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The original Redeye was a direct box or re-amping device using a a Little 

Labs custom wound transformer. This transformer was chosen for its 

sonic characteristics and is made with the same core material and wind-

ing technique as the legendary UTC transformers found in many classic 

pro audio devices. The New Redeye 3D Phantom features two of these 

excellent transformers for simultaneous direct box and re-amping use. 
We have also added to the now called Redeye 3D a very high quality, hi 

fi, phantom powered, high impedance instrument buffer. When you are 

using the Redeye 3D with sensitive passive pick ups, this high quality 

buffer assures no tone change from loading will occur.
 For those who use active pick ups or prefer the sound of a passive direct 

box, you still have the option of plugging into the Redeye 3D direct box 

passively as in the original Redeye, with no phantom power necessary.
Besides the active buffer circuitry and the two transformers, the Redeye 

3D is just a volume control and a bunch of high quality switches and 

connectors in a nice chassis.
You can make a couple custom changes internal to the Redeye 3D that 

might be just what a few of you need, but we'll talk about that later. 

redeye 3D phantom 

what is it made of?

 

redeye 3D phantom 

interfacing guitar pedals 

 

The Redeye 3D is a simple and easy way to interface guitar pedals 

into a pro environment.  Simply plug the Redeye 3Ds instrument re-amp out  

into the pedals input then plug the pedals output into Redeye3Ds instrument 

in (you can use the buffered or unbuffered in, it will most likely make little 

difference). Feed the mic level out into a microphone preamplifier and you 

have a +4dB balanced line level in and out effect. BUT NOTE !! Keep the di/

re-amp button engaged or you get a loop and a nasty squeal will result! 

 

Many times you can come right out of the pedal and into the console 

without using the Redye 3Ds DI. You might have to turn the line trims up a 

little, and this way you don't have to be paranoid of disengaging the re-amp 

button.

redeye 3D phantom 

diy mods

 

The Redeye 3D has a couple things you can do internally which a 

small majority of you might want.

 

Input Impedance increase on the buffered input. I will only suggest you do 

this if you are a piezo pick up user that doesn't use a pre-amp in front of the 

piezo, or for some bass guitars.  On standard guitars, Telecaster, Strat or Les 

Paul it will just sound clangy. The resistor to change is #209 to probably a 

10 Meg ohm. Solder carefully, keep it clean kids or you'll void the warranty.
 

 Instrument/re-amp level trim fully clockwise will change from uni-

ty to +3dB. This gives you a little gain  on the instrument re-amp out that you 

can always turn down, and only works when using the buffered instrument 

in. Change the zero ohm jumper from #16 to #17.  Solder carefully, keep it 

clean kids or you'll void the warranty.
 

Convert the un-buffered in to a buffered out long guitar cable driver. 

Change the zero ohm jumper #16 to a 100 ohm resistor and jumper a wire 

over the normal on the tip of the jack. Solder carefully, keep it clean kids or 

you'll void the warranty.

                 

Summary of Contents for Redeye 3D Phantom

Page 1: ...OLLYWOOD CA 90068 E MAIL littlelabs littlelabs com WEB www littlelabs com SALES SERVICE TECHNICAL SUPPORT FAX 323 851 6860 Manual printing pdf formatting 01 2011 THE REDEYE 3D PHANTOM P R E L I M I N A R Y O p e r a t o r s M a n u a l ...

Page 2: ...m is could be protools a tape machine a DAW with a funny name or and put this machine in input so you monitor thru the machine 5 With the gain settings set low on the microphone preamplifier push the re amp button in on the Redeye 3D Slowly bring your gain up on the Microphone pre amplifier so the sound level coming from your amp sounds the same as when the Redeye 3D was in DI mode button out you ...

Page 3: ... z guitar level signal to feed your guitar amp This simple way of listening thru the chain re amp mode and being able to bypass the mic pre and DAW or tape machine in the chain DI mode makes level adjustments a snap This also assures you a re amped guitar sound that will be exactly what was heard when laying down the track The Redeye 3D phantom the now even smarter flexible audio tool to aid you i...

Page 4: ... then plug the pedals output into Redeye3Ds instrument in you can use the buffered or unbuffered in it will most likely make little difference Feed the mic level out into a microphone preamplifier and you have a 4dB balanced line level in and out effect BUT NOTE Keep the di re amp button engaged or you get a loop and a nasty squeal will result Many times you can come right out of the pedal and int...

Page 5: ...s is the input of the re amp section of the Redeye 3D Phantom what needs to be fed in here is a line level 4dB lo impedance balanced signal from the output of a DAW a tape machine or send off a console The input impedance on this input is approximately 9k ohm or 4k ohm if the re amp overdrive is selected I should note some other re amping devices have a 600 ohm input impedance which can be tough t...

Page 6: ... the recording aparatus at a healthy level your particular instrument has a very high output and you need it to hit the amp harder Metal heads will like this redeye 3D phantom earth lift re amp polarity The earth lift button should be engaged when you have ev erything hooked up and you hear a hum in your amp or what you are recording The hum is caused by a ground loop where more than one path to g...

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