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PREPARATION AND BASICS

Unpacking and Setup:

Unpack all units carefully to remove all parts from the carton(s). Do
not discard or destroy the packing material until the equipment has
been inspected, assembled, and all parts accounted for.    After
unpacking, all parts should be examined for any damage, which
may have been caused by rough handling  during shipment.  If any
damage is detected, contact the delivering carrier at once.  Claim for
damage should be made to the delivering carrier before destroying
packing cartons.

To set up the unit, first mount and secure it on a suitable stand.  The
StudioMax III stand adapter allows the unit to be mounted on a
stand with a 3/8” to 5/8” post.  Be sure to use a stand that is stable
and will not tip easily.

The unit may be shipped with the modeling lamp and flashtube not
installed.    While installing the modeling lamp and flashtube (with
glove or clean cloth to protect the hand) be sure they are properly
inserted and tight to avoid arcing and failure of the socket contacts
during operation. Do not touch the glass tubes with bare hands, as
normal body oils will shorten the bulb’s life.    Always use a clean
cloth or wear gloves to protect your hand from glass breakage and
heat.    If flashtube and modeling lamp are installed when received,
there will be spacers between the glass to prevent damage during
shipping.  REMOVE THE SPACERS.

The 7-½ inch reflector is attached by the “quick-change”
mechanism. A solid tab and a thumb screw on the unit grip the ring
on the reflector.  To mount the reflector, loosen the thumbscrew so it
does not show inside the circle and tilt the reflector past the
stationary top-tab, then past the thumbscrew.    Tighten the
thumbscrew, securing the reflector (see illustration below.)

All

accessory reflectors and soft boxes are designed for use with this
“quick-change” system or onto this 7-½ inch reflector.

After mounting the light on your stand and with power switch OFF,
attach the line AC line cord to the power-input connector, located on
the bottom of the StudioMax III, and then connect the other end of
the cable to a grounded wall outlet.  Turn the power switch ON. The
READY light will light only when the unit has charged to the selected
setting.

Summary of Contents for Studio Max III AKC160

Page 1: ...ant Color StudioMax III Operator s Manual Studio Max III AKC320 Studio Max III AKC320B Studio Max III AKC320R Studio Max Studio Max Studio Max Studio Max Studio Max III AKC320BR III AKC160 III AKC160B...

Page 2: ...are self contained light units and power supplies They have a professional plug in color corrected flashtube a 100 watt ON OFF modeling light and bare bulb capability both vertically and horizontally...

Page 3: ...er rating and has a ground 4 Do not insert a screwdriver or other metal objects into the flashtube socket area or vents Contact with high voltage may result 5 Do not operate this appliance with a fray...

Page 4: ...contacts during operation Do not touch the glass tubes with bare hands as normal body oils will shorten the bulb s life Always use a clean cloth or wear gloves to protect your hand from glass breakag...

Page 5: ...EL AND BASIC OPERATION Power Input The power required to operate the StudioMax III is 105 to 125 volts AC 50 60 Hz 4 Amp and or for a B battery model an approved DC battery power pack not included The...

Page 6: ...attery pack turn the Monolight ON before turning the battery pack power ON Flash Power All settings and controls of the StudioMax III are extremely stable and repeatable due to the use of an internal...

Page 7: ...the trigger cord is properly connected check the synchronization with the camera Adjust the lighting unit to same height as the camera lens and face the lights into the lens The lens aperture should...

Page 8: ...the side of the transmitter and insert the PC connector into the camera 6 When you want to trigger multiple lights program each light sepa rately to the same radio channel 7 The RTT transmitter can b...

Page 9: ...ashes Full Continuous 15 Continuous 30 minutes 10 180 1 minutes 4 15 1 4 Continuous 10 Continuous 30 minutes 6 300 3 minutes 4 45 1 32 1 5 Continuous Exposure Information The following charts give the...

Page 10: ...odeling Light Power 100 Watt 120 VAC ESR Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button Sync Jack Radio R models Main Supply 105 125 VAC 50 60 Hz 3 amp Consumption...

Page 11: ...200K Modeling Light Power 100 watt 120 VAC ESR Modeling Light Control ON or OFF Triggering Built in Photoslave Push to Test button SyncJack Radio R models Main Supply 105 125 VAC 50 60 Hz 3 amp Consu...

Page 12: ...over all power levels Both are necessary to provide the perfect exposure we all strive for The light produced by the new AKC s is consistent constant Every time you set a desired power level you will...

Page 13: ...der low light conditions you may have to extend your exposure times to a point of significant speed loss With black and white films the effect of this speed loss is partially offset by wide exposure l...

Page 14: ...FF for four hours to discharge the main capacitors Never place your fingers or any metal objects into the flash or modeling sockets Contact with high voltage may result Limited StudioMax III Warranty...

Page 15: ...b Bright light falling on photoslave c Poor connection in line cord d Reverse connection on trigger cord connection at camera e Some radio slaves will cause interference Consult slave manufacturer Tri...

Page 16: ...16 Photogenic Professional Lighting 1268 Humbracht Circle Bartlett Illinois 60103 1631 USA Phone 630 830 2500 Fax 630 830 2525 Manual 116585 Revision 05 11 10...

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