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NOTE: The LINE OUT jack uses a standard MONO ¼” phone jack and is not a STEREO (or as sometimes seen a TRS BALANCED jack).  Use a mono 
phone plug when using the LINE OUT for connection to the Console.  If you only have a stereo TRS plug, you will need to only insert it part way into the 
CABCLONE LINE OUT jack to get a signal.

  HEADPHONES  

  This feature expands the usefulness of the CABCLONE ten-fold as it allows the Internal Load to be used to “soak up the volume” while 

a Speaker Emulated version of the host amplifier is shaped and optimized for your personal enjoyment through your headphones. 

This means you can finally enjoy your favorite tube amp in all its glory—late at night— without anyone else knowing the Toneful good time you’re having!  
Go ahead, crank it up, Rock out!  You’ll be free and clear to go off without bothering anyone.  Add some effects in your host amp’s EFFECTS LOOP and 
you’ll be lost for hours in the warm Tone and great feel.

Obviously the quality and particular EQ of the headphones used will affect the quality and authentic-ness of the host amp’s sound, but in the many tests 
we’ve done with many brands of popular headphones, the results have been very pleasing.  We encourage you to audition a few different brands as they 
each have their own particular EQ curve, sonic character and especially, low end response... not to mention comfort factor.

The HEADPHONES jack is a switching-type that serves two functions; it engages the HEADPHONE driver circuit and at the same time, defeats the XLR 
BALANCED DIRECT OUT.  Having the two active at the same time would affect the Internal Load impedance and compromise the sound of the CAB-
CLONE”S speaker-emulated Direct sound.

NOTE: The performance of the headphones and the volume level they will produce is greatly affected by both the impedance they present to the HEAD-
PHONE Output, but perhaps even more importantly, is the efficiency of the actual transducer in the earpiece of the headphones. Because of this difference 
in efficiency, we haven’t found any one impedance that works better than others.  However, we don’t recommend impedances below 16 Ohms (and this 
seems a common low-side cutoff for many headphones) and impedances higher than that may be preferable (such as 32 Ohms–another common range in 
headphones).  Another standard to look for that may help ensure adequate volume levels is a sensitivity specification of 100db/mW (milliwatt), which should 
be listed in the packaging or Owner’s Manual of most headphones.  This standard is often suggested for devices that have lower to medium drive capability.

NOTE: The volume level of the HEADPHONES OUT is determined by the MASTER Volume setting (loudness) of the host amplifier.  The Front Panel D.I. 
LEVEL does NOT affect the volume level at the HEADPHONES OUT jack. 

We sincerely hope you enjoy the CABCLONE and believe it will inspire your music and expand your options when it comes to how and where you capture 
guitar sounds in the future.  Hopefully it will become a valuable and treasured tool in your Tone arsenal for many years to come!

Summary of Contents for CabClone

Page 1: ...Owner s Manual...

Page 2: ...ommitment to quality and dedication to customer satisfaction is present in each and every product we make in our one and only shop in Petaluma California U S A Rest assured that the very same people t...

Page 3: ...DIRECT OUT XLR s PIN 1 GROUND from the Circuit and Chassis Ground In many cases this can remove annoying ground loops that can occur from grounded devices that have their own different ground referenc...

Page 4: ...d speaker cable automatically defeats the internal Load Resistor so that your amplifier is seeing the true impedance load of your chosen speaker cabinet Note that using a live speaker connected to the...

Page 5: ...Panel XLR BALANCED DIRECT OUT All the way left 7 00 produces the lowest signal MIC LEVEL which is similar in strength to what many popular cardioid microphones generate At this setting you should not...

Page 6: ...sound source and there are as many phases as there are degrees in a circumference around that sound the ability to swap what you re hearing 180 degrees phase wise can often reduce the ill effects of o...

Page 7: ...tains the midrange focus but enhances the upper harmonics to create an open chiming sound that s perfect for clean rhythm work and dynamic clean and or mildly overdriven solo sounds This mode can also...

Page 8: ...ow silent recording at similar volume settings as you would use with your amp connected to a speaker cabinet Use common sense and preserve your tubes and attain the best sound by using the CABCLONE wi...

Page 9: ...the Internal Load when a Speaker unshielded Cable is inserted In this scenario the Load on the SPEAKER OUTPUT of the amplifier is whatever the impedance of the speaker cabinet is connected to the THR...

Page 10: ...T will be affected by the MASTER Volume setting loudness of the host amplifier Use the Front Panel D I LEVEL to adjust the signal level as needed IMPEDANCE DESIGNATION The three boxes labeled 4 8 and...

Page 11: ...ons it engages the HEADPHONE driver circuit and at the same time defeats the XLR BALANCED DIRECT OUT Having the two active at the same time would affect the Internal Load impedance and compromise the...

Page 12: ...14 09 30...

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