reverb type...

Page 29: ... Cello 45 VioBow Violin bow 46 Violns Violins 47 Pizz Pizzicart Loop Number Indication PCM Name 48 Drawbr Draw bars Loop 49 Horgan High Organ Loop 50 Lorgan Low Organ Loop 51 EP_lp1 Electric Piano Loop 1 52 EP_lp2 Electric Piano Loop 2 53 CLAVlp Clavi Loop 54 HC_lp Harpsichord Loop 55 EP_lp1 Electric Bass Loop 1 56 AB_lp Acoustic Bass Loop 57 EB_lp2 Electric Bass Loop 2 58 EB_lp3 Electric Bass Loo...

Page 30: ...30 Sound List Number Indication 97 Loop21 98 Loop22 99 Loop23 100 Loop24 ...

Page 31: ...pCH Separate Mode Receive CH Off 1 16 Tone Parameters Common Parameters Struct p 8 Structure Struct Structure 1 7 P ENV p 8 P ENV Velo Velocity Range 0 2 TKF Time Keyfollow 0 4 P ENV Time T1 Time1 0 50 T2 Time2 0 50 T3 Time3 0 50 T4 Time4 0 50 P ENV Level L0 Level0 50 0 50 L1 Level1 50 50 L2 Level2 50 50 SusL Sustain Level 50 50 EndL End Level 50 50 Pitch Mod LFOD LFO Depth 0 100 Lever Pitch Lever...

Page 32: ...el 0 100 Velo Velocity Range 50 50 BP Bias Point Bias Direction A1 C7 A1 C7 BLevel Bias Level 12 0 TVA ENV Velo Velocity Follow 0 4 TKF Time Keyfollow 0 4 TVA ENV Time T1 Time1 0 100 T2 Time2 0 100 T3 Time3 0 100 T4 Time4 0 100 T5 Time5 0 100 TVA ENV Level L1 Level1 0 100 L2 Level2 0 100 L3 Level3 0 100 SusL Sustain Level 0 100 EndL End Level 0 100 MOD p 15 p 17 TVF MOD LFO LFO Select 1 1 2 2 3 3 ...

Page 33: ...th 00H 7FH 0 127 6 6 Volume Controller number 7 Status 2nd byte 3rd byte BnH 07H vvH n MIDI channel number 0H FH ch 1 16 vv Volume 00H 7FH 0 127 6 6 Hold 1 Controller number 64 Status 2nd byte 3rd byte BnH 40H vvH n MIDI channel number 0H FH ch 1 ch 16 vv Control value 00H 7FH 0 127 0 63 OFF 64 127 ON 6 6 Portamento Switch Controller number 65 Status 2nd byte 3rd byte BnH 41H vvH n MIDI channel nu...

Page 34: ... off velocity 00H 7FH 0 127 7 7 Note on Status 2nd byte 3rd byte 9nH kkH vvH n MIDI channel number 0H FH ch 1 16 kk note number 00H 7FH 0 127 vv note on velocity 01H 7FH 1 127 7 7 Control Change 6 6 Bank Select Controller number 0 32 Status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n MIDI channel number 0H FH ch 1 16 mm ll Bank number 00 00H 7F 7FH bank 1 bank 16384 The Patches corresponding to ea...

Page 35: ...e Switch SYSTEM MIDI is OFF 7 7 Channel Aftertouch Status 2nd byte DnH vvH n MIDI channel number 0H FH ch 1 16 vv Aftertouch Value 00H 7FH 0 127 7 7 Pitch Bender Change Status 2nd byte 3rd byte EnH llH mmH n MIDI channel number 0H FH ch 1 16 mm ll Pitch Bender value 00 00H 40 00H 7F 7FH 8192 0 8191 9 9 Channel Mode Messages 7 7 All Sounds Off Controller number 120 Status 2nd byte 3rd byte BnH 78H ...

Page 36: ...d or received The size and content differ depending on the model ID and command ID 9 9 3 2 Data Transfer Using Address Mapping Address mapping is the method in which data is transferred according to the format described in section 3 1 With this method waveform data sound data switch information and parameters are assigned to the address space specified for each model so that various types of data ...

Page 37: ...ithin the range indicated by the data request 1 message For each model the number of data items that can be transmitted at once is determined accord ing to the type of data and in some cases these must be transmitted or received at divisions of the specified address The number of address bytes is determined for each model ID The check sum is the value that causes the lower seven bits to be zero wh...

Page 38: ...ime messages cannot interrupt an exclusive message In consideration of devices that implement soft thru Roland limits the amount of data that is transferred in a single data set to a maximum of 256 bytes for this reason large amount of data that exceed 256 bytes are divided and transmitted in multiple pieces Byte Explanation F0H Exclusive status 41H Roland ID DEV Device ID 14H Model ID D 50 42H Co...

Page 39: ...wiedge When an error occurs while device A is receiving data from device B 1 When requesting retransmission of data from device B Device A Device B Acknowiedge Acknowiedge Data set Data set Data set same as above Communicationerror error occurs x 2 When device B rejects data retransmission and terminate communication Device A Device B Acknowiedge terminate Data set Data set Rejection Communication...

Page 40: ... 0vvv vvvv TVF ENV Time 1 0 100 0 100 17H 0vvv vvvv TVF ENV Time 2 0 100 0 100 18H 0vvv vvvv TVF ENV Time 3 0 100 0 100 19H 0vvv vvvv TVF ENV Time 4 0 100 0 100 1AH 0vvv vvvv TVF ENV Time 5 0 100 0 100 1BH 0vvv vvvv TVF ENV Level 1 0 100 0 100 1CH 0vvv vvvv TVF ENV Level 2 0 100 0 100 1DH 0vvv vvvv TVF ENV Level 3 0 100 0 100 1EH 0vvv vvvv TVF ENV Sustain Level 0 100 0 100 1FH 0vvv vvvv TVF ENV En...

Page 41: ... 0vvv vvvv LFO 1 Delay Time 0 100 0 100 1CH 0vvv vvvv LFO 1 Sync 0 2 Off On Key 1DH 0vvv vvvv LFO 2 Waveform 0 3 Triangle Sawtooth Square Random 1EH 0vvv vvvv LFO 2 Rate 0 100 0 100 1FH 0vvv vvvv LFO 2 Delay Time 0 100 0 100 20H 0vvv vvvv LFO 2 Sync 0 1 Off On 21H 0vvv vvvv LFO 3 Waveform 0 3 Triangle Sawtooth Square Random 22H 0vvv vvvv LFO 3 Rate 0 100 0 100 23H 0vvv vvvv LFO 3 Delay Time 0 100 ...

Page 42: ... 50 19H 0vvv vvvv L Tone Fine Tune 0 100 50 0 50 1AH 0vvv vvvv Bender Range 0 12 0 12 1BH 0vvv vvvv Aftertouch Pitch Bender 0 24 12 0 12 1CH 0vvv vvvv Portamento Time 0 100 0 100 1DH 0vvv vvvv Output Mode 0 3 1 4 1EH 0vvv vvvv Reverb Type 0 31 1 32 17 32 Change Type 1FH 0vvv vvvv Reverb Balance 0 100 0 100 20H 0vvv vvvv Total Volume 0 100 0 100 21H 0vvv vvvv Tone Balance 0 100 0 100 22H 0vvv vvvv ...

Page 43: ...v Extension 0 127 3EH 0vvv vvvv Extension 0 127 3FH 0vvv vvvv Extension 0 127 9 9 3 9 Reverb Block Offset Address Description 00 00H 0000 aaaa Reverb Data 1 00 01H 0000 bbbb aaaa bbbb 0 255 00 02H 0000 aaaa Reverb Data 2 00 03H 0000 bbbb aaaa bbbb 0 255 02 76H 0000 aaaa Reverb Data 188 02 77H 0000 bbbb aaaa bbbb 0 255 1 table 1 Common Parameter Partial Mute BIN DEC Description 00B 0 Partial2 Off P...

Page 44: ...63 3FH 95 5FH 127 7FH D decimal H hexadecimal Decimal values such as MIDI channel bank select and program change are listed as one greater than the values given in the above table A 7 bit byte can express data in the range of 128 steps For data where greater precision is required we must use two or more bytes For example two hexadecimal numbers aa bbH expressing two 7 bit bytes would indicate a va...

Page 45: ...Change 0 127 1 0 63 1 System Exclusive o 1 o 1 System Common Song Pos Song Sel Tune x x x x x x System Real Time Clock Start Continue Stop o o x o o o o o Aux Message All Sound Off Reset All Controllers Local On Off All Notes Off Omni Mode Off Omni Mode On Mono Mode On Poly Mode On Active Sensing System Reset x o o x o o 123 127 o x Memorized Notes 1 Can be set to O or X manually and memorized 2 R...

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