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11

 

Introduction

 

Thank you, and congratulations on your choice of a Roland Classic Organ. 
The Roland C-200 Classic Organs is a complete organ with 2-manual simu-
lation and numerous features in a compact cabinet.

In order to take full advantage of your C-200 and enjoy trouble-free opera-
tion, please read this owner’s manual carefully.

 

Please read the section “Getting Ready to Play” on p. 15 and make 
the correct preparations for turning on the power.

This manual explains what you need to know to take full advantage 
of the C-200, divided into a Basic Operation section and an 
Advanced Operation section.

In order to present information as concisely as possible, this manual 
uses the following conventions.

• Text enclosed in square brackets [  ] indicates the name of a 

button (or knob); e.g., “the [8’I] piston.”

• Text preceded by a symbol such as 

 or an asterisk (*) 

refers to warnings. Please be sure to read these.

• Text preceded by a symbol such as 

 refers to useful 

additional information.

• Pages to which you can refer to for further information are 

indicated like this: (p. **) 

 

 

Reproduces the beautiful sound of the classic 
organ, grand piano, harpsichord, fortepiano, 
celesta and orchestral sounds

 

Grand, glorious sound is the hallmark of the classic organ. Pro-
viding a rich and spacious ensemble sound complemented by 
crystal-clear definition, the C-200 will take you to new musical 
heights, while sustaining the tradition of quality, craftsmanship 
and innovation.
An authentic grand piano sound is included for solo and 
ensemble performances. The sound-producing mechanism of 
the harpsichord, the sound of the key release, and the resonance 
of the sounding board have been carefully analyzed, and digital 
technology is used to reproduce faithfully even the sound of the 
plectrum contacting the string when a key is released. You’ll be 
able to enjoy beautiful and realistic harpsichord sound. 
The fortepiano, the precursor of the piano as we know it today, 
produces its sounds via its strings that are struck by hammers 
operated by a keyboard. The fortepiano is built entirely of 
wood, the strings are struck by hammers covered in hide, pro-
ducing a metallic and brilliant sound. It enabled artists to pave 
new ways and therefore explore new possibilities of expression.
There is also a Celesta sound, which is similar to a glockenspiel, 
but softer and rounder. In addition, there are 12 orchestral 
sounds that can be used either in isolation or together with the 
organ section for a richer sound.

 

 

Two-manual simulation

 

The C-200’s 76-note keyboard can be split (divided) into two 
halves to simulate an instrument equipped with manual I and 
manual II.

 

 

Coupler II/I functionality

 

The C-200’s coupler function allows you to play the Manual I 
sound, along with the Manual II sound on the entire keyboard.

 

 

Five temperaments to support historically correct 
tunings

 

In addition to equal temperament, you can choose from Werck-
meister, Kirnberger, Vallotti, and Meantone, giving you five 
temperaments that can be easily selected by pressing a single 
button.
There’s also a Transpose function, which makes it easy to trans-
pose the pitch for additional ways to vary your performance.

 

 

No maintenance and easy pitch changes

 

Not only will you never need to replace the plectrums or 
strings, you’ll also never need to tune this instrument. 
Moreover, the C-200 is not affected by vibration or changes in 
humidity or temperature. You’ll always be performing with 
precisely accurate pitches guaranteed by digital technology.
It’s also easy to adjust the tuning to match other instruments.
You can furthermore use a single button to easily switch to 
Baroque pitch (A= 415Hz), Versailles pitch (A= 392 Hz), Vene-
tian pitch (A= 465Hz) or the default tuning (A= 440Hz).

 

 

Reverb that enhances the rich acoustics of 
chamber music

 

The built-in digital reverb lets you choose the reverberation of a 
variety of environments, ranging from a small room to a large 
hall. You can perform using acoustics that are appropriate for 
the space you are in.

 

 

Adjust the volume and balance as appropriate for 
your situation

 

Whether you’re at home, in a small hall, or in a large hall, you 
can adjust the volume as appropriate for your situation or the 
ensemble with whom you’re performing. You can also use 
headphones, so you’ll feel free to practice at any time.
The [Balance] knob allows you to set the balance between man-
ual II and manual I + pedal.

 

 

Compact form that encompasses both tradition 
and functionality

 

While reflecting the historical tradition of the classic organ, the 
C-200 provides the advantage of a light weight and compact 
form.

 

 

Five different classical sections in one instrument

 

The C-200 comes with five sections for various types of classical 
music: “Organ” (PEDAL, MANUAL I, MANUAL II), “Harpsi-
chord”, “Fortepiano”, “Piano” and “Celesta”.

 

 

Optional pedal boards

 

Optional pedal boards are available for musicians in search of 
full organ functionality.

 

About this owner’s manual

 

Conventions used in this manual

 

Main features

 

C-200_e.book  Page 11  Monday, April 4, 2011  5:22 PM

Summary of Contents for Classic C-200

Page 1: ...Owner s Manual C 200_e book Page 1 Monday April 4 2011 5 22 PM...

Page 2: ...This product complies with the requirements of EMC Directive 2004 108 EC For EU Countries For Canada For the USA For the U K For C A US Proposition 65 C 200_e book Page 2 Monday April 4 2011 5 22 PM...

Page 3: ...re provided by your new unit owner s manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference Copyright 2011 ROLAND EUROPE S p a All rights reserved...

Page 4: ...power cord nor place heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and shock hazards 010 This unit either alone or in combinati...

Page 5: ...ssible injury Even if you observe the cautions given in the owner s manual certain types of handling may allow this product to fall from the stand or cause the stand to overturn Please be mindful of a...

Page 6: ...rature of the surface on which you place the unit its rubber feet may discolor or mar the surface You can place a piece of felt or cloth under the rubber feet to prevent this from happening If you do...

Page 7: ...rt The C 200 allows you to connect commercially available USB Flash memory You can purchase such devices at a computer store a digital camera dealer etc Use USB memory sold by Roland M UF series We ca...

Page 8: ...division 23 Playing a harpsichord sound 24 Playing the Fortepiano sound 24 Playing the Piano sound 24 Playing the Celesta sound 25 Selecting a classical tuning Pitch 26 Selecting a temperament 26 Add...

Page 9: ...9 Using an optional expression pedal 39 Connecting a pedal keyboard 40 Connecting the C 200 to MIDI equipment 41 Local On Off setting 42 Using the Visual Control function 43 Auto Power Off function 44...

Page 10: ...10 C 200_e book Page 10 Monday April 4 2011 5 22 PM...

Page 11: ...her in isolation or together with the organ section for a richer sound Two manual simulation The C 200 s 76 note keyboard can be split divided into two halves to simulate an instrument equipped with m...

Page 12: ...hones Roland RH series 9 PEDAL division tablets These tilt tabs select stops for the PEDAL division 10 MANUAL I division tablets These tilt tabs select stops for the MANUAL I division 11 II I tablet c...

Page 13: ...annot be used together with the other sounds 17 Celesta piston This piston selects the celesta sound The Celesta sound cannot be used together with the other sounds 18 Memory Piston This piston allows...

Page 14: ...smit or receive MIDI messages to or from an external MIDI device 4 Pedal Sustain socket You can connect an optional DP series damper pedal to this jack 5 Pedal EXP socket You can connect an optional e...

Page 15: ...tly raised pull it toward yourself to engage the screws in the metal brackets 2 Fasten the C 200 to the stand with the two knob bolts one each at left and right supplied with the CKS C200 stand 1 Plac...

Page 16: ...xperience a discomforting sensation or perceive that the surface feels gritty to the touch when you touch this device microphones connected to it or the metal portions of other objects such as guitars...

Page 17: ...tion circuit A brief interval a few seconds after power up is required before the unit will operate normally 3 Select a tilt tab or piston See Choosing a sound on p 21 4 Use the Volume knob to set the...

Page 18: ...ee the table on p 19 Listening to all demo songs 1 While holding down the Function piston press the Demo PLAY PAUSE piston The C 200 starts playing all demo songs The first piston in the Harpsichord s...

Page 19: ...upper part of any tilt tab 5 Press the STOP piston to stop demo song playback without leaving the demo function 6 Press a different Harpsichord piston and PEDAL or MANUAL I tab to listen to other demo...

Page 20: ...200 provides a reverb effect that lets you simulate the reverberation of a variety of environments ranging from a small room to a large hall Turn the Reverb knob to adjust the amount of reverb effect...

Page 21: ...that can be selected using the 7 tilt tabs PRINCIPAL USER ORCH There are 4 organ voices per tilt tab one of which can be assigned at a time see p 32 The USER ORCH tilt tab not only allows you to selec...

Page 22: ...the correspond ing register is audible You can activate as many registers as you like It is also possible to switch off all MANUAL I registers except II I and only use one or several MANUAL II registe...

Page 23: ...oices can be assigned to the tilt tab in question see p 32 The USER ORCH tilt tab not only allows you to select one of 4 organ voices but also one of 8 orchestral sounds If you only use the keyboard w...

Page 24: ...s the Fortepiano piston The piston lights the PEDAL MANUAL I MANUAL II Harpsichord Piano and Celesta sections are switched off Now you can play the Fortepiano sound 2 To switch off the Fortepiano soun...

Page 25: ...omewhat like a soft glockenspiel 1 Press the Celesta piston The piston lights the PEDAL MANUAL I MANUAL II Harpsichord Fortepiano and Piano sections are switched off Now you can play the Celesta sound...

Page 26: ...antone and Pythagorean scales to enhance the degree of transposability and has been used ever since Bach up to the present Kirnberger was conceived using similar methods and is used mainly when playin...

Page 27: ...F relative to C You can specify the transpose setting by pressing a key of any octave Immediately after you turn on the power the key transpose setting will be in the normal state If you re playing th...

Page 28: ...oint You can move the split point that separates the MANUAL I division from the MANUAL II division by proceeding as follows 1 Switch off the Coupler II I tilt tab if it lights 2 Press and hold the upp...

Page 29: ...press the Harpsichord piston that is assigned to the registration memory you want to use Do not hold it for too long to avoid overwriting the memory in question The pistons correspond to the availabl...

Page 30: ...at the settings are being saved When it stops flashing the operation is completed 4 Press the Memory Piston it goes dark to leave this mode Sometimes switching off all active tilt tabs to completely c...

Page 31: ...ading you registration set Here is how to transfer the registration settings on an optional USB memory back to the C 200 s internal mem ory a process called loading Loading a registration set will ove...

Page 32: ...chestral sound 2 To choose a different voice press the desired piston The piston you press lights while the remaining pistons flash You can play on the keyboard to audition the voice you selected See...

Page 33: ...emory Piston The Function piston and Memory Piston flash to indi cate that the C 200 is saving your settings You can now release these two pistons Do not power off the C 200 while the Function piston...

Page 34: ...piston if decide not to record 3 You can now activate the recording in 2 ways By pressing a key on the keyboard The PLAY PAUSE and REC pistons light and the recording will begin immediately By pressi...

Page 35: ...REC piston until the STILL GEDACKT 8 ENTER tilt tab starts flashing 3 Enter a number between 01 and 99 using the PEDAL and MANUAL I tilt tabs See the numbers on the tilt tabs The USER ORCH 10 tilt ta...

Page 36: ...flashing You can also simply hold down the PLAY PAUSE pis ton until the STILL GEDACKT 8 ENTER tilt tab starts flashing 2 Enter a number between 01 and 99 using the PEDAL and MANUAL I tilt tabs See the...

Page 37: ...ase the Function piston and Memory Piston Be sure to proceed with step 3 within 10 seconds If you wait longer the Function piston and Memory Pis ton go dark After that you need to return to step 1 if...

Page 38: ...200 s power 3 Switch on the connected device 4 Adjust the volume of the C 200 and the external audio device Recording a performance from the C 200 onto an audio recorder 1 Start recording on the conne...

Page 39: ...l you risk causing malfunction and or damage to the unit An optional expression pedal can be connected to the C 200 s EXP jack and used to set the volume of the organ and orchestral sounds you are usi...

Page 40: ...n off 3 Turn on the power on the C 200 The left side of the C 200 s can no longer be used to play the PEDAL part You must therefore play it using the pedal board In return the PEDAL part can now be pl...

Page 41: ...ical Instrument Digital Interface and is a worldwide standard for exchanging performance data between electronic musical instruments and computers The C 200 provides MIDI connectors that can send and...

Page 42: ...e Local Off setting so that route 1 is disconnected While holding down the Function piston press the Harpsichord 4 piston to switch off the Local function Repeat this operation to select Local On agai...

Page 43: ...V LINK compatible device Visual Control messages are transmitted on MIDI chan nel 16 1 Press a key in the highest octave G 6 G7 to select the desired clips on the external optional MIDI Visual Contro...

Page 44: ...set the level of the MANUAL II division default The following function allows you to assign the expression pedal to all organ sections PEDAL MANUAL I and MANUAL II 1 Switch on the C 200 while holding...

Page 45: ...et name Organ voices VP0 default VP1 VP2 VP3 PRINCIPAL 8 Principal 8 Open Diapason 8 Gamba 8 Bourdon 8 OCTAVA 4 Octava 4 Principal 4 Fugara 4 Fl te Bec 4 QUINTE 2 2 3 Quinte 2 2 3 Twelfth 2 2 3 Sharf...

Page 46: ...sat 2 2 3 Mixture III Cymbal III PICCOLO 2 Piccolo 2 Wald Flute 2 Schwegel 2 Gemshorn 2 USER ORCH User Organ voices VP0 default VP1 VP2 VP3 Cor d Amor 8 Trompette 8 Vox Humana Tierce 1 3 5 User Orches...

Page 47: ...O 4 X X O Reverb 5 X Chorus X O Bank Select Data entry Volume Panpot Expression Hold 1 Sostenuto Soft Effect 1 Depth Effect 3 Depth NRPN LSB MSB RPN LSB MSB Program Change True O 1 12 X Only on MIDI...

Page 48: ...VOLUME knob REVERB knob BALANCE knob TONE knob Key Transpose 6 to 5 semitone steps Temperaments 5 types Equal default setting Werckmeister Kirnberger Vallotti Meantone Pitch 4 Types Versailles 392 Hz...

Page 49: ...Options Configuration no 1 Stand CKS C200 Pedal Keyboard PK 25A PK 7A PK 5A Bench BNC 23 BK recommended when using a PK 25A pedal keyboard Bench BNC 15 BK recommended when using a PK 5A PK 7A pedal ke...

Page 50: ...C 200_e book Page 50 Monday April 4 2011 5 22 PM...

Page 51: ...For EU Countries For China C 200_e book Page 51 Monday April 4 2011 5 22 PM...

Page 52: ...r 602 00 0480 02 RES 85 9 11 C 200 English C 200_e book Page 52 Monday April 4 2011 5 22 PM...

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