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PHONIC CORPORATION

Page 8

MU1705 USER’S MANUAL

UNBALANCED & BALANCED

UNBALANCED & BALANCED

Unbalanced & Balanced Connection

Most of the mistakes in audio in stal la tions are 

be cause of incorrect and defective audio connec-

tions. In order to perfectly com plete your installation; 

please pay special at ten tion to the following sec-

tion unless you are already familiar with balanced/

un bal anced operations.

What is an unbalanced system?

You can fi nd this kind of system in most of home 

audio-video systems. They have one conductor to 

carry the signal, and another con duc tor for a ground. 

Normally, for lower level signals, the ground con-

 duc tor shields the signal conductor.

What is a balanced system? 

A balanced system transmits the signal via 2 con-

 duc tors plus one ground shielding conductor. The 2 

sig nal conductors carry the same signal but out of 

phase. For the bal anced input stage, the am pli fi  er 

will boost the difference of the 2 signal con duc tors 

and remove the identical part (known as co on mode 

signal) of the 2 signals . Be cause the real sig nal 

is carried by the 2 con duc tors out of phase, so it 

is perfectly carried to the input. At the same time, 

interference that occurs during trans mis sion will be 

iden ti cal (coMUon mode). Because the sig nal con-

 duc tors are run together, there is no chance they can 

be different, and all the in ter fer ence will be re moved 

by the balanced in put amplifi er.

The difference between 2 operations:

Because of the coMUon mode interference iMUu ni ty 

of a balanced system, the ground con duc tor doesn’t 

need to carry any elec tri cal current, which means 

the ground of the 2 con nect ed units has an identical 

ground level which is vi tal to an in ter fer ence free 

system. Let’s look back to the un bal anced sys tem. 

The sig nal electrical current goes from the sig nal 

con duc tor to the ground conductor, and that means 

the ground level of the 2 connected units are not 

identical. This means the sys tem is much easierto 

experience noise interference.Running long ca bles 

is easy for a balanced system but dif fi  cult for an 

unbalanced system, and lower noise lev els are a 

con stant characteristic of a bal anced system. Be-

 cause a balanced system needs 2 con duc tors for the 

signal and 1 conductor for the ground, a min i mum 

of 3 con duc tors are need ed  for wiring a bal anced 

system. So a dedicated sys tem sep a rates the ground 

and shields the 2 conductors.

Please read following section for properly wiring 

bal anced and unbalanced systems:

The Correct Wiring for Balanced Op er a tion 

Always connect the main power with 3 plugs. Make 

sure the power system ground is working properly. 

Don’t use a ground in su la tor plug adapter without 

prop er ly connecting the ground individually. This 

is vi tal to making a suc cess ful audio system con-

 nec tion.

Always connect the ground pin (PIN 1 in XLR) to 

the source unit, and disconnect this pin on the des-

 ti na tion unit. This connection topology is to avoid 

cre at ing a grounding loop between the signal and 

pow er ground. Utilize only the power ground, be-

 cause it al ways has a lower re sis tance and better 

dis tri bu tion than the signal ground.

If there is hum, a possible reason is a bad ground 

connection for the system. In case you can not fi nd 

the fault, try connecting the ground pin of the input 

connectors. If the hum is reduced or eliminated, 

check your power ground ing system. Special at-

 ten tion is needed  when you use the equip ment 

racks with some distance between them, and/or use 

a large quan ti ty of power amplifi ers. Check the power 

ground be tween the racks and power dis tri bu tion 

strips with your elec tri cal supply engineer. Make sure 

there is one, and only one, prop er ground point for 

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Summary of Contents for MU 1705

Page 1: ...MU 1705 Compact Mixers...

Page 2: ...eat The unit contains no user serviceable parts Refer all servicing to a qualified CAUTION TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER ALL S...

Page 3: ...TN 12 MASTER SECTION DESCRIPTION 13 AUX OUT 13 EFX OUT 13 PHONES 13 GROUP TO L R 13 GROUP 1 2 FADER 13 MASTER DISPLAY 14 MONO LEVEL CONTROL 14 MAIN L R OUTPUT FADER 14 REAR PANEL DESCRIPTION 14 PHANTO...

Page 4: ...fier turn off the MU1705 mixer after turning off the amplifier 7 Always turn off the power before connecting or disconnecting the unit 8 Never use solvents to clean the unit Clean with a soft dry clot...

Page 5: ...meet the requirements of the engineer who prefers to use a mixer that is installed on a standard 19 rack It is simple to install the rack mount kit by the following procedure 1 Install the rack mount...

Page 6: ...PHONIC CORPORATION Page 6 MU1705 USER S MANUAL CONNECTING IT UP CONNECTING IT UP...

Page 7: ...PHONIC CORPORATION Page 7 MU1705 USER S MANUAL TYPICAL CONNECTING LEADS TYPICAL CONNECTING LEADS...

Page 8: ...e ground level of the 2 connected units are not identical This means the system is much easierto experience noise interference Running long cables is easy for a balanced system but difficult for an un...

Page 9: ...cated PRE EQ noise generated by the external equipment may be 1 GAIN This rotary knob adjusts the channel signal level Too high and the signal will distort as it overloads the channel Too low and the...

Page 10: ...nsert the 18dB per octave 75Hz low cut filter in the signal path This low It can also be used to cut off low frequency hum 3 AUX EFX SECTION These rotary faders send out the input channel signal to AU...

Page 11: ...very useful for a mix ing engineer to monitor individual channels without affecting the main mixes for making adjustments or tracing problems 6 L R OR GP ROUTING SWITCH The input channel signals may b...

Page 12: ...functions are the same with the mono input channel strip 8 AUX RTN TheAUX RTN control section includes one knob and one PFL push button The knob controls the AUX RTN level When you would like to moni...

Page 13: ...he CTRL RM headphones level output 14 GROUP TO L R AFL GROUP TO L R You can assign the GROUP 1 2 signal to MAIN L R If you depress the L R or GP button of any input channel then the input signal will...

Page 14: ...djust the output level of the MAIN L R A 48V global Phantom Power master switch located in the rear panel available for condense microphone on each microphone input channel All faders CH1 11 Group 1 G...

Page 15: ...off Any condenser microphones should be con nected before the 48V phantom power is switched on Set power amplifier levels to 70 Set the Headphones level to about 50 If you want to hear what you re do...

Page 16: ...PHONIC CORPORATION Page 16 MU1705 USER S MANUAL APPLICATION1 LIVE SOUND REINFORCEMENT APPLICATIONS...

Page 17: ...PHONIC CORPORATION Page 17 MU1705 USER S MANUAL APPLICATION2 SUB MIXING APPLICATIONS...

Page 18: ...PHONIC CORPORATION Page 18 MU1705 USER S MANUAL APPLICATION3 MUSIC CLUB APPLICATIONS...

Page 19: ...PHONIC CORPORATION Page 19 MU1705 USER S MANUAL DIMENSIONS Measurements are shown in MU inch...

Page 20: ...PHONIC CORPORATION Page 20 MU1705 USER S MANUAL SPECIFICATIONS Due to continually improving product performance specifications are subject to change without notice...

Page 21: ...PHONIC CORPORATION Page 21 MU1705 USER S MANUAL SYSTEM BLOCK DIAGRAM...

Page 22: ...following books for those interested in advanced audio engineering and sound system operation Sound System Engineering by Don and Caro lyn Davis Focal Press ISBN 0 240 80305 1 Sound Reinforcement Han...

Page 23: ...t pro vide the noise iMUunity of a balanced input 48V the phantom power supply for channel mic inputs for condenser microphones and active DI boxes Feedback A howling sound caused by placing a microph...

Page 24: ......

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