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agent to keep the grains of enamel in place. Allow the enamel

to dry completely before firing.

Firing Enamel

1

Heat the kiln to 1450°F/787°C for most enameling.

Use a Single Segment. (Please see your digital con-

troller instruction manual.)

Rate

Temp.

Segment

°F/°C

°F/°C

Hold

1

1799/999

1450/787

01.00

Note:

Hold time should be the length of time you

will be inserting enameling into the kiln. In the

above example, hold time is for a one hour.

2

Lay the copper shape on an enameling rack. If the

part that touches the rack is enameled, place a stilt

under the copper. Some bowls or other shapes have

enameled sides that might run during firing. These

should be fired with a stilt even if the piece has a plain

bottom. Use an enameling fork or, if the rack is small,

a 6” putty knife, to place the rack into the kiln on top

of ½” ceramic posts.

Note:

Firing the piece at enameling temperature

should take about three minutes and requires undi-

vided attention!

3

Look at your piece every 15 seconds by cracking open

the door. Remove the rack when the copper piece ap-

pears a rosy red and the enamel is smooth. Place the

rack on a steel pad or large ceramic kiln shelf and let it

cool completely.

4

After counter enameling, you will need to clean the

fire scale off the front of the piece. A 3M Scotch

Brite® pad works well for this. Then clean it with

Thompson Sparex No. 2.

Ceramic Overglaze

Pyrometric Cones

Pyrometric cones are small pyramids of clay and mineral

oxide that soften and bend

when exposed to heat. They

indicate when ceramic ware

has fired to maturity.

Pyrometric cones come

in 1 1/8" and 2 ½" lengths.

Use the 2½” cones. Cones

mounted on the kiln shelf

must be slanted 8° from ver-

tical. They will not bend ac-

curately if they are slanted

to the wrong angle.

Self-supporting large

cones have the correct slant

built into the base. Stan-

dard cones must be

mounted in a clay or wire

plaque.

The chart on page 14

shows the temperatures of

pyrometric cones. Program

your controller to the cone

recommended for the ce-

ramic ware that you are

firing.

For small ceramic

pieces, such as figurines,

program a rate of

400°F/222°C. Fire to the

temperature shown in the

108°F column of the Tem-

perature Equivalents chart

for the cone number you

are firing.

Before deciding on the

firing speed of important pieces, test fire sample clay pieces.

Note:

Do not fire beyond your kiln’s maximum

temperature. Firing hotter will void your warranty.

Kilns with glass view port: do not fire hotter than

1700°F/926°C.

Loading and Firing

Overglaze

Overglaze is decoration applied over fired glaze or pol-

ished porcelain bisque. Overglazes include china paints,

gold, and luster, which fire from cone 022 to 014.

Load overglazed ware the same way you would load ce-

ramic glaze. Use stilts and make sure ware is not touching

other ware. Ware must be completely dry before firing.

13

A self-supporting cone fired to matu-

rity. Do not be concerned if the tip is

slightly higher or lower than shown.

A “puddled” over-fired cone.

Under-fired cone.

Summary of Contents for Glass Kiln

Page 1: ...1 Beadmaking Glassblowing Fusing and Glass Kiln Manual Sundance Glass ...

Page 2: ... It is from the manufacturing process and will not affect the kiln s performance The paint around the door will eventually discolor from heat This again will not affect the kiln s performance During firing you will hear an intermittent distinct clicking This is the sound of the relay s sending power to the heating elements Do not be concerned with this sound The Electrical data plate Im portant in...

Page 3: ... food or drink Follow the glaze or glass manufacturer s instructions exactly without any variations Important Safety Rules An electric kiln is extremely safe to operate provided you follow these basic safety rules G Unplug kiln when not in use G Do not touch hot sides G Keep unsupervised children away G Place kiln on a non combustible surface G Do not install closer than 12 from any wall or combus...

Page 4: ... special ventilation 2 Remove gasoline paint and other flammable materials from the kiln room 3 Provide a minimum of 12 inches clearance between kiln and the closest wall 4 Never allow the room temperature of your firing room to exceed 100 110 F Measure the tempera ture about 3 feet from the kiln If necessary use fans to lower room temperature 5 Keepthekilnawayfromcurtainsorothercombusti ble mater...

Page 5: ...n a smooth thin layer The smoother the glass separator the smoother the underside of the glass Alumina Hydrate Delicate silver or gold clay shapes may need extra support during firing to prevent warping Place these shapes in a thin layer of alumina hydrate inside a small ceramic bisque bowl Do not breathe alumina hydrate Stilts Stilts are points embedded in a ceramic base The points separate ename...

Page 6: ... time I Total firing time I Type of pieces I Firing results As you gain experience you will find a wealth of informa tion in your firing logs Low Temperature Holds A low temperature hold i e 200 300 F is more diffi cult to maintain than higher temperature holds 1400 1700 F At low temperatures turning on the heating ele ment affects firing temperature to a larger degree than at high temperatures Wh...

Page 7: ...bottom You can also slump glass over a mold such as a bowl The kiln shelf and sagging mold must be coated with glass separator to keep glass or ceramic glaze from sticking to them A coat of glass separator or kiln wash will usually last through several firings When the shelf coating begins to crack or chip apply a fresh coat When recoating a shelf re move most of the old coating with grit cloth av...

Page 8: ...lay At the time of printing the silver clay brands available were Art Clay Silver and Precious Metals Clay Silver clay looks and feels like modeling clay It is formed with simple tools such as a tooth pick small knife and razor blade Its surface is pliable and accepts impressions from objects such as leaves coins and coarse fabrics After the sil ver clay is formed it is fired in a kiln The recomme...

Page 9: ...the door until it is time to remove the clay Visual in spection of the clay is unnecessary If you are firing glass with the silver clay on the other hand you may need to check the fusing progress of the glass by opening the door and looking inside Look for just a second or two As you gain experience you will be able to program the correct temperature for the silver clay and glass combination elimi...

Page 10: ...iece may crack even several months after fus ing When different glasses have a close enough coefficient of expansion to fuse successfully they re called fusing compati ble Buy glass labeled fusing compatible Or fuse glass that has been cut from the same sheet which guarantees com patibility Fusing Compatibility Test 1 To test glass for compatibility fuse small square sample pieces of different gla...

Page 11: ...oller for a higher tempera ture than the estimated fusing temperature Watch the glass by opening the door for several seconds at a time Shut the kiln off when the glass fuses the way you want Make a note of the shut off tempera ture For future firings program the kiln for that temperature and rate Note With every firing be sure you are near the kiln before the expected shut off time 3 After you sh...

Page 12: ...m the different rates of expansion and contraction in copper and enamel after the enamel has been fired Counter or backing enamel a mixture that gives a mot tled effect can be used for counter enameling Or you can use regular enamel Counter enamel is applied by the sifting method described below When firing counter enamel underfire it so that the fire scale on the front of the piece isn t too diff...

Page 13: ...tric cones are small pyramids of clay and mineral oxide that soften and bend when exposed to heat They indicate when ceramic ware has fired to maturity Pyrometric cones come in 1 1 8 and 2 lengths Use the 2 cones Cones mounted on the kiln shelf mustbeslanted8 fromver tical They will not bend ac curately if they are slanted to the wrong angle Self supporting large cones have the correct slant built...

Page 14: ... 148 C Overview Lost wax casting is the process of carving a shape in wax and then casting that shape in metal After the wax has been carved a mold is made of the wax shape The mold is a nega tive image of the wax The wax is later melted out of the mold through hollow channels called sprues Lost wax burnout is the process of preparing a casting mold for the melted metal that will be poured into it...

Page 15: ...on the walls over a period of time This is due to the burning of wax residue that was left in the mold For this rea son we recommend that you periodically fire the kiln to 1500 F 815 C as follows 1 Open the vent cover s or leave the door ajar 2 Fire the kiln empty to 1500 F 815 C at a rate of 300 F 166 C with a one hour hold 01 00 Firing Mistakes Silver Clay Cracks Cracks that appear in fired silv...

Page 16: ...ture for several minutes Ceramic Overglaze Breaking in Overglaze Firing Can be caused by poorly fired bisque A slow bisque fire is always better for ware that is to be china painted The greenware should be completely dry before being placed in the kiln Purple Spots in Gold Usually due to a thin application of gold or too much thin ner If gold is applied accidentally to an area it will show pur ple...

Page 17: ...ver and look for a loose wire touching the case Temperature is Inaccurate I Make sure the ther mocouple is pushed into the firing chamber I If the thermocouple is pushed into the firing chamber and the temperature is inac curate replace the thermocouple Kiln Repairs Door Latch Adjustment Adjustthetwoscrews on the door latch to change the spring ten sion Note Do not loosen the screws too far or the...

Page 18: ...hamber The twisted end must extend into the fir ing chamber by Make sure the band holds the thermocouple Otherwise the thermocouple can be pushed out re sulting in an overfire 8 Thread the thermocouple wires down to the con troller opening at the front of the kiln Keep the thermocouple wires away from electrical compo nents and other wires 9 Strip of insulation from the ends of the thermo couple w...

Page 19: ...ontrol ler faceplate to the switch box Carefully lift out face plate 3 Disconnect the wires from the back of the board You will find two plugs and two sin gle wires 4 Connect the wires to the new board Rein stall faceplate Replacing the Firing Chamber When the element burns out the ceramic fiber firing chamber must be replaced To test for a burned out element you will need an ohm meter 1 Unplug th...

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