Rane SIXTY-ONE Owner'S Manual Download Page 9

OWNER’S MANUAL

9

SIXTY-ONE

How To Calibrate Serato DJ

With music playing in the background through your system or booth output, put your needle on the record 
with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused 
or stopped while calibrating.
  Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider 
to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to 
background noise.
  Repeat the process for each deck.

Things to remember:
•  Your needle must be on the record.
•  Your turntable (or CD player) must be stationary.
•  The background music playing must be at a similar level to 

which you will play your set at.

•  Calibrate Serato DJ every time you play.

TIP: If the slider jumps to the far right, then you have a problem 
with noise in your turntables/CD players/mixer. Check all your 
connections and make sure your equipment is well earthed. 
In some situations you will not be able to improve the signal 
quality, and you will have to play on regardless. In this situation, 
stick to 

rel

 mode.

The Scopes

The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors 
to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the 
lower right corner.
  Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
  For optimal performance the inner ring should be as close to circular as possible. Use the scope zoom 
slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to adjust the 
shape of the inner ring. The number in the top left corner of the scope view gives the current absolute 
position within the control record or CD. The number in the top right corner is the current speed in RPM. 
In the bottom left is the current threshold setting, and the number in the bottom right shows percentage of 
readable signal – this number should be close to 85% when your system is calibrated properly.

For complete software operating instructions, see the Serato DJ Manual. 

Summary of Contents for SIXTY-ONE

Page 1: ...OWNER S MANUAL SIXTY ONE RANE SIXTY ONE MIXER MANUAL...

Page 2: ...r cord is the AC mains disconnect device and must remain readily operable To completely disconnect this apparatus from the AC mains disconnect the power supply cord plug from the AC receptacle 16 This...

Page 3: ...lument rester accessible Pour d connecter totalement l appareil du secteur d branchez le c ble d alimentation de la prise secteur 16 Cet appareil doit tre branch une prise terre avec protection 17 Qua...

Page 4: ...or commercial benefit is strictly prohibited For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly prohibited Please respect our copyright Windows is a registered...

Page 5: ...r Supply 11 Analog Inputs 11 Analog Outputs 12 USB Audio 13 Deck Input Channels 13 Source Selector 13 Level 13 Pan 13 Tone Controls 14 Filter 14 FlexFx 14 Headphone Cues 14 Channel Faders Crossfader 1...

Page 6: ...om serato com if it is newer than the version on the CD ROM that comes with your mixer 1 Insert the Serato DJ Installer CD ROM that came with your unit or browse using Windows Explorer to the location...

Page 7: ...connected Analog Inputs 1 Connect your Left deck s RCA cables to ANALOG INPUT 1 If it s a CD player select CD with the switch above the input jacks If it s a turntable select PH Phono with the switch...

Page 8: ...ntrol sources in Scratch Live click the SETUP button at the top of the screen In the Hardware General tab verify that Control Source PGM 1 is set to 1 This will be your Left Virtual Deck verify that C...

Page 9: ...me situations you will not be able to improve the signal quality and you will have to play on regardless In this situation stick to rel mode The Scopes The scopes on the setup screen in Serato DJ disp...

Page 10: ...Mic or Line level input has 2 band full cut tone controls The Mic can route to FlexFX or record to a USB output Two Program buses Select USB channel for playback Four Phono Line Inputs Left Right Pan...

Page 11: ...level using the Mic Line switch on the rear panel Set this to LINE when connecting a wireless receiver A stereo FlexFx Loop Return input is from a pair of unbalanced TS jacks These inputs are automati...

Page 12: ...Deck Output Select as Deck 1 pr Deck 2 Source 3 5 6 SP 6 Output Option AUX Source 4 7 8 FX Return to the Mixer FlexFX Insert Return USB Record 1 1 2 Record Source Deck 1 Deck 1 Post Fader and Post Cr...

Page 13: ...in software this input is available on USB record 7 8 for use as the DVS control signal or for audio recording Left Virtual Deck 1 USB stereo playback 1 2 Right Virtual Deck 2 USB stereo playback 3 4...

Page 14: ...ach fader has REVERSE and CONTOUR controls Channel Meters Each Deck channel has a mono meter to assist in setting levels These meters are quasi peak with peak hold The goal is to stay out of the red T...

Page 15: ...ont panel 3 5 mm and output jacks CHANNEL SWAP DECK 1 CONTOUR DECK 2 CONTOUR CROSSFADER CONTOUR REVERSE REVERSE REVERSE DECK 2 DECK 1 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 10 0 2 4 8 6 MAIN CUE 10 0...

Page 16: ...eparate button The external analog insert can be used with the INSERT or independently NOTE If no external connection is made to the FLEXFX LOOP RETURN jack the signal will be interrupted when the ANA...

Page 17: ...in the mixer The control panel for Windows or Macintosh is updated with the mixer s settings Therefore when you connect to a different Sixty One Mixer it s saved settings override your previous Contr...

Page 18: ...frequency adds a zip effect to audio as the Filter is swept The default resonance is 5 dB USB 3 5 6 Record Source This control allows users to select one of two analog sources as the vinyl emulation...

Page 19: ...le to custom MIDI map most mixer controls on the Sixty One 34 31 91 36 17 37 35 68 67 70 4 77 69 Control Change Note On Off 83 84 0 3 98 2 56 105 24 7 63 99 100 116 4 65 117 5 66 89 101 77 71 90 102 7...

Page 20: ...these mixer controls Users are able to use MIDI out messages from these controls to trigger or control software functions Note Hex Function 4 0x04 FlexFx Cue 17 0x11 Channel Swap 24 0x18 USB AUX FlexF...

Page 21: ...3 14 46 2 0x02 3 5 12 12 3 0x03 4 11 96 4 0x04 4 5 10 94 5 0x05 5 Default 10 02 6 0x06 5 5 9 19 7 0x07 6 8 44 8 0x08 6 5 7 74 9 0x09 7 7 10 10 0x0A 7 5 6 5 11 0x0B 8 5 94 12 0x0C 8 5 5 41 13 0x0D 9 4...

Page 22: ...el 0 127 0x00 0x7F 100 0x64 Mic Level 0 127 0x00 0x7F 101 0x65 Deck 1 High 0 127 0x00 0x7F 102 0x66 Deck 2 High 0 127 0x00 0x7F 105 0x69 Headphone Cue Main Pan 0 127 0x00 0x7F 112 0x70 PH CD 1 Select...

Page 23: ...where it can t get damaged 4 Remove the two screws at each end of a fader holding the bottom of the fader in place with your other hand 5 Take out the fader assembly completely 6 Note the left connec...

Page 24: ...h DECK 1 and DECK 2 CUE buttons at the same time 4 While holding these buttons down power on the Sixty One 5 Immediately after fading up the CUE lights will flash one time indicating a successful cali...

Page 25: ...tereo unbalanced TS phone jack Mic Input Balanced TRS XLR combination jack Tone Controls 2 band High and Low Mic Line level switch Choose Line to connect wireless receiver Line Outputs Frequency Respo...

Page 26: ...written consent of the manufacturer This declaration of conformity is issued under the sole responsibility of Rane Corporation Type of Equipment Professional Audio Signal Processing Brand Rane Model S...

Page 27: ...HIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE Rane Corporation does not however warrant it...

Page 28: ...in the U S AT THE RANE FACTORY IN THE U S If the product is being sent to Rane for repair please call the factory for a Return Authorization number We recommend advance notice be given to the repair...

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