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amPLifier 

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No single type of amplifier is specified for use with Project Everest 
Loudspeaker systems. The speakers are highly efficient and will 
operate adequately with an amplifier or receiver of 70 – 100 watts.

However, the transient response and audio definition of a high-end 
system such as Project Everest will expose all the inaccuracies 
and distortion in the electronic chain that precedes it. For full-
range operation, Project Everest loudspeaker systems should not 
be used with an amplifier/receiver of less than 100 watts. High-
quality amplifiers/receivers of 100 – 500 watts will ensure optimal 
system performance.

There is no effective limit to the power handling capabilities of 
the Project Everest loudspeakers when driven by consumer audio 
amplifiers. No damage will occur when used with high-powered 
components.  The  selected  amplifier(s)  should  have  a  very  high 
current capacity and must be capable of driving a low-impedance 
load. Low output impedance is also an important criterion in 
selecting an appropriate amplifier.

For bi-wiring or bi-amplification applications, four identical amplifiers 
or two dual-channel units may be used, although specialized low-
frequency and high-frequency amplifiers offer clear advantages. 
(If four amplifier channels are used, the high-frequency amplifier 
may be up to 6dB less powerful than the low-frequency amplifier. 
Due to the power-versus-frequency distribution of music, the 
loudspeaker’s low-frequency section requires approximately four 
times the power of the high-frequency section.)

Project Everest dealers can recommend amplification to best suit 
your individual needs. In all cases, the left and right amplifiers for 
each section must be identical. When bi-amping or bi-wiring, 
make sure that the input sensitivity of the two amplifiers is equal 
or that input level controls are provided to maintain the proper low 
to mid/high balance. If two identical stereo amplifiers are chosen, 
each amplifier may be located near a loudspeaker and drive low-
frequency and high-frequency sections through short wire runs.

If you are bi-amping the loudspeakers, a separate electronic 
crossover network (not included) must be connected to the 
outputs of the preamp/processor and to the inputs of the 
amplifiers that are powering the loudspeakers’ low-frequency and 
high-frequency sections. Refer to HF Drive/LF Drive in Chapter 7, 
for more information.

Summary of Contents for Project Everest DD65000

Page 1: ...Project Everest DD65000 DD67000 Product Commentaries and User Guide...

Page 2: ...nk you for purchasing a JBL Project Everest loudspeaker system Before using the system please take the time to read through this user guide to understand this loudspeaker well and also to use it prope...

Page 3: ...ecting Speaker Wire 26 Chapter 5 Amplifier Recommendations 28 Chapter 6 Placement and Setup Considerations 30 Chapter 7 Project Everest Adjustments 32 Chapter 8 Project Everest Connections 38 Chapter...

Page 4: ...connecting the speakers to their associated electronics This information is found in Chapters 3 through 8 In addition we have included a detailed description of your Project Everest loudspeakers in Ch...

Page 5: ...roduction to levels defined only by the limitations of existing materials and technology The fact that all Project loudspeakers have many common features despite their having been created over a span...

Page 6: ...asically two independent full range speaker systems installed in a handsome curved cabinet nearly 9 feet 2 7 meters wide the Paragon s enclosure was treated as an extension of its transducers In essen...

Page 7: ...the Project K2 developments were all poured into this new challenge to extend the acoustic and electrical possibilities in this Project Everest model Despite its 21st century power and sophistication...

Page 8: ...6 compression driver and horn combination The 045 UHF driver is brought in at 20kHz to cover an octave and a half of ultrasonic frequencies A second 1501 woofer operates in the bass frequency range fr...

Page 9: ...and still present realistic response and detail to a degree unattained by other loudspeaker systems Die Cast Aluminum Housing 045 Series 1 25mm UHF Compression Driver SonoGlass High Frequency Horn 47...

Page 10: ...odymium has been used The phasing plug is of JBL s traditional rapid flare coherent wave four slot design This coherent wave design shapes the wave output producing a truly coincident wave front as th...

Page 11: ...0 degrees in the vertical plane over the frequency interval from 10kHz to 50kHz Internal Crossover Network The circuit topology combined with the acoustic behavior of the 1501 series and 476 series tr...

Page 12: ...cabinet To avoid damage to your floor we strongly advise unpacking the speakers on a well protected surface such as a thick carpet or cardboard Note Your loudspeaker system is packed with a protective...

Page 13: ...els when you set up your speakers You can remove the grilles with the following procedures 1 Hold the lower part of the grille with both hands and push it up Push bottom of grille UP 2 Pull the bottom...

Page 14: ...to best complement your particular system We recommend using an audiophile quality speaker wire of not less than 16 gauge for connections of up to 15 feet 5 meters as a minimum requirement For maximu...

Page 15: ...ur identical amplifiers or two dual channel units may be used although specialized low frequency and high frequency amplifiers offer clear advantages If four amplifier channels are used the high frequ...

Page 16: ...ult in dull sounding bass On the other hand too much distance between the loudspeakers and the nearest wall will reduce the bass output but result in fast and sharp sounding bass The loudspeakers low...

Page 17: ...he adjustments To change setups using shorting bars use the supplied hexagonal driver to remove the screws securing the bar Move the bar according to the setup you require and then re install the scre...

Page 18: ...g the bars The bars select which woofer receives the low frequency signals and which woofer receives the midrange signals One system should be set to left and positioned as the left speaker The other...

Page 19: ...ing bars two LF and one HF would be moved together to set the loudspeaker for bi amping It is possible to operate the system with just the low frequency system or the high frequency system set for bi...

Page 20: ...aps connect the netative terminals together and the positive terminals together Assign one of the two speaker wire conductors as the negative conductor and the other as the positive conductor These sh...

Page 21: ...l posts For this type of connection loosen the knobs on the terminals to expose the holes in the terminal shafts and insert the bare end of each speaker wire into the hole exposed on the terminal shaf...

Page 22: ...ion methods described above has its own advantages your Project Everest loudspeaker system will deliver superb performance with any of the methods described Final Checklist Connect all other system el...

Page 23: ...cy or ultrahigh frequency horn If the surfaces of the low frequency driver cones become dusty you can carefully sweep them clean with a soft dry calligraphy brush or paint brush Do not use a damp clot...

Page 24: ...x 18 1 2 965mm x 1109mm x 469mm Weight 302 lb 137kg without grille 312 lb 142kg with grille Package weight 383 lb 174kg DD67000 Low frequency transducer 15 380mm Pure pulp sandwich foam core cone woof...

Page 25: ...w Thank you for purchasing a JBL Project Everest loudspeaker system...

Page 26: ...al audio users everywhere will be able to enjoy their full range of benefits JBL continually engages in research related to product development and improvement Because of this new materials production...

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