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41

 

M32 

디지털

 

콘솔

 

사용자

 

매뉴얼

 

 

 

Wave Designer

 

 

 

 

웨이브

 

디자이너는

 

신호의

 

트렌지언트와

 

다이나믹

 - 

어택이나

 

서스테인

 

 

조절하는

 

툴입니다

스네어

 

드럼의

 

소리를

 

믹스에서

 

두드러지게

 

하거나

슬랩베이스

 

트랙의

 

볼륨을

 

일정하게

 

하는데

 

사용합니다

SPL 

Transient Designer

 

기초로

 

 

ATTACK 

엔코더는

 

다이나믹

 

신호에

 

펀치를

 

조절할

 

 

있습니다

콤프레셔와

 

같은

 

방법으로

 SUSTAIN

 

증가시켜

 

피크가

 

디케이

 

 

오래

 

지속되도록

 

합니다

이펙트는

 

스타카토

 

사운드에서

 

서스테인을

 

줄이는데도

 

사용됩니다

. GAIN

 

이펙트로

 

인한

 

레벨

 

변화를

 

보상합니다

.

 

Precision Limiter

 

 

 

 

스테레오

 

프리시전

 

리미터는

 

상세한

 

볼륨

 

리미트와

 

무왜곡으로

 

신호의

 

순도를

 

최대로

 

유지하게

 

합니다

.  M32

 

스테레오

 

프리시전

 

리미터를

 

이용하여

 

조용한

 

신호를

 

강조하거나

 

신호의

 

레벨을

 

유지하면서

 

클리핑을

 

막을

 

 

있습니다

.

 

AUTOGAIN 

 

롱텀

 

게인

 

수정을

 

하여

 

다양한

 

입력

 

레인지에

 

오토매틱

 

게인

 

스케일링을

 

합니다

. STEREO LINK

 

동작시

 

 

채널에

 

동일한

 

리미텅을

 

합니다

. INPUT GAIN

 

최대

 

18dB

 

게인을

 

리미팅

 

전에

 

적용할

 

 

있습니다

. OUTPUT GAIN

 

처리된

 

신호의

 

마지만

 

게인

 

레벨을

 

설정합니다

.  SQUEEZE

 

신호에

 

콤프레션을

 

 

하거나

 

설정에

 

따라

 

약한

 

디스토션을

 

더합니다

ATTACK

 

어택

 

시간을

 0.05ms

에서

 1ms

사이

 

조절합니다

RELEASE

 

릴리즈

 

타임을

 0.05ms 

에서

 1ms 

사이

 

조절합니다

KNEE

 

소프트

 

리미팅

 

스레쉬홀드를

 0dB

에서

 

최대

 10dB

사이에서

 

조절합니다

.

 

Stereo  Combinator  /  Dual  Combinator

 

 

 

 

 

 

콤비네이터는

 

유명

 

방송

 

또는

 

마스터링

 5

밴드

 

콤프레셔를

 

재현하고

 

있습니다

.  

매우

 

복잡한

 

프로세서로

,

 

콤바이너는

 

오토매틱

 

파라미터

 

컨트롤로

 "inaudiable" 

특성을

 

만듭니다

.

 

 

주파수의

 

메이크업

 

게인은

 Spectral Balance Control(SBC)

 

통해

 

자동

 

조절되고

 

균형잡힌

 

오디오

 

스펙트럼을

 

유지합니다

.

 

첫번째

 

레이어에서

 Mix

 

입력

 

신호에

 

대한

 

전반적인

 

이펙트

 

레벨

(100%

 

 

콤프레션

)

 

조절하고

 ACTVE

 

이펙트를

 

bypass

 On/Off

합니다

. ATTACK/Relaeae

 5

밴드

 

전체에

 

인벨로프

 

시간을

 

조절합니다

. Auto

 

프로그램에

 

따라

 

릴리즈

 

타임을

 

설정합니다

.(

릴리즈

 

타임

 

설정은

 

무시됨

)  SBC ON 

  

"Spectral Balance Control)

 

작동시켜

 

모든

 

밴드의

 

게인

 

밸런스를

 

다이나믹하게

 

조절합니다

.  SBC Speed

 

조정되는

 

속도를

 

조절합니다

 

X-over

 

다섯개의

 

주파수

 

밴드

 

 

바운더리

 

주파수를

 

설정합니다

마이너스

 

값은

 

저주파수의

 

해상도를

 

포지티브

 

값은

 

높은

 

주파수의

  

해상도를

 

증가시킵니다

밴드간

 

필터는

 12dB

에서

 48dB

에서

 

기울기를

 

조절할

 

 

있습니다

. Ratio

 

다섯

 

밴드의

 

콤프레션

 

레이쇼

  (1.1 

 10, 

Limiter)

 

조절합니다

. SBC

미터는

 SBC

게인

 

코렉션과

 

콤프레셔

 

게인

 

리덕션

 

디스플레이

 

 

전환됩니다

.

 

레이어

2

에서는

 

 

밴드

 

스뤼세

 

홀드에

 

스레쉬홀드

 

오프셋을

 

적용합니다

모든

 

밴드의

 

콤프레션

 

양을

 

동시에

 

 

조절할

 

 

있습니다

. Gain

 

전반적인

 

추력

 

게인을

 

조절합니다

. Peak 

Meter

 

콤프레셔

 

피크

 

리덕션과

 

밴드

 

피크

 

미터

 

디스플레이

 

사이를

 

전환합니다

. Band SEL

 5

개의

 

주파수

 

밴드

 

 

하나를

 

선택하고

Band Solo

 

선택

 

밴드를

 

들을

 

 

있습니다

 Band Thr

 Band 

Gain

 

선택한

 

밴드의

 

스레쉬홀드와

 

메이크업

 

게인을

 

설정합니다

 Band 

Lock 

 

선택한

 

밴드의

 

콤프레션을

 

해제합니다

. Band Reset

 Band 

Lock

 

해제하고

 Band Thr

 Band Gain

 0

으로

 

재설정합니다

 

기능은

 Band Solo

 

별개이며

 

솔로

 

모드는

 Band Reset

 

무관합니다

Fair Comp / M/S Fair Comp / Dual Fair Comp

 

 

 

 

 

 

 

 

페어차일드

 670 

튜브

 

콤프레서는

 

하이엔드

 

빈티지

 

장비

 

 

매우

 

높은

 

경매가격을

 

자랑하며

 

역사상

 

가장

 

뛰어난

 

콤프레서

  

 

 

하나입니다

두개의

 

스몰

 

트림

 VR

 

커트롤

 

사이드

 

체인

 

액션을

 

설정하고

 6

단계

 

스위치는

 

타이밍을

 

설정합니다

두개의

 

인풋과

 

스레쉬

 

홀드

 

 

노브는

 

레벨을

 

조절합니다

페어차일드

 

콤프레서

 

모델은

 

오리지날의

 

신호

 

경로를

 

따르며

간편하게

 

듀얼

 

스테레오

 

링크

 

또는

  M/S 

작동을

 

 

 

있습니다

. Fiarchild 670 

모델을

 

기초로

 

합니다

INPUT  GAIN

 

이펙트로

 

들어가는

 

신호의

 

양을

 

조절합니다

ACTIVE

 

신호

 

경로에

 

이펙트를

  in/out

합니다

.  THRESHOLD

 

콤프레션이

 

작동할

 

신호의

 

크기를

 

설정합니다

.  TIME

 

컴프레셔의

 

릴리즈

 

타임을

 

설정합니다

.  BIAS

 

튜브의

 

바이어스

 

알고리즘을

 

변경합니다

OUT GAIN

 

출력

 

신호의

 

게인을

 

조절합니다

SOUND 

SOLUTION

Summary of Contents for M32 LIVE

Page 1: ...3 2 MI D A S 4 0 2 5 M 3 2D I G I T A LC O N S O L E...

Page 2: ...0 2 2 Meters 24 2 3 Routing 25 2 4 Setup 28 2 5 Library 31 2 6 Effects 32 2 7 Mute Group 33 2 8 Utility 33 2 9 Internal Effects 34 3 44 3 1 MONITOR CONTROL ROOM OUT 44 3 2 AC POWER 44 3 3 XLR OUT 1 16...

Page 3: ...8 9 3 10 11 12 13 14 15 16 17 WEEE Directive 2012 19 EU MIDAS KLARK TEKNIK TURBOSOUND BEHRINGER BUGERA DDA MUSIC Group IP Ltd MUSIC Group IP Ltd 2014 LIMITED WARRANTY music group com warranty S O U N...

Page 4: ...4 M32 EMC 0V xiii 100VAC 240VAC Volex IEC Volex M32 M32 GUI GUI LCD S O U N D S O L U T I O N...

Page 5: ...c AES50 AES EBU 16 Ultranet 32x32 USB 32 6 Aux 16 XLR XLR TRS 32 72dB 23dBu AES50 KLARK TEKNIK SuperMAC 96x96 168x168 USB 16 100mm 1 16 17 32 Aux Input USB playback FX returns 8 DCA 1 8 1 8 1 6 EQ 7 V...

Page 6: ...ation HUI Layer Select Buttons 2 INPUTS 1 16 INPUTS 17 32 1 16 17 32 3 AUX IN USB Aux In USB FX 1 4 4 BUS MAST 16 Individual Channel Strip Controls 5 SEL Button 6 Channel Meter COMP GATE LED 1 SOLO Bu...

Page 7: ...r BUS MAST Sends on Fader Sends on Fader BUS 1 8 or BUS 9 16 TIP Sends on Fader M C Layer Select Buttons 2 GROUP DCA 1 8 DCA DCA DCA 3 BUS 1 8 9 16 1 8 9 16 4 MTX 1 6 MAIN C Aux In USB Individual Chan...

Page 8: ...Rotary Control 2 LED Display Config Preamp LED 0dB 30dB 30dB SIG LED 0dB CLIP LED VIEW 0dB 60dB 3 FREQUENCY Rotary Control LOW CUT LOW CUT 32 4 48 V DC 48V 5 360 180 6 LOW CUT LOW CUT LOW CUT 32 7 VIE...

Page 9: ...RESHOLD Rotary Control GATE 2 LED Display COMP LED 0dBd 30dB VIEW 0dB 30dB 3 COMP COMP 4 VIEW VIEW Main Display dyn 5 6 1 MODE Select Button and Display MODE EQ HCUT HSHV HIGH 2 HIGH VEQ EQ PEQ EQ LSH...

Page 10: ...PEQ EQ PEQ HI MID VEQ PEQ LO MID VEQ PEQ LOW LCUT LSHV VEQ PEQ HIGH 2 HIGH HI MID HIGH2 LOW 2 LOW LO MID LOW2 4 GAIN Rotary Control EQ 0dB 5 EQ Button EQ 6 VIEW VIEW Main Display eq 1 7 Bus Sends 1 2...

Page 11: ...WAV USB USB USB 1 FAT FAT12 FAT16 FAT32 USB 2 ViEW home 3 config LR 2 PAN BAL Rotary PAN BAL 3 MONO MONO 4 ST ST 5 VIEW VIEW Main Display main 1 9 RECORDER 1 USB Port USB 2 ACCESS USB 3 VIEW VIEW USB...

Page 12: ...1 4 RCA p16 out P16 card out 32 aes50 a AES50 A 48 aes50 b AES50 B 48 xlr out XLR 4 AES 2 MAIN SOLO METERS 24 3 SCREEN SELECTION BUTTONS 8 8 HOME home config gate dyn eq EQ sends main SETUP global co...

Page 13: ...SAFE CHAN SAFE import export Cues USB Cue Scene Snippet Safe Show Scenes USB Snippets USB Snippet Param Safes Chan Safes 4 PUSH ENCODERS 5 UP DOWN LEFT RIGHT NAVIGATION CONTROLS 6 MAIN DISPLAY 1 11 M...

Page 14: ...Solo AFL DCA Solo AFL DCA Use DIM for PFL PFL DIM Use Master Fader 3 4 5 TIP FOH 6 DIM 40dB 0dB 7 DIM 8 20dB 20dB 9 10 Off no source in the control room when no SOLO is active LR Bus LR C M LR PFL Pr...

Page 15: ...LK LEVEL 4 auto dim on off dim 5 Mix Bus 1 16 LR Bus Centre Mono Bus 6 7 XLR 48V 2 TALK LEVEL Rotary Control TALK LEVEL 3 4 TALK A B TALK A TALK B ViEW A B 5 VIEW VIEW talkback Tab 8 9 oscillator Tab...

Page 16: ...ene NEXT secne UNDO NOW scene VIEW scene M32 home scenes snippets snippets param safe chan safe MIDI MIDI HOME Cue Cue Cue Scene Snippet MIDI M32 500 Cue Cue Cue Cue 1 Cue 2 Cue 3 Last Next Cue Cue 4...

Page 17: ...Snippets Utility Snippets Copy Snippets Paste Snippet Edit Cue Snippet Delete Snippet Import Scene USB Snippet Export Scene USB Snippet PARAMETER SAFE SHOW CONTROL param safe M32 param safe 1 2 4 Col...

Page 18: ...1L through 4R Column 4 Returns Mix 1 6 Column 5 Main Matrix Groups Matrix 1 6 LR Bus Centre Mono Bus DCA Groups 1 8 Column 6 Effects Slots FX 1 8 MIDI SHOW CONTROL MIDI MIDI Cue MIDI MIDI MIDI Cue MID...

Page 19: ...dit SET A B C set A B C 8 4 set A B C 1 LCD 2 12 3 Not Assigned Jump to Page Mute Channel Inserts Effect Button MIDI Remote Not Assigned Panorama Sends Dynamics FX Parameters MIDI Remote 4 5 5 6 1 15...

Page 20: ...n Display 2 1 Main Display Top Section 4 AES50 A B Setup Config 2 1 1 Home home config gate dyn eq EQ sends main home EQ 6 Page 1 1 2 3 4 in out 5 6 in out 7 EQ EQ 8 EQ in out 9 10 in out 11 12 Page 2...

Page 21: ...9 10 on off gate config config 1 32 config 6 1 2 3 4 on off 5 6 7 8 in out 9 EQ comp 10 in out 11 12 NOTE gate gate VIEW gate 6 Page 1 1 2 in out 3 4 in out 5 6 7 Page 2 1 1 2 1 2 3 on off 4 EQ 5 6 Se...

Page 22: ...22 M32 dyn dynamics dyn VIEW dyn 6 Page 1 1 2 in out 3 4 5 6 peak RMS PEAK RMS 7 8 LOG RC dB LINEAR 9 10 Page 2 1 1 2 1 2 5 3 EQ 4 5 on off 6 EQ 7 8 Self 9 S O U N D S O L U T I O N...

Page 23: ...3 boost cut 4 boost cut 5 boost cut 6 boost cut 7 EQ in out Page 2 1 Page 3 1 Page 4 1 EQ Low cut Low shelf Parametric EQ Vintage EQ High shelf High cut sends sends 16 SENDS VIEW senda 6 Page 1 1 4 2...

Page 24: ...7 on off 2 2 Meters meter meter rta meter channel 32 mix bus 16 6 aux fx 6 8 4 in out 32 8 6 2 16 P16 rta rta M32 M32 10 100 20Hz 20kHz 1 3 RTA 3 pEQ FX EQ RTA Source PA EQ EQ LR Solo Priority RTA TIP...

Page 25: ...6 16 XLR aux out 1 4 RCA p16 out P16 card out DN 32USB 32 aes50 a AES50 A 48 aes50 b AES50 B 48 xlr out XLR home ROUTING M32 32 M32 1 2t 3 8 M32 1 1 8 2 8 1 8 3 Local 1 8 Local 9 16 Local 17 24 Local...

Page 26: ...ct Outputs Any of the eight Auxiliary Outputs Any of the FX Direct Outputs Monitor L Monitor R Talkback 4 5 tapped IN LC IN LC M PreEQ PreEQ M PostEQ PostEQ M PreFdr PreFdr M Post Fader 6 7 3 8 TIP M3...

Page 27: ...Any of the eight Auxiliary Outputs Any of the FX Direct Outputs Monitor L Monitor R Talkback 4 5 tapped IN LC IN LC M PreEQ PreEQ M PostEQ PostEQ M PreFdr PreFdr M Post Fader 6 card out card out DN32...

Page 28: ...17 20 Local 21 24 Local 25 28 Local 29 32 AES50 A 1 4 AES50 A 5 8 AES50 A 9 12 AES50 A 13 16 AES50 A 17 20 AES50 A 21 24 AES50 A 25 28 AES50 A 29 32 AES50 A 33 36 AES50 A 37 40 AES50 A 41 44 AES50 A 4...

Page 29: ...ard LED 7 8 9 Bus Pre Configuration Pre fader variable output auxiliary sends Fixed output subgroups Post fader variable output auxiliary sends Eight pre fader auxiliary sends eight post fader auxilia...

Page 30: ...DI RTP MIDI 5 5 6 6 MIDI MIDI In Out MIDI Card MIDI DN32 USB RTP Real Time Transport Protocol MIDI Rx PrgC Tx PrgC Rx Fader Tx Fader Rx Mute Tx Mute Rx Pan Tx Pan X OSC iPad 7 NOTE MIDI Appendix B MID...

Page 31: ...rd 32in 32out 16in 16out 32in 8out 8in 32out 8in 8out 2in 2out 2 5 Library channel DSP effects routing channel Channel DSP EQ channel 1 Head Amp Microphone Preamplifier Configuration Gate Compressor E...

Page 32: ...ich Plate Reverb Flanger Chamber Leisure Comp Room Reverb Delay Chorus Dual Leisure Comp Chamber Reverb Delay Flanger Ultimo Comp Plate Reverb Modulation Delay Dual Ultimo Comp Vintage Reverb Dual Gra...

Page 33: ...Stereo Pitch Tremolo Panner Dual Combinator Suboctaver Fair Comp 7 8 9 fx1 8 fx1 8 editing 1 6 2 3 6 4 TIP EQ Graphics EQ on Faders 8 EQ 2 7 Mute Group 6 1 2 MUTE GRP 6 1 MUTE GRP 2 3 SEL 4 mute MUTE...

Page 34: ...DAMP DIFF SHAPE LO CUT HI CUT BASSMULT MOD SPEED SHAPE Ambience Lexicon Ambience PRE DELAY DECAY SIZE DAMPING DIFF LO CUT HI CUT MOD TAIL GAIN Rich Plate Reverb high intial diffusio Lexicon Plate Rev...

Page 35: ...Lexicon PCM 70 PRE DELAY DECAY SIZE DAMP DIFF LEVEL LO CUT HI CUT BASS MULT iplier XOVER MOD DEPTH MOD SPEED Vintage Reverb EMT250 M32 calrity 1 4ms 4 5s 2 3 4 2 1 2 3 A 1 2 Vintage Room M32 Quantec Q...

Page 36: ...o Delay MIX TIME 3 LO CUT HI CUT FACTOR L FACTOR R OFFSET L R FEED LO CUT HI CUT FEED L FEED R MODE ST X M Triple Delay 3 3 TIME GAIN BASE PAN BASE LO CUT HI CUT X FEED MONO FEEDBACK FACTOR A GAIN A P...

Page 37: ...LFO DEPTH LFO BASE RESO STAGES MIX WAVE LFO PHASE vowel like ENV MOD ATTACK HOLD RELEASE Dimension C Roland Dimension D Mono Stereo 3 5 Mood Filter Mood LFO VCF voltage control filter B A MiniMoog EN...

Page 38: ...CK HOLD RELEASE LFO ENV SPD LFO ENV DPTH Suboctaver on off LO MID HI 4 5 Delay Chamber Lexicon PCM70 BALANCE LO CUT MIX TIME PATTERN FEEDBACK FEED HC high cut XFEED PREDELAY DECAY SIZE DAMPING Chorus...

Page 39: ...LANCE SPEED DELAY DEPTH LFO PHASE 180 WAVE LFO MIX Delay Flanger whoosh FX TC Electronic D Two TIME PATTERN FEEDHC FEEDBACK X FEED BALANCE SPEED DELAY DEPTH LFO PHASE 180 FEED MIX Modulation Delay Bal...

Page 40: ...1 3 5 Stereo Xtec EQ1 Dual Xtec EQ1 Pultec EQP 1 Pultec EQP 1a LO FREQ LO BOOST LO ATT HI FREQ HI BOOST HI ATT HI BANDWIDTH Stereo Xtec EQ5 Dual Xtec EQ5 Pultec Pultec XTEC EQ5 Pultec MEQ5 LO FREQ MID...

Page 41: ...pectral Balance Control SBC Mix 100 ACTVE bypass On Off ATTACK Relaeae 5 Auto SBC ON Spectral Balance Control SBC Speed X over 12dB 48dB Ratio 1 1 10 Limiter SBC SBC 2 Gain Peak Meter Band SEL 5 Band...

Page 42: ...60 1176N 1176 ULTIMO COMPRESSOR Rev E Class A FET Urei 1176LN INPUT GAIN OUT GAIN ATTACK RELEASE RATIO 1 2 Dual Enhancer Stereo Enhancer M32 Pshcho EQ f EQ SPL Vitalizer BASS MID HI GAIN BASS HI FREQ...

Page 43: ...r Amp Stereo Guitar Amp Tech 21 SansAmp M32 PREAMP BUZZ low end breakup PUNCH CRUNCH cutting note DRIVE LOW HIGH EQ LEVEL CABINET Dual Tube Stage Stereo Tube Stage DRIVE EVEN ODD GAIN LO CUT HI CUT BA...

Page 44: ...kets XLR 4 BAL UNBAL Left Right Jack Sockets 1 4 3 2 AC POWER 1 2 3 3 XLR OUT 1 16 Outputs 1 16 XLR 15 16 3 4 XLR OUT 1 32 INPUT 1 32 XLR 3 5 KLARK TEKNIK DN32 USB DN32 USB 32x32 3 6 REMOTE CONTROL 1...

Page 45: ...45 M32 3 7 MIDI MIDI In Out 5 DIN MIDI 3 8 AES EBU OUT 3 AES EBU 3 9 ULTRANET P16 3 10 AES50 96 3 11 AUX IN OUT 1 4 RCA S O U N D S O L U T I O N...

Page 46: ...Preamplifier XLR 32 Talkback Microphone Input XLR 1 RCA Inputs Outputs 2 2 XLR Outputs 16 Monitoring Outputs XLR TRS Balanced 2 2 Aux Inputs Outputs TRS Balanced 6 6 Phones Output TRS 2 Stereo Digital...

Page 47: ...Level TRS Nominal Maximum 4 dBu 21 dBu Output Impedance TRS Unbalanced Balanced 50 50 Phones Output Impedance Maximum output Level 40 21 dBu Stereo Residual Noise Level Out 1 16 XLR Connectors Unity...

Page 48: ...3 Cue 1 127 Ch4 Cue 128 255 etc Mute Groups 2 CC80 85 on 127 off 0 toggle latching Faders 1 CC0 79 0 127 Value 95 0dB Mute 2 CC0 79 on 127 off 0 toggle latching Pan 2 CC0 79 0 127 Value 64 Pan Mid MID...

Page 49: ...g Sends On Fader 1 CC 48 on 127 off 0 toggle latching Group DCA 1 8 1 Note 72 on 127 off 0 push non latching BUS 1 8 1 Note 73 on 127 off 0 push non latching BUS 9 16 1 Note 74 on 127 off 0 push non l...

Page 50: ...50 M32 4 3 C Dimensions Front View Top View 612 S O U N D S O L U T I O N...

Page 51: ...51 M32 Rear View Side View S O U N D S O L U T I O N...

Page 52: ...Pan R KEY IN EQ Pre HP Pre Gate Post Gate Pre EQ Post EQ Pre Fader Post Fader Post Pan L Pre HP Pre Gate Post Gate Pre EQ Post EQ Pre Fader Post Fader Post Pan R SOLO INSERT RETURN INSERT SEND PRE LOW...

Page 53: ...cautions Avoid putting pressure on the screen Don t use harsh abrasives for example paper towels Don t apply liquids directly to the screen Don t use ammonia based cleaners and solvents such as aceton...

Page 54: ...s a professional multi channel audio interconnection that uses Cat 5e data cable and is compatible with Ethernet networks AFL Abbreviation for after fader listen A function that allows the signal to b...

Page 55: ...ntrol surface and GUI Control surface Area on the control centre that houses all of the user s hardware controls such as pushbuttons control knobs switches etc Crossfade To combine signals such that o...

Page 56: ...frequency response so that the levels of all frequencies are equal or the same Bass and treble controls are equalisation controls EtherCon A cable connector for data transfer interconnections which is...

Page 57: ...uit measured in ohms K Kernel For computers the kernel is the central component of most operating systems L LCD select button LCD button in the input fast strips and VCA groups used for channel group...

Page 58: ...mutes N N A Abbreviation for not applicable nm Symbol for nanometre one billionth of a metre Normalise To boost the amplitude of a digital sound so that it is as high as it can be without clipping 0 d...

Page 59: ...e power required for the operation of a condenser microphone when it is not supplied by internal batteries or a separate power supply This is supplied by the M32 Control Centre itself Phase A measurem...

Page 60: ...at it can be processed as required Compressors use the side chain to derive their control signals Signal flow The path of a signal from one place to another SIP Abbreviation for solo in place SIS Abbr...

Page 61: ...o of the leads of a cable connector and jack Unfold Navigates the input channels of a group to the input bays USB Abbreviation for universal serial bus A plug and play interface that provides a fast c...

Page 62: ...port de nuestra p gina web y compruebe si su problema aparece descrito y solucionado all De forma alternativa env enos a trav s de la p gina web una solicitud online de soporte en periodo de garant a...

Page 63: ...tre seu novo equipamento MUSIC Group logo ap s a compra visitando o site midasconsoles com Registrar sua compra usando nosso simples formul rio online nos ajuda a processar seus pedidos de reparos com...

Page 64: ...S O U N D S O L U T I O N...

Page 65: ...59 M32 1 MUSIC Group midasconsoles com 2 MUSIC Group MUSIC Group midasconsoles com WHERE TO BUY 3 S O U N D S O L U T I O N...

Page 66: ...s are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment generates uses and can radiate radio frequency en...

Page 67: ...7 7 54 2 0 1 3 T e l 0 2 2 1 6 8 4 5 6 3 F a x 0 2 2 1 6 8 4 5 3 5 w w w s s c o m c o m...

Page 68: ...midasconsoles com...

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