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Ammo 100LA “Light Artillery”

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www.jiggery-pokery.com

For S&H random oscillator pitch effects route a Low Range random Ammo 100LA to a High Range Ammo 100LA. Set the 
master pitch on the latter and use the CV In trims on the audio oscillator to control the amount the pitch changes, although 
note the resulting pitch itself won’t be tuned as the random voltage can result in pitch frequencies between notes. However 
you could use an RE such as 

OchenK CV Tuner

 to convert the random CV pitch to note CV pitch.

In Tempo Sync Range, set the 

Phase

 to 360°, and use the 

Rate

 control to set the sample length; due to the way 

Ammo

 oper-

ates you will get two samples per cycle, so set the rate to double the value you need for a single value. So for a fi xed random 
value of one bar, set the 

Rate

 to two bars (2/1).

Lag

Use the Lag controls to smooth the edges of waveforms. 

Ammo

 smooths the rising and falling edges 

independently for improved Lag control. Since Lag is essentially fi ltering, it can be used equally well on 
audio signals or CV ones. Two modes are available using the 

Lag Mode

 selector switch on the back 

(version 1.1 and above); Logarithmic provides a curved smoothing, Linear provides a straight smoothing.

Random waveform with no Lag

Random waveform with only 40% linear 

Lag Up

 applied. Note that only 

the 

rising

 edge of the waveform is fi ltered

Random waveform with 25% linear 

Lag Up

 and 25% linear 

Lag Down

 

applied. Both rising and falling edges are gently smoothed leaving a 
plateau at the peaks and plain in the troughs

Random waveform with 50% linear 

Lag Up

 and 50% linear 

Lag Down

 

applied. Both rising and falling edges are smoothed creating a random 
triangular waveform

Random waveform with 100% linear 

Lag Up 

and 100% linear 

Lag 

Down

 applied. The wave is now smoothed to approximately a sine. 

Note that at maximum Lag, you may need to raise the Output level 
slightly to compensate for reduced gain

Random waveform with 50% logarithmic 

Lag Up

 and 50% logarithmic 

Lag Down

 applied. Both rising and falling edges are smoothed with a 

curve; in this scenario the device acts like SubTractor’s Smooth Random 

You can use this approach for any wave that features a step, or where the 
end and start values are different, to effectively interpolate the end/start 
values. For example, for waveform 116, the step is on the falling edge of 
the waveform, so adding just 20% 

Lag Down 

will nicely reduce the both the step and interpolate 

the difference between the end value of the waveform and start value.

Summary of Contents for Ammo 100LA

Page 1: ...Sound All rights reserved Reason Rack Extension and associated logos are trademarks of Propellerhead Software AB All commercial symbols are protected trade names of their holder and their inclusion wi...

Page 2: ...rammer For extra convenience and space saving the primary controls are available in this 1 2U Light Artillery mode for a genuinely little LFO It might be smaller and leaner but pound for pound it can...

Page 3: ...maximum value results a fixed value a DC line For best results limit the range to 95 or less Due to the wavetables being bandlimited to prevent aliasing Pulse Width is only available in Low Tempo Syn...

Page 4: ...te controls you can smooth for example only the up portion of a square or random wave and leave the falling edge sharp Lag Up the left knob smooths the rising edges of a waveform clockwise Lag Down th...

Page 5: ...ides a curved smoothing Linear provides a straight smoothing Random waveform with no Lag Random waveform with only 40 linear Lag Up applied Note that only the rising edge of the waveform is filtered R...

Page 6: ...get the rate to move very far even with a maximum input level a one octave range up from 0 01 Hz is only going to be 0 02 Hz So to compensate for this you can set the sensitivity of the Ammo oscillat...

Page 7: ...e front panel Phase CV In Amount knob to adjust input level Output CV In CV input jack and trim knob for master output control Outputs Bipolar CV1 4 Out Four separate outputs for bipolar CV values 64...

Page 8: ...e turn the Rate CV In down to around 30 on the modulator for a slightly more pleasing distorted sound on the right channel Alterna tively you could connect the modulator to the Depth Audio CV In for A...

Page 9: ...st the filter s ADSR From this simple setup we can start adding more oscilla tors and gradually building up the patch Creating a polyphonic synth patch In our simple monosynth patch create two more os...

Page 10: ...d more oscillators But remember you ll need to play sequence one less note in the chord than the num ber of Oscillators Voices you have for this to work or else there is no spare voice to rotate throu...

Page 11: ...aying final waveform value is held until next MIDI trigger is received On Yes Plays entire waveform once from the set Phase position provided Gate is active at the set Rate frequency final waveform va...

Page 12: ...p _control_ Range Map _control_ Low Rate Hz Map _control_ High Rate Hz Map _control_ Rate Semitone Map _control_ Cents Detune Map _control_ Rate Tempo Sync Map _control_ Depth Map _control_ Phase Map...

Page 13: ...________ Pitchblende Wellington New Zealand Email contact pitchblende co nz Web www pitchblende co nz Twitter PitchblendeLtd Facebook PitchblendeLtd Jiggery Pokery Sound London England Email support j...

Page 14: ...splitter with independently switchable outputs mirroring and autofade control Super Spider Bundle Anansi Itsy Lolth Miranda Mordred and Shelob buy all six and get one and a couple of knobs on another...

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