30
PICTURE Adjustments
PICTURE MENU
You can switch to the optimal picture mode for the video source
and viewing environment.
MONITOR
STANDARD
CINEMA
DYNAMIC
STANDARD:
For viewing in standard (evening lighting) environments.
This menu selects the normal levels of BRIGHTNESS
and PICTURE.
DYNAMIC:
For viewing in brighter environments. This menu
selects higher than normal levels of BRIGHTNESS and
PICTURE.
CINEMA:
For use in viewing tone-focused pictures with brightness
reduced.
MONITOR:
For use when creating broadcast or movie content. With
this picture, even if the overall average picture level
(APL) changes, the brightness of areas with the same
signal level does not change.
Notes:
When “MONITOR” is selected in PICTURE MENU, the following menu items cannot be set.
•
PICTURE menu: PICTURE
EXTENDED LIFE SETTINGS: PEAK LIMIT (see page 54)
SETUP menu: POWER SAVE (see page 42)
If you would like to change the picture and color of the selected PICTURE MENU to something else, adjust using
•
the items in the PICTURE menu. (see below)
PICTURE
Adjusts the proper picture contrast.
Less
More
BRIGHTNESS
Adjusts for easier viewing of dark pictures such
as night scenes and black hair.
Darker
Brighter
COLOR
Adjusts color saturation.
Less
More
TINT
Adjusts for natural esh tones.
Reddish
Greenish
SHARPNESS
Adjusts picture sharpness.
Less
More
COLOR TEMP
Switches to various screen color tones.
NORMAL:
Intermediate color temperature (9300K).
WARM:
Colors with a reddish tinge (6500K).
WARM2:
Colors with a reddish tinge (6100K).
WARM3:
Colors with a reddish tinge (5600K).
STUDIO:
Optimal color temperature for studio viewing (3200K).
COOL:
Colors with a bluish tinge (11500K).
WARM2
WARM3
WARM
NORMAL
STUDIO*
COOL
* “STUDIO” can be modified when
“Studio mode” in the OPTIONS menu
is “On”. (see page 59)
Notes:
You can change the level of each function (PICTURE, BRIGHTNESS, COLOR, TINT, SHARPNESS) for each
•
PICTURE MENU.
The setting details for STANDARD, DYNAMIC, CINEMA and MONITOR respectively are memorized separately for
•
each input terminal.
In PICTURE, there is not a noticeable change even when contrast is increased with a bright picture or reduced with
•
a dark picture.
