Laney Richter R1, User Manual

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Laney
9
Laney
L
IMITER
H
ORN
V
OLUME
D.I.
1
B A
ASS MPLIFIER
R5
P
OWER
0
7 7 2 2 2 2 7
1 1 4 4 4 4 1 9 9 4 4 4 4 9
3 3 2 2 2 2 3
10 10 5 1K 4K 5 5 5 10
4 4 1 1 1 1 4 6 6 1 1 1 1 6
0 0 5 100 400 5 5 5 0
5
5 0 350 1K5 0 0 0 5
8 8 3 3 3 3 8 2 2 3 3 3 3 2
- - - - + + + +
C
OMP
I
NPUTS
H
IGH
N
ORMAL
E
NHANCE
B
ASS
F
REQUENCY
F
REQUENCY
L
EVEL
L
EVEL
T
REBLE
G
AIN
E
QUALISATION
A
CTIVE
O
N
L P -M
O ARA ID
H P -M
I ARA ID
A
CTIVE
P
OWER
A
CTIVE
6
2 3
4 7 8
10
5 1
11 12
9
14
13
T6.3A L 115V
T3.15A L 230V
~
T6.3A L 115V
T3.15A L 230V
~
F R & S V .
USE ATING UPPLY OLTAGE
TunerOut
FXReturn
FXSend
E L
XTENSION OUDSPEAKER
C 2
LASS WIRING MAY BE USED
C -
AUTION
R
.
EFER TO USERS
MANUAL FOR RECOMMENDED
SPEAKER CONNECTIONS
8 M
L I .
OHMS INIMUM
OUDSPEAKER MPEDANCE
Designed And Assembled in the UK by BLT Industries LTD.
M P C
450 W ~50/60 H
AXIMUM OWER ONSUMPTION
ATTS Z
!
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
C - F . D .
AUTION AN COOLED O NOT OBSTRUCT THE FAN OR VENT APERTURES
S N
ERIAL UMBER
W
ARNING
-T
.
O REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE
C
AUTION
T
. N .
R .
O REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVERS O USER SERVICEABLE PARTS INSIDE
EFER SERVICING TO QUALIFIED PERSONNEL ONLY
C
AUTION
-F
OR CONTINUED PROTECTION AGAINST RISK OF FIRE
REPLACE ONLY WITH SAME TYPE AND RATED FUSE
W
ARNING
- T .
HIS EQUIPMENT MUST BE EARTHED
A
TTENTION
- D ’
.
EBRANCHER LE CORDON D ALIMENTATION AVANT
TOUTE INTERVENTION
A
VIS
- R .
ISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
A
TTENTION
- R
.
EMPLACER LE FUSIBLE SEULEMENT
PAR LE MEME TYPE ET LE MEME CALIBRE
A
TTENTION
- S ’
- .
E REFERER AU MANUEL D UTILISATION POUR
LA CONNECTION HAUT PARLEURS
R5 Front
17
15
R5 Rear
Normal and High inputs are provided for connection of bass
guitars. High output basses, either Active or Passive should
be connected via the High socket. Low output basses should be
connected using the normal input. High output basses may
also be placed in the Normal input if pre-amp overloading is
desired.
This control is used to set the level of gain present in the
pre-amp. The higher the level of gain, the more the signal
will clip producing distortion. The GAIN control should be
used in conjunction with the VOLUME control (12) to produce
the desired signal characteristics.
Engages and disengages the on-board compressor.
This
compresses the input-signal giving a punchier sound. In
association with the compressor are two LED s,one indicating
that the compressor is engaged and one indicating the
compressor is active. It is possible to have the compressor
engaged but it only be active during certian periods of
playing - typically the most dynamic sections.
The ENHANCE control provides an increased definition at the
low-end of the frequency spectrum giving you a tighter,
punchier sound. The ENHANCE control does this by providing
a dip in the frequency-response of the amplifier at
approximately 200hz. This dip eliminates some of the
secondary-harmonics of the important low-frequencies around
40-80 Hz producing a thicker sound. Turning the control
through to its maximum has the effect of boosting both the
low and high-frequency content of the signal whilst not
effecting the mids.
Controls the low-frequency response of the pre-amplifier
1.Inputs:
2.Gain:
3.Compressor:
4.Enhance:
5.Bass:
Richter
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