LEM T5A Owner'S Manual Download Page 9

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The input level of the incoming signal can be set using 
the VOL control. Leave the control in the CENTER 
position (nominal input sensi4dB) if the T5A is 
connected to the line output of a mixer.
If you are using devices with a too high output level, 
you can reduce the input gain turning the control 
counterclockwise.
If you connect to the T5A a dynamic microphone or a 
low-level signal you gain increase the input gain up to 
+40dB turning the control clockwise.
If you need to send the same signal to a second T5A or 
to the T5SA sub-woofer you can use the XLR-M LINK 
connector (

fi g. 5

).

6. DPPM module - Connection panel (fi g. 6)

1.

   Power supply cable socket.

2.

   ON/OFF switch with LED indicator.

3.

   Balanced COMBO socket for the input signal 

connection.

4.

   Balanced XLR-M socket for the signal linking to a 

second unit.

5.

   Control for separating the electrical earth from that 

of the chassis.

6.

   Two-color LED that illuminates when there’s a 

signal present at the unit’s input (GREEN color) or 
when the internal LIMITER is active (RED color).

7.

   Input level control.

8.

   16-position encoder for the PRESET’s selection.

9

...Air vents for the module cooling.

WARNING!!!
IN ORDER FOR THE MODULE TO WORK 
CORRECTLY, IT’S VERY IMPORTANT TO KEEP THE 
AIR VENTS ALWAYS FREE AND ABLE TO PROVIDE 
A PROPER AIR CIRCULATION.

7. PRESETS

The PRESETS available in the T5A have been prepared 
by LEM with the support of sound engineers and audio 
technicians in order to provide the loudspeaker system 
with different acoustical and dynamic responses suitable 
for different applications, different kind of signal and 
different tastes. Unlike the conventional loudspeaker 
systems, T5A is able to give you exactly the kind of 
sound you prefer or you need for your applications. For 
the PRESET’s choice we suggest not only to follow the 
directions you can fi nd below, but also to rely on the 
listening and on your personal evaluations.

01. LEM INDOOR:

 this is the T5A DEFAULT PRESET, 

giving the typical response of the system and 
suitable for the most common indoor applications.

02. LEM OUTDOOR:

 a slight cut in the high and low 

frequency region results in an improved effi ciency 

in the mid region. Suitable for the most common 
applications in outdoor spaces and large venues.

03. FLAT (Flat Response): 

includes only the 

CROSSOVER fi lters without any additional EQ, 
in order to obtain the ‘natural’ response of the 
system’s loudspeakers. Choose this PRESET if 
you want to EQ the system by yourself using the 
mixer’s EQ fi lters or an external equalizer.

04. ENTERTAIN (Entertainer): 

this PRESET 

has been prepared for piano bar players and 
entertaining musicians who use vocal microphones 
together with digital keyboard with MIDI or MP3 
songs, MINIDISK players or other instruments 
like guitars and horns. It gives a crisp sound and 
a clear response without the need of massive 
external equalizations.

05. MAX LOUD (Maximum Loudness) : 

this PRESET 

reproduces the classic ‘loudness’ effect with a big 
boost in the high and low end and a slight cut in 
the mid region.

06. CD PLAYER: 

this PRESET has been prepared 

to provide the best frequency response for the 
reproduction of recorded music and is suitable for 
DJs and as a P.A. system for installations in pubs, 
disco bars and restaurants. It includes the use of 
the multiband compressor for the best dynamic 
response together with the maximum protection.

07. WALL MOUNT: 

this PRESET includes an 

adjustment in the low range to optimize the 
response when the speaker is installed lose to a 
wall. .

08. STAGE MONITOR: 

this is the PRESET to be 

chosen when the T5A is used as a stage monitor, 
in vertical position and, usually, at the musician’s 
side. The mid-high frequency response has been 
adjusted in order to obtain a better near-fi eld 
listening and, together with the use of the ANTI-
FEEDBACK plugin, to reduce to the minimum the 
feedback phenomena (see the ANTI-FEEDBACK 
section).

09. LEM INDOOR SW:

 this is the LEM INDOOR 

PRESET with a 100Hz high-pass fi lter for the use 
of the T5A with the LEM sub-woofer T5SA.

10. LEM OUTDOOR SW:

 this is the LEM OUTDOOR 

PRESET with a 100Hz high-pass fi lter for the use 
of the T5A with the LEM sub-woofer T5SA.

11. FLAT SW: 

this is the FLAT PRESET with a 100Hz 

high-pass fi lter for the use of the T5A with the LEM 
sub-woofer T5SA.

12. ENTERTAIN SW: 

this is the ENTERTAIN PRESET 

with a 100Hz high-pass fi lter for the use of the T5A 
with the LEM sub-woofer T5SA.

13. MAX LOUD SW: 

this is the MAX LOUD PRESET 

with a 100Hz high-pass fi lter for the use of the T5A 

Summary of Contents for T5A

Page 1: ......

Page 2: ...d of the product should be unplugged from the outlet when left unused for a long period of time When unplugging the power supply cord do not pull on the cord but grasp it by the plug 10 Care should be taken so that object do not fall and liquid are not spilled into the enclosure through openings 11 The product should be serviced by qualified service personnel when A The power supply cord or the plu...

Page 3: ...vi non schermati potrebbe determinare l insorgere di fastidiosi ronzii e rumori di fondo Verificate periodicamente che i cavi impiegati siano in buono stato con le connessioni realizzate nel modo corretto e con tutti i contatti in perfetta efficienza in modo da evitare inconvenienti come falsi contatti rumori di massa scariche ecc 4 Il sistema T5A fig 1 T5A è un sistema di diffusione che integra in u...

Page 4: ...o di fornirvi esattamente il tipo suono che preferite o di cui avete bisogno per le vostre applicazioni Per la scelta dei PRESETS vi consigliamo di affidarvi non solo alle indicazioni riportate di seguito ma soprattutto all ascolto e alle vostre valutazioni personali 01 LEM INDOOR si tratta del PRESET di base di T5A in grado di fornire la risposta tipica del sistema ed utilizzabile nelle applicazio...

Page 5: ... in modo prolungato al limite della potenza media sopportabile dagli altoparlanti Il processore digitale è in grado di rilevare se uno degli altoparlanti del sistema stia raggiungendo la temperatura massima sopportabile dalla bobina mobile In questo caso il segnale e quindi la potenza applicata viene ridotto in modo graduale fino a portare l altoparlante entro i limiti di sicurezza Se la situazione...

Page 6: ...o normale A questo punto i filtri notch saranno posizionati in corrispondenza delle frequenze più facilmente soggette ai feedback e pertanto nel caso il volume dei microfoni venga aumentato durante l utilizzo saranno in grado di ridurre tali fenomeni ATTENZIONE L ANTI FEEDBACK implementato in T5A non è in grado di eliminare completamente i fenomeni di feedback ma solo di ridurre il rischio che si ...

Page 7: ...6 kHz 6 12 18 o 24 dB per ottava EQ Numero Tipo Guadagno Banda Frequenza 25 bande parametriche Peak 6dB Lo Shelf 12dB Lo Shelf 6dB Hi Shelf 12dB Lo Shelf Notch 15dB variabile in step da 0 5dB Da 0 05 a 3 00 ottave variabile in step da 0 05 Da 15 6 Hz a 16 kHz Alignment delay max delay 189 ms Plugins Noise Gate Anti feedback Multiband compressor Protezioni Limiter di picco indipendente su ciascuna ...

Page 8: ... 4 Connector cables When connecting the enclosures to the mixer make certain to always use only screened signal cables made up of two wires plus a braid screen the use of unscreened cables could in fact probably cause annoying hum and noise Check periodically that your cables are in good condition correctly wired and with perfectly efficient contacts in fact many problems and drawbacks false contac...

Page 9: ...ency in the mid region Suitable for the most common applications in outdoor spaces and large venues 03 FLAT Flat Response includes only the CROSSOVER filters without any additional EQ in order to obtain the natural response of the system s loudspeakers Choose this PRESET if you want to EQ the system by yourself using the mixer s EQ filters or an external equalizer 04 ENTERTAIN Entertainer this PRESE...

Page 10: ...on over a limited frequency band where the woofer is more liable to be damaged by excessive power 9 How the PLUGINS work MULTICOMP it s a multiband compressor made of two separate compression units able to operate on two user selectable frequency bands HIGH and LOW The MULTICOMP is used in some of the T4A s PRESETS for the system s dynamic EQ to obtain loudness effects or to apply an additional pr...

Page 11: ...11 with moving microphones ...

Page 12: ... Variable from 15 6 Hz t 16 kHz 6 12 18 o 24 dB oct EQ Number Type Gain Bandwidth Frequency 25 parametric bands Peak 6dB Lo Shelf 12dB Lo Shelf 6dB Hi Shelf 12dB Lo Shelf Notch 15dB variable with 0 5dB step From 0 05 to 3 00 octaves variable with 0 05dB step From 15 6 Hz to 16 kHz Alignment delay max delay 189 ms Plugins Noise Gate Anti feedback Multiband compressor Protections Independent PEAK LI...

Page 13: ...13 FIG 1 THE SYSTEM FIG 2 DPPM BLOCK DIAGRAM ...

Page 14: ...14 FIG 3 INSTALLATION FIG 4 CONNECTION CABLES Speaker stand adaptor ...

Page 15: ...15 FIG 5 CONNECTIONS ...

Page 16: ...16 FIG 6 DPPM MODULE Connection panel ...

Page 17: ...from GENERALMUSIC S p A GENERALMUSIC reserves the right to make any aesthetic functional or design modification to any of its products without any prior notice GENERALMUSIC assumes no responsibility for the use or application of the products or circuits described herein PRINTED IN ITALY FEDERAL COMMUNICATIONS COMMISSION NOTE This equipment has been tested and found to comply with the limits for a C...

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