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ENGLISH

FADER-START:

If you close the fader, the CD player connected to the respective channel via fader-start will return to the last saved cue point and switch to pause 
mode.
If you open the fader, the CD player will switch to playback mode.

NOTE! Please also refer to the information regarding fader-start of your CD player‘s instruction manual. Depending on the CD player model, 
deviations from the above described functionalities may be possible.

2.8 DJ MIC / AUX

Via the Input Signal Select Switch -1.1- you can activate the microphone by putting the switch in Mic position. You can now adjust the volume via 
the Mic/Aux Dial -13-. Switch to AUX in order to activate the source connected to the Input -23-.

2.9 MONITORING

With the Cue Buttons -6- you can select the input channel(s) that you wish to monitor via your headphones.
With Cue Mix -16- you can fade between the channel(s) selected via the Cue Buttons and the master signal. In CUE position you will only hear the 

monitoring channels selected via the Cue Buttons; in MASTER position you will only hear the master signal.
You can mix the signals steplessly. This way you can simulate a mix via your headphones. With the Headphones Input Volume Dial -17- you can 
adjust your headphones‘ volume level.

2.10 MASTER SECTION

By using the Master Dial -18- you can adjust the master output volume.
Make sure that the Master Signal‘s LED -19- is only visible in the yellow range.
Via the Booth Dial -20- it is possible to adjust the booth output‘s volume level.

2.11 IPAD SPLIT INPUT

The RMX-22i offers the possibility to split your tablet‘s stereo signal into two separated channels (left and right mono), thus mixing these two 
signals. To do so put the Signal Input Select Switch -1- for channel 1 to iPad(l) and for channel 2 to iPad(r).

Please make sure that your tablet‘s output emits channels 1 and 2 separately. Usually this adjustment can be found under “Split Output”. For 
further information please check your DJ software‘s instruction manual.

You have also the possibility to route your tablet‘s signal to the Mic/Aux Input -1.1-.

3. EFFECT UNIT

3.1 OVERVIEW

The RMX-22 i disposes of the following high-quality DSP effects with studio quality:

White noise, filter (high-pass / low-pass), bit crush, gate.

3.2 EFFECT SELECT, ROUTING

The selection and routing of an effect always follow the same principle.
By pressing the single Effect Select Switches -5- you can select the effects. An illuminated Effect Select Switch indicates that this effect is activa-
ted. Please observe that you can only use one effect at a time. This effect is routed on channel 1 and 2 in parallel.

By turning the InstantFX Dial -5- the active effect can be added to the original signal. If the InstantFX Dial -5- is in middle position, the effect is not 
active. By turning the InstantFX Dial to the left or right, the effect becomes active. The blue LED above the InstantFX Dial also indicates whether 
the effect is active.

Details regarding the single effects can be found in the following.

3.3 EFFECTS

3.3.1 FILTER

The filter effect disposes of 2 different frequency tracks that fade out the original signal correspondingly. By turning to the right the lower fre

-

quencies fade out at first. By turning to the left the high frequencies fade out at first.

3.3.2 WHITE NOISE

Adding Signal Noise is a popular effect to emphasize certain passages in a track. The RMX-22i‘s noise can also be modulated via LFO to create 
rhythmic effects.

3.3.3 BIT CRUSHER

The bit crusher effect reduces the original signal‘s quality which leads to a crispy oldschool sound.

3.3.4 GATE

The gate effect only makes signals audible that are above a certain amplitude level. A chopped sound is created hereby.

Summary of Contents for RMX22i

Page 1: ...i Ce produit est conforme aux directives europ ennes et nationales la conformit a t certifi e et les d clarations et documents sont en possession du fabricant Manual de instrucciones ATENCI N En aras...

Page 2: ...le 6 1 3 3 Mikrofon Signal 6 1 3 4 Kopfh rer 6 1 3 5 Fader Start 6 1 3 6 Master Ausgang 6 1 3 7 Monitor Ausgang 6 1 3 8 Stromversorgung 6 1 3 9 iPAD Split Anschluss 6 2 Bedienung 6 2 1 Strom einschalt...

Page 3: ...g bei der Installation oder Inbetriebnahme des Ger tes Achten Sie bei der Wahl des Installationsortes darauf dass das Ger t nicht zu gro er Hitze Feuchtigkeit und Staub ausgesetzt wird Vergewissern Si...

Page 4: ...DEUTSCH 4 1 BERBLICK 1 1 GRAFIKEN 1 1 1 BEDIENOBERFL CHE 1 18 1 1 1 6 10 11 6 8 3 3 4 19 4 2 17 16 12 15 13 20 14 5 1 5 1 5 2 7 9...

Page 5: ...r DJ Mic 1 AUX 15 2 Band Equalizer f r DJ Mic 1 2 3 HEADPHONES SEKTION 16 Cue Mix Verh ltnis zwischen Cue und Master Signal 17 Cue Level Lautst rkeregler f r Kopfh rerausgang 1 2 4 MASTER SEKTION 18...

Page 6: ...n AUX und iPad als Quelle w hlen 2 3 GAIN Mit den Gain Reglern 2 wird die Eingangslautst rke f r Kanal 1 und 2 eingestellt Achten Sie darauf dass sich das Signal bei Pegelspitzen maximal im gelben Ber...

Page 7: ...al 1 auf iPad l und f r Kanal 2 auf iPad r Bitte stellen Sie sicher dass der Ausgang Ihres Tablets die Kan le 1 und 2 getrennt ausgibt In der Regel findet sich diese Einstellung unter Split Output Wei...

Page 8: ...99mV 1dB Ausg nge Master 1K OHM 0dBV 1V 2dB Balanced 600 OHM 0dBV 1V 2dB Booth 1K OHM 0dBV 1V 2dB Phones 33 OHM 0dBV 1V 2dB Frequenzgang IPAD CD AUX 20 20K Hz 2 3dB PHONO 20 20K Hz 2 3dB RIAA AT INPU...

Page 9: ...9 DEUTSCH...

Page 10: ...s 14 1 3 3 Microphone Signal 14 1 3 4 Headphones 14 1 3 5 Fader Start 14 1 3 6 Master Output 14 1 3 7 Monitor Output 14 1 3 9 Power Supply 14 1 3 10 iPad Split Connection 14 2 Basic Operation 14 2 1 P...

Page 11: ...ing the location of installation make sure that the device is not exposed to excessive heat humidity and dust Be sure that no cables lie around openly You will endanger your own safety and that of oth...

Page 12: ...ENGLISH 12 1 OVERVIEW 1 1 GRAPHICS 1 1 1 USER INTERFACE 1 18 1 1 1 6 10 11 6 8 3 3 4 19 4 2 17 16 12 15 13 20 14 5 1 5 1 5 2 7 9...

Page 13: ...LED for DJ Mic 1 AUX 15 2 Band Equalizer for DJ Mic 1 2 3 HEADPHONES SECTION 16 Cue Mix Cue Master Signal Ratio 17 Cue Level Volume Control Headphones Output 1 2 4 MASTER SECTION 18 Master Volume adju...

Page 14: ...microphone AUX and iPad as source for the Mic AUX iPAD s channel 2 3 GAIN Via the Gain Dials 2 you can adjust the input volume for channels 1 and 2 Make sure that peak signals remain within the yello...

Page 15: ...l and for channel 2 to iPad r Please make sure that your tablet s output emits channels 1 and 2 separately Usually this adjustment can be found under Split Output For further information please check...

Page 16: ...Range IPAD CD AUX 20 20K Hz 2 3dB PHONO 20 20K Hz 2 3dB RIAA AT INPUT LEVEL 60dBV MIC 20 20K Hz 2 3dB Frequency Increase Decrease 12 dB 26 dB S N Ratio IPAD CD more than 80dB at 0dB INPUT PHONO more t...

Page 17: ...17 ENGLISH...

Page 18: ...ne 22 1 3 2 Se ales Phono 22 1 3 3 Se ales Mic 22 1 3 4 Auriculares 22 1 3 5 Fader Start 22 1 3 6 Master 22 1 3 7 Monitor 22 1 3 8 Corriente 22 1 3 9 Conexi n iPAD Split 22 2 Manejo b sico 22 2 1 Cone...

Page 19: ...superficie horizontal estable y dif cilmente inflamable Evite las vibraciones y cualquier uso violento durante la instalaci n o la puesta en marcha del equipo Al elegir el lugar de instalaci n aseg r...

Page 20: ...ESPA OL 20 1 RESUMEN 1 1 GR FICOS 1 1 1 INTERFAZ DE USUARIO 1 18 1 1 1 6 10 11 6 8 3 3 4 19 4 2 17 16 12 15 13 20 14 5 1 5 1 5 2 7 9...

Page 21: ...LED de control para para DJ Mic 1 AUX 15 Ecualizador de 2 bandas para DJ Mic 1 2 3 SECCI N DE AURICULARES 16 Cue Mix relaci n entre Cue y se al Master 17 Cue Level regulador de volumen para salida de...

Page 22: ...como fuente 2 3 GAIN Con los reguladores de ganancia 2 se ajusta el volumen de entrada para los canales 1 y 2 Preste atenci n a que durante las puntas de nivel la se al se mueva como m ximo dentro de...

Page 23: ...ntrada de se al para el canal 1 a iPad l y para el canal 2 al iPad r Aseg rese de que la salida de su tableta se env a por separado a los canales 1 y 2 En general esta opci n se encuentra en Split Out...

Page 24: ...BV 1 99mV 1dB Salidas Master 1K OHM 0dBV 1V 2dB Balanceada 600 OHM 0dBV 1V 2dB Master 1K OHM 0dBV 1V 2dB Auriculares 33 OHM 0dBV 1V 2dB Respuesta de frecuencia IPAD CD AUX 20 20K Hz 2 3dB PHONO 20 20K...

Page 25: ...25 ESPA OL...

Page 26: ...x Mic 30 1 3 4 Casque 30 1 3 5 D marrage curseur 30 1 3 6 Master 30 1 3 7 Monitor 30 1 3 8 Alimentation lectrique 30 1 3 9 Connecteur Split iPAD 30 2 Utilisation 30 2 1 Mise sous tension 30 2 2 S lect...

Page 27: ...il sur une surface plane stable et difficilement inflammable En cas de larsen loignez les enceintes de l appareil vitez tous les chocs et l emploi de la force lors de l installation et l utilisation d...

Page 28: ...FRAN AIS 28 1 VUE D ENSEMBLE 1 1 GRAPHIQUES 1 1 1 INTERFACE DE COMMANDE 1 18 1 1 1 6 10 11 6 8 3 3 4 19 4 2 17 16 12 15 13 20 14 5 1 5 1 5 2 7 9...

Page 29: ...vel 14 DEL de saturation pour DJ Mic 1 AUX 15 galiseur 2 voies pour DJ Mic 1 2 3 SECTION CASQUES 16 Cue Mix rapport entre les signaux Cue et Master 17 Cue Level r gleur de volume pour la sortie casque...

Page 30: ...ume d entr e pour les canaux 1 et 2 Veiller ce que le signal ne soit dans la zone jaune de la barre de DEL que lors des cr tes 4 Le r gleur Mic Aux Level 13 sert r gler le volume d entr e du canal MIC...

Page 31: ...Filter High pass Lowpass Bit Crush Gate 3 2 S LECTION D EFFET ROUTAGE La s lection et le routage d un effet s effectue toujours selon le m me principe Enfoncer les diff rentes touches de s lection d...

Page 32: ...ler Subject to alterations Illustrations similar to original product Misprints excepted Reservado el derecho para realizar modificaciones t cnicas Todas las im gines son similares No se asumir la resp...

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