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FILES FOR DOWNLOADING

1402VLZP.PDF this 

specifi cation sheet

1402AE.TXT 

text version of Architect’s and 

Engineer’s Specifi cations  for insertion into proposals

Part No. 091-295-00  Rev. B

soloed channel(s). The meters shall be calibrated so 
that a 0dBu signal at the Control Room output shall 
be indicated as 0dB on the meters, ±1 LED.

7. PHYSICAL CONFIGURATION.  The mixer shall be 

made of steel, painted dark gray with light gray graph-
ics. The mixer’s dimensions shall be 2.9" (74mm) in 
height, 14.0" (356mm) in width and 13.0" (330mm) in 
depth, as viewed horizontally. The mixer shall weigh 
9 lbs, 8 oz (4.5 kg). Optional RM1402-VLZ rack-mount 
brackets shall allow the mixer to be mounted in a rack 
system, with either the chassis top or the control knobs’ 
tops to be fl ush with the rack rail.

8. SPECIFICATIONS. In addition to specifi cations 

already cited, the mixer shall meet or exceed the fol-
lowing specifi cations: Frequency response: microphone 
input to any output, 20Hz to 60kHz, +0dB/–1dB; Total 
Harmonic Distortion (THD): any input to any output, 
1kHz @ +14dBu, 0.0007%; Equivalent Input Noise 
(EIN): microphone input to insert send, –129.5dBu; 
Common Mode Rejection (CMR): microphone input to 
insert send, maximum gain, 1kHz, better than 90dB; 
Typical Main Output noise: all channels assigned, chan-
nels 1, 3 and 5 panned left, channels 2, 4 and 6 
panned right, –86.5dBu; Signal to Noise ratio: ref 
+4dBu operating level, 90dB; Attenuation: ref. 0dB @ 
1kHz, Main Mix level control down, –85dBu; Channel 
Mute engaged, –84dBu; Channel Gain control down, 
–83dBu; Input impedance: microphone inputs, 1.3 k

Channel Insert return, 2.5 k

; All other inputs, greater 

than 10 k

; Output impedance: Tape Out, 1.1 k

; All 

other outputs, 120

.

The mixer shall be a Mackie 1402-VLZ PRO.

LOUD Technologies continually engages in research related to product improvement. New material, 
production methods, and design refi nements are introduced into existing products without notice 
as a routine expression of that philosophy. For this reason, any current LOUD Technologies product 
may differ in some respect from its published description, but will always equal or exceed the 
original design specifi cations unless otherwise stated. ©1999-2004 LOUD Technologies Inc. All 
rights reserved.

www.mackie.com

16220 Wood-Red Road NE, Woodinville, WA  98072  USA
800.898.3211, fax 425.487.4337, [email protected]

UK

 +44.1268.570.808, fax +44.1268.570.809, [email protected]

Summary of Contents for 1402-VLZ PRO

Page 1: ...channel in the Main Mix while simultane ously placing the signal on the Alt 3 4 stereo bus greatly increasing signal routing flexibility The EFX to Monitor feature allows routing of reverb or other effects signals back into a monitor mix via Aux Send 1 Aux 1 Master s Pre Post switch can be set for pre fader post EQ use which is bene ficial for stage monitor mixes or post fader post EQ for use with...

Page 2: ...0Hz to 100kHz 0dB 3dB Maximum Levels Mic in 22dBu Tape in 16dBu All other inputs 22dBu Main Mix XLR outputs 28dBu All other outputs 22dBu Impedances Mic in 1 3kΩ Channel Insert return 2 5kΩ All other inputs 10kΩ Tape out 1 1kΩ All other outputs 120 ohms Specifications footnotes 1 20Hz 20kHz bandwidth 1 4 Main out channels 1 6 Trim unity gain channel EQs flat all channels assigned to Main Mix chann...

Page 3: ... R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO MUTE MUTE MUTE 7 8 9 10 11 12 13 14 MUTE 4 MUTE 3 MUTE 2 MUTE 1 MUTE ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 5 MUTE 6 MUTE LEVEL 4 10 10 10 10 LEVEL 4 LEVEL 4 LEVEL 4 TRIM dB 30 20 10 O O 40 50 5 5 U 60 10 30 20 O O 40 50 60 30 20 O O 40 50 60 dB 30 2...

Page 4: ...GIC 1 2 3 4 AFL L AFL R POST LOGIC SOLO AUX SEND 2 AUX SEND 1 PRE PFL 1 2 3 4 AFL L AFL R LOGIC SOLO PFL POST AUX SEND 2 AUX SEND 1 PRE MAIN MIX MAIN FADERS 30dB PAD TAPE OUT L LINE OUT L BAL OUT L BAL OUT R LINE OUT R ALT MIX ALT OUT L ALT OUT R ALT TAPE MAIN SOURCE CONTROL ROOM PHONES FADER CONTROL ROOM LEFT CONTROL ROOM RIGHT PHONES OUT AUX 1 MIX AUX 1 PRE POST AUX 2 OUT AUX 1 OUT TAPE IN L R C...

Page 5: ...from 10dBV to 4dBu and using unbalanced RCA type phono jacks labeled TAPE OUT delivering nominal levels from 10dBV to 4dBu OTHER OUTPUTS The mixer shall include 1 stereo pair of Alt 3 4 outputs using bal unbal 1 4 TRS phone jacks delivering maximum output of 22dBu 1 stereo pair of Control Room outputs using bal unbal 1 4 TRS phone jacks delivering a maximum output of 22dBu 2 Aux Send outputs using...

Page 6: ...e input to insert send 129 5dBu Common Mode Rejection CMR microphone input to insert send maximum gain 1kHz better than 90dB Typical Main Output noise all channels assigned chan nels 1 3 and 5 panned left channels 2 4 and 6 panned right 86 5dBu Signal to Noise ratio ref 4dBu operating level 90dB Attenuation ref 0dB 1kHz Main Mix level control down 85dBu Channel Mute engaged 84dBu Channel Gain cont...

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