background image

MID

HI

80

2K5

12K

LO

MAIN L

MAIN R

ALT L

ALT R

AUX 1 PRE

AUX 1 POST

AUX 2 POST

PFL

AFL L

PHANTOM POWER (GLOBAL SWITCH)

MIC IN

LINE IN

TRIM

INSERT

LOW 

CUT

3-BAND EQ

FADER

PAN

MUTE / ALT

MONO CHANNEL (1 OF 6)

2

1

3

STEREO CHANNEL (1 OF 4)

LINE IN L

LINE IN R

3-BAND EQ

FADER

PAN

MUTE / ALT

AUX RETURN 1

L IN

R IN

AUX RETURN 2

L IN

(MONO)

(MONO)

R IN

GAIN

GAIN

EFX TO

MONITOR

MID

H

I

80

2K5

12K

LO

MID

H

I

80

2K5

12K

LO

75Hz HPF

+4 /-10

AFL R

LOGIC

1

2

3

4

AFL L

AFL R

POST

LOGIC

SOLO

AUX SEND 2

AUX SEND 1

PRE

PFL

1

2

3

4

AFL L

AFL R

LOGIC

SOLO

PFL

POST

AUX SEND 2

AUX SEND 1

PRE

MAIN MIX

MAIN FADERS

30dB PAD

TAPE OUT L

LINE 

OUT L

BAL OUT L

BAL OUT R

LINE 

OUT R

ALT MIX

ALT OUT L

ALT OUT R

ALT

TAPE

MAIN

SOURCE

CONTROL ROOM &

PHONES FADER

CONTROL ROOM LEFT

CONTROL ROOM RIGHT

PHONES OUT

AUX 1 MIX

AUX 1 PRE / POST

AUX 2 OUT

AUX 1 OUT

TAPE IN

L

R

CONTROL ROOM 

& PHONES MIX

2

3

1

2

3

1

AUX 1 LEVEL

TAPE OUT R

SOLO RELAY

PFL LED

RUDE

SOLO

LED

SIP (SOLO IN PLACE) /

PFL (PRE-FADER LISTEN)

ASSIGN TO MAIN

AFL L

PFL

AFL R

AUX 2 MIX

SOLO MIX

+28 +10 +7 +4 +2

0 -2 -4 -7 -10 -20 -30

METERS

Ø

dBu=

Ø

 VU

Summary of Contents for 1402-VLZ PRO

Page 1: ...channel in the Main Mix while simultane ously placing the signal on the Alt 3 4 stereo bus greatly increasing signal routing flexibility The EFX to Monitor feature allows routing of reverb or other effects signals back into a monitor mix via Aux Send 1 Aux 1 Master s Pre Post switch can be set for pre fader post EQ use which is bene ficial for stage monitor mixes or post fader post EQ for use with...

Page 2: ...0Hz to 100kHz 0dB 3dB Maximum Levels Mic in 22dBu Tape in 16dBu All other inputs 22dBu Main Mix XLR outputs 28dBu All other outputs 22dBu Impedances Mic in 1 3kΩ Channel Insert return 2 5kΩ All other inputs 10kΩ Tape out 1 1kΩ All other outputs 120 ohms Specifications footnotes 1 20Hz 20kHz bandwidth 1 4 Main out channels 1 6 Trim unity gain channel EQs flat all channels assigned to Main Mix chann...

Page 3: ... R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R PAN L R SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO MUTE MUTE MUTE 7 8 9 10 11 12 13 14 MUTE 4 MUTE 3 MUTE 2 MUTE 1 MUTE ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 ALT 3 4 5 MUTE 6 MUTE LEVEL 4 10 10 10 10 LEVEL 4 LEVEL 4 LEVEL 4 TRIM dB 30 20 10 O O 40 50 5 5 U 60 10 30 20 O O 40 50 60 30 20 O O 40 50 60 dB 30 2...

Page 4: ...GIC 1 2 3 4 AFL L AFL R POST LOGIC SOLO AUX SEND 2 AUX SEND 1 PRE PFL 1 2 3 4 AFL L AFL R LOGIC SOLO PFL POST AUX SEND 2 AUX SEND 1 PRE MAIN MIX MAIN FADERS 30dB PAD TAPE OUT L LINE OUT L BAL OUT L BAL OUT R LINE OUT R ALT MIX ALT OUT L ALT OUT R ALT TAPE MAIN SOURCE CONTROL ROOM PHONES FADER CONTROL ROOM LEFT CONTROL ROOM RIGHT PHONES OUT AUX 1 MIX AUX 1 PRE POST AUX 2 OUT AUX 1 OUT TAPE IN L R C...

Page 5: ...from 10dBV to 4dBu and using unbalanced RCA type phono jacks labeled TAPE OUT delivering nominal levels from 10dBV to 4dBu OTHER OUTPUTS The mixer shall include 1 stereo pair of Alt 3 4 outputs using bal unbal 1 4 TRS phone jacks delivering maximum output of 22dBu 1 stereo pair of Control Room outputs using bal unbal 1 4 TRS phone jacks delivering a maximum output of 22dBu 2 Aux Send outputs using...

Page 6: ...e input to insert send 129 5dBu Common Mode Rejection CMR microphone input to insert send maximum gain 1kHz better than 90dB Typical Main Output noise all channels assigned chan nels 1 3 and 5 panned left channels 2 4 and 6 panned right 86 5dBu Signal to Noise ratio ref 4dBu operating level 90dB Attenuation ref 0dB 1kHz Main Mix level control down 85dBu Channel Mute engaged 84dBu Channel Gain cont...

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