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9

Owner

’s Manual

Owner’s Manual

ProFXv3 Front Panel Features

 

Connections and Channel Strip

Phantom Power

Most modern professional condenser mics require  

48V phantom power, which lets the mixer send    

low-current DC voltage to the mic’s electronics  

through the same wires that carry audio. (Semi-pro 

condenser mics often have batteries to accomplish  

the same thing.) “Phantom” owes its name to an ability 

to be “unseen” by dynamic mics (Shure SM57/SM58,  

for instance), which don’t need  external power and 

aren’t affected by it anyway.

The ProFXv3 mixer’s phantom power is  

globally  controlled by the phantom power 

switch (meaning that phantom power for  

all mic inputs is turned on and off together.)

Never plug   single-ended (unbalanced)  

micro phones or ribbon microphones into  

the mic input jacks if phantom power is on. 

Do not plug instrument outputs into the mic input jacks 

with phantom power on  unless you know for certain it  

is safe to do so.

The vertical channel strips look very similar between 

each model and have only a few differences between 

them. Each channel works independently, and just  

controls the signals plugged into the inputs directly 

above them.

5. XLR and 1/4" Combo Inputs [Chs. 1 and 2]

Input channels 1 and 2 on all ProFXv3 models  

may accept a balanced mic or line-level signal using  

an XLR connector. They are wired as follows, according 

to standards specified by the AES (Audio Engineering 

Society).

XLR Balanced Wiring:

     Pin 1 = Shield (ground) 

     Pin 2 = Positive (+ or hot) 

     Pin 3 = Negative (– or cold)

Both channels may also accept 1/4" line-level  

signals driven by balanced or unbalanced sources. 

Additionally, both channels may accept Hi-Z sources 

(such as guitars) via the 1/4" input without the need  

for a separate DI box. Don't forget to engage the Hi-Z 

switch, though!

2

3

1

SHIELD

COLD

HOT

SHIELD

COLD

HOT

3

2

1

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

LINE IN

BAL/

UNBAL

LINE IN

BAL/

UNBAL

LEVEL

SET

GAIN

USB 3-4

U

+60

MIC

 GAIN

MUTE

MUTE

MUTE

MUTE

MUTE

5

7

6

11

12

13

14

15
16
17
19

20

21

22
23

24

27

25

26

8

9

10

28

18

Summary of Contents for ProFXv3 Series

Page 1: ...MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC LINE IN 14 LINE IN 13 BAL UNBAL BA...

Page 2: ...adio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which...

Page 3: ...ls Bundle for Waveform OEM includes 16 powerful plugins like Equaliser Compressor Reverber8 and Limiter Signature Rugged Design Legendary Built Like A Tank design Solid steel chassis protects your inv...

Page 4: ...protection Save the shipping box and packing materials You may need them someday Besides the cats will love playing in them and jumping out at you unexpectedly Remember to pretend like you are surpri...

Page 5: ...er s aux monitor output via a graphic EQ The aux mon controls of each channel allow you to create a stage monitor mix as desired Headphones are used for monitoring and a footswitch allows you to mute...

Page 6: ...r careful and accurate monitoring of the performance Headphones connected to aux out 1 via a headphone amp are available for the talent to utilize when tracking A desktop computer connects to the USB...

Page 7: ...s ProFX16v3 ProFX22v3 ProFX30v3 ProFX6v3 ProFX10v3 ProFX12v3 USB POWER ON 2 0 A 12 VDC IN MAIN OUTS POWER USB R L BAL UNBAL ON POWER ON USB 1 2 3 1 2 3 1 2 3 4 3 USB Input Output The built in USB inte...

Page 8: ...y also accept 1 4 connectors driven by balanced or unbalanced sources To connect balanced lines to these outputs use a 1 4 Tip Ring Sleeve TRS plug TRS stands for Tip Ring Sleeve the three connection...

Page 9: ...ain it is safe to do so The vertical channel strips look very similar between each model and have only a few differences between them Each channel works independently and just controls the signals plu...

Page 10: ...an amplifier directly to a ProFXv3 s input jack This could damage the input circuitry and we wouldn t want that now would we 8 Line Ins These 1 4 jacks share circuitry but not phantom power with the...

Page 11: ...guitar or bassy synth patches These aside there isn t much down there that you want to hear and filtering it out makes the low stuff you do want much more crisp and tasty Not only that but low cut ca...

Page 12: ...h as vocals sit properly in the mix it is very useful for live sound The compression ratio is fixed at around 6 1 with a soft knee response The threshold can be adjusted clockwise from off no compress...

Page 13: ...ualize subtly and use the left sides of the knobs cut as well as the right boost If you find yourself repeatedly using a lot of boost or cut consider altering the sound source such as placing a mic di...

Page 14: ...The mute channel fader and other channel controls affect the FX output but pan does not The aux FX is post fader 20 22 21 23 The FX signal reaching the internal FX processor and the FX send output jac...

Page 15: ...hes but not the main mix switch Here you do not want the groups sent back into the main mix bus but sent out via the sub out jacks to your multitrack inputs MUTE 24 27 26 25 26 PFL Solo Switches ProFX...

Page 16: ...Send ProFX10v3 ProFX12v3 ProFX16v3 ProFX22v3 ProFX30v3 This 1 4 TRS line level output may be used to feed an external effects processor FX such as a nice sound effect or delay unit The output from thi...

Page 17: ...ch and the Blend knob may be found on page 20 Because there are no control room outputs on the ProFX6v3 there is a To Phones only switch 34 Phones Jack This 1 4 TRS connector supplies the output to st...

Page 18: ...39 Rude Solo LED ProFX12v3 ProFX16v3 ProFX22v3 ProFX30v3 This large LED flashes red when one or more solo switches are engaged This acts as a reminder that what you hear in the control room and headp...

Page 19: ...this switch is not engaged then the internal effects are set free and may be added as required to the main mix and or monitor mix If this switch is not engaged then the internal effects may be muted o...

Page 20: ...the 2 track LR mix or soloed channels if any are engaged Push this switch in if you want to interrupt this signal and hear the blended signals instead Because there are no control room outputs on the...

Page 21: ...The fader is stereo as it affects both the left and right of the main mix equally This is the ideal control to slowly bring down at the end of a song or quickly in the middle of a song if the need ev...

Page 22: ...as short as possible Bad Channel Try the same source signal in another channel set up exactly like the suspect channel Is phantom power required for your microphone No sound Is the level knob for the...

Page 23: ...you can call our Tech Support department at 1 800 898 3211 Monday Friday during normal business hours Pacific Time to explain the problem Tech Support will tell you where the nearest factory authoriz...

Page 24: ...High 15 dB 12 kHz Low Cut Filter 18 dB octave 100 Hz ProFX10v3 ProFX12v3 Low 15 dB 80 Hz Mid 15 dB 2 5 kHz High 15 dB 12 kHz Low Cut Filter 18 dB octave 100 Hz ProFX16v3 ProFX22v3 ProFX30v3 All Channe...

Page 25: ...3 0 in 330 mm Depth 14 8 in 376 mm Weight 7 9 lb 3 6 kg ProFX16v3 Height 4 3 in 109 mm Width 17 7 in 450 mm Depth 17 1 in 434 mm Weight 15 2 lb 6 9 kg ProFX22v3 Height 4 3 in 109 mm Width 24 1 in 612...

Page 26: ...LAY 1 DELAY 2 DELAY 3 PING PONG DELAY OVERDRIVE DISTORTION SPRING REVERB EARLY REFLECTIONS AUTO WAH FLANGE SLAPBACK REVERB MAX MAX U 10 OFF MAX 2 10 U LOWCUT COMP MIC LINE HI 12kHz ONYX MIC PRE ONYX M...

Page 27: ...M L R BAL UNBAL SUB OUT 2 4 1 3 BAL UNBAL BAL UNBAL BAL UNBAL AUX OUT 2 4 FX BAL UNBAL PHONES COMP MIC LINE HI 12kHz ONYX MIC PRE MIC LINE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC...

Page 28: ...00Hz HI 12kHz OFF ON MID FREQ MON3 LOW 80Hz MON2 MON1 100Hz 8kHz 600 15 U 15 15 U 15 15 U 15 POST PRE LOWCUT 100Hz HI 12kHz OFF ON MID FREQ MON3 LOW 80Hz MON2 MON1 LEVEL SET 100Hz 8kHz 600 GAIN 15 U 1...

Page 29: ...3 4 L R 1 2 13 PFL SOLO COMP HI 12kHz OFF ON MID FREQ MON3 LOW 80Hz INSERT MON2 MON1 LEVEL SET 100Hz 8kHz 600 GAIN 15 U 15 15 U 15 15 U 15 POST PRE LOWCUT 100Hz L R 3 4 L R 1 2 14 PFL SOLO COMP HI 12k...

Page 30: ...module Out L Out R In FX Preset Selecter Preset Select FX Gain Mic 0 to 60dB Line 20 to 40dB Phantom Power Line Hi Z low cut 100Hz Level set Line Mic Lo HI 80 12k 2 Band EQ Mic Line Line Hi Z Mono Ch...

Page 31: ...3 Band EQ Mic Line Mono Channel 3 4CH OFF ON Mid 2 5k Mic 0 to 60dB Line 20 to 40dB low cut 100Hz 4 3 1 5 2 INSERT CH FX PAN USB3 USB4 PAN Break switch Main Output USB2 DIRECT MON TO PHONES CR DIRECT...

Page 32: ...s FX FADER Note Switch are shown in the default out position Mute Switch LED low cut In Line Mic POWER SWITCH AC 100 240V PAN L R FX MON1 DIRECT_MON SOLO SUB1_2 MON1 SOLO Gain Mic 0 to 60dB Phantom Po...

Page 33: ...INSERT CH FADER CH FX Level set VCC Mute Switch LED low cut In Line Mic PAN Mid 100Hz 8K L R SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO Mic 0 to 60dB Lo Hi 80 12k CH FX Level set Mid 100Hz 8K L R SUB1 2 SUB3...

Page 34: ...wn in the default out position PAN L R 3 4 FX 1 2 3 DIRECT MON SOLO SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO CH FX PAN L R SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO CH FX L R SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO PAN CH...

Page 35: ...35 Owner s Manual Owner s Manual ProFX6v3 Track Sheet USB 1 2 USB 3 4...

Page 36: ...ProFXv3 Professional Effects Mixer with USB ProFXv3 Professional Effects Mixer with USB 36 ProFX10v3 Track Sheet USB 1 2 USB3 4 MUTE MUTE MUTE MUTE MUTE MUTE MUTE...

Page 37: ...s Manual ProFX12v3 Track Sheet LINE IN 4 LINE IN 3 USB3 4 GAIN LEVEL SET GAIN LEVEL SET GAIN LEVEL SET U 60 MIC GAI N U 60 MIC GAI N U 60 MIC GAI N TO PHONES CONTROL RM BLEND USB 1 2 MUTE MUTE MUTE M...

Page 38: ...RE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC ONYX MIC MIC LINE IN 3 BAL UNBAL LINE IN 4 BAL UNBAL LINE IN 5 BAL UNBAL LINE IN 6 BAL UNBAL LINE IN 7 BAL U...

Page 39: ...X MIC PRE MIC ONYX MIC PRE MIC ONYX MIC PRE MIC AL BAL LINE IN 15 BAL UNBAL LINE IN 16 BAL UNBAL LINE IN 17 BAL UNBAL LINE IN 18 BAL UNBAL LINE IN 19 BAL UNBAL LINE IN 20 BAL UNBAL LINE IN 21 BAL UNBA...

Page 40: ...choirs 12 Delay Reverb Don t choose delay don t choose reverb Get the best of both worlds with effects preset 12 Useful for bands that employ the alternative rock shoegaze and or experimental rock so...

Page 41: ...pliance within the Warranty Period to the Company at www mackie com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Pacific Time exc...

Page 42: ...19820 North Creek Parkway 201 Bothell WA 98011 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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