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17

Owner’s Manual

Owner’

s Manual

MAIN TO

MON/PHONES

PHONES

LEVEL

SOLO

O

O

MAX

O

O

MAX

MONITOR

O

O

MAX

10

dB

30

20

10

O

O

40

5

5

U

60

50

MAIN

MIX

PHONES/

MONITOR

0dB=0dBu

MATRIX

A

B

A

B

20
10

7
4
2
0
2
4
7

10

20
30

20
10

7
4
2
0
2
4
7

10

20
30

L

SOLO

R

CLIP

RUDE

SOLO

PFL

AFL

GROUP

1

MATRIX

MASTER

DESTINATION

TALKBACK

AUX

3-4

AUX

5-6

AUX

7-8

AUX

1-2

TALKBACK

GRPS

1-8

MAIN

L/R

MUTE GROUPS 

MASTER

PRE

FADER

1

2

3

4

MONO

OUT

LEVEL

LEFT

RIGHT

GROUP

2

GROUP

3

GROUP

4

GROUP

5

GROUP

6

GROUP

7

GROUP

8

+15V

-15V

+48V

+12V

O

O

+15

O

O

+15

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

O

O

MAX

STEREO

MUTE

MUTE

MUTE

MUTE

AFL

AFL

POWER

45. AFL Solo Switch

The AFL switch allows you to hear the Group signal 

through your headphones or monitor outputs. This 
comes after the Group Fader and before the MUTE 
switch, so you can hear the relative signal level on each 
Group even when they are muted.

When you engage the AFL switch on two consecutive 

odd/even Groups (i.e., 1 and 2, 3 and 4, etc.), the soloed 
signal appears in stereo in the headphones and moni-
tor outputs. This is useful when you are using a pair 
of Group Sends in stereo to feed an in-ear monitoring 
system.

Remember, PFL solo mode always overides AFL solo 

mode. If you engage a PFL solo switch on a mono or 
stereo channel, the AFL solo is disconnected from the 
headphones and monitor outputs and replaced with the 
PFL signal. The Rude Solo LEDS below the SOLO meters 
indicate which solo mode is active.

46. GROUP/AUX FLIP Switch

This switch “flips” the controls for the Aux Sends and 

the Group Sends, so that the Group Faders control the 
Aux Send levels, and the Aux Send GAIN controls adjust 
the Group levels. The Group signals still appear at the 
GROUP SEND outputs and the Aux Send signals still 
appear at the AUX SEND outputs.

This allows you to use the long-throw (100 mm) 

Group Fader to make more precise settings for the Aux 
Sends, if required.

The following chart shows what happens to each 

control in the Aux Send and Group sections when the 
GROUP/AUX FLIP Switch is pushed in:

Metering, Matrix, and Power 

LEDs

47. POWER Indicators

These four LEDs indicate the status of the internal 

power supply voltages. The +15V and –15V supplies 
power the audio circuits, the +48V is the phantom 
power applied to the XLR MIC inputs (when the 48V 
switch is pushed in on the channel strips), and the –12V 
supply powers some internal relay circuits and the lamp 
connectors.

When all four LEDs are lit, you know that the internal 

power supply (or the external redundant power supply, 
if connected) is operating correctly.

48. SOLO Meters

The Onyx SOLO 

meters are made up of 
two columns of twelve 
LEDs, with three 
colors to indicate dif-
ferent ranges of signal 
level, traffic light 
style. They range from 
–30 at the bottom, to 0 
in the middle, to +20 
(CLIP) at the top.

If there are no 

channels in SOLO, the 
meters won’t do any-
thing. When a channel is soloed, the meters reflect the 
program level of the selected source prior to the SOLO, 
MONITOR, and PHONES [61/63/64] level knobs.

When a mono channel (or channels) is soloed, only the 

left meter indicates signal, confirming the monophonic 
status of the soloed signal. When a stereo Aux Input is 
soloed, or stereo AFL solo mode is selected, both meters 
indicate the corresponding left and right signals.

Aux Send MUTE  Mutes Group Signal
Aux Send GAIN 

Adjusts Group Signal

Aux Send AFL 

Solos Group Signal

Aux Send Control

With GROUP/AUX FLIP Switch Down

Function

Group Control

Function

Group MUTE 

Mutes Aux Send Signal

Group Fader 

Adjusts Aux Send Signal

Group AFL 

Solos Aux Send Signal

Signal Level LEDs  Indicates Aux Send Signal Level
Main Mix Switch  Routes Group Signal to Main Mix
Group PAN 

Adjusts amount of Group Signal  

 

 

to left and right Main Mix

Summary of Contents for Onyx 80 series

Page 1: ...O W N E R S M A N U A L PREMIUM LIVE ANALOG MIXERS w PERKINS EQ ONYX MIC PREAMPS...

Page 2: ...if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specified the permissible noise level exposures shown in the f...

Page 3: ...ection 16 Metering Matrix andPowerLEDs 17 TALKBACKSection MUTEGROUPS andMONOOUT 19 MAINMIXandPHONES MONITORSection 20 RearPanel 21 AppendixA ServiceInformation 25 Troubleshooting 25 Repair 26 Appendix...

Page 4: ...new mixing console hooked up and you re probably not going to read the manual first sigh So the next section is a Quick Start Guide to help you get the mixer set up fast so you can start using it righ...

Page 5: ...e volume of the input source is the same as it would be during normal use If it isn t you might have to readjust these levels during the middle of the set 3 Adjust the channel s GAIN 5 control so that...

Page 6: ...5 6 5 4 4 3 2 3 1 2 1 24 24 23 22 23 21 22 21 20 20 19 18 19 17 18 17 CHANNEL INSERTS CHANNEL INPUTS STEREO AUX INPUTS MONO OUT PHONES OUT 3 4 5 1 2 6 7 8 MAIN OUT MONTIOR OUT MATRIX OUT MAIN OUT DIR...

Page 7: ...In Out In Out In SELECT SELECT SELECT SELECT Powered Studio Monitors for Studio Powered Studio Monitors for Control Room Headphone Distribution Amp Headphones for Studio Stereo Guitar Effects Bass Gui...

Page 8: ...onitors for Studio Powered Studio Monitors for Control Room Headphones Audio I O for Workstation Stereo Guitar Effects Bass Guitar Electric Guitar Electric Guitar DI Boxes 11 12 10 16 16 15 14 15 13 1...

Page 9: ...0 16 16 15 14 15 13 14 9 7 8 6 5 23 24 22 21 19 20 18 17 3 4 2 1 15 16 14 13 13 12 12 11 10 11 9 10 9 8 8 7 6 7 5 6 5 4 4 3 2 3 1 2 1 24 24 23 22 23 21 22 21 20 20 19 18 19 17 18 17 CHANNEL INSERTS CH...

Page 10: ...crophone application except kick drum bass guitar bassy synth patches or recordings of earth quakes These aside there isn t much down there that you want to hear and filtering it out makes the low stu...

Page 11: ...in on the precise narrow band of frequencies you want to have affected by the LOW MID EQ 11 LOWEQ This control gives you up to 15 dB of boost or cut at 80 Hz The circuit is flat no boost or cut at the...

Page 12: ...ich is usually used for sending to monitors stage monitor wedges or IEM in ear monitor systems This way when changes are made to fader levels in the front of house mix it doesn t affect the monitor mi...

Page 13: ...in conjunction with the channel s PAN knob they are used to deter mine the destination of the channel s signal With the PAN knob 12 at the center detent the left and right sides receive equal signal l...

Page 14: ...StereoAuxInputSection The stereo Aux Inputs can be used as mono or stereo line input channel strips or to return the signal from an external effects processor connected to an Aux Send These versatile...

Page 15: ...versus the right outputs On the stereo Aux Input channels the BALANCE knob works like the bal ance control on your home stereo panning left turns down the right channel and panning right turns down th...

Page 16: ...ng a pair of Aux Sends in stereo to feed an in ear monitoring system Remember PFL solo mode always overides AFL solo mode If you engage a PFL solo switch on a mono or stereo channel the AFL solo is di...

Page 17: ...ngs for the Aux Sends if required The following chart shows what happens to each control in the Aux Send and Group sections when the GROUP AUX FLIP Switch is pushed in Metering Matrix and Power LEDs 4...

Page 18: ...here between 20 and 10 dB on the meters Most amplifiers clip at about 10 dBu and some recorders aren t so forgiving either For best real world results try to keep your peaks between 0 and 7 Remember a...

Page 19: ...MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX O O MAX STEREO MUTE MUTE MUTE MUTE...

Page 20: ...to the MONITOR outputs 81 The volume is controlled with the PHONES knob 64 WARNING The headphone amp is designed to drive any standard headphones to a very loud level We re not kidding It can cause pe...

Page 21: ...put This is a 1 4 TRS connector which accepts a balanced or unbalanced line level input signal from almost any source When connecting a balanced signal to the LINE inputs wire them as follows Tip Posi...

Page 22: ...e Internal jumpers are provided to change the DIRECT OUTS to post EQ on a channel by channel basis if desired This requires some soldering skills so contact Tech Support for information on how to acce...

Page 23: ...MONO MIC IN LINE OUT TALKBACK RIGHT LEFT BAL UNBAL BAL UNBAL MATRIX OUT B A R L R L R L BAL UNBAL BALANCED BALANCED BALANCED BALANCED AUX SEND GROUP SEND 1 INSERT 2 INSERT 3 INSERT 4 INSERT 5 INSERT 6...

Page 24: ...ong IEC power connector Connect the detachable linecord included in the box with your Onyx 80 Series to the power receptacle and plug the other end of the linecord into an AC outlet The Onyx 80 Series...

Page 25: ...ignal source turned up Make sure the signal level from the selected input source is high enough to light up some of the INPUT meter 20 LEDs next to the channel s fader Is the channel assigned to a bus...

Page 26: ...ducts living outside the United States can be obtained through local dealers or distributors If you do not have access to our website you can call our Tech Support department at 1 800 898 3211 Monday...

Page 27: ...connec tions are wired to each other and that the balanced signal low cold goes to the ground earth connection at the unbalanced input In most cases the balanced ground earth will also be connected t...

Page 28: ...the external unit is carried on the tip and the return from the unit to the mixer is on the ring from tip this plug connects to one of the mixer s Channel Insert jacks to ring tip ring sleeve SEND to...

Page 29: ...16 shield Ch 7 Pin 17 Ch 6 Pin 18 Ch 5 Pin 19 shield Ch 5 Pin 20 Ch 4 Pin 21 Ch 3 Pin 22 shield Ch 3 Pin 23 Ch 2 Pin 24 Ch 1 Pin 25 shield Ch 1 Signal Description 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1...

Page 30: ...c In 0 dB to 60 dB Line In 20 dB to 40 dB mono channels Phantom Power 48 VDC Equalization Mono Channel EQ High 15 dB 12 kHz High Mid 15 dB sweepable from 400 Hz to 8 kHz Low Mid 15 dB sweepable from 1...

Page 31: ...1 mm Weight 113 lb 51 kg Onyx 4080 Height 9 4 in 239 mm Width 70 4 in 1788 mm Depth 29 6 in 751 mm Weight 131 lb 59 kg Onyx 4880 Height 9 4 in 239 mm Width 81 3 in 2065 mm Depth 29 6 in 751 mm Weight...

Page 32: ...FL 20 19 18 24 23 22 21 17 AUX SEND MUTE 17 MUTE GROUP PFL 18 AUX SEND MUTE MUTE GROUP PFL 19 AUX SEND MUTE MUTE GROUP PFL 20 AUX SEND MUTE MUTE GROUP PFL 21 AUX SEND MUTE MUTE GROUP PFL 22 AUX SEND M...

Page 33: ...t pre Solo Logic Phones RUDE SOLO LEDS Phones Level PFL L AFL R PFL R Solo Level Solo Meters Monitor L Out Line Mic 180 0 Post Fader Pre Fader Aux 3 4 Aux 1 2 Matrix A Matrix B Matrix A Matrix B Mute...

Page 34: ...dBu max out FADER OUTPUTS MONO LEVEL 10 dB up 21 dBu max in 20 dB loss TRIM down 20 dB gain TRIM up LINE IN stereo channels 0 dB Insert Send Insert Return Insert Send Insert Return INSERT Send INSERT...

Page 35: ...s covered for those units deemed by us to be under warranty Note You must have a sales receipt from an authorized Mackie dealer for your unit to be considered for warranty repair IMPORTANT Make sure t...

Page 36: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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