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HOME THEATER CONNECTIONS: 

Connect your main, center, and surround speakers to their respective output terminals 
on the back of your Home Theater receiver.  If you have either a powered subwoofer, or 
a passive one, refer to their instruction manuals for applicable hook-up options. 
 
After completing all connections, turn the system on, then GRADUALLY increase the 
volume level.  If there is no sound, distorted sound, or if the amplifier shuts itself down 
after a few seconds, IMMEDIATELY TURN THE SYSTEM OFF and turn the volume 
control all the way down.  Then re-check your wiring for accuracy and for shorts 
(adjacent bare wires touching each other).  When everything sounds fine, keep the 
volume reasonably low while you familiarize yourself with your system's various 
controls and operations modes. 
 
 

 
CABINET FINISH: 

Your speaker cabinets require no maintenance under normal use.  The cabinet surface 
may, however, be cleaned by using a damp cloth.  If you choose to use any kind of 
cleaning agent (such as a non-abrasive glass cleaner) please be sure to test a small area 
on the bottom of the cabinet first.   
 
 
 

TROUBLESHOOTING

 

Many of the most common complaints about sound system performance can be 
corrected simply.  All that is required is to check out some basic things when a certain 
type of problem is encountered.  For now we'll assume everything is hooked up 
properly, all equipment is turned on, and there is sound, but it just doesn't sound right.  
In fact, often the problem lies in adverse room conditions or poor program material.  
Following are some typical problems listed along with possible causes and solutions. 
 

 

Common Complaints

 

Check For:

 

A. Bass 

 

1. Too thin 

Improper phasing, tone/equalizer controls, program material, 
room positioning 

2. Too heavy 

Tone/equalizer controls, standing waves, corner placement, 
program material 

3. Too boomy  

Lack of sound absorbent material in room, excessive bass 
boost 

4. Muddy 

Tone/equalizer controls, poor recording, excessive hard 
surfaces in listening room ("live room") 

 

 

B. Treble 

 

1. Too weak 

Object obstructing speaker, program material, tone/equalizer 
controls, speaker upside down, "dead" room conditions, 
dirty tape deck heads 

2. Too strong 

Program material, room placement, excessive tone/equalizer 
control boost, "live" room conditions 

3. Raspy 

Poor program material, defective amp or preamp, poorly 
tuned station, dusty or worn turntable stylus 

4. Hissy 

Poor program material (recording quality), excessive treble 
control boost, noisy amplifier, poorly tuned station, weak 
station (use monaural for a stronger signal), poor tape 
quality, poor record surface 

 

 

C. Overall Sound Quality 

 

1. Muffled 

Program material, tone/equalizer controls, improper speaker 
placement, excessive bass boost, extraneous noise (mower, 
saw, appliance, etc.) speaker upside down, dirty tape deck 
heads 

2. Distorted 

Program material, excessive tone/equalizer boost, excessive 
volume, out-of-phase, extraneous noise, poorly tuned 
station, damaged tape, dusty or bad stylus 

3. Echoes 

"Live" room conditions, tape print through, program material 

4. Hum or Buzz 

Faulty connecting cables, faulty amp or preamp, fluorescent 
lighting, power tools, ungrounded turntable feedback, 
incorrectly wired or faulty turntable cartridge 

S. Crackling, Popping 

Bad connections, dirty volume or tone/equalizer controls, 
excessive tone/equalizer boost or volume level, worn album 
or stylus (turntable users) 

6. No Sound 

Receiver's speaker switches (A & B or 1 & 2) off or 
improperly set, wrong input selected, mute on, blown fuse or 
short circuit at speaker terminals or amplifier output 
terminals  

 

Summary of Contents for BD 300

Page 1: ...esigns please checkout our website at Http www pinnaclespeakers com 2009 Pinnacle Speakers The first section of this manual provides useful and important information about your speakers and how their...

Page 2: ...ant A 60 Watt per channel maximum rated amplifier running at approximately 60 Watts will clip frequently since there is no power reserve headroom left for complex bass heavy or otherwise demanding mus...

Page 3: ...mall physical size are typically referred to as bookshelf speakers because they have been designed to perform optimally when placed on a shelf or stand that is raised off the floor Speakers of larger...

Page 4: ...each speaker As a general rule a speaker with an 8 or greater diameter woofer may be considered LARGE Conversely a speaker with a woofer 6 5 and under in diameter may be considered SMALL Please note...

Page 5: ...sonic effect is annoyingly shrill The consequence of out of phase connections with subwoofers may be even more noticeable Take care to connect right channel terminals on amplifiers and or subwoofers...

Page 6: ...er phasing tone equalizer controls program material room positioning 2 Too heavy Tone equalizer controls standing waves corner placement program material 3 Too boomy Lack of sound absorbent material i...

Page 7: ...system rated for much higher power levels since any amplifier or receiver rated at 50 Watts can produce much more than that but only at high distortion levels Amplifiers and receivers are rated at pow...

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