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The speakers should be placed so that the tweeters are

directly in line with the listener’s ears, that is, on-axis. (M&K pow-
ered speakers have a red LED recessed into the front baffle. The
listener will know when his speakers are on-axis when he can see
this LED. If this LED is not visible, either the speaker is turned-off
or the speakers are aimed off-axis).

Do not place M&K MPS Professional speakers on their sides

(except for the MPS-1520), as their high frequency dispersion
characteristics are tuned for their normal upright position.

All five speakers in a surround sound system should be of the

same model or with Tripole surrounds for the rear speakers.
Sometimes, however, the surround speakers must be smaller
than the mains. M&K Professional offers several smaller models
that are timbre matched to our larger speakers.

When placing loudspeakers around a video monitor, it is best to place all three main speakers either all above

or all below the screen. Placing the center channel speaker on a different horizontal plane from the left and right
speakers will create different arrival times and will adversely effect imaging.

When used near a video monitor, select shielded loudspeakers to prevent gaussing (magntic distortion) of the

video monitor. All  M&K Professional monitors are shielded. However, be careful not to place M&K Tripole
surround monitors near video monitors as the side-firing drivers may gauss the video monitor and distort the
visual image.

12.

SUBWOOFER PLACEMENT

Perhaps the most challenging aspect of tuning a subwoofer/satellite monitor system is finding the best place

to put the subwoofer in the listening room. Each room exhibits unique characteristics and challenges because of
the wide range of size, shape, building materials and equipment in the room.

Generally speaking, it is not a good idea to place the subwoofer directly in the center between the left and right

speakers. There’s usually a null in this location which absorbs low frequencies rather than reinforcing them.
Instead, try placing the subwoofer near a wall or even in a corner of the control room. When properly set up, the
low end will still sound tight and phase-coherent with the satellites even though the subwoofer is placed off-center.
This is because the wavelengths of low frequencies are very long and are omni-directional.

Remember that when you place the subwoofer near a wall the sound will couple with the wall and create an

extra 3dB of gain. Place the subwoofer in a corner and you will pick up additional 3dB of gain.

An effective way to find the best location for the subwoofer is to start out by placing the subwoofer at the

listening position. Connect an audio source to the input of the subwoofer and play music with good low-end
content through the subwoofer. While the music is playing, move around the room in areas that you think might be
good locations for the subwoofer’s final placement. Try to locate an area that responds well to the music being
played by the subwoofer. Listen for even, well-defined, low frequency response. Once you have settled on a
possible placement, move the subwoofer to that location. Experiment with aiming the subwoofer directly at the
console, or aiming it at a wall or even aiming it along a wall. Once you have found a good placement solution for
the subwoofer, play program material that you are familiar with through the satellites and subwoofer and check the
sound quality. Two-channel material is good for this as the imagery of the phantom center depends upon equal
volume from both channels and phase coherency of the satellites with the subwoofer.

Using the guidelines in this manual and with a little experimentation, it will be possible to find a solution for

almost any room.

Bass Management Controller

13

FIGURE 8:

CABINET ORIENTATION

Summary of Contents for LFE-4

Page 1: ...LFE 4 Miller Kreisel Sound Inc 9351 Deering Avenue Chatsworth CA 91311 5858 USA 818 701 7010 fax 818 701 0369 www mkprofessional com 2003 Miller Kreisel Sound Inc bass management operation manual...

Page 2: ...FOR STEREO 8 7 CONNECTING FOR DOLBY DIGITAL 9 8 CONNECTING FOR DTS 10 9 CALIBRATING YOUR M K PROFESSIONAL SYSTEM 11 THE M K PROFESSIONAL TEST DISC 11 10 SPEAKER PLACEMENT 12 ITU R BS 775 1 RECOMMENDAT...

Page 3: ...his product from the wall outlet and refer servicing to qualified personnel under the following conditions When the power supply cord or plug is damaged If liquid has been spilled or objects have fall...

Page 4: ...DTS and other surround sound formats are faced with numerous challenges when trying to accurately monitor complex and dynamic material and determine how this material will sound in its intended playb...

Page 5: ...e Bass management is equally suited to all formats from 2 channel stereo to 5 1 and beyond Indeed existing control rooms that are doing stereo 2 channel mixes especially with smaller nearfield monitor...

Page 6: ...way it will ultimately be played back The LFE 4 together with a properly set up and calibrated M K monitor system allows the mixer to hear his work with more accuracy than might otherwise be possible...

Page 7: ...of the mixer and power amplifiers through the XLR cables In order to minimize the grounding problems between the LFE 4 and equipment racks the internal audio signal ground can be separated from the ch...

Page 8: ...ower amplifiers 5 Locate the external power supply for the LFE 4 and plug it into the 4 pin power connector on the back of the LFE 4 Secure it in place by turning the outer ring clockwise Plug the ext...

Page 9: ...to plus and set the gain switch to the THX position 5 If you are using passive speakers with external amplifiers connect your speaker system to the power amplifiers 6 Locate the external power supply...

Page 10: ...E 4 2 Connect the outputs of LFE 4 to the inputs of your power amplifiers or directly to your powered loudspeakers 3 Connect the mixer output assigned to the low frequency effects channel LFE to the 0...

Page 11: ...el of 4dB with 20dB of headroom the maximum signal level from the source console etc can be 24dB Therefore at very high signal levels you can only add around 3dB of gain with the trim pots before the...

Page 12: ...dation is based on placing the speakers at equal distances around a 2 5 meter circle with the height of each speaker at 1 2 meters The center speaker is placed directly in front of the listener with t...

Page 13: ...eaking it is not a good idea to place the subwoofer directly in the center between the left and right speakers There s usually a null in this location which absorbs low frequencies rather than reinfor...

Page 14: ...off your body and into the microphone Point the meter at the center speaker at about ear height Play track one of the test CD through the selected speaker and read the SPL Adjust the level to 85dB usi...

Page 15: ...ut clipping level 27 dBu Gain Adjustment 12dB THD 1kHz 4 dBu 0 002 LFE Inputs Input impedance 20K ohm balanced Nominal input level 4 dBu Maximum input level 24 dBu Gain Adjustment 12dB Gain 10dB input...

Page 16: ...LFE 4 manual PN 70360 7 08 2003 rev 1 pt qrk...

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