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User’s Manual
Rembrandt 200, 300, 2000 and 3000 AGO
JOHANNUS
JOHANNUS
32
Using the capture system you can assign one MIDI-stop to serveral channels/module voice
(patches). E.g. a Rembrandt 300 with expanded capture system may have 129 different settings
per
MIDI stop. (1x manual setting, 64 general settings and 64 separate settings). The entire
organ can handle 4 x 129 = 516 different settings.
When programming more than one MIDI stop (with or without a combination with normal organ
voices) in one free combination you should start with the lowest numbered MIDI stop.
Program e.g. MIDI-Great 1, MIDI Swell 2 and MIDI Pedal 3 in one free combinaiton as follows:
1. Switch on the three MIDI switches (upon wish including other organ stops).
2. First store this registration into the free combination of your choice. (see under ‘Using free
combinations’).
3. Push the PGM piston.
4. Choose the channel for MIDI Great 1 (the MIDI with the lowest number) by using the - and
+ pistons.
5. Push the SET piston.
6. Choose the module voice (patch) for MIDI Great 1 by using the - and + pistons.
7. Push the SET piston. The setting for MIDI Great 1 is programmed now.
8. Switch off the MIDI Great 1 stop.
9. Choose the channel for MIDI Swell 2 (now the MIDI with the lowest number) by using the -
and + pistons.
10. Push the SET piston.
11. Choose the module voice (patch) for MIDI Swell 2 by using the - and + pistons.
12. Push the SET piston. The setting for MIDI Swell 2 is programmed now.
13. Switch off the MIDI Swell 2 stop.
14. Choose the channel for MIDI Pedal 3 (now the MIDI with the lowest number) by using the -
and + pistons.
15. Push the SET piston.
16. Choose the module voice (patch) for MIDI Pedal 3 by using the - and + pistons.
17. Push the SET piston. The setting for MIDI Pedal 3 is programmed now.
18. Switch off PGM.