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Let’s assume we want to patch in our MSLM few common units, like:  
 

 

DBX160 compressor in L1 (mono in / mono out); 

 

TC electronic 1140 equalizer in L2 (mono in / mono out); 

 

Tri Stereo Chorus in L3 (mono in /stereo outs); 

 
In this particular situation, we will use following methodology, keeping in mind we must use ONLY 
TRS CONNECTORS for MSLM side:  
 

 

DBX160 in L. We’ll use A method for both input and output connector; 

 

TC1140 in L2. We’ll use A method for both input and output connector; 

 

Tri Stereo Chorus in L3. We’ll use A method for both input and output connector. 

 
Once the connectors are made, if you turn on your three loops (L1 – L2 – L3) you should listening at 
the compressor and equalizer from both left and right output of the mixer, indiscriminately, while you 
should listen at the chorus in stereo, facing different audio processing from left to right, as the machine 
is intended to work.  
 

T

S

T

R

S

(E

ff

ect side)

(MSLM side)

Ex. A - cable for a MONO connection with MSLM

T

S

T

R

S

(E

ff

ect side)

(MSLM side)

T

S

(left)

(right)

Ex. B - cable for a STEREO connection with MSLM

(NOTE: if a ground loop is experienced, you can cut one ground

wire form left or right mono connector, on the e

ff

ect side)

Summary of Contents for MSLM

Page 1: ...MULTI STEREO LINE MIXER Rev 1 0 Januray 2021...

Page 2: ...2 INTRODUCTION THE CONCEPT LOGIC SHCEMATIC FRONT PANEL BACK PANEL INPUT SECTION THREE MAIN STAGES DIRECT OUTPUT SWITCH 1 2 DEDICATED DRY PATH BALANCED OUTPUTS MIDI...

Page 3: ...more first of all you need to understand how a guitar rack systems was intended to work Most of the time the starting point was the pre amplified guitar signal or a slaved signal coming from a loaded...

Page 4: ...4 LOGIC SCHEMATIC...

Page 5: ...t When the red light is on DRY output is take after loop 3 L3 when off is taken at the very input of the mixer before L1 6 SW1 SW2 red illuminated buttons this buttons turn on off Switch 1 and 2 When...

Page 6: ...ed mono jack connectors 6 AX2R Right and Left Return of AUX2 loop both right and left 7 AX1R Right and Left Return of AUX1 loop both right and left 8 AX2S Right and Left Send of AUX2 loop both right a...

Page 7: ...t signal from a mono input stereo output devices making the signal from mono to stereo You need to understand once you split the signal into a stereo one you can t go back to mono cause you ll crash t...

Page 8: ...Chorus in L3 We ll use A method for both input and output connector Once the connectors are made if you turn on your three loops L1 L2 L3 you should listening at the compressor and equalizer from both...

Page 9: ...an exact copy to both inputs of what is coming from the mono output of L3 2 First two serial loops are mono L1 L2 but third loop is stereo L3 my first parallel processor has stereo input FX1 How do I...

Page 10: ...a stereo reverb for example What s the most correct way to wire them The most correct answer is to wire them in parallel since they are both time based effect so their processing should start from th...

Page 11: ...nothing for 500ms then the very first delay repeat and then only from that moment the reverberation By increasing delay feedback you will hit more and more reverb always later like 1000 1500 2000ms la...

Page 12: ...ts together This dedicated dry path is also useful for a quick kill dry selection if you don t want any dry signal in your L R speakers BALANCED OUTPUTS Two balanced outputs are available on the front...

Page 13: ...3 button OFF D OUT POST button OFF Once you selected the exact combination of buttons corresponding to the desired MIDI CHANNEL you need to press the blinking FX1 button At this point all the illumina...

Page 14: ...s a defective one MIDI CABLE IS FINE BUT I CAN T STILL USING MIDI IN A PROPER WAY There re multiple operation to make before using MSLM with a midi devices We suggest to check MIDI section of this man...

Page 15: ...15...

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