background image

5

Owner’s Manual

Owner’

s Manual

Getting Started

READ THIS PAGE!!

Even if you’re one of those people 
who never read manuals, all we ask 
is that you read this page now before 
you begin using the Onyx 80 Series. 
You’ll be glad you did!

Zero the Controls

1.  Turn down the channel GAIN, AUX, and Fader con-

trols, and center the channel EQ and PAN controls.

2.  Set all push button switches to their “out” positions.

3.  In the Master section, turn all the rotary knobs 

“down,” the switches “out,” and the faders down.

4.  Turn the POWER switch off.

Connections

If you already know how you want to connect the Onyx 

80 Series mixing console, go ahead and connect the 
inputs and outputs the way you want them. If you just 
want to get sound through the mixer, follow these steps:

1.  Plug a microphone or other signal source into chan-

nel 1’s MIC or LINE input [67/68]. If it’s a line-level 
input, push in the LINE [2] switch.

2.  Plug in the detachable linecord, connect it to an 

AC outlet, and turn on the Onyx 80 Series’ POWER 
switch [85].

3.  Connect cords from the Onyx 80 Series’ MAIN OUTS 

[79] (XLR connectors or 1/4" TRS connectors on 
the rear panel) to your amplifier.

4.  Hook up speakers to the amp and turn it on. If the 

amplifier has level controls, set them however the 
manufacturer recommends (usually all the way up).

Set the Levels

To set the channel GAIN controls, it’s not even neces-

sary to hear what you’re doing at the outputs of the 
mixer. If you want to listen while you work, plug head-
phones into the PHONES jack [65] on the front panel, 
then set the PHONES knob [64] about one-quarter of 
the way up and the SOLO LEVEL [61] about halfway up.

The following steps must be performed one channel at 

a time.

1.  Push in the channel’s PFL [22] solo switch.

2.  Play something into the selected input. This could 

be an instrument, a singing or speaking voice, or 

a line input such as a CD player or tape recorder 
output. Be sure that the volume of the input source 
is the same as it would be during normal use. If it 
isn’t, you might have to readjust these levels during 
the middle of the set.

3.  Adjust the channel’s GAIN [5] control so that the 

LEDs on the Left Solo meter stay around “0” and 
never go higher than “+7.”

4.  If you’d like to apply some EQ, do so now and return 

to step 3. Remember to push in the EQ IN/OUT 
[12] button or the EQ controls won’t do anything.

5.  Disengage that channel’s PFL solo switch.

6.  Repeat for each channel.

Instant Mixing

1.  Leave the microphone plugged into channel 1 and 

connect a keyboard, guitar or other instrument to 
channel 2. Be sure to “Set the Levels” for channel 2 
as described above.

2.  To get sound out of the speakers, push in the MAIN 

MIX assign switch [21] next to the faders on channels 
1 and 2, turn up channel 1 and 2 faders [33] to the 
“U” mark and slowly turn up the left and right MAIN 
MIX [60] faders to a comfortable listening level.

3.  Sing and play. You’re a star! Adjust the faders for 

channels 1 and 2 to bring your voice and your 
instrument up and down to create your own mix.

Other Nuggets of Wisdom

•   For optimum sonic performance, the channel and 

MAIN MIX faders should be set near the “U” (unity 
gain) markings.

•   Always turn the MAIN MIX faders, GROUP faders, 

and MONITOR knob down before making connec-
tions to and from your Onyx 80 Series.

•   When you shut down your equipment, turn off the 

amplifiers first. When powering up, turn on the 
amplifiers last.

•   Never listen to loud music for prolonged periods. 

Please see the Safety Instructions on page 2 for 
information on hearing protection.

•   Save the shipping box! You may need it someday, 

and you don’t want to have to pay for another one.

That’s it for the “Getting Started” section. Next comes 

the “Hookup” section that shows you some typical ways 
that you might use the Onyx 80 Series in real applica-
tions. After that, take the grand tour of the mixer, with 
descriptions of every knob, button, input, and output. 
We encourage you to take the time to read all of the 
feature descriptions, but at least you know it’s there if 
you have any questions.

Summary of Contents for Onyx 80 series

Page 1: ...O W N E R S M A N U A L PREMIUM LIVE ANALOG MIXERS w PERKINS EQ ONYX MIC PREAMPS...

Page 2: ...if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specified the permissible noise level exposures shown in the f...

Page 3: ...ection 16 Metering Matrix andPowerLEDs 17 TALKBACKSection MUTEGROUPS andMONOOUT 19 MAINMIXandPHONES MONITORSection 20 RearPanel 21 AppendixA ServiceInformation 25 Troubleshooting 25 Repair 26 Appendix...

Page 4: ...new mixing console hooked up and you re probably not going to read the manual first sigh So the next section is a Quick Start Guide to help you get the mixer set up fast so you can start using it righ...

Page 5: ...e volume of the input source is the same as it would be during normal use If it isn t you might have to readjust these levels during the middle of the set 3 Adjust the channel s GAIN 5 control so that...

Page 6: ...5 6 5 4 4 3 2 3 1 2 1 24 24 23 22 23 21 22 21 20 20 19 18 19 17 18 17 CHANNEL INSERTS CHANNEL INPUTS STEREO AUX INPUTS MONO OUT PHONES OUT 3 4 5 1 2 6 7 8 MAIN OUT MONTIOR OUT MATRIX OUT MAIN OUT DIR...

Page 7: ...In Out In Out In SELECT SELECT SELECT SELECT Powered Studio Monitors for Studio Powered Studio Monitors for Control Room Headphone Distribution Amp Headphones for Studio Stereo Guitar Effects Bass Gui...

Page 8: ...onitors for Studio Powered Studio Monitors for Control Room Headphones Audio I O for Workstation Stereo Guitar Effects Bass Guitar Electric Guitar Electric Guitar DI Boxes 11 12 10 16 16 15 14 15 13 1...

Page 9: ...0 16 16 15 14 15 13 14 9 7 8 6 5 23 24 22 21 19 20 18 17 3 4 2 1 15 16 14 13 13 12 12 11 10 11 9 10 9 8 8 7 6 7 5 6 5 4 4 3 2 3 1 2 1 24 24 23 22 23 21 22 21 20 20 19 18 19 17 18 17 CHANNEL INSERTS CH...

Page 10: ...crophone application except kick drum bass guitar bassy synth patches or recordings of earth quakes These aside there isn t much down there that you want to hear and filtering it out makes the low stu...

Page 11: ...in on the precise narrow band of frequencies you want to have affected by the LOW MID EQ 11 LOWEQ This control gives you up to 15 dB of boost or cut at 80 Hz The circuit is flat no boost or cut at the...

Page 12: ...ich is usually used for sending to monitors stage monitor wedges or IEM in ear monitor systems This way when changes are made to fader levels in the front of house mix it doesn t affect the monitor mi...

Page 13: ...in conjunction with the channel s PAN knob they are used to deter mine the destination of the channel s signal With the PAN knob 12 at the center detent the left and right sides receive equal signal l...

Page 14: ...StereoAuxInputSection The stereo Aux Inputs can be used as mono or stereo line input channel strips or to return the signal from an external effects processor connected to an Aux Send These versatile...

Page 15: ...versus the right outputs On the stereo Aux Input channels the BALANCE knob works like the bal ance control on your home stereo panning left turns down the right channel and panning right turns down th...

Page 16: ...ng a pair of Aux Sends in stereo to feed an in ear monitoring system Remember PFL solo mode always overides AFL solo mode If you engage a PFL solo switch on a mono or stereo channel the AFL solo is di...

Page 17: ...ngs for the Aux Sends if required The following chart shows what happens to each control in the Aux Send and Group sections when the GROUP AUX FLIP Switch is pushed in Metering Matrix and Power LEDs 4...

Page 18: ...here between 20 and 10 dB on the meters Most amplifiers clip at about 10 dBu and some recorders aren t so forgiving either For best real world results try to keep your peaks between 0 and 7 Remember a...

Page 19: ...MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX STEREO MUTE MUTE MUTE MUTE...

Page 20: ...to the MONITOR outputs 81 The volume is controlled with the PHONES knob 64 WARNING The headphone amp is designed to drive any standard headphones to a very loud level We re not kidding It can cause pe...

Page 21: ...put This is a 1 4 TRS connector which accepts a balanced or unbalanced line level input signal from almost any source When connecting a balanced signal to the LINE inputs wire them as follows Tip Posi...

Page 22: ...e Internal jumpers are provided to change the DIRECT OUTS to post EQ on a channel by channel basis if desired This requires some soldering skills so contact Tech Support for information on how to acce...

Page 23: ...MONO MIC IN LINE OUT TALKBACK RIGHT LEFT BAL UNBAL BAL UNBAL MATRIX OUT B A R L R L R L BAL UNBAL BALANCED BALANCED BALANCED BALANCED AUX SEND GROUP SEND 1 INSERT 2 INSERT 3 INSERT 4 INSERT 5 INSERT 6...

Page 24: ...ong IEC power connector Connect the detachable linecord included in the box with your Onyx 80 Series to the power receptacle and plug the other end of the linecord into an AC outlet The Onyx 80 Series...

Page 25: ...ignal source turned up Make sure the signal level from the selected input source is high enough to light up some of the INPUT meter 20 LEDs next to the channel s fader Is the channel assigned to a bus...

Page 26: ...ducts living outside the United States can be obtained through local dealers or distributors If you do not have access to our website you can call our Tech Support department at 1 800 898 3211 Monday...

Page 27: ...connec tions are wired to each other and that the balanced signal low cold goes to the ground earth connection at the unbalanced input In most cases the balanced ground earth will also be connected t...

Page 28: ...the external unit is carried on the tip and the return from the unit to the mixer is on the ring from tip this plug connects to one of the mixer s Channel Insert jacks to ring tip ring sleeve SEND to...

Page 29: ...16 shield Ch 7 Pin 17 Ch 6 Pin 18 Ch 5 Pin 19 shield Ch 5 Pin 20 Ch 4 Pin 21 Ch 3 Pin 22 shield Ch 3 Pin 23 Ch 2 Pin 24 Ch 1 Pin 25 shield Ch 1 Signal Description 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1...

Page 30: ...c In 0 dB to 60 dB Line In 20 dB to 40 dB mono channels Phantom Power 48 VDC Equalization Mono Channel EQ High 15 dB 12 kHz High Mid 15 dB sweepable from 400 Hz to 8 kHz Low Mid 15 dB sweepable from 1...

Page 31: ...1 mm Weight 113 lb 51 kg Onyx 4080 Height 9 4 in 239 mm Width 70 4 in 1788 mm Depth 29 6 in 751 mm Weight 131 lb 59 kg Onyx 4880 Height 9 4 in 239 mm Width 81 3 in 2065 mm Depth 29 6 in 751 mm Weight...

Page 32: ...FL 20 19 18 24 23 22 21 17 AUX SEND MUTE 17 MUTE GROUP PFL 18 AUX SEND MUTE MUTE GROUP PFL 19 AUX SEND MUTE MUTE GROUP PFL 20 AUX SEND MUTE MUTE GROUP PFL 21 AUX SEND MUTE MUTE GROUP PFL 22 AUX SEND M...

Page 33: ...t pre Solo Logic Phones RUDE SOLO LEDS Phones Level PFL L AFL R PFL R Solo Level Solo Meters Monitor L Out Line Mic 180 0 Post Fader Pre Fader Aux 3 4 Aux 1 2 Matrix A Matrix B Matrix A Matrix B Mute...

Page 34: ...dBu max out FADER OUTPUTS MONO LEVEL 10 dB up 21 dBu max in 20 dB loss TRIM down 20 dB gain TRIM up LINE IN stereo channels 0 dB Insert Send Insert Return Insert Send Insert Return INSERT Send INSERT...

Page 35: ...s covered for those units deemed by us to be under warranty Note You must have a sales receipt from an authorized Mackie dealer for your unit to be considered for warranty repair IMPORTANT Make sure t...

Page 36: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

Reviews: