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18
right
analog output
balanced analog
output
analog dc in
left
analog output
balanced analog
output
analog dc in
digital
dc in
1
2
3
4
5
6
7
8
digital inputs
3
3
4
5
6
9
10
11
master
slave
electrical
digital outputs
optical
electrical
rec
monitor
rec
optical
communication
ports
balanced analog
output
balanced analog
output
PUSH
PUSH
2
1
PUSH
7
8
Rear panel, Nº30.5
1
ANALOG OUT
These outputs provide single-ended line-level analog audio (via cables
equipped with RCA-type connectors) to a preamplifier, integrated amplifier,
or receiver.
Caution!
When using a digital recorder (like a DAT) that also allows
recording of analog signals, a specific combination of
interconnections and settings on the digital recorder, the
Nº30.5, and an associated preamplifier may create a
“feedback loop” that may damage your system’s
loudspeakers. For guidance in avoiding such a feedback
loop, consult your Mark Levinson dealer.
2
BALANCED ANALOG OUTPUTS
These outputs provide balanced line-level analog audio (via cables
equipped with XLR-type connectors) to a preamplifier, integrated amplifier,
or receiver equipped with balanced inputs (see “Set-up and installation”).
The pin assignments used are AES-standard, as shown below:
Pin 1: Signal ground
Pin 2: Signal
+
(non-inverting)
Pin 3: Signal
–
(inverting)
Connector ground lug: chassis ground
3
ANALOG DC IN
These inputs, one for each channel, accept DC power from the PLS-330 (via
the supplied cables equipped with five-pin connectors).
Male XLR output
connector (analog)
1 2
3