PROEL M602FX, User Manual

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10
sound "punch".
10. AUX FX control (post)
This control sends the signal to the AUX output and to the internal PROFEX digital e ff ect processor. This signal is post-
fader, or in other words it depends on the posi on of the channel's FADER.
11. PAN control
It adjusts the amount of channel signal sent to the le versus the right outputs. Use it to posi on the signal in a
panoramic stereo scene.
12. BAL control
It adjusts the amount of channel signal sent to the le versus the right outputs if the channel is used as MONO, or it
fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
13. PEAK detector
The PEAK LED fl ashes when the input signal is near to the CLIPPING point. IMPORTANT: if the LED PEAK fl ashes reduce
the level of the input signal using the GAIN control.
14. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
15. PRESETS selector and display
The internal PROFEX digital e ff ect processor is built around a powerful DSP and 24bit AD/DA converters. It includes 16
di ff erent presets of studio-grade e ff ect algorithm, each one featuring 16 di ff erent varia ons of the internal parameters,
for a total of 256 e ff ects available.
HOW TO USE THE PROFEX EFFECT:
- rotate the SELECTOR knob to choose the type of e ff ect (preset) you want to use;
- to select a varia on of the preset, press and hold the knob un l the display fl ashes;
- rotate the knob and choose one of the 16 varia ons available;
- press and hold again the knob un l the display stops
fl ashing to con fi rm the selec on and to return back to the
preset selec on;
- send the signal to the e
ff ect with the AUX control (10) of the channel you want to add the e ff ect to;
- rotate the FX LEVEL (19) knob un l you hear the e ff ect added to the original signal;
- adjust the AUX controls (10) just before the signal input clipping indicated by the peak led (18);
- re-adjust the FX LEVEL (19) knob to combine the wet e
ff ected signal with the natural dry signal.
NOTE: the preset and the varia on selected in the PROFEX e ff ect are kept in the memory even if you turn o ff the
mixer.
PRESET DESCRIPTION:
p 1. BRIGHT HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with
long pre delay and a lot of high frequency re fl ec ons. Works well with vocals, electric and acous c guitars, strings.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 2. DARK HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency re fl ec ons. Works well with vocals, guitars, woodwinds.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 3. BRIGHT ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature
a lot of early re fl ec ons with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 4. DARK ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early re fl ec ons with a few of high frequency. Works well with vocals, fi ngered guitars, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 5. VOCAL 1 (STAGE REVERB) - Amazing reverb designed for vocals with a long tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng plate, spring or hall types of
reverb.
p 6. VOCAL 2 (CLUB REVERB) - Amazing reverb designed for vocals with a dense tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng tape, hall or spring types of
reverb.
p 7. PLATE - This is a simula on of metal plate reverb, as used on classic recordings from the '70s and '80s.
The VARIATIONS vary the decay me from long tail [1] to short tail [16].
p 8. STEREO DELAY - Echo e ff ect with ping-pong of le and right channels.
The VARIATIONS vary from long delay mes [1] to short delay mes [16].
p 9. STEREO TAP DELAY - Like STEREO DELAY above with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 5% [1] to 90% [16] of feedback quan ty.