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Ammo 100LA “Light Artillery”

4

www.jiggery-pokery.com

•  Envelope CV In

:

Charlotte Envelope Generator

 is a great companion to 

Ammo 100LA

. When it is connected to 

Ammo 100LA

’s 

  Env CV In you can scale the envelope input using this control. Normally this can be left at maximum

• Free 

button

:

—Leave enabled for a free-running oscillator when not using one-shot mode. Turn off to retrigger the waveform on a  
  gate event when you are not using an external envelope. This function is ignored when 1-Shot is enabled.

•  1-S (1-Shot) button

:

—With this button enabled the entire waveform will play once, holding the fi nal level (

see page 11 for more details

)

—The fi nal held level may not be consistent if the oscillator is being externally modulated
—Remember that the Phase setting determines the start and end point of waveform; use a zero degree phase (0°) to  
  play the waveform as you see it described in the preset waveform display
—This control is only used in 

Low

 and 

Tempo Sync 

ranges

•  Lag Up/Lag Down knobs

:

—Ammo is the only Reason system that allows separate slew adjustment of the up and down slopes of the waveform.  
  Lag acts as a fi lter, rounding off sharp waveform edges. Because we have separate controls, you can smooth, for   
  example, only the up portion of a square or random wave, and leave the falling edge sharp. 

Lag Up

, the left knob   

  smooths the rising edges of a waveform clockwise; 

Lag Down

, the right knob, smooths the falling edges of the wave 

 form 

anticlockwise

• Output

:

—This is a x2 scaler, useful if you want a really hot signal. By default it is set to x1 (no scaling)

The order in which the 

Ammo

 waveforms have been arranged was chosen mostly to group similar types of LFO shapes to-

gether, rather than provide a typical wavetable that might be based on one waveform but with different harmonics. This al-
lows the commonly used basic shapes at the beginning, with DC Line (fast to end and one button back) and random stepped 
easily available right at the end for easy location and selection.

Random waveform

The random waveform supports several useful applications, including 
noise and S&H-style output, for experimental, avant-garde and special 
effect purposes.

Audio Noise

With High Range selected, the random waveform acts as noise and 
you can use both 

Rate

 and 

Phase

 controls to adjust the sample rate of the noise. The Lag controls act as fi lters which can be 

used to adjust the “colour” of the noise.

CV Noise

In Low Range set the 

Phase

 to 0° for a fast CV noise, .

S&H

Still in Low Range you can increase the 

Phase

 value up to 360  ° to slow down the time between samples.

Summary of Contents for Ammo 100LA

Page 1: ...Sound All rights reserved Reason Rack Extension and associated logos are trademarks of Propellerhead Software AB All commercial symbols are protected trade names of their holder and their inclusion wi...

Page 2: ...rammer For extra convenience and space saving the primary controls are available in this 1 2U Light Artillery mode for a genuinely little LFO It might be smaller and leaner but pound for pound it can...

Page 3: ...maximum value results a fixed value a DC line For best results limit the range to 95 or less Due to the wavetables being bandlimited to prevent aliasing Pulse Width is only available in Low Tempo Syn...

Page 4: ...te controls you can smooth for example only the up portion of a square or random wave and leave the falling edge sharp Lag Up the left knob smooths the rising edges of a waveform clockwise Lag Down th...

Page 5: ...ides a curved smoothing Linear provides a straight smoothing Random waveform with no Lag Random waveform with only 40 linear Lag Up applied Note that only the rising edge of the waveform is filtered R...

Page 6: ...get the rate to move very far even with a maximum input level a one octave range up from 0 01 Hz is only going to be 0 02 Hz So to compensate for this you can set the sensitivity of the Ammo oscillat...

Page 7: ...e front panel Phase CV In Amount knob to adjust input level Output CV In CV input jack and trim knob for master output control Outputs Bipolar CV1 4 Out Four separate outputs for bipolar CV values 64...

Page 8: ...e turn the Rate CV In down to around 30 on the modulator for a slightly more pleasing distorted sound on the right channel Alterna tively you could connect the modulator to the Depth Audio CV In for A...

Page 9: ...st the filter s ADSR From this simple setup we can start adding more oscilla tors and gradually building up the patch Creating a polyphonic synth patch In our simple monosynth patch create two more os...

Page 10: ...d more oscillators But remember you ll need to play sequence one less note in the chord than the num ber of Oscillators Voices you have for this to work or else there is no spare voice to rotate throu...

Page 11: ...aying final waveform value is held until next MIDI trigger is received On Yes Plays entire waveform once from the set Phase position provided Gate is active at the set Rate frequency final waveform va...

Page 12: ...p _control_ Range Map _control_ Low Rate Hz Map _control_ High Rate Hz Map _control_ Rate Semitone Map _control_ Cents Detune Map _control_ Rate Tempo Sync Map _control_ Depth Map _control_ Phase Map...

Page 13: ...________ Pitchblende Wellington New Zealand Email contact pitchblende co nz Web www pitchblende co nz Twitter PitchblendeLtd Facebook PitchblendeLtd Jiggery Pokery Sound London England Email support j...

Page 14: ...splitter with independently switchable outputs mirroring and autofade control Super Spider Bundle Anansi Itsy Lolth Miranda Mordred and Shelob buy all six and get one and a couple of knobs on another...

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