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ENGLISH

HDL10-A allow users to choose from different face-to-face angle adjustments to create 
arrays with varying curvature. Thus, designers can create arrays custom-tailored to each 
venue’s profile.
The basic approach to array design dependent on three factors:
- Number of Array Elements;
- Vertical Splay Angles;
- Horizontal Coverage.

Determining the number of elements to use is critical: the number of elements greatly 
affects the SPL available from the system as well as the uniformity of coverage in both SPL 
and frequency response. The number of elements profoundly effects the directivity at lower 
frequencies.
The next easy equation, works as an approximation for flat listening planes.
Coverage (x) 

 8n (m) Coverage distance required = x (metres).

Changing the splay angles between cabinets has a significant impact on vertical coverage 
for the high frequencies, with the result that narrower vertical splay angles produce a 
higher Q vertical beamwidth, while wider splay lowers the Q at high frequencies. In general, 
the splay angles do not affect the vertical coverage at lower frequencies.
The curved array system design can be summarized as:
- flat-front HDL10-A s for long throw sections;
- increase curvature as distance decreases;
- add more enclosures for more output.

This approach focuses more transducers mounted on long-throw horns at the farthest seat, 
gradually focusing fewer transducers as distance decreases. As long as the no gap rule is 
maintained, arrays constructed according to these principles will provide even SPL and a 
consistent sonic character throughout the venue without requiring complex processing. 
This approach, where the same amount of acoustic energy is spread over a larger or smaller 
vertical angle depending on required throw, typically have the following objectives:
- even horizontal and vertical coverage;
- uniform SPL;
- uniform frequency response;
- sufficient SPL for the application.

This discussion represents, of course, just a basic approach. Given the infinite variety of 
venues and performers, users will find themselves
needing to solve specific problems in specific situations. RCF Shape Designer software 
designed to help calculate optimum splay angles, aiming angles, and fly-bar pick points 
(crucial in aiming the array) for a given venue, will be explained later in this Guide.

ARRAY SYSTEMS 

DESIGN

ARRAY SYSTEMS 

DESIGN

INSTALLING RCF SHAPE 
DESIGNER

RCF Shape Designer is supplied in a zip folder which contains a setup executable file:

Double-click on this and follow the on-screen prompts.

Summary of Contents for HDL15-AS

Page 1: ...OWNER MANUAL HDL15 AS ACTIVE FLYABLE HIGH POWER SUBWOOFER...

Page 2: ...ENGLISH LANGUAGE 3 ENGLISH LANGUAGE...

Page 3: ...cribed in this manual Contact your authorized service centre or qualified personnel should any of the following occur The product does not function or functions in an anomalous way The power cable has...

Page 4: ...e maximum sound pressure level IMPORTANT NOTES To prevent the occurrence of noise on line signal cables use screened cables only and avoid putting them close to Equipment that produces high intensity...

Page 5: ...to dampen down vibrations even at maximum volume settings From moulding to the final texture D LINE offers the maximum reliability and strength for the intensive use on the road The HDL15 AS active fl...

Page 6: ...ently or lights continuously turn down the signal level The amplifier has a built in RMS limiter If the RMS limiter is active the LED lights red The RMS limiter has the purpose to prevent damages the...

Page 7: ...owing AES standard PIN 1 GROUND SHIELD PIN 2 HOT PIN 3 COLD At this point you can connect the power supply cable and the signal cable but before turning on the speaker make sure that the volume contro...

Page 8: ...ld be done with extreme caution When deploying a system always wear protective helmets and footwear Never allow people to pass under the system during the installation process Never leave the system u...

Page 9: ...5 N mm2 for Yield Strength In our prediction software the Safety Factors are calculated considering the Maximum Stress Limit equal to the Yield Strength according with many international standards and...

Page 10: ...A and B A position brings the shackle towards the front B position allows an intermediate step using the same fixing holes Move the pickup bracket in the position suggested by RCF Shape Designer Fix t...

Page 11: ...rtical 3 Connect the front bracket to the first HDL15 A cabinet using 2 quick lock pins A 2 1 A A 2 1 A A A 2 1 B B 2 1 C C 2 1 2 1 4 Reverse and connect the rear bracket to the fly bar using 1 quick...

Page 12: ...360225 to the HDL 15 AS rear bracket using 2 pins 1 on the subwoofer and 1 on the accessory Fix HDL 10 A front to subwoofer brackets using 2 pins Fix the HDL 10 A rear bracket to the linkbar P N 13360...

Page 13: ...s for long throw sections increase curvature as distance decreases add more enclosures for more output This approach focuses more transducers mounted on long throw horns at the farthest seat graduall...

Page 14: ...ation that will provide the best vertical performance for a given application Various venue dimensions are entered that allow the RCF Shape Designer to calculate the resultant array performance Once y...

Page 15: ...ane For all planes Height refers to the height of the rear of the plane For PLANES 1 and 2 Elevation refers to the elevation height of the front of the plane For PLANE 1 and 2 Distance relates to the...

Page 16: ...id flying lug and the relevant motor hook to ensure that motor chain bags do not rest on the grid or top cabinet and upset its tilt angle MANUAL H SETTING In manual installation mode it is possible to...

Page 17: ...hrow distances calculated from the venue s dimensions DSP preset configuration SPL representation on the audience area WARNING It is possible to display different pages only IN SEQUENCE venue array me...

Page 18: ...tions MANUAL MODE This provides a partial control over the array s configuration The enclosure splays can be increased with a progression of 2 steps for each adjacent speaker in order to maintain a sp...

Page 19: ...l power Low frequencies Cooling Connections CABINET Cabinet Material Hardware Handles Colour PHYSICAL Height Width Depth Net Weight Frequency Response 3 dB 30 Hz 140 kHz Max SPL 133 dB Woofer 15 3 5 v...

Page 20: ...t 44 870 626 3142 e mail info rcfaudio co uk RCF France tel 33 1 49 01 02 31 e mail france rcf it RCF Germany tel 49 2203 925370 e mail germany rcf it RCF Benelux tel 49 0 2203 9253724 e mail belgium...

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