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DRM

12A 2000W 

12" Arr

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able P

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er

ed L

oudspeak

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24

DRM12A 2000W 12" Arrayable Powered Loudspeaker

Rigging

DRM12As may only be flown horizontally.  

Use M10 x 1.5 x 37 mm forged shoulder eyebolts  

or the optional FB100 Flybar.

WARNING: Installation should only be done  

by an experienced technician. Improper  

installation may result in damage to the  

equipment, injury or death. Make sure that the  

DRM12A is installed in a stable and secure way  

in order to avoid any conditions that may be  

dangerous for persons or structures.

WARNING: The cabinet is suitable for rigging 

via its fly points. NEVER attempt to suspend  

a DRM12A by its handles.

The fly points of the DRM12A are shown below  

while examples of a flown DRM12A are displayed  

in the hookup diagrams and on the following page.

Rigging Design Practices

Rigging a DRM12A requires determining:
1. The rigging methods and hardware that  

meet static, shock, dynamic, and any other load  

requirements for supporting the subwoofer  

from structure.

2. The design factor and required WLL (Working  

Load Limit) for this support.

We strongly recommend the following rigging  

practices:

1. Documentation: Thoroughly document the design 

with detailed drawings and parts lists.

2. Analysis: Have a qualified professional, such  

as a licensed Professional Engineer, review and  

approve the design before its implementation.

3. Installation: Have a qualified professional rigger  

do the installation and inspection.

4. Safety: Use adequate safety precautions  

and back-up systems.

DRM12A Fly Points

MP = Mounting Point

Rigging Hardware and Accessories

Rigging a DRM12A will invariably require hardware 

not supplied by us. Various types of load-rated  

hardware are available from a variety of third-party 

sources. There are a number of such companies  

specializing in manufacturing hardware for designing 

and installing rigging systems. Each one of these  

tasks is a discipline in its own right. Because of  

the hazardous nature of rigging work and the potential 

liability, engage companies that specialize in these 

disciplines to do the work required. 

We do offer certain accessory rigging items and some 

of them may be used with a variety of products. While 

these accessories are intended to facilitate installation, 

the wide variety of possible installation conditions and 

array configurations do not permit us to determine their 

suitability or load rating for any particular application.

We are not in the business of providing complete  

rigging systems, either as designers, manufacturers,  

or installers. It is the responsibility of the installer to  

provide a properly engineered, load-certified rigging 

system for supporting the loudspeaker from structure.

DRM12A loudspeakers may be individually  

flown using a PA-A2 Eyebolt Kit, part  

number 0028272.
At least two rigging points must be used  

to hang each DRM12A loudspeaker.

A note on eyebolts

Eyebolt working load limits are  

significantly de-rated when angular lifts 

are applied. If an application requires  

an angular lift greater than 45˚, a swivel 

hoist ring or similar fitting must be used. 

These fittings have full swivel and pivot 

action which helps avoid side loads.

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Summary of Contents for DRM12A

Page 1: ...OWNER S MANUAL 2000W 12 Arrayable Powered Loudspeaker DRM12A...

Page 2: ...ong 20 The AC Mains PowerCon connector the appliance coupler is used as the disconnect device This connector shall remain readily accessible and operable 21 The use of apparatus is in tropical and or...

Page 3: ...XLR Input and Output Premium components and cabinet design o Road worthy 15mm plywood construction and internal bracing offers optimal acoustic performance with a touring grade textured coating and p...

Page 4: ...gned so the transducers are positioned as close together as possible More specifically the separation between the transducers must be less than the wavelengths emitted by them This is easy to achieve...

Page 5: ...uts on the rear panel of the DRM12A loudspeakers 4 Push the line cord securely into the subwoofer s IEC connectors and plug the other ends into grounded AC outlets The subwoofer may accept the appropr...

Page 6: ...jack to the second DRM12A s input jack using a balanced XLR cable A short 1 2 foot cable is all that is necessary Hook up the supplied loop Neutrik PowerCon cable from the first DRM12A s AC Thru jack...

Page 7: ...vocal reinforcement Another possibility is to place DRM12As on the stage as front or side fills This helps provide sound to the fans near the stage where they may not be adequately covered by the PA T...

Page 8: ...gle position and the subwoofer HPF to DRM Sub Or set it to Var if not using the DRM18S It is possible to reproduce this exact same hookup in stereo for even wider and louder dispersion Simply utilize...

Page 9: ...he left and right main outputs from the mixer to feed the main inputs of the first DRM12A on each side of the stage and mirror the rest of the system as described above Another important aspect to kee...

Page 10: ...high frequencies in mono and the sub provides the low frequencies in mono Since three DRM12As are used the array mode should be set to the 3 4 or 3 4 long position and the subwoofer HPF to DRM Sub Or...

Page 11: ...e hookup in stereo Simply utilize the left and right main outputs from the mixer to feed the inputs of the top boxes and mirror the rest of the system as identified above Another important aspect to k...

Page 12: ...Top See pages 16 and 22 for more information It is possible to reproduce this exact same hookup in stereo Simply utilize the left and right main outputs from the mixer to feed the main inputs of the t...

Page 13: ...things turned off This will reduce the possibility of any turn on or turn off thumps in the loudspeakers 2 AC Thru Jack The Neutrik PowerCon AC IN and AC THRU connectors are wired in parallel to provi...

Page 14: ...OLD HOT SHIELD COLD HOT 3 2 1 INPUT OUTPUT PUSH FOR SETTINGS SPEAKER CONTROL 7 6 4 5 2 1 SHIELD COLD HOT 3 SHIELD COLD HOT 3 2 1 6 LCD Display This modern high resolution all color TFT LCD Display is...

Page 15: ...avigate between the selections and push the button to open and edit the parameters In 2 3 4 Long Array Mode DRM SUB Subwoofer 9 ms Delay 6 130 7 1 25k 10 15 5k Low Mid High Main EQ Array Delay Sub Con...

Page 16: ...mode is calculated to account for up to 100 feet of air loss compensation The top box in a flown three or four box array typically has to reach an audience that is much further away than those covered...

Page 17: ...s you to the menu SUBWOOFER HPF 90Hz VAR VAR OFF DRM SUB SUBWOOFER HPF 90Hz VAR VAR OFF DRM SUB EQ Setup On to the bottom row now The first one listed is EQ and as you might expect this is where to ad...

Page 18: ...setting up at shows by recalling previous settings The DRM12A s RTA fits right in with that literally displaying frequencies shortening the time it takes to tune the main loudspeakers or stage monito...

Page 19: ...RE 3 There are six user memory snapshots which should be more than enough Store Tap this to store the current settings to the corresponding memory snapshot Please be aware that the new settings will r...

Page 20: ...trol knob to select between on or off Like the previous sub menus configuration also has a left facing arrow Illuminating and selecting this simply returns you to the menu CONFIGURATION MEMORY 1 2 3 4...

Page 21: ...DSP versions temperature favorite movie and more There is really only one reason to go here and that is if you ve been directed so by Technical Support CONFIGURATION MEMORY 1 2 3 4 5 6 ABOUT LOCK PIN...

Page 22: ...e sure that the support surface e g floor etc has the necessary mechanical characteristics to support the weight of the loudspeaker s When pole mounting loudspeakers be sure that they are stabilized a...

Page 23: ...the thermal switch activates try turning down the level control a notch or two on the mixing console or via the Speaker Control knob to avoid overheating the amplifier Be aware that direct sunlight an...

Page 24: ...systems DRM12A Fly Points MP Mounting Point Rigging Hardware and Accessories Rigging a DRM12A will invariably require hardware not supplied by us Various types of load rated hardware are available fr...

Page 25: ...hookup diagrams to view additional rigging suggestions WARNING When the FB100 Flybar is used to suspend a system it cannot retain a 10 1 design factor at certain pick points In some situations suspen...

Page 26: ...sier than lower frequencies By providing direct line of sight from the loudspeakers to the audience you increase the overall brightness and intelligibility of the sound system Highly reverberant rooms...

Page 27: ...u think your DRM12A loudspeaker has a problem please check out the following troubleshooting tips and do your best to confirm the problem Visit the Support section of our website www mackie com suppor...

Page 28: ...on Display LEDs Defeatable front power Speaker Control Status Info Input and output levels array mode high pass filter EQ and delay settings AcousticPerformance Frequency Range 10 dB 50 Hz 20 kHz Freq...

Page 29: ...f supporting the weight of the DRM12A loudspeaker or fly via the integrated M10 mounting points using M10 x 1 5 x 20 mm forged shoulder eyebolts See page 22 24 26 for more information Options DRM12A C...

Page 30: ...le Powered Loudspeaker DRM12ALoudspeakerBlockDiagram HF x3 LF Amp Amp 4 User Selectable Array Modes User Adjustable Parametric EQ Alignment Delay Newton s Cradle Internal Crossover LF Equalization HF...

Page 31: ...liance within the Warranty Period to the Company at www mackie com or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Pacific Time excl...

Page 32: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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