20
2.2 Back-panel Description
72
. DIP-SWITCH
Individual Phantom Power On/Off Switch of channel 1~6.
73
. Power Supply Input Socket
Connect the power supply unit to this socket. Make sure the power supply
unit is not plug into mains before connecting to the mixer.
74
. Power On/Off Switch
Switch on and off the mixer.
2.3 INITIAL SET UP
This procedure is very important, even if you don
t
like to read manual,
please read this section. After you connected up the system, you are ready
to set the initial set up for every input channel, the matching of every input
trim to the signal source is crucial, every detail will affect the final output of
the mixer. Basically, the input sensitivity adjustment, channel fader, groups
and output fader is the main factors. You should try to set only as much
microphone trim as required to achieve good balance between signals. If the
input trim is set too low, you will not get enough gain on the faders to push
the signal up to an adequate level. If the input trim is set too high, the
channel fader will need to be pulled down in compensation, but leave the
greater risk of feedback because a small fader movements will have a very
significant effect on output level. Certainly, the limited fader travel path will
not successful in the mixing procedure. Please use the following set up
procedure, don
t
use the old way: turning the output up until they clip and
then backing off.
Follow the procedure for each channel in use
l
Set all faders and trim controls all the way off.
l
Phantom powered microphone should be connected before the +48V is
switched on.
l
Set power amplifier levels to 70%.
Even if you don
t
like to
read manual, please read
this section.
Summary of Contents for MM 1805
Page 1: ......
Page 24: ...23 3 2 VIDEO POST PRODUCTION 3 APPLICATION 3 1 DJ MIXING ...
Page 25: ...24 3 3 SUBMIXING ...
Page 26: ...25 3 4 STANDARD CONNECTION ...
Page 27: ...26 4 APPENDIX DIGITAL EFFECT MODE AND PATTERN EFFECT 1 ROOM EFFECT 2 HALL ...
Page 28: ...27 EFFECT 3 PLATE EFFECT 4 CHAMBER ...
Page 29: ...28 EFFECT 5 GATED REVERB EFFECT 6 REVERSE REVERB ...
Page 30: ...29 EFFECT 7 MONO DELAY EFFECT 8 OFFSET DELAY ...
Page 31: ...30 EFFECT 9 MONO TAPPED DELAY ...
Page 32: ...31 EFFECT 10 MULTI TAP DUAL DELAY ...
Page 33: ...32 EFFECT 11 ST CHORUS EFFECT 12 ST FLANGE ...
Page 34: ...33 EFFECT 13 CHORUS DELAY ...
Page 35: ...34 EFFECT 14 FLANGE REVERB ...
Page 36: ...35 EFFECT 15 CHORUS REVERB ...
Page 37: ...EFFECT 16 DELAY REVERB 36 ...
Page 38: ...37 5 SPECIFICATIONS ...
Page 39: ...38 6 SYSTEM BLOCK DIAGRAM ...
Page 40: ......