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POWERPOD 2000R
English
MAKING CONNECTIONS
Channel Inputs
1.
XLR Lo-Z and Mic Inputs
These XLR microphone inputs can be used in conjunction
with a wide range of microphones, such as professional
condenser, dynamic or ribbon microphones, with standard
XLR male connectors. With low noise preamplifiers, these
inputs serve for crystal clear sound replication. Phantom
power can be applied on channels 1 through 4.
NB.
When using an unbalanced microphone, please ensure phantom
power is switched off. However, when using condenser microphones the
phantom power should be activated.
2.
1/4” Hi-Z and Super Hi-Z Input Jacks
These inputs accept typical 1/4” TRS or TS unbalanced
inputs. The Hi-Z inputs accept balanced TRS inputs,
and are for microphone to line-level device (such as
synthesizers and drum machines), where the Super Hi-Z
inputs accept TS unbalanced sources, and can be used
in conjunction with devices with higher impedance levels
(including electric guitars and basses).
NB.
When using a line-level device through the Hi-Z and super Hi-Z
inputs, the PAD -25 button should be initiated.
3.
Stereo Channel Inputs
The inputs of these channels
differ slightly to the mono
channels. The 3-pin XLR
inputs featured are for the
addition of microphones with
typical XLR male inputs, where
the 2 line 1/4” TS jacks are for
the addition of various stereo
line level input devices, such
as keyboards. If you wish to
use a mono device on a stereo
return input, simply plug the
device’s 1/4” phone jack into
either of the input connectors
and leave the other input bare.
Channel 8 is again slightly
different in that it offers stereo
RCA inputs instead of ¼” TS
connectors.
Master Section
4.
Direct Inputs
These TS inputs connect
the mixer with parallel
external devices, such
as sub mixers or external
effect processors,
receiving the processed
signal from another
source and feeding it to
the main mix.
5. Outputs
These stereo outputs
consist of dual ¼” TS
phone jack and RCA
connectors. These
connectors will output
the final stereo line level
signal sent from the
main mix. The primary
purpose of these jacks is
to send the Main output
to external devices
that may run in parallel
with the mixer. This
may include additional
power
amplifiers,
mixers, PA systems, as
well as a wide range of
other possible signal
processors. The RCA output connectors can have their
output level adjusted by the “REC OUT” trim control that
accompanies these outputs.
6.
Foot Switch Jack
This port is for the inclusion of a non-latching foot switch,
used to remotely adjust properties of the built-in Digital
Effect processor. The Powerpod 2000R features a single
foot switch jack that allows you to remotely turn on and off
the digital effects.
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