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Quick Start Guide   

13

Talkback

The mixer's built-in microphone allows you to talk to 

the band through the phones outputs or stage monitors. 
This can often be charming, pleasant, informative, and 
enlightening.

TALKBACK MIC

The omni-directional dynamic microphone will pick 

up your voice from anywhere in front of the mixer. Any 
hint of exasperation and despair in your voice will be 
faithfully picked up.

TALKBACK Switch

Press this switch in to talk. This is a momentary 

switch, and as long as you hold it in, talkback is  
activated.

When it is pressed in, the control room outputs are  

attenuated (ducked) to allow your voice to come 
through clearly.

TALKBACK LEVEL

Use the talkback level knob to control the level of the 

signal from the internal microphone.

1.  Start with this level turned down.

2.  Select the destination, either headphones 

and/or aux 1-2, and make sure the phones level 
or aux send master levels are set up nicely.

3.  Press the talkback switch as you talk.

4.  Slowly turn the talkback level knob up until 

they can hear you in phones or monitors.

5.  Release the talkback switch when you are 

fi nished talking.

Once you have set the level, you can leave it there for 

the duration of the session or gig.

DESTINATION: PHONES, AUX 1-2

Push in the phones talkback destination switch to 

communicate with the talent in the studio through the 
headphones during a recording session. 

The aux 1-2 talkback destination switch routes the 

talkback signal to the aux send 1 and 2 outputs. Use this 
to communicate with the musicians through their stage 
monitors when you are setting up a live performance.

In a studio, the aux out could be fed to the input of a 

headphone amplifi er feeding several sets of headphones.

It is fi ne to have both talkback destination switches 

pushed in at the same time. If you don’t have either 
switch pushed in, the talkback signal won’t go  
anywhere.

MUTE

SOLO

48V

MUTE

SOLO

48V

MUTE

SOLO

48V

LINE

MUTE

SOLO

MUTE

SOLO

TAPE

PAN

2

1

MID

FREQ

MID

FREQ

BAL/UNBAL

BAL/UNBAL

ALT 3-4

ALT 3-4

ALT 3-4

ALT 3-4

ALT 3-4

LOW

MID

400Hz

ONY

X MIC PR

HIGH

12kHz

LOW

80Hz

EQ

INSERT

INSERT

ONY

X MIC PR

HIGH

12kHz

LOW

80Hz

EQ

ON

YX MIC PRE

 

HIGH

12kHz

HIGH

MID

2.5KHz

LOW

80Hz

EQ

AUX MASTER

2

1

SEND

RETURN

2

1

EQ

MAIN MIX

(MONO)

L

R

L

R

L

(MONO)

R

BAL/UNBAL

L

(MONO)

R

BAL/UNBAL

L

(MONO)

R

BAL/UNBAL

TAPE 

IN

OUT

L

R

AUX RETURN

1

2

1

2

AUX SEND

MAIN OUT

CTRL ROOM/PHONES

SOURCE

PHONES

CONTROL

ROOM

MID

2.5kHz

LOW

80Hz

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

U

+

15

-15

HIGH

12kHz

MID

2.5kHz

LOW

80Hz

HIGH

12kHz

RUDE
SOLO

20

15

10

6

3

0

2

4

7

10

20

30

L

R

0dB=0dBu

LEVEL

SET

CLIP

MIC

PRE
POST

PRE
POST

FW 1-2

LINE

HI-Z

LINE

-10dB

+

4dB

HI-Z

LINE

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE 

PRE
POST

PRE
POST

PRE
POST

PRE
POST

LEVEL

LEVEL

LEVEL

LEVEL

LEVEL

+10dB

O

O

U

+10dB

O

O

U

+10dB

O

O

U

+10dB

O

O

U

+10dB

O

O

U

+10dB

O

O

U

1

2

 3-4

LINE IN 5-6

LINE IN 7-8

AUX

PAN

2

1

AUX

PAN

2

1

AUX

PAN

2

1

AUX

PAN

2

1

AUX

RTN TO

AUX1

AUX SEND 1-2

TO FW 5-6

ASSIGN TO

FW 7-8

MAIN MIX

AUX 1-2

PHONES

DESTINATION

LEVEL

O

O

MAX

OL

- 20

OL

20

20

OL

OL

20

OL

  - 

20

1

2

TALKBACK

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

 SEND

 SEND

 SEND

 SEND

 SEND

INPUT 

POWER

ALT 3-4

FW 1-2

ASSIGN TO

MAIN MIX

3-4

5-6

7-8

GAIN

+

20dB

-

20dB

U

GAIN

MIC

GAIN

GAIN

+

20dB

-

20dB

U

U

20

30

40

60

+

40dB

U

-20dB

U

20

30

40

60

GAIN

+

40dB

U

-20dB

U

20

30

40

60

1

LINE

2

LINE

1k

100

8k

1k

100

8k

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

+

15

O

O

+

15

O

O

+

10

O

O

+

10

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

L

R

L

R

L

R

L

R

L

R

Built-in Microphone

Destination

Talkback Switch

Talkback Level

Aux Sends

Headphones

Summary of Contents for Onyx 820i

Page 1: ...z LOW 80Hz HIGH 12kHz RUDE SOLO 20 15 10 6 3 0 2 4 7 10 20 30 L R 0dB 0dBu LEVEL SET CLIP MIC PRE POST PRE POST FW 1 2 LINE HI Z LINE 10dB 4dB HI Z LINE PREMIUM ANALOG MIXER w PERKINS EQ FIREWIRE PRE...

Page 2: ...adian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits radio lectriques d passant las limites applicables aux appareils num riques de class A de class B selon l...

Page 3: ...orthy package We realize that you must be really keen to try out your new mixer Please read the safety instructions on page 2 and this page and then have a look through some of the features and detail...

Page 4: ...SECTION 38 CONTROL ROOM SOURCE MAIN MIX 39 CONTROL ROOM SOURCE TAPE FW 1 2 ALT 3 4 40 ASSIGN CONTROL ROOM SOURCE TO MAIN MIX 41 CONTROL ROOM LEVEL 42 PHONES LEVEL 43 LEFT RIGHT LEVEL METERS 44 RUDE SO...

Page 5: ...E POST FW 1 2 LINE HI Z LINE 10dB 4dB HI Z LINE PREMIUM ANALOG MIXER w PERKINS EQ FIREWIRE PRE POST PRE POST PRE POST PRE POST LEVEL LEVEL LEVEL LEVEL LEVEL 10dB O O U 10dB O O U 10dB O O U 10dB O O U...

Page 6: ...U 20 30 40 60 1 LINE 2 LINE 1k 100 8k 1k 100 8k MAX O O MAX O O MAX O O MAX O O 15 O O 15 O O 10 O O 10 O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O L R L R L R L R L R MAIN OU...

Page 7: ...a certain threshold and help prevent overloading SETTING THE MICROPHONE GAIN 1 Press the solo switch at the bottom of the channel your microphone is connected to The rude solo light will flash to remi...

Page 8: ...your band getting it right The tape output is a copy of the main mix post fader suitable for analog recording sending to the inputs of an external amplifier or sound card etc SETTING THE CHANNEL GAIN...

Page 9: ...having trouble finding an authorized service center in your area AUX RETURN 1 and 2 These 1 4 TRS stereo input connectors allow you to add the stereo processed output from external effects processors...

Page 10: ...s gives you the opportunity to audition the channels before they are added to the main mix or alt 3 4 mix The main mix continues to play so the show can still go on during solo When a channel is soled...

Page 11: ...m material as the 1 4 TRS main outs MAIN OUTPUT LEVEL When this recessed switch is out 4 dB the XLR main outputs provide a 4 dBu line level signal You can then connect these outputs to the line level...

Page 12: ...D FREQ MID FREQ BAL UNBAL BAL UNBAL ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 LOW MID 400Hz ONYX MIC PRE HIGH 12kHz LOW 80Hz EQ INSERT INSERT ONYX MIC PRE HIGH 12kHz LOW 80Hz EQ ONYX MIC PRE HIGH 12kHz...

Page 13: ...to have both talkback destination switches pushed in at the same time If you don t have either switch pushed in the talkback signal won t go anywhere MUTE SOLO 48V MUTE SOLO 48V MUTE SOLO 48V LINE MU...

Page 14: ...BAL UNBAL TAPE IN OUT L R AUX RETURN 1 2 1 2 AUX SEND MAIN OUT CTRL ROOM PHONES SOURCE PHONES CONTROL ROOM MID 2 5kHz LOW 80Hz U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U 15 15 U...

Page 15: ...found online at www mackie com scripts service_centers search asp Please contact our technical support department if you are having trouble finding an authorized service center in your area Modificati...

Page 16: ...setup a software effects processor Set up an aux send in post mode Engage this switch and aux send FireWire outputs 5 and 6 will be available for your computer Pass this through your audio production...

Page 17: ...n 0 dB gain 4 dBu out 0 001 Mic input at insert 36 dBu in 40 dB gain 4 dBu out 0 007 Stereo channel line input to any output 4 dBu in all gain stages at unity 4 dBu out 0 005 FireWire in and out 4 dBu...

Page 18: ...es Inc All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowledged The technical writer responsible for this manual tends to fade in...

Page 19: ...out Main output 48V Mono Channels 1 2 Mic Line Gain Mic 0 60dB Line 20 40dB 3 Band EQ Internal Talkback mic Level Stereo Channels 5 6 7 8 L R FW Line CH 7 8 only FW OUT 1 2 Hybrid Ch 3 4 L R Mic 20 2...

Page 20: ...0 6 3 0 2 4 7 10 20 30 L R 0dB 0dBu LEVEL SET CLIP MIC PRE POST PRE POST FW 1 2 LINE HI Z LINE 10dB 4dB HI Z LINE PREMIUM ANALOG MIXER w PERKINS EQ FIREWIRE PRE POST PRE POST PRE POST PRE POST LEVEL L...

Page 21: ...Quick Start Guide 21 Track Sheet Session Date Notes...

Page 22: ...Hz HIGH 12kHz RUDE SOLO 20 15 10 6 3 0 2 4 7 10 20 30 L R 0dB 0dBu LEVEL SET CLIP MIC PRE POST PRE POST FW 1 2 LINE HI Z LINE 10dB 4dB HI Z LINE PREMIUM ANALOG MIXER w PERKINS EQ FIREWIRE PRE POST PRE...

Page 23: ...presentative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www mackie...

Page 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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