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Owner

’s Manual

15

Owner’s Manual

Placement

WARNING: Installation should only  
be done by an experienced technician.  
Improper installation may result in damage  

to the equipment, injury or death. Make sure that  
the loudspeaker is installed in a stable and secure  
way in order to avoid any conditions that may be  
dangerous for persons or structures.

Thump loudspeakers are designed to sit on the floor  

or stage as the main PA or as monitors. They may  
also be pole-mounted via the built-in socket on  
the bottom of the cabinet. Be sure the pole is capable  

of supporting the weight of the loudspeaker.  
The T100 is a great tripod option and the SPM400  
is a nice choice when using a subwoofer.

NEVER attempt to suspend a Thump  
loudspeaker by its handles.

Check to make sure that the support surface  

(e.g. floor, etc.) has the necessary mechanical  
characteristics to support the weight of the 
loudspeaker(s).

When pole-mounting loudspeakers, be sure that they 

are stabilized and secured from falling over or being  
accidentally pushed over. Failure to follow these  
precautions may result in damage to the equipment, 
personal injury, or death.

Thump loudspeakers may be laid out horizontally as 

monitors for the band at a 40˚ angle (as seen below). It 
is intended to be used only when the speaker is in its 
wedge configuration and works best when on a hard 
work surface, like a stage.

As seen above, the Running Man logo is rotatable  
for when the loudspeaker is used as a monitor! 

Room Acoustics

Thump loudspeakers are designed to sound fantastic  

in nearly every application.

But, room acoustics play a crucial role in the overall  

performance of a sound system. However, the wide 
high-frequency dispersion of the Thump loudspeakers 
helps to minimize the problems that typically arise.

Here are some additional placement tips to help  

overcome some typical room problems that might arise:

•  Placing loudspeakers in the corners of a room 

increases the low frequency output and can cause  
the sound to be muddy and indistinct.

•  Placing loudspeakers against a wall increases  

the low frequency output, though not as much  
as corner placement. However, this is a good way  
to reinforce the low frequencies, if so desired.

•  Avoid placing the speakers directly on a hollow 

stage floor. A hollow stage can resonate at certain 
frequencies, causing peaks and dips in the frequency 
response of the room. It is better to place them  
on a sturdy stand designed to handle the weight  
of the loudspeaker.

•  Position the loudspeakers so the high-frequency 

drivers are two to four feet above ear level for  
the audience (making allowances for an audience  
that may be standing/dancing in the aisles).  
High frequencies are highly directional and tend  
to be absorbed much easier than lower frequencies.  
By providing direct line-of-sight from the loudspeakers 
to the audience, you increase the overall brightness and 
intelligibility of the sound system.

•  Highly reverberant rooms, like many gymnasiums 

and auditoriums, are a nightmare for sound system 
intelligibility. Multiple reflections off the hard walls, 
ceiling, and floor play havoc with the sound. Depending 
on the situation, you may be able to take some steps  
to minimize the reflections, such as putting carpeting 
on the floors, closing draperies to cover large glass  
windows, or hanging tapestries or other materials  
on the walls to absorb some of the sound.

However, in most cases, these remedies are not  

possible or practical. So what do you do? Making  
the sound system louder generally doesn’t work  
because the reflections become louder, too.  
The best approach is to provide as much direct sound 
coverage to the audience as possible. The farther away 
you are from the speaker, the more prominent will be 
the reflected sound. 

Use more speakers strategically placed so they  

are closer to the back of the audience. If the distance  
between the front and back speakers is more than 
about 100 feet, you should use an external delay  
processor to time-align the sound. (Since sound  
travels about 1 foot per millisecond, it takes about  
1/10 of a second to travel 100 feet.)

Summary of Contents for THUMP 212

Page 1: ...OWNER S MANUAL 1400W Powered Loudspeakers...

Page 2: ...NOTE This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection aga...

Page 3: ...ard pole mount Monitor wedge provides optimal angle for use as a floor monitor Weight 27 6 lb 12 5 kg Thump212 32 6 lb 14 8 kg Thump215 Dimensions 24 4 x 14 0 x 14 0 in 620 x 356 x 356 mm Thump212 27...

Page 4: ...ect the outputs from the mixing console or other signal source to the inputs on the rear panel of the loudspeakers 3 If using a subwoofer connect the outputs from the mixing console or other signal so...

Page 5: ...hannel 1 gain knob should be set to Mic The Mic Line switch should be ENGAGED Mic as well Now grab your axe and plug it directly into the channel 2 input Or if you use effects connect the guitar to th...

Page 6: ...mscontinued In this example a ProFX10v3 mixer is connected directly to two Thump212 loudspeakers It is the perfect setup for a small club or a fun karaoke house party Simply connect the L R outputs of...

Page 7: ...MAX LINE MIC U MAX MAX GAIN VOLUME GAIN HookupDiagramscontinued Perhaps you re a DJ playing bumpin tunes in the middle of the night to a crowd that s groovin and dancin to your fine selection In this...

Page 8: ...VOLUME GAIN CH1 CH2 MAIN THRU LINE MIC LINE U U MAX LINE MIC U MAX MAX GAIN VOLUME GAIN CH1 CH2 MAIN THRU LINE MIC LINE U U MAX LINE MIC U MAX MAX GAIN VOLUME GAIN To next Thump loudspeaker input Thum...

Page 9: ...ME GAIN DUCKING FB ELIMINATOR OVERLOAD CH1 CH2 MAIN THRU LINE MIC LINE U U MAX LINE MIC U MAX MAX GAIN VOLUME GAIN HookupDiagramscontinued Here s how to set up a large club system In this example the...

Page 10: ...4 Combo Input Jacks Input channels 1 and 2 may accept a balanced mic signal using an XLR connector They are wired as follows according to standards specified by the AES Audio Engineering Society XLR...

Page 11: ...e The gain knobs allow signals from the outside world to be adjusted to run through each channel at optimal internal operating levels If connecting mixer outputs to Thump inputs set the gain knobs to...

Page 12: ...c will return back to its previous level True wizards those engineers and none of them have long grey beards robes and pointy hats The audio nerds out there might like to know that the channel 2 level...

Page 13: ...low with 20 feet of snow outside and a wind chill factor of the frozen tundra Yeah we ve got you covered there too The built in heater is great especially when in the monitor position Gotta love warm...

Page 14: ...e operating temperature the thermal switch resets itself and the Thump loudspeaker resumes normal operation If the thermal switch activates try turning down the level control a notch or two on the mix...

Page 15: ...w frequency output and can cause the sound to be muddy and indistinct Placing loudspeakers against a wall increases the low frequency output though not as much as corner placement However this is a go...

Page 16: ...k your Thump loudspeaker has a problem please check out the following troubleshooting tips and do your best to confirm the problem Visit the Support section of our website www mackie com support where...

Page 17: ...g methods we reserve the right to change these specifications at any time without notice The Running Man figure is a registered trademark of LOUD Audio LLC All other brand names mentioned are trademar...

Page 18: ...oudspeaker Series 18 Thump212 and Thump215 Powered Loudspeaker Series Thump212 Dimensions 14 0in 356mm 14 0in 356mm 24 4in 620mm WEIGHT 27 6 lb 12 5 kg Thump215 Dimensions 17 3in 439mm 14 0in 356mm 27...

Page 19: ...Owner s Manual 19 Owner s Manual Thump Block Diagram Amp Amp Limiter Limiter LF Equalization HF Equalization Thermal Monitoring Crossover DUCKING FB ELIMINATOR OFF ON SUM OFF ON 1 8 3 5mm...

Page 20: ...t Customer gives notice of the noncompliance within the Warranty Period to the Company at www mackie com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during n...

Page 21: ...19820 North Creek Parkway 201 Bothell WA 98011 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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