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IT IS ACCEPTABLE to use a higher impedance (lighter internal load) CABCLONE “IN” connected to the host amplifier’s SPEAKER OUTPUT.  Example: 
a 16 OHM CABCLONE “IN” jack connected to an 8 OHM SPEAKER OUTPUT (output transformer tap) on the host amplifier, or an 8 OHM CABCLONE 
“IN” connected to a 4 OHM SPEAKER OUTPUT (output transformer tap) on the host amplifier. 

DO NOT use a lower impedance CABCLONE “IN” (heavier internal load) on the host amplifier’s SPEAKER OUTPUT.  Example: a 4 OHM CABCLONE 
“IN” jack connected to an 8 OHM SPEAKER OUTPUT (output transformer tap) or an 8 OHM CABCLONE “IN” connected to a 16 OHM SPEAKER OUT-
PUT (output transformer tap). Doing so will cause excessive heat and tube wear and possibly cause damage to the host amplifier’s output transformer.

As mentioned many times throughout this Guide, it is always best to use a CABCLONE of matching impedance to your preferred SPEAKER OUTPUT 
on the host amplifier.

NOTE: If the CABCLONE gets hot to the touch, back down the amplifier’s Output (MASTER) and/or take a break for a minute or two and allow the 
CABCLONE to cool.  Avoiding high Output levels with your amplifier (especially with 100+ watt amplifiers) will prevent the internal load from getting hot. 

  THRU (TO LIVE SPKR. CAB)  

  This jack enables the coupling of a live speaker cabinet for use in combination with the Compensated BALANCED 

DIRECT OUT.  The THRU utilizes a switching-type jack that automatically defeats the Internal Load when a Speaker (unshielded) Cable is inserted.  In 
this scenario the Load on the SPEAKER OUTPUT of the amplifier is whatever the impedance of the speaker cabinet is connected to the THRU jack. 

NOTE: When the THRU is used to connect a live speaker cabinet, the Internal (fixed) Load is automatically defeated and replaced by the reactive load 
of the Speaker(s) connected.  This may alter the EQ curve (sound) and tactile response (feel) possibly resulting in added top end and a more dynamic 
attack characteristic.

NOTE: To use an additional 8 Ohm MESA Speaker Cabinet (8 OHM Cabinet x 2) for personal monitoring with greater coverage while the CABCLONE 
is still feeding direct to a console; connect the 4 OHM SPEAKER OUTPUT of the amplifier to the IN on the CABCLONE.  Connect the first 8 OHM 
speaker cabinet to the THRU on the CABCLONE.  Connect the second 8 OHM speaker cabinet to the PARALLEL OUTPUT (2nd Jack) on the MESA 
speaker cabinet jack plate.  This scenario will create a proper impedance match (4 OHMS) and provide optimum sound and response.  Keep in mind 
that if the cabinets used are of different impedances (1 x 8 OHM and 1 x 16 OHM) simply multiply the impedance values of each cab then divide that 
number by the sum of both impedance values ( i.e. 8 x 16 = 128,  8 + 16 = 24, Divide 128 by 24 = 5.3 OHMS). This example would require the use of 
the 4 OHM SPEAKER OUTPUT of the amplifier. In other words, the closest SPEAKER OUTPUT of lower impedance. Two 4 OHM cabinets paralleled 
is NOT recommended as that would produce a 2 OHM load which is not compatible with MESA amplifiers (and most other tube amplifier brands).    

Summary of Contents for CabClone

Page 1: ...Owner s Manual...

Page 2: ...ommitment to quality and dedication to customer satisfaction is present in each and every product we make in our one and only shop in Petaluma California U S A Rest assured that the very same people t...

Page 3: ...DIRECT OUT XLR s PIN 1 GROUND from the Circuit and Chassis Ground In many cases this can remove annoying ground loops that can occur from grounded devices that have their own different ground referenc...

Page 4: ...d speaker cable automatically defeats the internal Load Resistor so that your amplifier is seeing the true impedance load of your chosen speaker cabinet Note that using a live speaker connected to the...

Page 5: ...Panel XLR BALANCED DIRECT OUT All the way left 7 00 produces the lowest signal MIC LEVEL which is similar in strength to what many popular cardioid microphones generate At this setting you should not...

Page 6: ...sound source and there are as many phases as there are degrees in a circumference around that sound the ability to swap what you re hearing 180 degrees phase wise can often reduce the ill effects of o...

Page 7: ...tains the midrange focus but enhances the upper harmonics to create an open chiming sound that s perfect for clean rhythm work and dynamic clean and or mildly overdriven solo sounds This mode can also...

Page 8: ...ow silent recording at similar volume settings as you would use with your amp connected to a speaker cabinet Use common sense and preserve your tubes and attain the best sound by using the CABCLONE wi...

Page 9: ...the Internal Load when a Speaker unshielded Cable is inserted In this scenario the Load on the SPEAKER OUTPUT of the amplifier is whatever the impedance of the speaker cabinet is connected to the THR...

Page 10: ...T will be affected by the MASTER Volume setting loudness of the host amplifier Use the Front Panel D I LEVEL to adjust the signal level as needed IMPEDANCE DESIGNATION The three boxes labeled 4 8 and...

Page 11: ...ons it engages the HEADPHONE driver circuit and at the same time defeats the XLR BALANCED DIRECT OUT Having the two active at the same time would affect the Internal Load impedance and compromise the...

Page 12: ...14 09 30...

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