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ProFXv3 Professional Effects Mixer with USB
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20. Aux Mon Knobs
These knobs tap a portion of each channel's signal
to set up a nice monitor mix feeding stage monitors,
independent of the main mix. Adjust these controls
on each channel until the band is happy with the stage
monitor mix.
The controls are off when fully turned down, deliver
unity gain at the center detent, and can provide up
to 10 dB of gain turned fully up.
The pan, mute and channel fader do not affect
the monitor output, but the other channel controls will.
The aux mon is pre-fader.
The overall output level may be adjusted with the aux
master mon controls. Internal FX may also be added
to the monitor mix with the GigFX master mon knobs.
21. Pre-Fader Switches
Aux sends 1-2 are always
pre-fader, designed for stage
monitor applications. Aux send 3
may be set to pre- or post-fader,
so they may be used for monitors
or effects.
Pre-fader: with the pre switch
engaged (pressed in, not
commited to marriage), aux 3
delivers signals post-insert,
post-low cut, post EQ, post-mute
and pre-fader. Any changes made
to the channel controls, except
the fader, will affect the aux send
signal.
Post-fader: with the pre switch
disengaged (up), aux 3 delivers
signals post-insert, post-low cut,
post-mute, post-EQ and
post-fader. Any changes made
to the channel controls will affect
the aux send signal.
22. Aux FX Knobs
These knobs tap a portion of each channel’s signal to
set up a nice FX mix feeding the internal FX processor,
and to feed external processors via the FX send.
The controls are off when fully turned down, deliver
unity gain at the center detent, and can provide up
to 10 dB of gain turned fully up.
The mute, channel fader and other channel controls
affect the FX output, but pan does not. The aux FX is
post-fader.
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The FX signal reaching the internal FX processor
and the FX send output jack is the sum (mix) of all
the channels whose aux FX control is set to more than
minimum.
The overall output level may be adjusted with the aux
master FX knob. FX are then added to the main mix
and subs 1-4 by raising the level of the FX fader.
FX Switches (Chs. 1–2) [ProFX6v3]
With this switch out, no FX are added to the mix.
With this switch in, the channel is assigned to the FX
send post-channel level knob.
Stereo Pan Switch (Chs. 1–2) [ProFX6v3]
With this switch out, each mono channel feeds
both the left and right sides of the main mix equally.
For example:
• Playing a mono source: If you talk into a microphone
connected to input 1, your sweet tones will be heard
in both the left and right loudspeakers.
• Overdubbing a mono source: if you are
monitoring directly through the headphones,
you can hear the overdub signal in both ears
while you are playing.
With this switch pressed in, channel 1 will play only
in the left side of the main mix, and channel 2 will play
in the right side. For example:
• Recording a stereo source: If you have a stereo
microphone connected to the mic inputs, or if you
are playing a stereo source into the line inputs,
each side of the source can be recorded discretely
onto a recorder connected to the main outputs.
The pan switch does not affect the other channels.
23. Pan Knobs
This control allows you to adjust how much of
the channel signal is sent to the left versus the right
outputs.
The pan control employs a design called “Constant
Loudness.” If you have a channel panned hard left
(or right) and then pan to the center, the signal is
attenuated about 3 dB to maintain the same apparent
loudness. Otherwise, it would make the sound appear
much louder when panned center.
ProFX6v3
