The Destiny v2’s Filter
8
7
The controls labelled 5 - 9 control modulation of the filter cut-off:
Switch (4) - Select between modulation sources; Sample and Hold, or keyboard tracking.
Slider (5) - Attenuate source from (4).
Switch (6) - Select between modulation sources; Sample and Hold, or LFO sine wave.
Slider (7) - Attenuate source from (6).
Switch (8) - Select between modulation sources; Envelope One or Envelope Two.
Slider (9) - Attenuate source from (8).
Envelopes are discussed in the next section, including a section on envelope filter clipping.
9 Programming -Filter
1
2
3
5
7
9
4
6
8
If your not already familiar with audio filters, please
refer to our basic introduction in Appendix #1.
The Destiny v2 has both a high-pass and a low-pass
filter. The high-pass filter can not be modulated and
only has one control; Frequency (3).
VCF FREQ (1) is the main cut-off control for the low-
pass filter, with associated resonance, (2).
CAUTION: Turning up the resonance can lead to a profound increase in
sound volume, perhaps unexpectedly. Please consider both your speakers
and your ears and use this feature cautiously.
FILTER MODULATION
