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AM821X / AM1221X / AM1621X / AM2421X

MAKING CONNECTIONS

CONNECTING PANEL

1. XLR Jacks 

These  jacks  accept  XLR  inputs  for  balanced  signals. 

They can be used in conjunction with microphones   such 

as  professional  condenser,  dynamic  or  ribbon  micro

-

phones - with standard XLR male connectors. With low 

noise  preamplifiers,  these  inputs  serve  for  crystal  clear 

sound replication.

NB.

When  using  an  unbalanced  microphone,  please  ensure 

phantom power is switched off. However, when using condenser 

microphones the phantom power should be activated.

2.  Line In Jacks 

These balanced inputs accept 1/4” TRS and 1/4” TS line 

inputs for the addition of various music instruments – 

such as keyboards, drum machines, electric guitars, as 

well as a variety of other electric instruments.

3. Insert Jacks 

The primary use for these TRS 

phone  jacks  is  for  the  addition  of 

external devices, such as dynamic 

processors  or  equalizers,  to  the 

corresponding mono input chan-

nel.  This will require a Y cord that 

can send and receive signals of the 

mixer to and from an external processor.  The tip of the 

TRS jack will send the signal from the input channel, and 

the ring will return the signal back to the mixer (the sleeve 

is the grounding). 

4.  Stereo Channels

The two stereo channels on the mixers include XLR Mic 

inputs and 1/4” TS phone jacks. They can be used in con

-

junction with various stereo devices, such as synthesizers 

and keyboards. Also, by connecting a mono signal to the 

left phone jack, the mixer automatically doubles the signal 

over to the right channel. This is known as jack normal

-

izing.

5.  Stereo Returns

The 1/4” TS Stereo Return inputs are for the return of au

-

dio to the mixer, processed by an external signal proces

-

sor. If really needed, they can also be used as additional 

stereo inputs. The feed from these inputs can be adjusted 

using the Stereo Return controls on the face of the mixer.  

When connecting a monaural device to the AUX Return 

inputs, simply plug a 1/4” phone jack into the left (mono) 

input, and the signal will appear in the right as well.

6. Auxiliary (AUX) 1 and 2 Outputs

These  balanced  XLR  jacks  and  unbalanced  1/4”  TS 

phone  jacks  are  the  final  output  of  line-level  signal  fed 

from the corresponding auxiliary send mixing buses, and 

are best suited for use with external effect processors or 

stage monitors.  Feeding the output from the Auxiliary 

outs to an amplifier - and possibly an equalizer - and then 

to a floor monitor speaker allows artists to monitor their 

own instruments or vocals whilst performing.

7. EFX (Effect) Sends

These 1/4” TS outputs are the final output from the EFX 

send mixing bus. This feed may be used to connect to an 

external  digital  effect  processor  or  even  to  an  amplifier 

and speakers, depending on your desired settings.

English     

Summary of Contents for AM 1221X

Page 1: ...AM2421X AM 821X AM 1221X AM 1621X AM 2421X User s Manual Manual del Usuario...

Page 2: ...MIXING CONSOLE CONSOLA DE MEZCLA English Espa ol ENGLISH I ESPA OL II V2 0 05 18 2012 AM 821X AM 1221X AM 1621X AM 2421X...

Page 3: ...IXING PANEL 3 CONTROLS AND SETTINGS 3 REAR PANEL 3 CHANNEL CONTROLS 4 DIGITAL EFFECT ENGINE 5 TAPE IN SECTION 6 MASTER CONTROL SECTION 6 SPECIFICATIONS 8 APPENDIX DIGITAL EFFECT TABLE 1 APPLICATIONS 2...

Page 4: ...s during lighting storms or when unused for long periods of time 14 Refer all servicing to service personnel Servicing is required when the apparatus has been damaged in any way such as power supply c...

Page 5: ...0VAC 50 60Hz Optional rack mounting kit for AM821X only model name ER8IM 32 40 bit digital multi effect processor with 16 programs with parameter control and tap delay BASIC SETUP GETTING STARTED 1 En...

Page 6: ...inputs and 1 4 TS phone jacks They can be used in con junction with various stereo devices such as synthesizers and keyboards Also by connecting a mono signal to the left phone jack the mixer automati...

Page 7: ...12 Volt 7 Watt gooseneck lamp allowing better visability in areas with poor light 13 Power Connector This is for the addition of an AC power cable allowing power to be supplied to the mixer Please us...

Page 8: ...channel and bring more warmth and punch to drums and bass gui tars 24 AUX Controls These two AUX controls alters the signal level that is be ing sent to the auxiliary 1 and 2 mixing buses the signal...

Page 9: ...ushing this but ton twice will allow the processor to calculate the time between the two pushes and use this as the tap delay time If the button is pushed multiple times the proces sor will calculate...

Page 10: ...the Control Room Phones mixing bus 47 Phantom Power Button and Indicator When this button is pushed in 48V of Phan tom Power is activated for all microphone in puts allowing condenser microphones wel...

Page 11: ...indica tor illuminates about 1 5 dB before the signal is dynami cally clipped To make the maximum use of audio set the various level controls so that it sits steadily around 0 dB to make full use of a...

Page 12: ...Solo AFL 4 4 4 4 Stereo Aux Returns 2 2 2 2 Effects Return to Monitor 3 3 3 3 Faders 60 mm Efx Rtn Aux 1 Aux 2 Mono Main L R Metering Number of Channels 2 2 2 2 Segments 12 12 12 12 Phantom Power Supp...

Page 13: ...1 1 K ohms 1 1 K ohms 1 1 K ohms 1 1 K ohms Equalization 3 band 15dB 3 band 15dB 3 band 15dB 3 band 15dB Low EQ 80Hz 80Hz 80Hz 80Hz Mid EQ mono channel 100 8k Hz sweepable 100 8k Hz sweepable 100 8k H...

Page 14: ...e of the date of purchase You will need it for any warranty service No returns or repairs will be accepted without a proper RMA number return merchandise authorization In order to keep this warranty i...

Page 15: ...1 CARACTERIST CAS 1 CONFIGURACI N B SICA 1 INICIANDO 1 CONFIGURACI N DE CANAL 1 HACIENDO CONEXIONES 2 PANEL DE CONEXI N 2 PANEL DE DORSO 3 PANEL PRINCIPAL DE MEZCLA 3 CONTROLES Y AJUSTES 3 PANEL DE DO...

Page 16: ...12 AM821X AM1221X AM1621X AM2421X English Espa ol...

Page 17: ...solamente modelo ER81M 32 40 bit preocesador digital de multi efectos 16 programas con control de par metro y tap retardo CONFIGURACI N B SICA INICIANDO 1 Aseg rese de que toda la energ a est apagada...

Page 18: ...n conjunto con varios dispositivos est reo como sintetizadores y teclados Tambi n conectando una se al mono al jack de aud fono izquierdo la mezcladora copiara autom ticamente la se al sobre el canal...

Page 19: ...s para agregar un cable de energ a AC alimentando as a la mezcladora Por favor utilice el cable incluido con esta mezcladora nicamente El portafusible localizado debajo de conector de energ a AC es po...

Page 20: ...eran el nivel de se al que est siendo enviada a los buses de mezcla auxiliar 1 y 2 cuya se al es adecuada para conectar monitores de escenario permitiendo a los artistas escuchar la m sica que se est...

Page 21: ...de tap delay es seleccionado pulsando este bot n dos veces permitir al procesador calcular el tiempo entre las dos pulsadas y lo toma como el tiempo de tap delay Si el bot n es pulsado varias veces e...

Page 22: ...ios enviar la se al post fader al bus de mezcla de Control Room Phones 47 Bot n Fuente Fantasma e Indicador Cuando se presiona este bot n se activar Fuente Fantasma de 48V para todas las entradas de m...

Page 23: ...balanceado y el indicador de pico se ilumina alrededor de 1 5 dB antes de que la se al sea din micamente recortada Para el uso m ximo de audio setee varios controles de nivel para que se tenga una le...

Page 24: ...ster Env os AUX Masters 4 4 4 4 Solo de Env o AUX Master AFL 4 4 4 4 Retornos AUX Est reo 2 2 2 2 Retorno de Efectos a Monitor 3 3 3 3 Faders 60mm Efx Rtn Aux 1 Aux 2 Mono Main L R Medici n N mero de...

Page 25: ...s 10 K ohms 10 K ohms Todas las Otras Salidas 100 ohms 100 ohms 100 ohms 100 ohms Salidas 2T RCA 1 1 K ohms 1 1 K ohms 1 1 K ohms 1 1 K ohms Ecualizaci n 3 bandas 15dB 3 bandas 15dB 3 bandas 15dB 3 ba...

Page 26: ...o evidencia de la fecha de compra Va a necesitar este comprobante para cualquier servicio de garant a No se aceptar n reparaciones o devoluciones sin un n mero RMA apropiado return merchandise autoriz...

Page 27: ...0 sec 5 Arena Reverb Time 0 3 10 sec 6 Spring Reverb Time 0 3 10 sec 7 Opera Reverb Time 0 3 10 sec 8 Rev Vocal Reverb Time 0 3 10 sec 9 Slap Delay Delay Time 0 800 ms 10 Echo Delay Time 0 800 ms 11 M...

Page 28: ...FICADOR AMPLIFIER MONITORES DE ESCENARIO STAGE MONITORS AMPLIFICADOR INTERRUPTOR DE PEDAL GRABADORA DE 2 PISTAS 2 TRACK RECORDER 2 AUD FONOS MICROPHONES MICR FONOS BASS GUITAR GUITARRA BASS EFECTOS DE...

Page 29: ...CR FONOS ACTIVE MONITORS CASSETTE RECORDER GRABADORA DE CASSETTE MONITORES ACTIVOS SPEAKERS ALTAVOCES ALTAVOCES ACTIVOS FOH CD AMPLIFIER 70V AMPLIFICADOR ALTAVOCES 70 V DISTRIBUIDOS POR EDIFICIO DRUM...

Page 30: ...AM1621X AM2421X X mm inches 440 17 3 572 22 5 704 27 7 968 38 1 Y mm inches 510 20 642 25 3 774 30 5 1038 40 9 473 22 17 2 Y X 106 50 4 2 88 50 3 5 49 94 1 97 measurements are shown in mm inches Todas...

Page 31: ...EFT PFL R LEFT AUX 1 AUX 2 CUE_C CUE_C CUE_C AFL L AFL L AFL R CUE_A CUE_A AFL L AFL R AFL L CUE_A EFFECT_IN LMID LMID MINI STEREO 12K 100 8K 80 3 BAND TONE 12V LAMP INS PEAK AUX 2 DSP EFX2 PROGRAM LE...

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