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Johannus Rembrandt 200, User Manual

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User’s Manual  

  

Rembrandt 200, 300, 2000 and 3000 AGO

JOHANNUS

JOHANNUS

37

MIDI Implementation charts

 

JOHANNUS Organ

Date: July 1998

REMBRANDT 200 AGO

MIDI Implementation Chart

Version 1.00

Functions

Transmitted

Recognized

Remarks

Basic

Default

Channel

Changes

1, 2, 3, 12

1, 2, 3, 12

2 = Swell

1 - 16

N

3 = Pedal

 1

1 = Great

12 = Stops

Default

Mode 3

Mode 3

Mode

Messages
Altered

N

N

*  *  *  *  *  *  *  * 

N

Note
Number

True voice

36 - 96

36 - 96

*  *  *  *  *  *  *  *

36 - 96

Velocity

Note ON
Note OFF

9nH (v=64)

9nH v=1 - 127

9nH (v=0)

9nH v=0, 8nH v=*

*=irrelevant

After

Keys

Touch

Channels

N

N

N

N

Pitch Bend

N

N

7

Y 

Y

General volume

Control

11

Change

100/101/6
100/101/6

Y

Y

Expression pedals

Y

N

Pitch

Y

N

Transposer

Program
Change

:True#

0 - 127

0 - 84

41 - 50

Stops Great

 1

*  *  *  *  *  *  *  *

0 - 84

64 - 73

Accessories

 2

 2

  0 -   7

Stops Pedal

  8 - 18

Stops Swell

80 - 82

Sp. Stops Sw.

83 - 84

Sp. Stops Gr.

System Exclusive

Y

Y

All stops off

:Song Pos

N

N

Common

:Song Sel
:Tune

N

N

N

N

System

:Clock

Real Time

:Commands

N

N

N

N

:Reset All Controller

N

N

:Local On/OFF

N

N

Aux

:All Notes OFF
:Active Sense
:Reset

N

Y

N

N

N

N

Notes

 By means of the programmable MIDI-stops

1

 Except 19-40, 51-63 and 74-79

2

Mode 1

: OMNY ON, POLY

Mode 2

: OMNY ON, MONO

Y = YES

Mode 3

: OMNY OFF, POLY 

Mode 4

: OMNY OFF, MONO

N = NO

Summary of Contents for Rembrandt 200

Page 1: ...User s Manual JOHANNUS JOHANNUS Rembrandt 200 300 2000 and 3000 AGO ...

Page 2: ...ands All rights reserved No part of this publication may be reproduced and or published by print microfilm audiotape electronically mechanically or any other means or stored in an information retrieval system without prior written permission from JOHANNUS Orgelbouw The information in this document is subject to change without notice and should not be considered a commitment by Johannus Orgelbouw b...

Page 3: ...ll repertoire of classical and liturgical organ music This User s Manual contains a lot of useful information First we present an overview of the organ and then we present tips on use Finally we investigate all of your new organ s technical possibilities including how to choose another temperament using free combinations using the general crescendo MIDI applications and so on In the appendices you...

Page 4: ...mulants 8 Tremolo 9 Chorus 9 Intonation 2 9 MIDI tabs 9 Display 9 Key switch 10 MEMORY LOCK 10 Stops 11 Flue pipes 11 Reeds 11 Special voices 12 Overview of stops per type 12 Expression pedals 13 Expression pedal Choir only for Rembrandt 300 3000 13 Expression pedal Great Pedal 13 Expression pedal Swell 13 Thumb pistons 13 WM Werckmeister 13 MT Meantone 13 MB Manual Bass 13 CF Cantus Firmus 13 FA ...

Page 5: ...scendo 27 Midi applications 28 What is MIDI 28 How and what to connect 28 Programmable MIDI 29 Program MIDI manually 29 Program MIDI into capture system 30 External Loudspeaker system 33 Maintenance 34 Guarantee 34 Appendices 35 Technical specifications 35 Technical specifications Cabinet 36 MIDI Implementation charts 37 REMBRANDT 200 AGO 37 REMBRANDT 300 AGO 38 REMBRANDT 2000 AGO 39 REMBRANDT 300...

Page 6: ... your new organ is a Rembrandt 200 or 300 simply insert the music rack into the groove provided on the top panel of the organ cabinet On the Rembrandt 2000 and 3000 there are two supports left and right Insert the music rack with the two wooden pins into the grooves provided The music rack rests against the front of the roll top cover To close the roll top cover the music rack has to be turned dow...

Page 7: ...edal key is a magnet This magnet normally sits in close proximity to a reed switch which is invisibly mounted behind the black painted front panel at the bottom of the console When you depress a pedal key the reed switch is activated by the magnet at the end of the key Your new organ has lighting above the pedalboard which is switched on and off automatically with the organ The following points ar...

Page 8: ...ome functions will not always work properly Switching on the organ Switch on the organ by depressing the Main power switch located on the right side of the keyboards The red pilot lamp will light up as soon as the organ is switched on It takes a few seconds before all controls are working The computer circuits need this time to initialize The display of the organ located on the right side above th...

Page 9: ...A Fix Accessories 6 Accessories 25 Thumb piston 34 Thumb pistons 7 Roll top cover lock SET Presets 8 Great keyboard 26 Serial numberplate 35 Thumb pistons 9 Swell keyboard 27 Thumb pistons min 10 Special voices Great 1 8 Pedal division plus 11 Key switch Memory Lock 28 Thumb pistons 36 Thumb piston 12 Display 1 8 Generals GC General Crescendo 13 Great stops 29 Thumb pistons 37 Thumb piston 14 Powe...

Page 10: ...8 External connections FA Fix Accessories 9 Roll top cover lock 29 Thumb piston 39 Thumb pistons 10 Special voices Great SET Presets 11 Music rack 30 Serial number plate 40 Thumb pistons 12 Special voices Choir 31 Thumb pistons min 13 Key switch Memory Lock 1 8 Generals plus 14 Display 32 Thumb pistons 41 Thumb pistons 15 Great stops 1 8 Pedal division GC General Crescendo 16 Choir stops 33 Thumb ...

Page 11: ... Great keyboard 26 Serial numberplate 35 Thumb pistons 9 Swell keyboard 27 Thumb pistons min 10 Special voices Great 1 8 Pedal division plus 11 Key switch Memory Lock 28 Thumb pistons 36 Thumb piston 12 Display 1 8 Generals GC General Crescendo 13 Great stops 29 Thumb pistons 37 Thumb piston 14 Power switch 1 8 Great division PGM Program Gen cresc and MIDI 15 Toe stud Tutti 30 Thumb pistons 38 Thu...

Page 12: ...8 External connections FA Fix Accessories 9 Roll top cover lock 29 Thumb piston 39 Thumb pistons 10 Special voices Great SET Presets 11 Music rack 30 Serial number plate 40 Thumb pistons 12 Special voices Choir 31 Thumb pistons min 13 Key switch Memory Lock 1 8 Generals plus 14 Display 32 Thumb pistons 41 Thumb pistons 15 Great stops 1 8 Pedal division GC General Crescendo 16 Choir stops 33 Thumb ...

Page 13: ...e Choir the corresponding keys on the Swell will be played as well This way you can add all stops of the Swell to the Choir Choir Pedal only for Rembrandt 300 AGO 3000 AGO This coupler couples the Choir to the Pedal When playing keys on the Pedal the corresponding keys on the Choir will be played as well This way you can add all stops of the Choir to the Pedal Great Pedal This coupler couples the ...

Page 14: ...ery important part of the building process Every stop will be adjusted note by note to the room where the organ is installed Standard your organ has two intonations a romantic and a baroque intonation In general a romantic organ is wider and sounds symphonic while a baroque organ is brighter and more tightly tuned Also see under Choice of temperament MIDI tabs The programmable MIDI tabs are a spec...

Page 15: ...depressed level 1 20 See Using the General Crescendo M e m 1 V ol 1 2 T u n e 4 4 0 T r a n s 0 C r e s c e n d o 5 MIDI tab settings When the PGM piston is switched on the display will show the required data for programming the MIDI tabs The GC piston should not be switched on See Programmable MIDI M i d i P r o g r a m V o i c e C h a n n e l Key switch MEMORY LOCK To save your registrations mod...

Page 16: ...ipes The principle of the tone generation with flue pipes is the same than with a record Flue pipes occur in two versions open or half stopped An example of a half stopped pipe is the Rohrflute On the canister stopper a small open tube has been soldered An example of an open flue pipe is the Principal Normally the pipes of this stop are located in the facade of a pipe organ Flues can be subdivided...

Page 17: ...well division while the Chimes and the Harpsichord can be found on the Great division On the Rembrandt 300 3000 AGO the Strings and the Choir are added to the Swell division the Chimes and the Tibia organ to the Great division and the Harpsichord and Harp are added to the Choir division Overview of stops per type You will find an overview of stops per organ in the appendix under examples of regist...

Page 18: ...t the Meantone temperament will be switched off automatically in case it was on By pushing the WM thumb piston again its function will be switched off again MT Meantone By pushing this piston you choose for the Meantone temperament See under chapter Choice of temperament As soon as you switch on this temperament the Werckmeister III temperament will be switched off automatically in case it was on ...

Page 19: ...apture system Choose a step to be programmed in the General Crescendo See under using the General Crescendo Adjust the volume tune en transposer see under the description of the thumb pistons Volume Tune and Transposer Choose an expander module patch voice number and a channel number see under Programmable MIDI When you keep on pushing the or the piston these will automatically count down or up GC...

Page 20: ...ute 4 and Flute 2 as the last one When pushing a 0 piston longer all stops will be switched off at once Exceptions are the couplers and tremulants when the FA piston is switched on and the stops Chorus and Intonation 2 RO Reeds Off Located to the far right of the presets is the RO Reeds Off thumb piston By pushing this piston all reeds will be switched off at once As long as the RO piston is switc...

Page 21: ...he chosen volume setting is being programmed M e m P 6 V o l 1 2 T u n e 4 4 0 T r a n s 0 C r e s c e n d o O f f The programming into the memory can be done only if the piston VOL lights up After some seconds the lights of the VOL as well as the and pistons will switch off automatically 5 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the ...

Page 22: ...as the light of the TUNE piston remains lighting up you can change the volume setting 3 Adjust the desired pitch by pushing the or piston as many times as necessary to reach the desired pitch 4 Push the SET piston when the right pitch level has been reached As long as you push the SET piston a P will show up in the display to indicate that the chosen pitch setting is being programmed M e m P 6 V o...

Page 23: ...just the desired transposer position by pushing the or the piston one or more times 3 After some seconds the lights of the piston TRANS as well as the and the piston will be switched off automatically The transposer setting has not been stored and will be erased when you switch off the organ You may program a transposer setting as follows 1 Make the memory accessible by turning the MEMORY LOCK a q...

Page 24: ...n expression pedal This enables you to adjust the volume of the entire organ with only one expression pedal Acoustics The build in digital acoustics provide a spacial reverberation of the organ sound ACOUSTIC volume With this control the volume of the reverberations can be adjusted To completely switch off the reverberations you turn the control to the left ACOUSTIC program With the position switc...

Page 25: ...rmation data dump When using our personal voicing software INTONAT you should use the MIDI SEQ output to send data to the computer In fact a data dump too AUX IN This input can be used to amplify the sound of an external device through the speakers of the organ E g It is possible to play the sound of an expander module that is controlled by the organ s MIDI MOD through the organ s speakers The vol...

Page 26: ... impression of a concert hall church or cathedral It is not recommended to use this output for other purposes PHONES This is the connection for a stereo headphone and suited for up to 2000 ohm Using a low impedance headphone e g 8ohm may give a too loud volume This can be regulated with the control VOLUME When using a headphone the organ loudspeakers will be automatically switched off All loudspea...

Page 27: ... impertinent but not unsuitable to also express feelings of joy This temperament is recommended with intonation 2 Meantone temperament In Meantone the often used tierces are tuned pure E g c e d f etc Because the tierces in chords with quints and tierces are determining the purity of a chord we experience these pure chords as very restful Playing a chromatic scale it appears there are clear differ...

Page 28: ...hru 8 On every setter location you may store a personal registration Only the accessories Chorus and Intonation 2 cannot be stored in the capture system How to set free combinations A free combination for e g the Great division is programmed as follows 1 First check if the pistons GC and PGM are not switched on This to avoid modifying a stop combination of the General Crescendo 2 Make the memory a...

Page 29: ...s been stored in memory bank 6 in number 3 of the great division Recalling free combinations To recalling the personal registrations it is not necessary to make the capture system accessible with the key switch MEMORY LOCK Recalling goes as follows 1 Determine the setter combination you want to recall e g M2 3SW 2 Choose the memory bank with the and the pistons e g M2 The memory bank shows up in t...

Page 30: ...t the 0 and store in the general crescendo memory It is always possible to restore the stop combinations as initially stored by the designer of the organ into the general crescendo memory However this can only be done with all 20 steps at once This will erase all personal combinations too The memory of the general crescendo is protected so that it cannot be erased when you switch off the organ or ...

Page 31: ... display shows the level you want to change E g level 5 M e m 1 V o l 1 2 T u n e 4 4 0 T r a n s 0 C r e s c e n d o 5 The stops that belong to this level in the general crescendo will light up 4 Choose the personal registration for the level in this case level 5 of the general crescendo you want to store in the general crescendo memory 5 Push the SET piston As long as you push the SET piston a P...

Page 32: ...ill switch off Changing the general crescendo pedal will have no effect anymore 3 Push one of the 0 pistons keep on pushing and push the SET then As long as you push the SET piston a P will show up in the display to indicate that the personal registration is programmed into the general crescendo memory M e m P 6 V o l 1 2 T u n e 4 4 0 T r a n s 0 C r e s c e n d o 0 4 Release the SET piston befor...

Page 33: ...r The MIDI number for Great on the Rembrandt 200 2000 is number 1 and with Rembrandt 300 3000 the MIDI Great is number 2 This number indicates the MIDI channel used to transfer key information through MIDI SEQ when playing the Great MIDI has at least 16 channels to transfer Data The MIDI stops determine from which keyboard s you send key information to other device s How and what to connect Imagin...

Page 34: ... Display Piston SET Piston PGM MIDI stops A MIDI stop can be programmed as follows 1 First push one of the 0 pistons or one of the preset pistons This to be sure that you don t change a MIDI stop that was already programmed in the capture 2 Also check if the GC is not switched on This to be sure that you don t change a general cresendo level 3 Make the memory accessable by turning the MEMORY LOCK ...

Page 35: ...ce 40 This means that switching on MIDI Swell 2 while playing the swell key data will be transferred over channel 6 to the module and that module voice 40 will be switched on 11 Close the memory by turning the key switch MEMORY LOCK a quarter turn to the left and eventually remove the key from the switch The light in the SET piston will go off to indicate that the memory is not accessable anymore ...

Page 36: ...he selected channel has been assigned now to the MIDI stop The display now will show the existing module voice too M i d i P r o g r a m S w e l l V o i c e 1 C h a n n e l 7 8 Choose by pushing one or more times on the or the piston the module voice you want to assign to the MIDI stop The module voice e g 41 will show up in the display M i d i P r o g r a m S w e l l V o i c e 4 1 C h a n n e l 7...

Page 37: ... combination of your choice see under Using free combinations 3 Push the PGM piston 4 Choose the channel for MIDI Great 1 the MIDI with the lowest number by using the and pistons 5 Push the SET piston 6 Choose the module voice patch for MIDI Great 1 by using the and pistons 7 Push the SET piston The setting for MIDI Great 1 is programmed now 8 Switch off the MIDI Great 1 stop 9 Choose the channel ...

Page 38: ...e can be a 3 position switch on the instrument too The 8 pins of the octal sockets are connected as follows Number Channel Organ model LS1 1 Ground ch 1 Rembrandt LS1 2 Signal ch 1 200 300 2000 3000 LS1 3 Ground ch 2 Rembrandt LS1 4 Signal ch l 2 200 300 2000 3000 LS1 5 Ground ch 3 Rembrandt LS1 6 Signal ch 3 200 300 2000 3000 LS1 7 Ground ch 4 Rembrandt LS1 8 Signal ch 4 200 300 2000 3000 LS2 1 G...

Page 39: ...ecially light oak consoles The keys can be treated the same than the woodwork Little scratches that may originate from playing can be removed with car polish NEVER try to remove spots with agressive liquors like thinner aceton etc These will irrevocably damage the instrument Guarantee With the purchase of your JOHANNUS organ you received a limited warrantee card Please read the conditions carefull...

Page 40: ...F F FF T Capture system Generals Divisionals 64 64 64 64 192 256 192 256 MIDI tabs programmable 3 4 3 4 General volume MIDI controlled programmable Expression pedals MIDI controlled 2 3 2 3 General Crescendo 20 steps programmalbe 3 position switch for external loudpseakers option option option option Toe studs 12 15 12 15 Pedal 32 note AGO C g Acessories Couplers Tremulants Chorus MB Manual Bass C...

Page 41: ...Wooden roll cover Wooden expression pedals Pedal lights Bench with storage space Bench with lid Bench with adjustable height option option option option option option option option option option option option Dimensions Height without musicrack Height with musicrack Width Depth without pedalboard Depth with 32 note AGO pedal 123 cm 123 cm 135 cm 135 cm 145 cm 145 cm 157 cm 157 cm 145 cm 145 cm 165...

Page 42: ...ant After Keys Touch Channels N N N N Pitch Bend N N 7 Y Y General volume Control 11 Change 100 101 6 100 101 6 Y Y Expression pedals Y N Pitch Y N Transposer Program Change True 0 127 0 84 41 50 Stops Great 1 0 84 64 73 Accessories 2 2 0 7 Stops Pedal 8 18 Stops Swell 80 82 Sp Stops Sw 83 84 Sp Stops Gr System Exclusive Y Y All stops off Song Pos N N Common Song Sel Tune N N N N System Clock Real...

Page 43: ... N N N N Pitch Bend N N 7 Y Y General volume Control 11 Change 100 101 6 100 101 6 Y Y Expression pedals Y N Pitch Y N Transposer Program Change True 0 127 0 95 41 50 Stops Great 1 0 95 64 78 Accessories 2 2 0 7 Stops Pedal 8 18 Stops Swell 32 39 Stops Choir 88 89 Sp Stops Sw 91 93 Sp Stops Gr 94 95 Sp Stops Ch System Exclusive Y Y All stops off Song Pos N N Common Song Sel Tune N N N N System Clo...

Page 44: ...ys Touch Channels N N N N Pitch Bend N N 7 Y Y General volume Control 11 Change 100 101 6 100 101 6 Y Y Expression pedals Y N Pitch Y N Transposer Program Change True 0 127 0 92 15 31 Stops Swell 2 0 92 48 63 Stops Great 2 2 1 12 Stops Pedal 64 73 Accessories 88 90 Sp Stops Sw 91 92 Sp Stops Gr System Exclusive Y Y All stops off Song Pos N N Common Song Sel Tune N N N N System Clock Real Time Comm...

Page 45: ...els N N N N Pitch Bend N N 7 Y Y General volume Control 11 Change 100 101 6 100 101 6 Y Y Expression pedals Y N Pitch Y N Transposer Program Change True 0 127 0 95 32 44 Stops Choir 1 0 95 49 63 Stops Great 2 2 1 12 Stops Pedal 15 31 Stops Swell 64 78 Accessories 89 90 Sp Stops Sw 91 93 Sp Stops Gr 94 95 Sp Stops Ch System Exclusive Y Y All stops off Song Pos N N Common Song Sel Tune N N N N Syste...

Page 46: ...F Octave 4 F F F F F M M F F F F F M Koppelflute 4 F F M M M M M M M M F F F Flute Twelfth 2 3 F F F F F M M F M F F F F 2 Waldflute 2 F F F F M M M F M F M F F Tierce 1 5 F F F F F F F F M M F F F 3 Scharff III F F F F F F M F F F F F M Oboe 8 F F F F F M M F F F F F F GREAT Bourdon 16 F F F F F M M F F F F F F Principal 8 F F F F F F F F F M M F M Rohrflute 8 M M M M M M M M M F F M F Octave 4 F...

Page 47: ...4 F F F F F F F F F F F F F Flute Twelfth 2 3 F F F F F F F F F F F F F 2 Waldflute 2 F F F F F F F F F F F F F Tierce 1 5 F F F F F F F F F F F F F 3 Scharff III F F F F F F F F F F F F F Oboe 8 F F F F F F F F F F F F F GREAT Bourdon 16 F F F F F F F F F F F F F Principal 8 F F F F F F F F F F F F F Rohrflute 8 F F F F F F F F F F F F F Octave 4 F F F F F F F F F F F F F Open Flute 4 F F F F F F...

Page 48: ... 8 F F F F F M M F M F F F F GREAT Bourdon 16 F F F F M M M F F F F F F Principal 8 F F F M M M M M F M M F M Rohrflute 8 M M M M M M M M M F F M F Octave 4 F F F M M M M F F F F F M Open Flute 4 F F M M M M M M F F F M F Twelfth 2 3 F F F F M M M F F M F F M 2 Super Octave 2 F F F F F M M F F F F F M Cornet IV F F F F F F F F F F F F F Mixture V F F F F F F M F F F F F M Trumpet 8 F F F F F M M M...

Page 49: ...rdon 16 F F F F F F F F F F F F F Principal 8 F F F F F F F F F F F F F Rohrflute 8 F F F F F F F F F F F F F Octave 4 F F F F F F F F F F F F F Open Flute 4 F F F F F F F F F F F F F Twelfth 2 3 F F F F F F F F F F F F F 2 Super Octave 2 F F F F F F F F F F F F F Cornet IV F F F F F F F F F F F F F Mixture V F F F F F F F F F F F F F Trumpet 8 F F F F F F F F F F F F F CHOIR Hohlflute 8 F F F F F...

Page 50: ...M Waldflute 2 F F F F M M M F M M F F F Tierce 1 5 F F F F F F F F M F F F F 3 Nasard 1 3 F F F F F M M F F M F F M 1 Octave 1 F F F F F M M F F F M F M Scharff III F F F F F F M F F F F F M Fagotto 16 F F F F F F M F F F F F F Cornopean 8 F F F F F F F F F F F F F Oboe 8 F F F F F F M F F F F F F Clarion 4 F F F F F F F F F F F F F GREAT Bourdon 16 F F F F F M M F F F F F F Principal 8 F F F M M ...

Page 51: ...F Tierce 1 5 F F F F F F F F F F F F F 3 Nasard 1 3 F F F F F F F F F F F F F 1 Octave 1 F F F F F F F F F F F F F Scharff III F F F F F F F F F F F F F Fagotto 16 F F F F F F F F F F F F F Cornopean 8 F F F F F F F F F F F F F Oboe 8 F F F F F F F F F F F F F Clarion 4 F F F F F F F F F F F F F GREAT Bourdon 16 F F F F F F F F F F F F F Principal 8 F F F F F F F F F F F F F Rohrflute 8 F F F F F ...

Page 52: ... F F F F F F F F GREAT Open Diapason 16 F F F F M M M F F F F F M Principal 8 F F F M M M M M F F M F M Rohrflute 8 F M M M M M M M M M F M F Flute Celeste 8 F F F F F F F F F F F M F Quintadena 8 F F M M M M M F F F F M F Gamba 8 M M M M M M M F M F F M F Octave 4 F F F F M M M M F F F F M Open Flute 4 F F F M M M M M M F F M F Twelfth 2 3 F F F F M M M M F M F F M 2 Super Octave 2 F F F F M M M ...

Page 53: ...16 F F F F F F F F F F F F F Principal 8 F F F F F F F F F F F F F Rohrflute 8 F F F F F F F F F F F F F Flute Celeste 8 F F F F F F F F F F F F F Quintadena 8 F F F F F F F F F F F F F Gamba 8 F F F F F F F F F F F F F Octave 4 F F F F F F F F F F F F F Open Flute 4 F F F F F F F F F F F F F Twelfth 2 3 F F F F F F F F F F F F F 2 Super Octave 2 F F F F F F F F F F F F F Cornet IV F F F F F F F F...

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