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6

11

5. Connecting the Audio Output

The URR-10 receiver provides both a fixed mic level 

BALANCED AUDIO OUTPUT

XLR (14)

 and an adjustable line level 

UNBALANCED AUDIO OUTPUT 1/4" JACK

(13)

. The level from the UNBALANCED OUTPUT is controlled by the front panel

VOLUME CONTROL (6) 

and the rear panel 

LEVEL LOW/HI SWITCH (12)

. This

switch adjusts the maximum volume of the level range controlled by the VOLUME
CONTROL. In the “LOW” position, the level of the signal from the UNBALANCED
OUTPUT, with the VOLUME CONTROL set to “10”, is about 10% of the maximum
volume available with the  “HI” position. Proper use of the LOW/HI SWITCH
enables better control of the UNBALANCED OUTPUT volume.
(Note: As when making any connection, make sure the amplifier or mixing board
volume is at the minimum level before plugging in the receiver to avoid possible
sound system damage.)

Instrument Connection (using the UB-10 in the “instrument” setting)

Insert an audio cord with a 1/4" mono phone plug in the 

UNBALANCED OUTPUT

JACK (13)

 on the rear panel of the receiver. Plug the other end of the cord into an

amplifier, effects, or mixing board.  With the 

LEVEL LOW/HI SWITCH (12)

 set to

HI, adjust the 

VOLUME CONTROL (6)

 on the URR-10 receiver clockwise to about

3/4 rotation, until the volume level is comfortable for your application. This setting
is roughly equivalent to a direct instrument cord connection. Turning the volume up
to “10” will provide 4dB gain over a cord.

Microphone Connection (using the UB-10 transmitter with either a headworn or
lavalier microphone or the UH-10 handheld microphone transmitter)

For microphone use, either the

 BALANCED MIC AUDIO OUTPUT XLR (14) 

or the

1/4" line level

 UNBALANCED OUTPUT (13) 

can be used.  The XLR output is set at

a non-adjustable microphone level, similar to hardwired mic levels. Plug an XLR
connector into the XLR output jack on the rear of the unit and plug the other end
into your amplifier or mixing board. Make sure the phantom power on your
mixing board is turned off and the volume is turned down when making connec-
tions. For your convenience, the XLR output level is preset at the factory and is not
adjustable with the receiver volume control.

To use the 

1/4" UNBALANCED OUTPUT JACK (13)

, follow the instructions for the

Instrument Connection (above), except start with the LEVEL LOW/HI SWITCH set to
LOW and the receiver volume at 1/2 MAX and adjust both the switch and the
volume control until the volume level is optimal. If the volume control is set too
high, you may overload your mixer or amp.

The URR-10 receiver is equipped with an 

AF LEVEL LED DISPLAY (5) 

which

indicates the level of the received audio from the transmitter. There are 4 green
and 1 red LED in this display and in normal operation they will go on and off with
the changing signal level. If the top (red) LED stays on continuously, decrease the
volume to the transmitter or overload distortion may result.

27

33

31

24

32

28

30

29

For optimum performance, an 

INPUT LEVEL CONTROL (32)

 is provided.  Adjust

the gain by turning the control with your thumb. For lavalier mic use, it is recom
mended that the level be set at about 2/3 maximum. For headworn mic use, it
may be advisable to turn the gain down somewhat, depending on the volume
levels expected.  In either application, experiment and set for maximum possible
gain without audible distortion on the high level peaks. 

(Note: Turning down the

gain too much can compromise the signal-to-noise and is not recommended.)

The 

AF LEVEL DISPLAY (5)

 on the URR-10 receiver will light up to 5 LED indicators

for all input signals. Occasional flickering on and off during use of the top red LED

is normal, but if the red LED stays lit continuously, turn down the 

INPUT LEVEL

CONTROL (33)

 on the UB-10 transmitter or noticeable distortion may result.

Summary of Contents for UB-10

Page 1: ...MITTER URR 10 RECEIVER UH 10 HANDHELD MICROPHONE UHF Wireless Microphone System NADY SYSTEMS INC 6701 Shellmound Street Emeryville CA 94608 USA Tel 510 652 2411 Fax 510 652 5075 E mail service nadywireless com www nadywireless com URR 10 ...

Page 2: ...he R A Number is clearly marked on the outside of the package and enclose a cashier s check or money order if not prepaid with a credit card Ship the unit prepaid to Nady Systems Inc Service Depart ment 6701 Shellmound Street Emeryville CA 94608 Include a brief description of the problems you are experiencing The warranty card enclosed with this system contains additional valuable warranty and ser...

Page 3: ...ty 0 005 crystal controlled Modulation FM F3E 20 KHz Operating Range Up to 250 feet typical depending on site conditions up to 500 feet line of sight URR 10RECEIVER Reception Mode DigiTRU Diversity Dual Antenna Squelch Tone Key 32 768 KHz External Control Controls Power ON OFF Volume Control Level Low Hi Switch Squelch Mute Adjust Connectors DC in 1 4 6 3 mm unbalanced phone jack 750 mV 5K Ohm XLR...

Page 4: ...ctly if not using the optional FR 2 Extend the TELESCOPIC ANTENNAS 16 fully to obtain maximum range Optimal antenna position is 45 degrees from the receiver at 90 degrees from each other 4 Squelch Adjustment In normal operation the SQUELCH CONTROL 2 should be set fully clockwise to the factory preset RF level 10 However in areas of high RF activity the squelch or mute as it is sometimes called may...

Page 5: ...ls Plug an XLR connector into the XLR output jack on the rear of the unit and plug the other end into your amplifier or mixing board Make sure the phantom power on your mixing board is turned off and the volume is turned down when making connec tions For your convenience the XLR output level is preset at the factory and is not adjustable with the receiver volume control To use the 1 4 UNBALANCED O...

Page 6: ...t 2 Provide extra filtering with a 47pf capacitor soldered across the hot to ground terminals of the guitar s volume and tone pots 6 Microphone Use with either a lavalier or headworn microphone Secure the connection from the LAVALIER 30 or HEADWORN MIC CORD 29 by turning the slip ring on the plug into the transmitter clockwise to thread it on to the jack To unplug reverse the process To use the la...

Page 7: ...3 5 mm LOCKING JACK 27 for connecting the audio input selected Connect either the INSTRUMENT CORD 28 or the HEADWORN MIC 29 or LAVALIER MIC CORD 30 as desired according to the input selected Note Use only the input audio source as per the input selected with the AUDIO INPUT SELECTOR SWITCH or the audio will not be optimal a muddy or distorted sound may result To secure the connection turn the slip...

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