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5

Rigging

Rules for Suspension

•  Correct use of all suspension hardware and components is imperative in sound system rigging and deployment.

•  Always calculate suspended loads before lifting to ensure suspension components and hardware are used within their respective load limits.

•  Research local codes and regulations to fully understand the requirements for suspended loads in the venue in which the equipment is to 

be suspended.

•  Use only shackle holes for suspension of array.

•  Be absolutely certain of the integrity of any structural member intended to support suspended loads. Hidden structural members can have hidden 

structural weakness.

•  Consult a professional mechanical or structural engineer licensed in the jurisdiction of the sound system installation to review, verify, and approve 

all attachments to the building or structure.

•  Never assume anything—owner or third-party supplied suspension attachment points may not be adequate for the loads to be suspended.

•  Employ the services of a professional rigger for hoisting, positioning, and attaching the equipment to the supporting structure.

•  Always inspect all components (enclosures, suspension brackets, pins, frames, bolts, nuts, slings, shackles, etc.) for cracks, wear, deformation, 

corrosion, missing, loose, or damaged parts that could reduce the strength of the assembly before lifting. Discard any worn, defective, or suspect 

parts and replace them with new appropriately load-rated parts.

Shock Loading

When a load is either moved or stopped, its static weight is magnified. Sudden movements can magnify the static weight several times. This 
magnification of static weight is termed “shock loading”. Shock loading poses a danger to equipment and workers. The effects of shock loading can 
be instantaneous, or they may remain undetected unless the equipment is visually damaged. Avoiding shock loading requires careful planning and 
knowledge of equipment, rigging, and lifting practices. 

Shock loading of equipment and structures is usually confined to lifting and installation, but natural forces (winds, earthquakes) can impose shock 
loads several times the static load. This is why structures and suspension equipment must be capable of supporting several times the weight of the 
equipment suspended.

WideLine-10 Working Load Limits and Design Factors

The following chart 

(Table 2)

 provides Working Load Limit data at various Design Factors. The tabulated Design Factors are for static loads only. The 

choice of which Design Factor to use will depend upon the jurisdiction and venue of installation, as well as the conditions of suspension. Dynamic 
conditions are determined by unknown, installation-specific factors and should be referred to a Licensed Structural Engineer for clarification before 
proceeding with any suspension of the equipment. The data presented is based upon the listed component weights:

Table 2

Component

Weight

4:1 Design Factor

5:1 Design Factor

7:1 Design Factor

10:1 Design Factor

WL2102-w

83 lb / 37.7 kg

2500 lb / 1130 kg

2000 lb / 909 kg

1400 lb / 649 kg

1000 lb / 455 kg

AF2102-LA

37 lb / 16.8 kg

            –

            –

1423 lb / 646.8 kg

996 lb / 452.7 kg

Summary of Contents for WL2102-w

Page 1: ...Loudspeaker User Manual WL2102 w Birch plywood enclosure AF2102 LA Large aluminum array frame TD 000227 00 TD 000227 00 D WideLine 10...

Page 2: ...strength of the installation placement or array Any such condition severely reduces the safety of the installation and should be immediately corrected Use only hardware which is rated for the loading...

Page 3: ...is the ideal linear source needed for wide angle line array performance Internal mid frequency shading can be switched to either 10 254 mm transducer Both transducers handle the low frequencies but o...

Page 4: ...selection for use as either house left or house right without the need to invert boxes BI AMP The shading switch allows either low frequency transducer to be selected as the shaded unit bass only by i...

Page 5: ...dspeaker Do not connect full range audio to the high frequency transducer or damage may result PIN BI AMP Internal Shading Network Inserted in Signal Path TRI AMP MF UNSHADED SELECT Switch Position A...

Page 6: ...ading When a load is either moved or stopped its static weight is magnified Sudden movements can magnify the static weight several times This magnification of static weight is termed shock loading Sho...

Page 7: ...receiver tube and locked into position by a locking pin This is repeated for each side of the enclosure Then the rear link bar can be rotated into position and pinned at the chosen increment Rear Lin...

Page 8: ...icated on the block plus the 3 additional from the link position for a total of 9 In this manner 1 increments can be attained starting with 3 0 block location and 3 link arm location AF2102 LA The AF2...

Page 9: ...Use this link for attaching the rear of the first enclosure The frame allows for up or down angle options for use with either stacking or suspending The 4 normal locations on the link system will yiel...

Page 10: ...9 Dimensions 20 75 527 mm 7 7 196 mm 20 4 518 mm 10 75 273 mm Side Front 27 5 699 mm 25 0 635 mm Top 10 1 257 mm 26 8 681 mm Rear...

Page 11: ...ments used Cabinet Type Ported trapezoidal Enclosure Material Baltic birch plywood Finish Black or white texture coat Grille Perforated formed powder coated steel Connectors 2 x Neutrik Speakon NL8 in...

Page 12: ...umbers Sales Marketing FAX 714 754 6174 Customer Service FAX 714 754 6173 World Wide Web www qsc com E mail info qsc com service qsc com 2017 QSC LLC All rights reserved QSC the QSC logo and WideLine...

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