JBL Control 24C Micro Application Manual Download Page 6

3

Polar-to-Listening-Plane Conversion –
To compute the LISTENING-PLANE coverage more precisely, you need to use the exact polar plot of
the speaker (real polar plots directly from test equipment are better than an artist’s redrawing).    Polar
plots are usually normalized to the on-axis value, which is usually labeled “0 dB”.   For every angle off-
axis, there is a difference-figure between this normalized 0 value and the actual level.  To convert to
LISTENING-PLANE coverage, add the “

dB” figure from the following chart for that angle off-axis to

the difference figure from the polar plot (be sure the difference-figure is a negative number).

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Angle

Off-Axis

dB

Correction

Factor

Angle

 Off-Axis

dB

Correction

Factor

5

°

-0.0 dB

45

°

-3.0 dB

10

°

-0.1 dB

50

°

-3.8 dB

15

°

-0.3 dB

55

°

-4.8 dB

20

°

-0.5 dB

60

°

-6.0 dB

25

°

-0.9 dB

65

°

-7.5 dB

30

°

-1.3 dB

70

°

-9.3 dB

35

°

-1.7 dB

75

°

-11.7 dB

40

°

-2.3 dB

80

°

-15.2 dB

By using the actual polar plot of the speaker and applying these correction factors from the chart, the
angle which results in a figure of -6 dB is the REAL 6 dB down angle on the listening plane.    The new
coverage angle is valid regardless of the ceiling height.

Example -- If we look at the polar plot of a hypothetical speaker with 140

°

 coverage, we see that at

70

°

 off-axis (140

°

 total for both sides) the level is down 6 dB compared to the on-axis level.   By

looking at the Polar to Listening Plane Conversion Chart, we need to add -9.3 dB to this -6 dB
figure to find the actual level on the listening plane at this off-axis angle.    We find that the level of
this 140 degree speaker (as specified by the POLAR coverage), is actually –15.3 dB (it is NOT
–6 dB) down at 70

°

 off-axis.  Therefore, listeners located at this off-axis angle will hear sound that

is more than 15 dB down from the level they hear when they pass directly underneath (on-axis) the
speaker.    This is a very large difference.

To find the actual 6 dB down point of the speaker for the listening plane, take the actual polar plot
of the speaker and at every increment of 5 degrees off-axis, apply the correction factors from the
polar-to-isobar conversion chart.   The 6 dB down angle is that angle at which the figure is -6 dB
(POLAR dB down PLUS correction factor).   While it depends on the actual polar plot of the
speaker, speakers with a nominal POLAR coverage of 140

°

 can be expected to reach –6 dB between

45

°

 and 55

°

 off-axis, resulting in an actual LISTENING PLANE coverage of between 90

°

 and 110

°

.

Summary of Contents for Control 24C Micro

Page 1: ...Control Contractor Ceiling Loudspeakers 7HFKQLFDO SSOLFDWLRQ XLGH Rev A Mar 99 Rick Kamlet...

Page 2: ...Square and Hexagonal Patterns 7 Layout Density Factors Edge to Edge Minimum Overlap and Maximum Overlap 8 Considerations for Selecting Layout Density Additional SPL Due to Speaker Density Level Variat...

Page 3: ...C 26NC MTC 26MR Control 19CS 19CST MTC 19NC MTC 19MR 7DEOH XWRXW 6L HV Model Cutout Size diameter Control 24C 24CT 165 mm 6 5 in Control 26C 26CT 220 mm 8 75 in Control 19CS 19CST 305 mm 12 0 in RQQHF...

Page 4: ...pressure level for the application type Understanding Coverage The JBL Control Contractor Ceiling Speakers are designed to provide extremely even coverage on a broadband basis over a wide coverage are...

Page 5: ...can cover 140 degrees over the listening plane In fact the level at the edges of a 140 degree pattern is actually more than 15 dB down compared to on axis NOT 6 dB While the actual LISTENING PLANE co...

Page 6: ...gle is valid regardless of the ceiling height Example If we look at the polar plot of a hypothetical speaker with 140 coverage we see that at 70 off axis 140 total for both sides the level is down 6 d...

Page 7: ...etc can be vastly narrower at higher frequencies and broader at lower frequencies These types of speakers do not provide even coverage throughout the audio spectrum Every spot within the listening ar...

Page 8: ...26C 26CT 10 Ft 3 1 m Ceiling Height 6 dB coverage 14 ft 4 3 m 13 ft 4 0 m 14 Ft 4 3 m Ceiling Height 6 dB coverage 23 ft 7 0 m 21 ft 6 4 m 6RXQG 3UHVVXUH HYHO 63 Maximum Sound Level SPL Capability In...

Page 9: ...times the log of the POWER HANDLING spec plus the SENSITIVITY spec minus 4 dB minus 20 times the log of the DISTANCE from the speaker in meters Max SPL Table The following table shows the maximum con...

Page 10: ...sion We have left power compression out of the formulas because speakers differ in their power compression and because the degree of compression is highly dependent on operational factors such as the...

Page 11: ...hs or depths that would require about 1 2 of the speaker s coverage diameter By offsetting each row of speakers the end speaker in each row can fill in for the lack of speaker at the end of the adjace...

Page 12: ...speakers covering each area within the listening space In some cases substantial increases in SPL can be achieved from high densities The following chart provides the SPL ADDITION within the listening...

Page 13: ...ications where the audience is walking around such as in a retail or grocery store there may be slightly more of an expectation of variations in coverage Room Characteristics In any choice of coverage...

Page 14: ...or pink noise maximum continuous peak SPL maximum continuous average SPL for music speech expected level variation of the direct sound and recommended amplifier power for speakers placed in a rectangu...

Page 15: ...ive crossing over at an affordable price MTC X100 is a preset at 100 Hz 24 dB oct and the MTC XU is a universal crossover module with a wide selection of crossover frequencies These modules solder ont...

Page 16: ...y eliminating the overlap frequency bump in the mid bass region In this configuration the Control 19CS subwoofer takes a greater share of the low frequency burden so more subwoofers may be required Me...

Page 17: ...n cause damage or failure Setting SPL Target Goals While the JBL Distributed System Design DSD software or acoustic design programs like CADP2 or EASE can predict HOW the system will perform in the ro...

Page 18: ...60 Hz 320 Hz 480 Hz 640 Hz etc Depending on the resolution and bandwidth characteristics of your measuring device these can show up as various boosts and dips in your measurement bands These reflectio...

Page 19: ...in parallel to each channel of a 2 ohm capable amp By using a 2 ohm capable amp it is possible to connect a sixteen 16 speaker stereo system eight 8 speakers per channel without having to use 70V 100V...

Page 20: ...a power amplifier capable of full output down to and below the lowest frequency going INTO the amp which is often around 50 Hz An amplifier with low frequency capability is absolutely crucial wheneve...

Page 21: ...uplicate for stereo Bi Amplified Hookup of 70V 100V Full Range or High Passed Speakers with C19CS Subwoofer mono shown duplicate for stereo To Add l Spkrs One Amplifier Channel 70V 100V Output One Amp...

Page 22: ...usiness music environment it is often worth the additional cost to make the system stereo instead of mono Speaker Density for Stereo While stereo can be accomplished adequately with the normal mono la...

Page 23: ...System Design Eargle ELAR Publishing Co 1989 For additional application support from JBL Professional WITHIN THE UNITED STATES Contact Applications Support JBL Professional PO Box 2200 8500 Balboa Bl...

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