Mackie ProFX10v3 Quick Start Manual Download | Manualshive

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PROFESSIONAL EFFECTS MIXERS WITH USB

WEIGHT

26.5 lb

12.0 kg

32.3 in

820 mm

4.4 in

112 mm

17.1 in

434 mm

1-2

INPUTS USB 1-2

BREAK

PHONES

CONTROL

ROOM

MUTES ALL CHANNELS

3-4

L-R

L-R

FX MUTE

PRESETS

MON 3

MON 2

MON 1

MON 3

MON 2

MON 1

0dB=0dBu

OL

10

6
3
0
2
4
7

10
20
30

L

R

15

48V

POWER

RUDE SOLO

MAIN

METERS

FOOT SWITCH

CONTROL ROOM

L

R

BAL/

UNBAL

SUB OUT

2

4

1

3

BAL/

UNBAL

BAL/

UNBAL

BAL/

UNBAL

AUX OUT

2

4

FX

1

3

BAL/

UNBAL

PHONES

COMP

MIC/LINE

HI

12kHz

ONYX MIC PRE

MIC/LINE

ONYX MIC PRE

ONYX MIC PRE

OFF

ON

HI-Z

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

3-4

L-R

1-2

1

MON 2

MON 1

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

PFL

SOLO

3-4

L-R

1-2

2

PFL

SOLO

3-4

L-R

1-2

3

PFL

SOLO

3-4

L-R

1-2

4

PFL

SOLO

3-4

L-R

1-2

5

PFL

SOLO

3-4

L-R

1-2

6

PFL

SOLO

3-4

L-R

1-2

7

PFL

SOLO

3-4

L-R

1-2

8

PFL

SOLO

3-4

L-R

1-2

23/24

PFL

SOLO

3-4

L-R

1-2

25/26

PFL

SOLO

3-4

L-R

1-2

27/28

PFL

SOLO

3-4

L-R

1-2

29/30

PFL

SOLO

COMP

HI

12kHz

OFF

ON

HI-Z

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

COMP

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

ONYX MIC PRE

MIC

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LEVEL

SET

GAIN

LOW CUT

100Hz

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

MON 2

MON 1

100Hz 8kHz

600

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

HI

12kHz

MON 3

LOW

80Hz

MON 2

MON 1

-15

U

+15

-15

U

+15

POST

PRE

LINE IN 29/30

USB 3-4

OFF

ON

GAIN

-20

+20

U

LINE IN 27

LINE IN 28

L

R

BAL/

UNBAL

LINE IN 25

LINE IN 26

L

R

BAL/

UNBAL

LINE IN 23

LINE IN 24

L

R

BAL/

UNBAL

MID

2.5kHz

-15

U

+15

L

R

3-4

L-R

1-2

9

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

10

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

11

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

12

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

13

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

14

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

15

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

16

PFL

SOLO

COMP

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

17

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

18

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

100Hz

L

R

3-4

L-R

1-2

19

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

L

R

3-4

L-R

1-2

20

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

21

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

L

R

3-4

L-R

1-2

22

PFL

SOLO

HI

12kHz

OFF

ON

MID

FREQ

MON 3

LOW

80Hz

INSERT

MON 2

MON 1

LEVEL

SET

100Hz 8kHz

600

GAIN

-15

U

+15

-15

U

+15

-15

U

+15

POST

PRE

LOW CUT

100Hz

U

+10

MAX

MAX

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

OFF

MAX

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

U

+10

LINE IN 3

BAL/

UNBAL

LINE IN 4

BAL/

UNBAL

LINE IN 5

BAL/

UNBAL

LINE IN 6

BAL/

UNBAL

LINE IN 7

BAL/

UNBAL

LINE IN 8

BAL/

UNBAL

LINE IN 9

BAL/

UNBAL

LINE IN 10

BAL/

UNBAL

LINE IN 11

BAL/

UNBAL

LINE IN 12

BAL/

UNBAL

LINE IN 13

BAL/

UNBAL

LINE IN 14

BAL/

UNBAL

LINE IN 15

BAL/

UNBAL

LINE IN 16

BAL/

UNBAL

LINE IN 17

BAL/

UNBAL

LINE IN 18

BAL/

UNBAL

LINE IN 19

BAL/

UNBAL

LINE IN 20

BAL/

UNBAL

LINE IN 21

BAL/

UNBAL

LINE IN 22

BAL/

UNBAL

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

+40

-20

U

MI

C GAIN

U

+60

MIC GAIN

U

+60

MIC GAIN

U

+60

MIC GAIN

(MONO)

(MONO)

(MONO)

BRIGHT ROOM

WARM LOUNGE

SMALL STAGE

WARM THEATER

WARM HALL

CONCERT HALL

CATHEDRAL

SMALL PLATE

LARGE PLATE

CHORUS 1

CHORUS 2

DELAY + REVERB

DOUBLER

DELAY 1

DELAY 2

DELAY 3

PING-PONG DELAY

OVERDRIVE/DISTORTION

SPRING REVERB

EARLY REFLECTIONS

AUTO-WAH

FLANGE

SLAPBACK REVERB

ECHO

TO PHONES/

CONTROL ROOM

BLEND

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

FX

SUB1-2

FX

AUX

MASTER

SUB3-4

FX

MAIN

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

PROFX30V3 DIMENSIONS

«
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20
21
22
23
24
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Summary of Contents for ProFX10v3

Page 1: ...if PAD SERIES ProFX6v3 ProFX10v3 ProFX12v3 ProFX16v3 ProFX22v3 ProFX30v3 PROFESSIONAL EFFECTS MIXERS WITH USB OUICK START GUIDE n Ill...

Page 2: ...harmful interference to radio communications However there is no guarantee that interference will not occur in aparticular installation If this equipment does cause harmful interference to radio or te...

Page 3: ...L 0 cc a Hookup Diagrams Diagramas de conexion Schemas de cablage Anschlussdiagrammes Typical Live Sound System Sistema tfpico para sonido en directo Systeme de sonorisation pour concert Typisches Liv...

Page 4: ...cal Recording System Sistema tipico para grabaciones Systeme d enregistrement Typisches Aufnahmesystem u PRD 16 ic ii 16 CI IANNEL JFESSIONAI ECTSM1 WITHU SB tirn I Q C C en A C C a CD Quick Start Gui...

Page 5: ...L I LI LI L I c s z 0 en Cl L I LI 0 CIC a M S LI 0 CIC a USB 0 0 SJI L LINEIN3 LJNEIN4 UNEIN9 _ R LINEIN1 INSERT O O O O D O D OH OH l ON O H O N O N US83 Q Q Q j g GAIN GAIN GAIN GAIN GAIN 4 I PFL...

Page 6: ...ylj j j jij jljlj jii_ OL _ CO 0 0 0 0 0 0 0 0 CO i 8kHt IOOH lldi l lktv Wt 11 HJ Mi lkHz IOOH BkH llo Hz U DE 1 xr oo IO 00 IO 00 IO 00 IO CID IO CO 10 00 IO 00 10 00 IO 0 0 0 0 0 0 0 _ 6 6 f 0 f f...

Page 7: ...outputs 20 Mute Mutes the channel signal The button illuminates if the mute switch is engaged IO PROFXV3 PROFESSIONAL EFFECTS MIXERS WITH use 21 Channel Fader Adjusts the level to the main mix 22 Ass...

Page 8: ...ther channels 14 PROFXV3 PROFESSIONAL EFFECTS MIXERS WITH use Puesta en marcha 1B 1 Lea ytenga en cuenta las lnstrucciones importantes de seguridad de la pagina 3 2 Coloque al minimo todos los mandos...

Page 9: ...l und Kanalpegel aus 95 dBu Alie Ausgiinge Master Pegel auf Unity 1Kanalpegel auf Unity 80 dBu Mic input to any output Gain at unity Q 1 dB 20 Hz 30 kHz Entrada de micro acualquier salida Ganancia uni...

Page 10: ...Bu Ausgang Adjacent Inputs 1kHz 90 dB Inputs to Outputs 1kHz 80 dB Fader Off 1kHz 75 dB Entradas adyacentes 1kHz 90 dB Entradas asalidas 1kHz 80 dB Fader off 1kHz 75 dB Entrees adjacentes 1kHz 90 dB E...

Page 11: ...LINE IN 7 LINE IN 8 LINE IN 9 LINE IN 10 LINE IN 11 LINE IN 12 LINE IN 13 LINE IN 14 LINE INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSI L R L R...

Page 12: ...Quick Start Guide 19...

Page 13: ...e soporte tecnico GARANTIE ET ASSISTANCE TECHNIQUE Consultez WWW MACKIE COM pour Connaitre la couverture de la GARANTIE dans votre region Merci de conserver vos factures dans un lieu sOr Recuperer une...

Page 14: ...w you to sound better than ever Perfect for microphones popular with content creators that require high gain preamps High Resolution GigFX Effects Engine With 24 different FX options from reverbs to d...

Page 15: ...ced 1 ProFX6v3 ProFX10v3 ProFX12v3 2 ProFX16v3 ProFX22v3 ProFX30v3 Equalization ProFX6v3 Low 15 dB 80 Hz High 15 dB 12 kHz Low Cut Filter 18 dB octave 100 Hz ProFX10v3 ProFX12v3 Low 15 dB 80 Hz Mid 15...

Page 16: ...watts ProFX12v3 40 watts ProFX16v3 45 watts ProFX22v3 50 watts ProFX30v3 Universal AC Power Supply 100 240 VAC 50 60 Hz Power Connector ProFX6v3 ProFX10v3 12VDC 2A Class I Hard Wired Wall Mount Adapte...

Page 17: ...51719 ProFX10v3 Carry Bag P N 2051720 ProFX10v3 Dust Cover P N 2051726 ProFX12v3 Carry Bag P N 2051721 ProFX12v3 Dust Cover P N 2051727 ProFX12v3 Rack Ear Kit P N 2051623 ProFX16v3 Carry Bag P N 20517...

Page 18: ...P N 2051744 00 US P N 2051302 01 EU P N 2051302 03 UK P N 2051302 05 CN ProFX22v3 22 Channel 4 Bus Professional Effects Mixer with USB P N 2051745 00 US P N 2051303 01 EU P N 2051303 03 UK P N 205130...

Page 19: ...NG REVERB EARLY REFLECTIONS AUTO WAH FLANGE SLAPBACK REVERB MAX MAX U 10 OFF MAX 2 10 U LOWCUT COMP MIC LINE HI 12kHz ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE 100Hz HI Z OFF ON OFF ON MID LOW 80Hz INSER...

Page 20: ...UNBAL BAL UNBAL BAL UNBAL AUX OUT 2 4 FX BAL UNBAL PHONES COMP MIC LINE HI 12kHz ONYX MIC PRE MIC LINE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX MIC PRE ONYX...

Page 21: ...MON2 MON1 100Hz 8kHz 600 15 U 15 15 U 15 15 U 15 POST PRE LOWCUT 100Hz HI 12kHz OFF ON MID FREQ MON3 LOW 80Hz MON2 MON1 LEVEL SET 100Hz 8kHz 600 GAIN 15 U 15 15 U 15 15 U 15 POST PRE LOWCUT 100Hz 15...

Page 22: ...3 PFL SOLO COMP HI 12kHz OFF ON MID FREQ MON3 LOW 80Hz INSERT MON2 MON1 LEVEL SET 100Hz 8kHz 600 GAIN 15 U 15 15 U 15 15 U 15 POST PRE LOWCUT 100Hz L R 3 4 L R 1 2 14 PFL SOLO COMP HI 12kHz OFF ON MID...

Page 23: ...eset Select FX Gain Mic 0 to 60dB Line 20 to 40dB Phantom Power Line Hi Z low cut 100Hz Level set Line Mic Lo HI 80 12k 2 Band EQ Mic Line Line Hi Z Mono Channel 2CH Gain Phantom Power Line Hi Z Line...

Page 24: ...ne Mono Channel 3 4CH OFF ON Mid 2 5k Mic 0 to 60dB Line 20 to 40dB low cut 100Hz 4 3 1 5 2 INSERT CH FX PAN USB3 USB4 PAN Break switch Main Output USB2 DIRECT MON TO PHONES CR DIRECT MON BLEND CR LEV...

Page 25: ...lt out position Mute Switch LED low cut In Line Mic POWER SWITCH AC 100 240V PAN L R FX MON1 DIRECT_MON SOLO SUB1_2 MON1 SOLO Gain Mic 0 to 60dB Phantom Power Mic Line Mono Channel 3 4CH XLR low cut 1...

Page 26: ...evel set VCC Mute Switch LED low cut In Line Mic PAN Mid 100Hz 8K L R SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO Mic 0 to 60dB Lo Hi 80 12k CH FX Level set Mid 100Hz 8K L R SUB1 2 SUB3 4 MON1 MON2 MON3 SOLO VC...

Page 27: ...Fax 425 487 4337 LOUD Audio LLC is always striving to improve our products by incorporating new and improved materials components and manufacturing methods Therefore we reserve the right to change the...

Page 28: ...a u Ci C a acS Ci C u a a Q a U c l a LI I LI I...

Page 29: ...YOU LL ACTUALLY USE To download Waveform OEM and the DAW Essentials Collection go to marketplace tracktion com shop redeem Once at the URL above enter this code into the form LICENSE CODE I F KEEP THI...

Page 30: ...C u m cc Cl cc en c l a I 1 LI...

Page 31: ...WARE PLUG INS YOU LL ACTUALLY USE To download Prolools IFirst and the Musician Collection go to the URL below to create an account and get access avid com Rro tools first mackie KEEP THIS CARD Record...

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